mary lopez [portfolio]
DESCRIPTION
Accumulated work 2003-2010 BS ARCH Texas Tech University MARCH University of MichiganTRANSCRIPT
Ann Arbor, Michigan
Lubbock, Texas
Sevilla, Spain + Brussels, Belgium
Lubbock, Texas
Winter 2008
Fall 2007
Fall 2006
Summer 2006
Spring 2006
Fall 2008
Winter 2009
New Densities, The Lawn study [front yard - back yard], Farmer’s Market
Slack Nocturnal, 16 Green Cases, Fermi National Accelerator Lab, Viaduct in China
Space-Light-Motion Modulator, Digital + Analog
Facade Research, Student + Elderly Housing
Islamic geometries, Construction of a Minbar
Mary Lopez, North Keeragol + Matt Haynes
Architectural Theory and Criticism Silent Partners and Short Circuits
LAX_engineering the fifth ecology
Forgotten Memorial [thesis]
Fall 2008 LAX 5th Ecology
University of Michigan TCAUP graduate program
Jason Johnson
The Site.
LAX parking garage [near international terminal]
The Proposed.
L.A has a lack of productive Garden Space throughout the city. Most of the food that is consumed travels on average 1500 miles.LAX’s influx of customers and necessity for food will be an ideal location for an urban, productive prototype.
A colony of worker housing and hydro-ponic gardens will inhabit the site and repurpose it for their own needs.
The influence of this particular colony will be global due to the entrepreneurial spirit that lives within a colony that produces and sells to national and international movers.
With the particular driving forces of the sun and necessity for space the plants and colony will act as a single machine search-ing for ideal lighting conditions.
SECTION A _ A
SEEDING.WATERING.HARVESTING ROBOTIC SYSTEMSEEDINGNGESEEDINGE .WATERIWATERI.WATERIWATERIATERTERWATERIWW NG.HARVNG.HARVNG.HARVNG.HARVNG.HARVNG.HARVNG.HARVG.HARVESTINGESTINGESTING ESTIESTESTINESTINGG ROBOTICOBOTICTICRO OTITTICR TIC SYSTEM SYSTEMSYSTEM SYSTEM SYSTEMYSTEMYSTEMT
INTERNATIONAL TERMINAL
2.18 ACRES
Low Light
This uses control points to allow for a variable amount of light to be tested with in the model.
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Medium LightN
High Light
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or aed
ribbed structure
process sketch
Fall 2007 Slack_Scape Fake Studio
University of Michigan TCAUP graduate program
Robert Adams
Truck Stop. An urban-scape in a rural setting. A port for refueling. A dense environment that provides the basic needs of life. An infrastructural system for a nomadic subculture: the trucker.
The Site.
Fermi National Accelerator LaboratoryBatavia, Illinois
ViaductHangzhou, China
The Proposed.
Question the relationship between the worker and the work. A critical look at the densification of information and services.
Energy of height
18,000 times around in 1/30 of a second
Fermi logo
Tall grass
The site starts here
Who are you here with?
Percussion of pipes
Surveillance tower
Concrete truck returning to the plant
Staging area over pass
Not double space
House of ridley scott daughter
Dust on the side of the road
90RMB/day
53 laborers in steel cage
Elevated ground of commerce
Ground prepared for labor
Command and control
Some piles
Bus of architects
Random animal tracks
Workers on site housing
Haung hui expressway under construction
20 new car dealerships
Earth flip worker’s housing
Pile of white dust
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Satellite image unclear, Improve the picture quality of the video, Satellite image clear, Rice fields in Haunghou, China, Mark on the map, Exports to Batavia, Il, USA, 36 celsius to 28 celsius, New technology, Chinese market, An Architectural Model for Total Urbanization, 1969, Fills with gas and measures collisions, Temperature of pipes, Inspired by Jan Palach, Vacant , Map-Office: Underneath, Leaking roof-precious machines, Inner lining of particle accelerator, Particle collision, Asian farming
[a]
Influenced by the life of the truck driver, the trucker cab is hijacked and displaced in the world of factory workers [Hangzhou China] and physicists [Batavia Illinois]. The trucker lives and sleeps where he works. The factory worker ingests the dust of his own work and finds rest on site. The physicist is always collecting informa
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tion, never sleeping.
Twenty Seven nocturnal spaces [chrome light boxes] are distributed on the site. Each unit is a bed, a place to rest, with a metal skin. The unit becomes lit when occupied, creating subsequent indicators that something is happening on that site.
27 nocturnal spaces
Materials
4,588 - zinc lug nut covers [2”d made in CHINA]
2,000 - external LED lights 0 001 - metal cable tray [30“ x 7.5”]
0 001 - sleeping pad [30” x 78”]
interior viewscale 1” = 1’
Sleeper
[a]
[view 3]
The viaduct becomes lit underneath as the night sky deepens its pigment [lit by chrome light boxes]. When the light boxes are vacant, there is no light, but as they become occupied the exterior becomes illuminated. Workers from the nearby factories are provided a place to rest.
6 - Nocturnal Spaces
6 - light boxes for the physicists working at Fermilab [Tevatron]
Hours of Operation Sunday - Sunday 1:00 - 24:00 hr
21 - Nocturnal Spaces
21 - light boxes for the factory workers
Hours of Operation Sunday - Sunday 1:00 - 24:00 hr
The truck driver becomes his work. He sleeps in the machine he operates all day. The truck becomes a portable dwelling [a space for living and a space for working]. The physicist can never escape his work, every piece of matter contains micro particles [the meson, proton and neutrino]. The light box provides the physicist a place to sleep. It can be placed on any site, providing workers a place to sleep for short or long periods of time.
The tevatron [four mile circumference particle accelerator] becomes lit with chrome light boxes. FermiLab physicists are provided rest in individual sleeping units placed on site [set in the natural prairie land, particles are being accelerated underneath them].
+ 0’-00”
+ 7’-00”
27 Nocturnal Spaces
[b][b]
Sleeper Unit on Site
One Unit.
9 million events per secondstore one days worth
The bands of tape, entangled wires and blinking lights are resultants of the conges-tive nature of urbanism. Data is streamed under our feet, on the floor of the ocean and through the particles in the air. This new emerging architecture has to account for the data that is being produced [9 million events per second].
Annual Student Show [02.04.08-02.08.08]
Reviewed by U-M Alumni
Award Received: Graduate Studio Award
Spring 2006 Islamic Architecture
Texas Tech College of Architecture undergraduate program
Kristina Yu
UNITY in Multiplicity
the challenge: to understand a subculture in america; to make full scale and construct
In its simplest form the minbar is just a platform with only a few steps.
As a class we were broken into groups and given the task to design and build a minbar for the local Islamic community of Lubbock, Texas.
## Material Size
11 Poplar wood posts [04“x04”] 06 Wood cross braces [02“x04”]03 Russian birch plywood steps [36”x12”]01 Russian birch plywood step [36”x36”]01 Russian birch plywood bottom face [36”x36”]03 MDF lasercut islamic motif screens [42”x42”]
b ba a
planimetric. a planimetric. b
section. b-bsection. a-a
Fall 2006 Poetic Potential of Com-puters
Texas Tech College of Architecture undergraduate program
Bennett Neiman
The space modulator provides the opportu-nity to relate design to direct work with materials as against previous architectural methods in which structural inventions were hampered by the shortcomings of visualization on paper alone. On the other hand, structural projects could be solved just as well by working with the model alone; but again this would not give the experience in visualization and develop-ment on paper which is essential to the exploitation of a "space fantasy", one of the main requirements of contemporary archi-tecture. -Laszlo Moholy-Nagy
the study
the bulge. the moment when tension is at its highest. gravity creating a force pulling the water down. the water currents applying pressure to the bag. stretching a material to its limits.
the event
.10 gallons of water. gravity. stretching plastic to its limits. a burst, a release of tension
Summer 2006 Study Abroad Spain + Belgium
Texas Tech College of Architecture undergraduate program
Joseph Aranha + Hendrika Buelinckx
Texture Map.
The urban fabric of San Benardo neighborhood in Sevilla, Spain. Issues of privacy and ownership are articulated through the use of different materials from neighbor to neighbor.
Catalogue:
Map Location Density of Infrastructure
1 2 06 billboards [209 steps] 05 lamp post [40’ tall]
03 trees 02 streetlights 01 pedestrian sign
2 3 12 apartments [200 steps] 06 hanging pedestrian lamps [12’ above sidewalk] 04 apartments being remodeled
4 5 31 apartments [227 steps] 18 large trees 11 hanging pedestrian lamps 06 stores bank bookstore cruz campo bar telephone pescaderia
06 fruit trees 05 parking signs 03 trash cans 03 recycling bins 02 corner street lamps 02 benches 01 apartment being remodeled 01 empty lot 01 telephone pole 01 pedestrian sign
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Interior courtyard muffles out the sound of the busy street, uses the density of the apartments to block out the sound of the cars. The buildings are old and flaky, some lie vacant, but with freshly planted fruit trees and flowers the space is a live and breathing- does not feel abandoned-life is in the center.
Temporary meat market, open in the mornings, used existing train building for meat display/grocery store, the pavilion part for preparation of the meat
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The Site.
San Benardo BarrioSevilla, Spain
The Proposed.
Urban housing, mixed use, student + elderly
axonometric detail 1
mosaic tile
concretepanels
doubleswingwindows
metal frames
metal tubing
metalplate
concreterailing
concreteslabs w/cut tile lines
rocks
grassearth
outdoorlamps
axonometric detail 1
slidewindow
metal frames
woodrailing
concreterailing
concreteslabs w/cut tile lines
rocks
grassearth
outdoorlamps
structurallaundrypost
naturalirrigation
waterdrainage
axonometric detail 2
axonometric detail 2
detailed floor plan3/32”=1’-0”
N
Winter 2008 New Densities
University of Michigan TCAUP graduate program
Craig Borum
4th Street Section
The Site.
4th and Kingsley Ann Arbor, Michigan
The Proposed.
With an interest in the local farmers market, in relations to the neighborhood, an exten-sion of the farmer’s market into the neigh-borhood is proposed.
The idea of the lawn is re-established, turning the back yard in to productive community gardens, redefining the edge condition between front yard and back yard.
People’s Food Co-op (organic) Hours:
Sunday - Saturday: 9:00:00 to 22:00:00
00:03:00 00:03:15
4th Street Section Detail
Back yard [bar b q space]
Front yard [lawn space] Farmer’s Market
Farmer’s Market. [Site Model]
2 wooden crates from the Eastern Market Detroit reconstructed
Seeds [radish, lettuce, grass and cucumber]
3 sliding drawers [Co-Op, Farmer’s Market, and Sparrow’s Meat Market]
1 sliding drawer seed calendar of harvest-able produce in michigan
Sustainable design has consumed the architectural scene
spreading to advertisements selling the image of
sustainable, and renewable design to architects.
What’s moregreen than grass?Winter 2008 Architectural Theory and Criticism Silent Partners and Short Circuits
University of Michigan TCAUP graduate program
Amy Kulper
contributes to LEED credits
provides energy efficiency
contributes to LEED credits
Kawneer sustainable solutions & products
environmental sensibility
Ecological Building Solutions
environmental performance
save on energy costs
reduce carbon footprint
generating efficiency through technology
green coating solutions
environmentally friendly
Graceful. Powerful. Sustainable.
What’s more green than mother nature?
get serious about green
energy efficient
tiny footprint environmentally speaking
green
LEED contributing product
Architectural RecordAmerica 200838 Advertisements
The New York Times. Keyword: Sustainable ArchitectureResults showing 113 out of 113
HOUSTON CAMPAIGN GOES PAST IMAGE IN EFFORT TO PROMOTE CITY November 2, With Glue Hardly Dry, This Chair's a Classic January 23, A Tree Grows In Architecture: 'Green' Design December 3, Critic's Notebook; Design vs. the Environment: A Debate Among Architects June 23, Fate-of-the-Earth Furniture October 10, ARCHITECTURE VIEW; Fear, Hope and the Changing of the Guard November 14, Where Earth Tones Are the Music of Design April 21, ARCHITECTURE VIEW; Nocturne For the Marxist Of Venice May 8, ARCHITECTURE VIEW; The Polyglot Metropolis and Its Discontents July 3, Mr. Fisk Builds His Green House February 15, Connecticut Q&A: Aris Crist;Can Buildings Harmonize With Nature? June 2, For Kuwaitis, Self-Reliance Proves to Be an Elusive Goal September 24, In Umbria, Tradition Confronts Convenience October 15, ARCHITECTURE REVIEW; Greening a South Bronx Brownfield January 23, ARCHITECTURE; Looking at the Lawn, and Below the Surface July 5, CURRENTS: ARCHITECTURE; Yesterday Recycled Into Tomorrow August 13, PUBLIC EYE; First Day of School: The Desk as Lesson August 27, DESIGN NOTEBOOK; Shelter Made of the Earth's Own Dust April 15, CURRENTS: EDUCATION; From Parsons to the University of Virginia June 24,
THE NEW SEASON/ARCHITECTURE; Imaginative Design Finds It's Homeless No Longer September 12, ART/ARCHITECTURE; Echoes of '68 on Columbia's Campus October 24,
1999: THE YEAR IN REVIEW - ARTS/ARCHITECTURE; New York Starts to Look Beyond Its Past December 26, HUMAN NATURE; Splendor in Rust Belt Ruins February 10, CURRENTS: ARCHITECTURE; Offices So Green, They're Practically Outdoors February 17, ART/ARCHITECTURE; Good Buildings, And Good for You April 16, THEATER; Robert Wilson's 21st-Century Academy August 13, COMMUNITIES; Investing the Family Fortune September 17, From Baltimore Warehouse to Giant Office Building October 22, SCREEN GRAB; Browsing the Web for the Ideal Utopia Site December 28, HUMAN NATURE; Slag Heaps Into Gardens January 18, BUSINESS; Building on Ideas for Urban Conservation March 4, On The Edge April 1, With the World Redesigned, What Role for Designers? October 25, Engineers Ask Nature For Design Advice December 11, In the Region/Long Island; Standards Called Lacking on Indoor Air Pollution February 17, STYLE; Traveling Light March 3, Australian Architect Receives Pritzker Prize April 15, A Development Fuels A Debate on Urbanism June 14, DESIGN NOTEBOOK; A Slightly Immodest Proposal August 8, Don't Rebuild. Reimagine. September 8, Collegians Compete to Let the Sun Shine In October 3, THE AMERICAN EMPIRE; The Burden January 5, COMMERCIAL REAL ESTATE; Not Going Green Is Called a Matter of Economics January 15,
ART/ARCHITECTURE; How Downtown Can Stand Tall and Step Lively Again January 26, City Plans Design Competition For a 2012 Olympic Village September 25, So Green, It's Platinum November 13, GREEN VS. GREENBACKS; A Shrewd Eye for the Wash Cycle November 13, ARCHITECTURE; Conserving Everyone's Energy but His Own November 23, In the Region/New Jersey; Innovative School Buildings Win Design Awards December 7, PUBLIC LIVES; Steeped in Green and Eager to Lead the Market January 23, DESIGN NOTEBOOK; Factory Fresh: Interstately Homes April 1, An Iconoclastic Architect Turns Theory Into Practice May 17, COMMERCIAL REAL ESTATE; A New Office Can Mean Making Do With Less May 26, ART/ARCHITECTURE; The Nobel Garden Prize Winner June 27, ARCHITECTURE; Elevated Visions July 11, L.I. @ WORK; Rejuvenating a Venerable Club on Lake Montauk August 22, Even in an Age of Terror, Towers Use Glass Facades September 6, Exploring Design as Metamorphosis September 15, For an Architect and His Family, a Home and a Laboratory October 3, Mini-Size Me October 10, HAVENS: LIVING HERE; Modern Kit Houses: Thinking Inside the Box October 15, Architect and Client Matched by Mouse November 4, CURRENTS: DESIGN; Housing With a Clean Conscience January 20, An Icon of Urbanism February 13, CURRENTS: ARCHITECTURE; Eco-Friendly and Now Worldly, Too June 30, LONG ISLAND JOURNAL; 800 Square Feet and Zero Energy Bills September 11,
Connecticut Town Helps Create an Architectural Anomaly: An Appealing Water Plant December 4, There's More to It Than a Manicured Lawn January 8, The Greening of America's Campuses January 8, High-Rises That Have Low Impact on Nature February 2, THE WEEK AHEAD: Feb. 5 - Feb. 11; ART/ARCHITECTURE February 5, Architects Are a Lagging Indicator for Sustainable Design May 17, Battle for Biloxi May 21, Second Homes That Put Ecology First June 2, A Fence With More Beauty, Fewer Barbs June 18, Redefining American Beauty, by the Yard July 13, Creating a Self-Contained World August 6, Build Your Dream, Hold Your Breath August 6, The Long Zoom October 8, Keeping It ‘Green’ With Panels and More October 15, Young, Idealistic and Now Developers October 18, Room to Improve October 19, Visions of Manhattan: For the City, 100-Year Makeovers November 4, Social Improvement With Architecture November 5, Where the Corner Bakery Is Sure to Be Organic November 8, Down and Dirty February 8, Where Artists and Inventors Plot to Save the World March 5, Top Prize for Rogers, Iconoclastic Architect March 29, First Architect, Then Tenant May 3, Denis Kuhn, 65; Restored New York Landmarks May 18, The Accidental Environmentalist May 20, Why Are They Greener Than We Are? May 20, Calling Mr. Green May 20, Flour Power May 20, The Native Builder May 20, The Zero-Energy Solution May 20, Modernist Times June 3, Why Ask for the Moon if You Have the Stars? June 10, The Green Home of Their Dreams June 17, Companies Giving Green an Office July 3, A Contractor Who Was Green Before Green Was Cool July 20, In Chicago, a Haven for Green Enterprise July 25, Is Santa Fe Ready for a Makeover? August 5, Sipping From a Utopian Well in the Desert September 16, A Green Resort Is Planned to Preserve Ruins and Coastal Waters October 16, Out of the Woods October 21, In Miles of Alleys, Chicago Finds Its Next Environmental Frontier November 26, Brad Pitt Commissions Designs for New Orleans December 3, For Green Products, a Green Showroom December 16, Open a New Window: A Tower With a View January 15, The Slow Life Picks Up Speed January 31, Preserving the Best of the Old March 2, In Chicago, Tinted Green March 13,
1985 By ROBERT REINHOLD
1992 By PATRICIA LEIGH BROWN
1992 By CARA GREENBERG
1993 By HERBERT MUSCHAMP
1993 By MARISA BARTOLUCCI
1993 By HERBERT MUSCHAMP
1994 By TIMOTHY JACK WARD
1994 By HERBERT MUSCHAMP
1994 By HERBERT MUSCHAMP
1996 By PATRICIA LEIGH BROWN
1996 By BOBBI P. MARKOWITZ
1996 By DOUGLAS JEHL
1997 By ELAINE SCIOLINO
1998 By HERBERT MUSCHAMP
1998 By HERBERT MUSCHAMP
1998 By BARBARA FLANAGAN
1998 By PHIL PATTON
1999 By FRANCES ANDERTON
1999 By BARBARA FLANAGAN
1999 By HERBERT MUSCHAMP
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2000 By ANNE RAVER
2000 By BARBARA FLANAGAN
2000 By HERBERT MUSCHAMP
2000 By JONATHAN KALB
2000 By ROBERT WORTH
2000 By CHARLES BELFOURE
2000 By MICHAEL POLLAK
2001 By ANNE RAVER
2001 By LINDA BAKER
2001 By AMY M. SPINDLER
2001 By WILLIAM L. HAMILTON
2001 By JIM ROBBINS
2002 By CAROLE PAQUETTE
2002 By PILAR VILADAS
2002 By HERBERT MUSCHAMP
2002 By TIMOTHY EGAN
2002 By ALASTAIR GORDON
2002 By HERBERT MUSCHAMP
2002 By AMANDA GRISCOM
2003 By MICHAEL IGNATIEFF
2003 By MICHAEL BRICK
2003 By SASKIA SASSEN
2003 By GLENN COLLINS
2003 By CHRISTOPHER HAWTHORNE
2003 By LISA GUERNSEY
2003 By JAMES S. RUSSELL
2003 By ANTOINETTE MARTIN
2004 By ALASTAIR GORDON
2004 By LYNDA RICHARDSON
2004 By JULIE V. IOVINE
2004 By TERRY PRISTIN
2004 By GINGER DANTO
2004 By JULIE V. IOVINE
2004 By WARREN STRUGATCH
2004 By DAVID W. DUNLAP
2004 By ALAN RIDING
2004 By PENELOPE GREEN
2004 By TYLER BRÛLÉ
2004 AS TOLD TO BETHANY LYTTLE
2004 By ERNEST BECK
2005 By STEPHEN TREFFINGER
2005 By ALEXANDER COOPER and JAQUELIN T. ROBERTSON
2005 By ALAN G. BRAKE
2005 By MARCELLE S. FISCHLER
2005 By STACEY STOWE
2006 By ROBERTA HERSHENSON
2006 By TIMOTHY EGAN
2006 By ROBIN POGREBIN
2006 By HOLLAND COTTER
2006 By BARBARA WHITAKER
2006 By JIM LEWIS
2006 By SARAH TUFF
2006 By WILLIAM L. HAMILTON
2006 By PATRICIA LEIGH BROWN
2006 By TRACIE ROZHON
2006 By MOTOKO RICH
2006 By STEVEN JOHNSON
2006 By COLLEEN KALEDA
2006 By LISA CHAMBERLAIN
2006 By MITCHELL OWENS
2006 By ROBIN POGREBIN
2006 By ROBERT SHAROFF
2006 By STACEY STOWE
2007 By DAVID GELLES
2007 By SAUL HANSELL
2007 By ALLISON ARIEFF
2007 By ROBIN POGREBIN
2007 By STUART LAVIETES
2007 By MICHAEL KIMMELMAN
2007 By NICOLAI OUROUSSOFF
2007 By DEBORAH SOLOMON
2007 By AMANDA HESSER
2007 By JIM LEWIS
2007 By MARK SVENVOLD
2007 By KEVIN BAKER
2007 By STEPHEN P. WILLIAMS
2007 By VALERIE COTSALAS
2007 By CLAUDIA H. DEUTSCH
2007 By ROBIN FINN
2007 By KEITH SCHNEIDER
2007 By HENRY SHUKMAN
2007 By CHRIS COLIN
2007 By ELISABETH ROSENTHAL
2007 By ALICE RAWSTHORN
2007 By SUSAN SAULNY
2007 By ROBIN POGREBIN
2007 By CLAIRE WILSON
2008 By DAVID W. DUNLAP
2008 By PENELOPE GREEN
2008 By TRACIE ROZHON
2008 By MIMI READ
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Winter 2009 Thesis [Forgotten Memorial]
University of Michigan TCAUP graduate program
Craig Borum + Keith Mitnick
Mary Lopez
Forgotten Memorial
Wars, tragedies and fallen public servants become memorialized through out our cities. The moment the memorial is erected, we remember. We hold ties to that event, to that person, but as the years pass the memorial loses the strong sense of attachment, slowly fading into the fabric of the city. Camouflaged within the formalities of the memorial, a larger infrastructure is being set forth. The memorial becomes forgotten but at the same time is used to generate a hidden monument. When homelessness becomes more permanent than transitory, the city is translated into a domestic realm. Duali-ties are found in the space we occupy. One space becomes two places, estab-lished through the dichotomy of uses.
Forgotten Memorial projects a memo-rial that is no longer about what is claimed to be memorialized and begins to facilitate the existence of another user, the homeless.
The Case [duality of space]
One space becomes two places defined by the perspective, the user and the use.
formal perspective [1]
utilitarian perspective [1]
formal perspective [2]
utilitarian perspective [2]
a
public library
7 Eleven
Jimmy JohnsJ
Neiman Marcus IncN
KPMG
HOKH
Thompson & KnightT
Blockbuster Inc
AT&T Headquarters
Sheraton Dallas HotelHaynes and Boone, LLP
Urban Market
Main Street
section 1/8” = 1’-0”
a
city hall
US Labor Statistic Bureau
Dept Development Services
The Site.
Young and S Akard Dallas, Texas
The Proposed. [Forgotten Memorial]
A memorial is erected, slowly fading into the fabric of the city as time goes on. Within the formali-ties of the memorial, a utilitarian purpose is formed.
The urban center of a city has two layers of users. A layer that uses the surface of the city and abides by it formality and then there is another layer that undermines the formali-ties and uses the city to provide basic needs.
I am not proposing that one layer is greater than the other, or one should take precedent. I am setting up a framework that allows one to feed from another.
The memorial becomes erected, not for the formal figure but for the forgotten.
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shower
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a plan for utility1/16” = 1’-0” N
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1read
rest
sleep
public library
city hall
“I’ve heard from other guys that there is more to this place. All I know is that I see mist coming from the supports. This is better then walking in front of buildings, waiting for the air condition to leak out.”
“The cold water rejuvenates every inch of my body. It hits the back of my head and the soap suds roll down my arms and legs.”
“I sit here feeling untouched by the world around me but like I am a part of it.”
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a
a plan for leisure1/16” = 1’-0” N
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public library
city hall
contemplate
play
socialize
walk
“My eyes go numb from the white walls, grayish blue industrial carpet and the bright computer monitor that stares at me all day. I escape at lunch. I walk down one block to the park.”
“I sit for one full hour with the sun warming my skin, with a warm breeze that is cooled by the mist of the fountain and my packed lunch.”
“From here I can see the whole city. The lights flicker on and off and the sound of sirens crescendo as they get closer.”
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