sano shuntaro portfolio

さるやSaruya

川島紙店Kawashima Kamiten

黒江屋Kuroeya

にんべんNinben

小津和紙Oduwashi

江戸屋Edoya

玉ひでTamahide

伊場仙Ibasen

人形焼本舗板倉屋Ningyouyaki Itakuraya

志乃だ寿司総本店Shinoda Sushi

山本海苔店Yamamotom nori

井上海苔店Inoue nori

木屋Kiya

弁松総本店Benmatsu Souhonten

榮太樓總本鋪Eitaro Souhonten

八木長Yakicho

神茂Kanmo

上板倉屋

Itakuraya鳥安

Toriyasu丹波屋Tanbaya

三越Mitsukoshi

三原堂本店Miharadou Honten

さるやSaruya

川島紙店Kawashima Kamiten

黒江屋Kuroeya

にんべんNinben


釜屋Kamaya

中庄株式会社Nakajyo Co.

江戸屋Edoya

玉ひでTamahide

伊場仙Ibasen



竺仙Jikusen

榛原Haibara

日本橋

創業一八〇六年



木屋Kiya



八木長Yakicho

神茂Kanmo

上双葉Futaba

海老屋美術展Ebiya Art Store

ヱ板倉屋

Itakuraya鳥安


NIHONBASHI 400 YEARS MAP

MADARA TOKYO

order and disorder AND WINDOW

wind-generated plant in skyscraper

Through NIHONBASHI 400 years MAP project, I conformed a Japanese traditional culture with japanese proud at the same time, I start to think that connection of cultural activity and urban planning create a historical identity in the modern city.

In generally doing architectural and urban design,the architecture can match,If we can think not only the given condition like a architectural law and ground condition but also the context between site and history,we can design the architecture can match other cities view. Through the project, I learned that architectural position and roll in the urban city to capture the feature of urban city with the macro view.

Through My Diploma project, I completely think about the existence of urban space and private space.This project is that I realize that essence done landscape, buildingscape and windowscape are the human activity in Tokyo's residence that we can't feel historical context effective design.

I answered architectural way thinking about energy producing for the future to research about environmental and urban problems of modern city.Through this project, I feel that it is needed for the city that sustainable and self-sufficient architecture is demand for future scene.

三越Mitsukoshi


黒江屋Kuroeya

にんべんNinben

さるやSaruya


釜屋Kamaya


江戸屋Edoya

玉ひでTamahide

伊場仙Ibasen



竺仙Jikusen

榛原Haibara

日本橋




木屋Kiya



八木長Yakicho

神茂Kanmo

上双葉Futaba


ヱ板倉屋

Itakuraya鳥安



Around the world, we should let to show the only one charm of 400 years history in Nihonbashi to connect identical site and memories. This challenge will make buried cultural heritage in Nihonbashi coming out. If we can do visualize the value which hard to find in Nihonbashi and charming history and culture, it is possible to notice the charm and information to foreigner and global people, furthermore Nihonbashi is going to get revitalization. It is great opportunity to think about Japanese re-thinking that to show the character and charm and ability of Nihonbashi clearly from world of view. Above, we will make the best detailed database of Nihonbahi to be platform of Japanese culture.

Young generations(students & children), Stranger (foreigner & new coming people ) Stupid(revolutionist & producer)These targets make Nihonbashi more active and comfort place. We are aiming to create global network that is used unreal and real information originated in Nihonbashi Area for the user including A residents and workers.

Usually, people gather the place of main information source. And then the people who are gathered at the place of information platform redesign Nihonbashi to being center of urban-city. It is important thing for us to excavate and notice the information which is great cultural heritage of Nihonbahi.

The people are gathered on the main point of information base. And the gathered people will be advertisement and spread the information to people. At the end, the scene of Nihonbashi will get fame again.

三越Mitsukoshi


黒江屋Kuroeya

にんべんNinben

さるやSaruya


釜屋Kamaya


江戸屋Edoya

玉ひでTamahide

伊場仙Ibasen



竺仙Jikusen

榛原Haibara

日本橋




木屋Kiya



八木長Yakicho

神茂Kanmo

上双葉Futaba


ヱ板倉屋

Itakuraya鳥安



Location of the projectNihonbashi / Tokyo / Japan type of the projectacademic Grope workMy role in the projectWeb page design / resercherMy contribution to the projectConstruct web site coding / Webpage design / Reserch and InterviewThe level of the project Tokyo University of Science Project in my professors Cultual project 2011 in Chuou-ku The date30 / Mar / 2012

The supervisor of the projectUNO motomu : [email protected] yousuke : [email protected]

ResearchConcept

IndexStory

Page SampleMappingLayout

NIHONBASHI 400 YEARS MAP Urban design research and proposal Project

We put on the distribution on the map not only research and post on the information about detail of traditional architecture, location of the long established shops and relationship between the each shops but also check the new trend and incident have happened in this area more complicate.To show relationship between historical context and visualized present condition in Nihonbashi, to notice it to sort of people is primary goal of this Nihonbashi Project.

MAP of Various kind of Factor

現在 : 2011

震災後 : 1935明治 : 1874

戦後 : 1958

江戸 : 1850

HIghway 高速道路

Nihonbashi area 日本橋地区区域

PhotoSpot写真スポット

photo

title

35°41’00.42”N139°46’42.48”E

Nihonbashi400yearsmap

現在 : 2011

震災後 : 1935明治 : 1874

戦後 : 1958

江戸 : 1850



マキイマサルファインアーツ

Radi-umCASHI

ギャラリー港屋

FOIL GALLERYnoya opgallery αM

P2G-pilot program gallery

ZENSHIYuka Sasahara Gallery

クンストバウ｜東京

TARO NASU

Tobin Ohashi Gallery

Maki Fine Arts space355

Lower Akihabara.

Gallery Terra Tokyo

KANEKO ART TOKYO

MOTUS FORT

Unseal Gallery (近日オープン)

galleryギャラリー


現在 : 2011

震災後 : 1935明治 : 1874

戦後 : 1958

江戸 : 1850



Station 駅

copyright(c)uno-lab,all rights reserved.

shrine神社


現在 : 2011

震災後 : 1935明治 : 1874

戦後 : 1958

江戸 : 1850



Station 駅

copyright(c)uno-lab,all rights reserved.

1992(19)

1940(71)

1965(46)

1991(20) 1990(21)

1958(53)

1958(53)

1992(19)

2006(5)

1982(29)

1990(11)

1980(31)

1990(11)

10

10

10

8

89

9

95

5

5

4

43

3

3

3

2

2

階数

建築年

現在地

Ibasen/ 伊場仙

Benmatsu/ 弁松総本店

Yamamotonori/ 山本海苔店

Oduwashi/ 小津和紙 Edoya/ 江戸屋

Toriyasu/ 鳥安

Tanbaya/ 丹波屋

Saruya/ さるや

Haibara/ 榛原

Futaba/ 双葉商店Itakuraya/ 板倉屋

Tamahide/ 玉ひで

Matsumura Bakery/ まつむらパン

Kaishoken / 快生軒

Koharuken / 小春軒

Kanmo/ 神茂

Egawa-shunshoudo/ 江川春祥堂

Ebiya Art Shop/ 海老屋美術店

long-established store老舗


Since the WW2, the traditional cultures and buildings have covered with the modern movement and infrastructure on this site.Actually, this area has been scattered var ious kinds of outstanding things. Taken the peculiar scenes are introduced on this map, Some of us can re-consider that Nihonbashi is outstanding place in Tokyo which have various kind of funny visual.

In the present being limit of enduring the modern architectures and buildings, renovated old dwellings are focused by some designer and artist as a workplace and housing, and this area inform the good place for designers to show their masterpieces.

The long established shops that keep on managing from Edo-period are leaving on the Nihonbashi area.These shop’s products are produced unchanged feature with influenced by the modernism and industrialism by professional craftmans. This fact must be stimulation for buyer’s greed to buy good things when they researched this visualized traditional site and information.

In the past, this area was called "EDO's Kitchen". The shrine where the place god was given in watched and saw the people who live in Nihonbashi area have been left in here yet. The Nihonbashi area, to preserve memorable place and to improve economy, is the most complex city in Tokyo.

ResearchConcept

IndexStory



No.15 / KOHARUKEN / Jun.28.2011 /Ningyocho / Western Cooking / Mr.Kojima

No.14 / HAIBARA / Jun.27.2011 /Yaesu / Japanese Paper / Ms.Nakamura

No.13 / KAISEIKEN / Jun.21.2011 /Ningyocho / Cafe / Mr.Sato

No.12 / MATSUMURA PAN / Jun.18.2011 /Ningyocho / Bread / Mr.Matsumura

No.11 / TAMAHIDE / Jun.15.2011 /Ningyocho / Japanese Cooking / Mr.Yamada

No.10 / ITAKURAYA / Jun.14.2011 /Ningyocho / Japanese Pancake / Mr.Fujii

No.09 / EBIYA / Jun.14.2011 /Muromachi / Antique / Mr.Yamamoto

No.08 / FUTABA / Jun.10.2011 /Ningyocho / Tofu / Mr.Tanaka

No.07 / EGAWASHUNJYOUDOU / Jun.09.2011 /Muromachi / Sign / Mr.Egawa

No.06 / BENMATSU / Jun.08.2011 /Honcho / Restaurnt / Mr.Higuchi

No.04 / YAMAMOTONORI / Jun.06.2011 /Muromachi / Nori / Mr.Yamamoto

No.03 / ODUWASHI / May.30.2011 /Honcho / Japanese Paper / Mr.Matsuura

No.02 / EDOYA / May.23.2011 /Ohdenmacho / Brush / Mr.Hamada

No. / SHOP NAME / Date / Location / items /interviewer

No.01 / IBASEN / Apr.22.2011 /Kofunacho / Japanese Fan / Mr.Yoshida

Research historical policyby INTERVIEW

Research historical productsby CRAFTMANS

No.05 / KANMO / Jun.07.2011 /Muromachi / Kamaboko / Mr.Inoue

No.17 / TANBAYA / Jul.12.2011 /EAST Nihonbashi / Fassion / Mr.Aoki

No.18 / TORIYASU / Jul.09.2011 /EAST Nihonbashi / Japanese Duck Cooking / Mr.Watanabe

No.16 / SARUYA / Jul.06.2011 /Muromachi / Toothpick / Mr.Yamamoto

We have interviewed the master of old store standing at Nihonbashi.These storis directly hearing from them are precious, trustful and high quolity information which are never able to get on internet.We asked various and plenty kind of storis about historical Nihonbashis scene, hope of manager of leader from then to now.

03

小津和紙 /Ozuwashi

●品

和紙•不織布●材料

こうぞ

●職人の数、場所

全国各地●材料の産地

土佐、美濃など

01

伊場仙 /Ibasen

●品

扇子•団扇●材料

竹、紙


？●材料の産地

房州

02

江戸屋 /Edoya

●品

刷毛•ブラシ●材料

木、毛


全国各地●材料の産地

？

04

山本海苔店 /Yamamotonoriten

●品

海苔●材料

海苔



有明海など

05

神茂 /Kanmo

●品

練り物●材料

　鮫


10 人、日本橋●材料の産地気仙沼（震災後は

南紀勝浦、銚子、広島）

上

07 ●品

印鑑●材料

つげ、シャム



特定の産地なし江川春祥堂 /Egawasyunsyoudo

06 ●品

弁当●材料

●材料の産地

弁松総本店 /Benmatu souhonten 折箱ー湯島

色々


？

08

双葉／ Futaba

●品

豆腐●材料

大豆

●職人の数、場所●材料の産地

09 ●品

古美術●材料

●材料の産地

海老屋美術展

Ebiya Bijutsuten


？

ヱ10

板倉屋／ Itakuraya

●品

人形焼き●材料

●職人の数、場所●材料の産地

11 ●品

鳥料理●材料

●材料の産地

玉ひで /Tamahide


？

12 ●品

パン●材料

●材料の産地

むらまつ / Muramatsu


２０人（職人 2人）

12 ●品

パン●材料

●材料の産地

むらまつ / Muramatsu


小麦

13 ●品 ●材料

●材料の産地

快生軒 /Kaiseiken


喫茶

15 ●品 ●材料

●材料の産地

小春軒 /Koharuken


洋食

14

●材料の産地

榛原 /Haibara


●品

和紙•不織布●材料

こうぞ日本橋


16 ●品

　楊枝●材料

　黒文字

●材料の産地

各地　

さるや /Saruya


各地に多数　

18 ●品 ●材料

●材料の産地

鳥安 /Toriyasu


合鴨料理

埼玉７人（固定 4人）

合鴨17 ●品 ●材料

●材料の産地

丹波屋 /Tanbaya


５８人

雑貨

ResearchConcept

IndexStory



伊場仙 /Ibasen Since 1590 扇子・団扇 / Fan

Introducing the long founded shops from various stand of view. For example, architectural planning and elevation and interior plan. Furthermore, some of interview to CEO of each shop, introducing of products, derive of the shop and so on. The information that We never know from ordinal life and relationship of each epoch on the store are included in this research project. From now on, I am going to introduce one of example of all.

History

People

イギリスが東インド会社を設立Britain establishes the East India Company.

シェークスピアの『ベニスの商人』が出版されるShakespeare's "merchant of Venice" is published.

Since 1590伊場仙 /Ibasen

14th

1603

1868

19121926

1989

Edo 江戸

Meiji明治

Taisho大正

Showa昭和

Heisei平成

Now

街道 / traditional highway

The thought to "the thing which is not visible" which came out into main Mr. 14 generation of Ibasen this Yoshida's talk. It supports by raising a town with the earthquake disaster which cooperates in a local festival. Just relation with such a person is worthy and important. It is said that the way of life of the human being instead of family precepts has been valued from generation to generation. This will be understanding, if it looks back upon the history of Ibasen. It suffered no less than about ten times of disasters, such as a conflagration of Meireki, a big earthquake of Ansei, and the Great Kanto Earthquake, and "what visible" has disappeared. However, probably, the essence of Ibasen which still continues from the Edo period or before is choked up into the "thing which is not visible."

伊場仙１４代当主吉田さんのお話の中に、出てきた「見えないもの」への思い。地元のお祭りに協力をする、震災では町をあげて支援をする。そんな人とのつながりこそ価値があり、重要である。家訓ではなく人間の生き方を代々大切にしてきたと言う。これは伊場仙の歴史を振り返ればわかることであろう。明暦の大火、安政の大地震、関東大震災など十数回もの災害に見舞われ「見えるもの」は消失してしまった。しかし、江戸時代以前から今なお続く伊場仙の本質はその「見えないもの」の中に詰まっているのだろう。

代々引き継がれている「見えないもの」への思いThe thought to "the thing which is not visible" succeeded from generation to generation

千葉県館山市 Tateyama City,Chiba

浜松市伊場町(遠州伊場村)Iba-cho,Hamamatsu City

愛知県岡崎市Okazaki City, Aichi

堀江町の版元伊場屋

Publisher Ibaya of the Horie town

伊場仙は徳川家康と共に江戸に上がった浜松の商人、伊場屋勘左衛門によって創業。当時の屋号伊場屋は初代の出身地が遠州伊場村（現在の浜松市伊場町）であったことからなづけられたもの。創業当時は江戸日本橋堀江町（現在の東京都中央区日本橋小舟町）にて、江戸幕府の御用を承り、主に和紙、竹製品、などを扱っていました。江戸後期よりうちわ浮世絵を扱い始め、版元として「伊場屋」の名を江戸市中に広めました。現在その当時の「伊場仙版」の絵は国内の美術館はもとより大英博物館、ボストン美術館、メトロポリタン美術館、ヴァンゴッホ美術館等海外の著名美術館でも見ることができる。

Ibasen is started by the merchant of Hamamatsu gone up to Edo with Ieyasu Tokugawa. since the first hometown of the shop name Italian theater of those days was Enshu Iba-mura (present Hamamatsu Iba-cho). foundation that time -- an Edo Nihonbashi Horie town (present Nihombashi Kofuna-cho, Chuo-ku, Tokyo) -- business was heard and Japanese paper, bamboo goods, etc. were mainly treated [ of the Edo Shogunate ]. From the second half of Edo, it was begun to treat fan ukiyoe and the name of the "Italian theater" was spread to an Edo in the city as publishers.The domestic art museum can see the picture of the "Ibasen-ban" of those days from the first also in overseas prominent art museums, such as the British Museum, Museum of Fine Arts, Boston, Metropolitan Museum of Art, and Van Gogh Museum, now.

Link

滋賀県近江Oumi,Shiga

滋賀県近江Oumi,Shiga

竹の生産地Baboo - producing area 千葉県館山市

Tateyama City,Chiba竹の生産地Baboo - producing area

愛知県岡崎市Okazaki City, Aichi創業者出身地Founder‘s native place

新潟県小千谷市Chijimi, Nigata

新潟県小千谷市Chijimi, Nigata

日本橋堀江町(1590)

浜松市伊場町(遠州伊場村)Iba-cho,Hamamatsu City創業地Establishment place

小千谷縮の生産地Ojiya Pongee - producing area

伊場仙１４代目当主　吉田誠男さんThe 14th generation of President Ibasen Mr. Masao Yoshida

Architecture

N

東京都中央区日本橋小舟町4-1

・営団メトロ　三越前駅　A4出口　徒歩７分

4-1 Nihonbashikofunacho,Chuou-ku,Tokyo

・Metro Mitsukoshi-mae A4 exit On foot 7min

Site date

建築年／19XX年階数／10F構造／SRC特徴／海老蔵が目印

Year of building／19XXNumber of stairs or stories／10FStructure／SRCCharacteristic／Kabuki actor “Ebizo”　　　　　　 puts a mark.

Architectual date

伊場仙 /Ibasen

500030001000

500030001000

Goods先の見えないこんな時代はれんこんを覗いて先を見通そう

This time when the point is not visible will look into a lotus root, and will foresee the point.

江戸のデザインはシャレが効いている。れんこんやとんぼ、瓢箪。一見何の意味も感じることはできないが、実はそこには隠れた意味がある。それに気づいたときについ「くすっ」と笑ってしまう、そんな江戸っ子のおしゃれは現代の私たちが見ても新鮮でかっこいい。

The design of Edo has the effective joke. A lotus root, and a dragonfly, a gourd. Although no meaning can be felt apparently, in fact, it has the hidden meaning there. When you notice it, you will laugh it as "hee-hee" in spite of yourself. Even if present-day we look at an Edoite's fashion, it is fresh and smart.

扇子・団扇 / fan

６つの瓢箪 / Six gourds 無病 /Non-illness

とんぼ(勝ち虫) / Dragonfly(win insect)前進あるのみ / only step forward

雪景色 / Snowscape視覚的にも涼しく / Also visually, it is coolly.

れんこん / Lotus root先が見える / The point can be seen. れんこんは穴があいているので、先が見える。将来の見通しがつくと言う景気の良いデザイン。Since the hole has opened, the point of a lotus root can be seen. The good design of the business said that a future outlook brightens.

とんぼは前にしか飛ばない。前進あるのみ。気合いの入るデザイン。A dragonfly flies only in front. It only moves forward. The design containing concentration.

夏に使う団扇ですが、描かれているのは冬の雪景色。何だかいつもより冷たい風が吹いてくる気がする。かも？It is a snow-covered landscape of winter to be drawn although it is a fan used in summer. I feel that a wind somehow colder than usual blows.

６つの瓢箪。むっつのびょう。むびょう。無病。健康祈願のデザイン。A gourd is pronounced with a "Hyoutan" in Japanese. In short “Byou”.6 pronounces with a "Mu" in Japanese. The non-illness is pronounced with a "Mubyou" in Japanese.

美しい

It is whether a National boy meets a fine day.

お客とお茶しながら美術品を語る

A work of art is told going get a cup of japanese tea

with a visitor.

８代目三宅利右衛門デザインの海老屋の半纏The short coat (hanten)of the Ebiya of the 8th generation Miyake Rizaemon design.

1th floor plan

1000500 5000

This proposal, based on the findings of science and technology of the 21st century, is a plan to install “natural” urban environment into “Tokyo 2050” , for reviewing and evaluating “nature” of Tokyo as it has, and for visualizing her original form and nature.Contemporary Tokyo is the mega-city where overwhelmingly dominant are artifacts such as roads, railways, buildings, and condominiums. The land of Tokyo has been covered with modern architecture and modern city planning, to be invisible its substance that natural things generally have, “form of madara (fluctuation) “. Natural things mentioned here are: 1) natural topography, geology, and soil 2) a variety of ecological systems, and 3) human beings, animals and plants."madara Tokyo" means "fractal city Tokyo" that is the concept of our project for the treatments to unnatural parts of over-artificial Tokyo, and that is an architectonic proposal for the "natural" urban environment to be updated. It is a vision of Tokyo, with nature, of nature, for nature, and it will for people to live in “natural” urban environment. And Tokyo will gradually turned to be "natural city” .

Target is the area from Hongo plateau, via Ueno hill, to Asakusa area. Hongo, Ueno, Asakusa, inherently, are the places where nature is dominant, that is, it is the heterogeneous area or the land with " uneven form and nature". It is a mixed site of lowland and terrace, located on the periphery of early Tokyo central district. Tokyo has been grown up, changed, and developed as a result of mediation of urban lifestyle, which was born in the modernity. This area is now a little bit old Tokyo with calm atmosphere of Showa-era, and then, it has a capacity and possibility of big transformation in the future. Shinobazu-no-ike is a large pond in the lowlands between Hongo plateau and Ueno hill. 150 years ago, the Meiji government of Japan here held a major international exposition to show the western civilization to Japanese people. People were strongly interested in the newest products and events of the western countries.Western style of schools, school of medicine and school of physics, are established at the site of former Kaga-han residences on Hongo Plateau, and School of fine arts and museum of arts were established at the of former Kaneiji-temple on Ueno hill. Western modernization of Japan began at the place of Ueno, introducing western science and arts.

There is Senso-ji Temple near Sumida River in Asakusa area, Higashi- Honganji Temple and large and small temples are there surround. A lot of town people, merchants and craftsmen, have been lived in that area.This region is the uptown and downtown of the first generation in modern Tokyo, and mixture of natural objects and artifacts will be there, and "natural buildings" will also be there fitting to the land they stand. It is the schne of "Tokyo 2050". It is the new city to live together with diverse of people and living things. "madara Tokyo" will be a model of 21C city for people to live in together with nature, where people of varieties of nationality will visit, live, and stay for short-term, medium-term and long-term stay or settlement,

madara Tokyo/Hongo-Ueno - Asakusa

Location of the projectHONGO - UENO - ASAKUSA area type of the projectacademic group workMy role in the projectChief of the team / Mccount of tear / Main planner of the urban planningMy contribution to the projectManagement of the team / Model making for urban design planning /Making drawing / Role of accountThe level of the project Tokyo Culture Creation Project: organized by the Tokyo Metropolitan Government and the Tokyo Metropolitan Foundation for History and Culture in cooperation with arts organizations and NPOs, The date2011/9/23 to 2011/10/2

The supervisor of the projectUNO motomu : [email protected] kaori : [email protected] shunya : [email protected]

madara Tokyo/Hongo-Ueno - Asakusa

Ground ResearchConcept

IndexStory

ProposalHuman Reserch Site InformationLayout

MADARA TOKYO Tokyo Metropolitan Government calledthe Tokyo Culture Creation Project

Boundary Line Shadow Plants Artificial Objects Cliff Distant view

Centripetal object Centripetal Human Stopping Seating Lying down Walking

The relationship between humanactivities and the built environment.

Research of People and Place One Hour / One Day / one Life

Street planting, lost the speed of the bike. Bench serves as a bed under the shade. Discovered space and chained

actions are found to sit

Coexistence of consumers and tourists Playing space at the waterside Photo with the city’ s attractions Stalls lined as ‘Cityscape’ Some avoids them, some stops for them Street as a stage The town continues updating

Notation of human activity

In 2050, the life style will be ''medievalized'' in sense. People will move more during their life, and the networks among cities will be enhanced and globalized.Meanwhile, their daily movement will be more diverse, which results that suburb-to-CBD commuting will not be essential.''Place" appears to be superposition of movings of "people."

We consider Tokyo 2050 from the viewpoint of the relationships between place and the activities of people who stay or pass through there.

We researched about various kinds of activity that people response the real condition around the traditional and cultural place. Peoples show individual behaviors respectively, furthermore, there are trend around peculiar things and places.

I note these typical behavior and proper for the future urban design. Just they react against encountered things and event. This notation shows each typical behavior at the peculiar place. Compiling these notation is used analyze human activity and design new urban design.

Station Hotel Shrine・Temple Altitude zone of 10 m

School facilities River ・ Pond Greenery Railway

Lying downSeationgStoppingWalking

Plot of the relationship between arearesidents and a variety of mixed time span.


IndexStory



A MAP of GROUND-WATER FORM Ground-water changes gradually from low land to plateau.

A MAP of LEAF MOLD

A MAP of GROUND-WATER LEVEL

The research of Ground condition

A MAP of OFFICIAL LAND PRICE

The data informed by the Ministry of Land, Infrastructure and TransportThe Geographical Survey Institute

Civil Engineering center TOKYO METROPOLITAN GORVERNMENT

A Map of THE LIQUEFACTION

The mottle places are especiallyhard and not to being liable to get liquefaction.

We experienced the terrible earthquake last 11 March , after that association of urban design and association of architecture and the other many researching institutions are reconfirming various kinds of data composing urban structure to judge the risk and conditions.To know the present condition of strata and ground is one of the important thing. After that, this information should be reflected to critical design by all designers.

The areas "Hongo, Ueno and Asakusa" complexed by lowland and terrace were genuinely well natured sites that had heterogeneous form and spotted character. However, nowadays,the land is covered by homogeneous and modern feature of urban planning and architecture, the form of madara(changeable condition) which the nature thing has universally is hard to discover. Therefore, we focus on under the ground covered by infrastructures, define and analyze the site again.

In Tokyo, almost all people choose the train to move. So,the stations that are used by people show the realm sharing the user. This map shows the realm using by Voronoi diagram. we can design effective layout planning with this realm and the other maps.

A MAP of THE REALM of STATIONS

A MAP of SAND CONDITIONS

Liquefaction is peculiar disaster in Japan have advanced civil engineering.This map shows the frequency and easy to be happen of the liquefaction.Therefore, the new fundament to judgement for new land and how degree of dangerousness, we are able to propose the safety idea and planning.

KOURAKUEN & KASUGA

HONGOSANCHOUME

SUIDOUBASHI

SUIDOUBASHI

FRONT OF UNIVERSITY TOKYO

HAKUSAN

HONKOMAGOMESENDAGI

WEST-NIPPORI

SENGOKU

SUGAMO

SHINOHTSUKA

MYOUGANI

GOKOKUJI

EDPGAWABASHI

KAGURAZAKA

USHIGOMEKAGURAZAKAIIDABASHI

KUDANSHITA JINBOUCHOU

AWAJICHOU

OCHANOMIZUAKIHABARA

IWAMOTOCHO

UENOHIROKOUJIOKACHIMACHI

NAKAOKACHIMACHI

UENO

JR UENO

KEISEI-UENO

NEZU

YUSHIMA

NIPPORI

UGUISUDANIIRIYA

ASAKUSA

TAHARACHO

SHINOKACHIMACHI

ASAKUSA

KEISEI-ASAKUSA

MINOWA

HONJYOAZUMABASHI

KOTOHIRABASHIOSHIAGE

KINSHICHORYOUGOKURYOUGOKU

ASAKUSABASHI

MIKAWAJIMA

INARICHO

0-5 5-10 10-15 15-20 20-25 25-30

The Map of the official land price is changed by the current of load, railway, and various kinds of factors, but the cultural heritage and the place of overpopulated area are rocketing.To guess and analyze the information and fluctuation, I realized that it is possible to be able to design new feature and landmark to the future plan.

A loamy layer of Kanto spread to the part of table-lands mainly. At lowlands, the distribution of sand, cray, silt, and a conglomerate are mixed.In former days, Tokyo lowlands were under the sea. Therefore the condition of around the Sumidagawa river’ s strata has heavily conglimerate with going toword closer to tablelands,we could understand the conditions are changing light sand and clay.

Falling leaves and living things make up nutrious leaf mold for long years.The distribution ofdepth and width are diverse. Therefore the soil can decide precious resorces.

The surface soil are distributed whole place, especially there are rich soil in 0 – 3 meter of depth under the ground. The surface soil is brought from another place by people, therefore the location of high frequency which suppose the risk of liquefaction shows the tendency that being gathered much surface-soil.

A DISTRIBUTION MAP of SURFACE-SOIL The ground-water level is shallow at low land, on the other hand plateau shows deep depth.

Supported by


IndexStory



At Sumidagawa river, The place divided to the area of Skytree and Senso-ji temple is always crowded and make a stream by lots of people coming from all over the world who want to eat various kinds of vegetables and cooking, The market managed by diverse visitors will have kept to be sparkling all day.

The crowd coming from the foreign countries, who tours the new broaden cycling-road started from the back side of Senso-ji temple to giving rise to the vigor areas.

The metropolitan highway and curtain of greener, inorganic matter and organic matter, the warm atmosphere is created by various kinds of vegetables which make human prosperity under the poor lighted metropolitan highway. When everyone start to walk forward to plats or river with brilliant scenes, all one surely meet new green landscape of industry and tradition.

08 : Stalls of Vegetable 07 : INN of holly 04 : Rich greener curtain hanging on infrastructure

If you focus on your senses, you can still smell the fragrance of flowers and find traces of a tasteful view in Kikusaka area. However, it is difficult to mix the complex man-made objects that these things are difficult to notice to people. In many cases the original floral scenes are only preserved in the form of a flower pot. The tracks of the changing scene will be formed eventually a loop and lead to the next greener.

01 : The park of an early summer rain

There are greatest green that is divided by man-made structure on the edge of ueno plateau towering smoothly cultural facilities. The cultural facilities engaged in history of Japan, newly produced green landscape and the terrace which can be commanded a whole view of the two blowing breath upon the divided deep pool.

03 : Vigorous wind terrace

LAYOUT PLAN Designing from Human activity and ground condition, I put essential designs on each historical key location 01 to 08.


IndexStory



LANDSCAPE DIAGRAM PLANNING DIAGRAM

I design small landmarks softly between forgotten Shinobazuike pond and traditional architecture. Connecting to Shinobazuike pond and the landmark of architecture around the pond slightly, Hongo and Ueno area turn back to vigorous unite. Once upon a time, at the time of the sound of the bell in Sensoji temple had been heard from everywhere, so we hope to extent and expand space of recognizing from here to all places with designing small devises.

02 : UENO PROJECT

Kappabashi possess strong and weak ground at the same time and make ‘Madara condition’ . These conditions have a possibility of dramatical change in the future. As students from all over the world, researchers of urban agriculture and foreigners stay on here for middle term or short term, urban structure is going to be designed and constructed circulative system. Agriculture of urban style will spread mainly to Kappabashi. Kappabashi has equipped the system of products will be gradually charming city with Asakusa, Skytree and Ueno.

05 & 06 : KAPPABASHI PROJECT

Connecting the directions and vistas from shinobazuike pond to var ious histor ical key locations.

In each floor, I decide the theme and vista. So the floor layout is concluded automatically and the each roles are allocated.

Landscape diagram

Planning diagram

This design consists of only windows of this industrialized standard of Japan. A design starts from the form of this window and all the space is constituted.

The new building seen from Sumidagawa river gives new order to a town, and makes a new tale to historical city of Nihonbashi. A place is the Nihonbashinakasu. This ground is a delta from the first. It develops from the Edo period and is a town which is reclaimed, serves as a residential section and consists of three major infrastructures of a skyscraper, metropolitan quantity, and an artificial river now. A building group raises each breath by composition of a window, it responds to it, and people gather. It is the same that people gather, even if time passes.

The facade of night exists in the night or daytime in the daytime, and it is charmed by the facade, and people stray, while not knowing.The functions which I designed on this ground are SOHO, a vacant lot, and galley. I think that it is the state of future Tokyo that fixed not a place but space deal with people. The grace of the new scenery of this ground is located on this place, and can be tasted. These space is made from the facade of the composed window. A main window certainly exists in every room.

Interior space and exterior space are connected by the main　window, and induce people's new harmony. A window is emphasized and the facade which they are not usually conscious of also serves, as a focus which turns consciousness to the present space only by being connectable with an inside. This design will become indispensable to the building-scape of Japan which are rationalized and had been closed in the internal section.

People walk looking at a self-awareness of the issues and the fading scene, when you walk along a town.If a focus is hit to a window, a lot of beautiful rows of houses exist in the world.Each is respectively orderly and it is beautiful. But, Japan is different. As for a piece, beauty and a feeling of a life are not felt.To the window of the causing which is not beautiful, I doubted and started the design this time. The design of the composition of a window. The route which walks along a town exists without limit. The composition method of a window also exists infinite.Those who one tale exists at a time in how to walk, and walk along a town feel about the same order as a window-scape.The window-scape Is accumulated, becomes disorderly and is made open in front of people. Space follows the windows.The composition of a window, and the outline of the construction which acted in union, The two fusion serves as an antithesis to the rationalized present condition.


Location of the projectNihonbashiyaesu Tokyo Japan type of the projectacademic individual workMy role in the projectOwn ploject / making all planning and doccumentsMy contribution to the projectAll thingsThe level of the project Tokyo University of Science Diploma ploject and ThesisThe last grade of BachelorThe date17 / Feb / 2011

The supervisor of the projectUNO motomu : [email protected] yousuke : [email protected]


WindowScape ResearchConcept

IndexProperty

How to PlanningPlan

Rule SiteInformation

order and disorder AND WINDOW DIPLOMA PLOJECT Outer Perspective Inner perspective Experience on street

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1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 361078 1835 306.5 241.1 126 352.6 2079 249.5 1303 90.3 27 238.4 161 159.6 872 49.4 101.6 261.2 86 210.2 850.5 332.9 144.9 47.9 39.8 5.7 100.9 23 141.6 78.8 20.8 53.1 163.9 8.8 19.2 127.1 58.4 20.3 2620 331.5 109.5 220.3 966.1 135.7 132

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2 2 1 2 1 2 1 1 1 1 1 1 2 1 1 2 2 2 1 1 2 2 1 2 1 1 1 1 1 2 1 1 2 1 1 1 2 1 1 2 1 1 1 2 1 2 1 1 127.8 38.0 27.2 45.7 43.9 38.4 31.3 37.6 19.0 39.0 9.6 34.7 17.9 61.6 49.0 22.9 34.4 29.5 29.1 33.2 56.6 49.7 65.4 36.1 22.9 40.4 30.0 55.2 53.4 48.2 12.5 67.0 50.5 28.4 23.4 32.5 21.4 15.8 17.6 21.6 20.1 15.1 31.4 13.3 24.4 32.8 22.5 164.8 2.1 9.0 7.8 8.5 1.8 5.6 8.4 3.2 12.1 31.9 2.8 4.8 8.6 4.5 2.2 4.7 9.3 5.9 8.8 3.0 2.6 5.2 5.2 2.3 7.0 4.5 5.7 5.4 4.4 5.3 6.4 8.8 20.5 10.4 5.4 3.6 7.9 1.8 9.8 2532.6 40.1 36.2 53.4 52.4 40.2 36.9 46.0 22.2 51.1 41.5 37.5 22.7 70.2 53.5 25.1 39.1 38.8 35.0 41.9 59.5 52.3 70.7 41.3 25.1 47.4 34.5 60.9 58.8 52.7 17.8 73.4 59.4 48.9 33.9 37.8 25.0 23.6 19.4 31.4 45.4 33.8 36.7 29.9 29.8 43.2 31.3 2

店店事務所所事務所

form

nihonbashi r iver

t o ps i d ewindow

opening

equality uniformitynotuniformitynotunequality

hor izonta lvert ica lone aspectup stare typebalcony typewindowroof3D2D

entrance

leftrightcenterleftrightcenter

have or notunifomity

attr ibute

huehow many windwentranceopenning

area

A

B

C

D

ornament

area

distribute

continuation

irregular

ornament

area

direct

indirect

ornament

color

ratiobelong office office office office office office office office office office officehouse house house house house house house house house house house house house house househouserestau

rantrestau

ranthouse

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α ●●●●β ●●●● ●●●γ ●●α ●●●●β ●●γαβ ●γ

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form

t o ps i d ewindow

opening

equality uniformitynotuniformitynotunequality

hor izonta lvert ica lone aspectup stare typebalcony type

出窓roof3D2D

entrance

leftrightcenterleftrightcenter

have or notunifomity

attr ibute

huehow many windwentranceopenning

area

A

B

C

D

ornament

area

distribute

continuation

irregular

ornament

area

direct

indirect

ornament

color

ratiobelong house house house house house house house house house house house house house house house house house houseoffice office office officestore vacant

Analysis Matrix

Sequence2010 Nihonbashi10/08/21 本人撮影

1886 Nihonbashi201216572010 Dam Square

10/09/10 本人撮影2010 Dam lack

by A Short History of Amstrdam 20121610

History

OthersPatern Continuation

WINDOWColors Window ratio Use

ATTRIBUTEDirect Undirect

ENTRANCEOthersRectangle Uneven House Like

FORM

Extracting the characteristics of both citys facade through site investigation and research of literature.Grouping the extracted facade designs based on form, opening ratio,decorative element and color composition.Analyzing the patterns in terms of continuity and verifying the sequence of both citys streets.

Morphological analysis of the continuity of building facades along the canal - Compare to Amsterdam and Nihonbashi -

1 : Photo / 2 : Form / 3 : Window / 4 : Entrance /

Morphology

Amsterdam and Nihonbashi are famous for the aquapolis. Nowadays, Amsterdam's beautiful canalscape have been preserved by people, on the other hand, in japan, the beautiful scene was changed by various kind of reasons. In this theses, I did a design analysis of the current waterfront architecture in both cities.It is my purpose to survey, contrast and find out the morphological difference between both city with focusing both city's condition of preservation about architectural form and surface of identity.

Conclution1 : Both cities have high percentage of opening ratio as an architecture grope standing along the canal.2 : There are peculiar type of form, window and entrance each cities, furthermore these factors are designing identical cityscape.3 : By comparison, if there is continuity of window sequence, identified cityscape is created by the harmony.To sum up, superiority or inferiority exist in what produces a feeling of unification of façade.


IndexProperty

How to PlanningPlan



1 : TOKYO metropolitancity2 : Chuou ku3 : Nihonbashi area4 : Nihonbashi-Nakasu

7 : Complex junction6 : Near the Sumida river

1 : Traditional nihonbashi bridge2 : Concealed junction3 : Appeard high way4 : Skyscraper complex5 : Various type of mantions

View from metropolitan highway

View from sumida river

Detai l 02

Detai l 01

Location

Detai l 03


IndexProperty

How to PlanningPlan



Research of window-scape All over the world

TunisREPUBLIC of TUNISIA

San LoisFEDERATIVE REPUBLIC of BRAZIL

BrugesKINGDOM of BELGIUM

KanazawaJAPAN

Rio de janeiroFEDERATIVE REPUBLIC of BRAZIL

ReykjavikREPUBLIC of ICELAND

AlberobelloITALY

Cape TownREPUBLIC of SOUTH AFRICA

The arrangement method of various windows exists in the world.

The scene of each window expressed the feature of the town and made traditional beautiful building-scape.

It has a respectively characteristic atmosphere n each countries.Research of window-scape On Nihonbashi

The Nihonbashi’ s window-scape is different from others. especially missmatched and no designed city-scape is existing. This present condition ask us what will you be able to design future scene of Tokyo.

1 : The window as an eye-stop of materials and color 2 : Facade design on window composition

3 : The feeling of functional rhyme of window

First, I definet the size of window ,wide1200mm×Height1400,Second,start to design composition of window on the facard.Third,main window creat proper designe space to inner area

When we usuary design architecture,the order are research the site, zoning, planning...

Finally,dicide the conposition of window with thinking about matching around condition.

However, in this ploject,I changed design order compleatly opposite.To sum up with,design window composition →Generation of Form & Volume → Spacic Generation

CONCLUTION of THE RESEARCH& DESIGN METHOD

zoning & planning

facade design zooning & planning

facade design(window scape)


IndexProperty

How to PlanningPlan



street view planningplanning of experoence which is focused on perspective isdifferent from ordinal planning. I am going to design windowscapeto research urban city.

Main window which design inner space is decided by the ratio of area.This is key point in creating inner space.

The program of inner space is decide by the spacial scal andaccess. Outstanding prossess from normal planning originatenew architecture from.

:

Extracting both factor of Tokyo metoropolitan high way and Sumidagawa river, I designed the window composition inspire from both factore.

Understanding and analyzing the factor of constructing urban design that prepared four walls to design façade, I design the façade to express great perspective and sequence with composition of window for each districts.

Creating the volume of the building composed by two designed facade,comfronting two facade make diversity amosfere in this site.

2 :

3 :

1 :

THE DIAGRAM of ELEVATION DESIGN

THE DIAGRAM of GENERATING SPACES


IndexProperty

How to PlanningPlan



CH = 5300 CH = 4000 CH = 4000 CH = 12800 CH = 3500

CH = 2800CH = 3200CH = 3200CH = 3200

CH = 32003FL - 720

E.V.

E.V.

E.V.

E.V.

E.V.

E.V.

CH = 6800CH = 4000

CH = 5400CH = 30002FL - 300 2FL - 200

CH = 3300 CH = 2700

CH = 2700 CH = 3700

CH = 3700

CH = 6700 CH = 3700

2FL - 480

2FL - 480

2FL - 4802FL - 480

E.V.

E.V.

E.V.

E.V.

E.V.

E.V.

CH = 2100 CH = 2100 CH = 2100 CH = 7777

CH = 2200CH = 2700

CH = 2700

CH = 2200

HOUSE OFFICE

SHOPSHOP OFFICECOMMONE.V.

E.V.

E.V.

E.V.

E.V.

CH = 2200 CH = 5700SHOP

COMMON SHOP

CONCEPTActually town-scape and inner space should be connected by design. We can not find this connection in Tokyo that we are able to live effectively and confortablely. In the urban city ,to design the colorful sighit of cityscape, the connection between Architecture and urbanism are encoureged.

THE DIAGRAM of PLAN DESIGN


IndexProperty

How to PlanningPlan



NIGHT TIME PERSPECTIVE

At the night time, plenty of light from disordered window create fancy atmosphere around streets. These rhymes are matching each streets.The people who live in this residence go back home with attracted and excited in beautiful window-scape.

DAY TIME PERSPECTIVE

On lunch time, order and disordered windows show various kinds of human activity from inner space. Some of foreigner and tripper from local japan come to feel this new atmosphere of Tokyo’ s building and communicate with habitats. This way will be new communication way in Tkyo.


IndexProperty

How to PlanningPlan



Looking up over the sky, the life activity is overflowed from eachwindows which make harmony.The person who walk along the windowscape encounteredresidenses, shop and various people.Entering to the architecture, we can feel matched inner space to mixconplexly the all funnctions and the space of composed window.

In the inner space, there are main window to see outside mainly.Main window must be prepared even i f there are many consonanted windows. Each composed window create various kinds of inner space s form.

Shifting from Energy Consumer to SupplierOn the day of 3.11 the Great Earth Quake and Tsunami, nuclear power plants in Fukushima, Japan are seriously damaged. The damaged plants not only stopped generating electricity, instead, it start releasing radioactive materials and emitting radiation through out the whole wide vicinity, forcing people to evacuate. People of Fukushima pays tremendous sacrifices for having nuclear power plants in their back yard putting their life at risk of radiation in case of an accident. We now have to think what city can do to help and support them in the long term period and beyond. So all those electricity generated from the nuclear power plants were used by people of the city. The most important thing is that people of the city must start generating their own safe and clean recyclable energy in their own back yard. Not only for their own but supply the surplus energy to the surrounding district. But there is a problem. Where can we build such a big electric power plant to supply all the energy consumed in the city in itself? Vacancy in Skyscrapers by Population ShrinkageThe population in most of developed countries start to decrease in recent years and it is accelerating its speed. Of course, Tokyo is not an exception. When total population decreases, many vacant tenants or residences will be spread though out the city. Because population is shrinking year by year, these vacant spaces will tends to increase and be vacant for very long time with no particular usage.

Wind-Generated Power Plants using Winds Blowing Through SkyscrapersIn between skyscrapers, there are strong winds blowing through the tall building. These winds are pretty consistent throughout the years. In this proposal, we propose Skyscraper Wind-generated Power Plants by taking off the curtain walls of the vacant floor of the skyscraper for the wind to go though,setup micro-windmills on that floor to generate electric power. As population decreases and more vacant floor appers, more windmills can be set-up to generate electricity, and eventually whole skyscraper district becomes wind-generated power plants for manage its own energy as well as the surrounding city.

wind-generated powerplant of skyscraper -toward self-sustainable skyscraper distr ict-

Location of the projectShinjyuku / Tokyo / Japan type of the projectacademic individual workMy role in the projectOwn ploject / making all planning and doccumentsMy contribution to the projectAll thingsThe level of the project Tokyo University of Science Graduate school of architectureUrban design planningThe date20 / Jul / 2012

The supervisor of the projectGOTA momoyo : [email protected] akiyoshi : [email protected]

wind-generated powerplant of skyscraper -toward self-sustainable skyscraper distr ict-

City ResearchConcept

IndexStory

ProposalEnergy Reserch Site InformationLayout

WIND-GENERATED POWERPLANT OF SKYSCRAPER

Urban design research and proposal Project

POPULATION TRANSITION ENERGY SUPPLY AND DEMAND

In Shinjuku, there are 25 buildings over 20 stories high, built densely in small area. It is one of the biggest business districts with gross floor area of over 3 million square meters and over 210,000 people works there. On the other hand, there are 250,000 square meters of vacant tenants and it covers 12% of the total gross floor area of the district. It is hardly likely that vacant tenants will be filled again and a l ternat ive usage is highly questioned.

BUILDING

29.6264.4218.42

19.2311.3618.11

5.45

33.3315.09

03.85

9.1

06.38

6.06

2.94

9.68

8.16

3.33

39.390

9.43

5.45

free tenant percentage（％）

fullempty

date : 2010/09level : over 96 m total floor space : 3,077,110 m free tenant : 252,273 ma number of building : 25

2

2

In this proposal, wind-generated power plants starts from 2011. As population shrinks energy consumption also shrinks, but production of electricity increases. In 2050, the production of electricity overwhelms the consumption of it, creating energy sustainable city.

Population of Japan decreases hereafter. Sooner, the needs of tenants of Shinjuku Skyscraper also decreases and hollowing of the city shows up.

Tokyo 2100. As vacancy of the tenants increases, all the sky scraper district like Shinjuku, changes its mode to Wind-Generated Power Plants. Skyscraper district, where energy production exceed the consumption, will start supplying electricity to the surrounding areas.

Skyscraper districts will change its role from tertiary industry to energy producing secondary industry, evolving to new urban space.

As we compare with cities around the world, Tokyo is the city where population difference of daytime and night-time is significantly big. Especially, core center of Tokyo, population concentrates during the daytime up to 5 times the population of the night-time.This concentration of the population is made possible by the skyscrapers. In Tokyo, there are several skyscraper districts.The most famous one is Shinjuku Skyscraper District.

Electric Power Japan is Mostly Consumed in Tokyo. Even though Shinjyuku area only has an area of 18 square-kilometer, they consume 1% of the total energy consumption in Japan. It is in fact 200 times the value in area ratio. However, even though Tokyo is the biggest energy consumption area, there are no production of it in central Tokyo. In a time of disaster, Tokyo is vulnerable when power grid fails, it loses all modes of urban activity.

ENERGY

SITE

Tokyo

ShinjukuTokyo New YorkLondon

2,673,065554,685

2,089,9201,537,195

1,151,534575,454

night population day population

2010 20902080207020602050204020302020

9,000,000

8,000,000

7,000,000

6,000,000

5,000,000

4,000,000

3,000,000

2,000,0002100

(year) (year)

(mWh)

2010 210020902080207020602050204020302020

500,000

400,000

300,000

200,000

100,000

TOKYO 2011toward the self-sustainable city

21002050

2011

The fall of capital

Decrease in population

Rise of natural power sources

MARUNOUCHI AREA

TOTAL PRODUCTION 2100 : 885,636,916kWhTOTAL PRODUCTION 2100 : 1,284,496,695kWh

SHINJUKU AREASHINBASHI AREASHINAGAWA AREAOSAKI AREA

PRODUCTION AND SUPPLY ENERGY (kWh/YEAR)

r

32,027,748-7,550,326

64,055,497-42,607,461

162,213,43280,629,393

77,358,42447,086,067

102,961,84047,086,067

231,214,669183,637,632

40,034,686-52,544,591

108,446,13437,634,378

168,336,510127,041,502

92,079,777-258,360,868

286,901,87418,858,273

67,034,638-219,495,982

177,588,924-41,571,745

268,387,879140,580,830

513,604,797357,290,885

PRODUCTIONSUPPLY

ENERGY SUPPLY AREA 2100

Self-sufficiency

yamanote line


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DESIGN PROCESS

N

WGPP

housings

housings

buildings

buildings

skyscrapers

city

supply supply

supply supply

nuclear power plant

fire power plant

wind power plant

solar power plant

wind power plant

housings

buildings

skyscrapers

city

supply supply

supply supply

nuclear power plant

fire power plant

wind power plant

solar power plant

WGPP

housings

housings

housings

housingshousingsbuildings

buildings

buildings

buildings

buildings

skyscrapers

city

supply

supply

supplysupply

supply

supply

solar power plant

solar power plant

wind power plant

wind power plant

wind power plant

Phase 1 : WGPP starts to be self-sustaining

Second phase, the population gradually decreases. Aspopulation decreases, more vacant floor appears. Take off the curtain wall, set up more windmills. Eventuallythis process keeps going until the power consumed in the skyscraper equals the power generated by windmills on the vacant floor!!

Phase 0 : power supplied from outside

At the first phase, we will set up windmills on existing vacant floor of the skyscraper. We generate power by the wind generator but not enough to manage the whole building at this time. So we buy electricity from outside as ordinary.

Phase 2+3 : WGPP start supplying power tothe surroundings and outside

Third phase. The population still gradually shrinks. The power generated by the windmills on the skyscraper overwhelms consumption of it, being able to supply electricity to the surrounding city.

Process of skyscraper becoming Wind-Generated Power Plants

This is a proposal of building windmills in Shinjuku skyscraper district. These windmills are installed in vacant tenants and as these become vacant, windmills are filled in one after another. These windmills can capture enough wind from strong wind blowing though tall building.

In-between the skyscraper, there are very strong wind blowing though tall buildings Incase of Shinjuku, this strong wind blows from north to south or vice versa. The layouts of the buildings forces wind direction to change intricately, showing strong wind in some parts. This wind blows not only on the ground level but, it appears as strong wind at several meters height.

POWER PLANT WIND

As population shrinks, tenants will become vacant.The curtain wall of the vacant tenant floor will be opened along the wind going though the skyscrapers. Setup the windmill and power is generated in Shinjuku.

By flow of the wind weave though the skyscraper, the wind gets stronger, generating power continuously.

suburb and rural area




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4 . Birds eye view : Looking toward Shinjuku Skyscrapers. Strong wind blowing through the voids.

1 . View from metropolitan govt house : Looking at the same floor of the opposite building. Coexistence of office floor and windmills can be observed.

3 . View from the street : Looking up the building. Get the grip of power production from pedestrians. 2 . View in the building : Looking at the building. Matching the city-view and power production.

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