text and image in painting

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Text as Image Text as Message Text as Poetry Glenn Hirsch

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Glenn Hirsch, Instructor www.glennhirsch.com

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Page 1: Text and Image in Painting

Text as ImageText as Message

Text as Poetry

Glenn Hirsch

Page 2: Text and Image in Painting

IText as image

the text isn't meant to be read, but is a design element

IIText as message

the text is meant to communicate an idea

IIIText as poetry

the text is meant to communicate multiple shades of meaning through irony, metaphor or mood

Page 3: Text and Image in Painting

Text as imagethe text isn't meant to be read, but is a design element

Page 4: Text and Image in Painting

if you don't understand Japanese, then this character is still beautiful for its gesture, rhythm, and play of positive and negative shape

Page 5: Text and Image in Painting

Text as image: the beauty of variety in line as expressed in handwriting

Page 6: Text and Image in Painting

Text as image: the letters aren't meant to be read, but create linear patterns

Page 7: Text and Image in Painting

Text as image: the words in this piece can only be read sometimes, most of the time they communicate rhythms of sound, like overhearing voices in another room (student art by Kristine Moss)

Page 8: Text and Image in Painting

Text as image: the script is repeatedly written until a woven wall of line is created in front of the face that hides (student art by Jeff Raymond)

Page 9: Text and Image in Painting

Text as image: a pink cloud of letters, rhythm and mood (student art by Joan Herron)

Page 10: Text and Image in Painting

Text as image: graffiti tags can't be read by most of us, but are a familiar rhythm of urban life

Page 11: Text and Image in Painting

Text as image: graffiti tags can't be read by most of us, and here they seem to form the man's thoughts (student art by Roy Huerta)

Page 12: Text and Image in Painting

Text as image: musical notes (student art by Gregg Cassin)

Page 13: Text and Image in Painting

Text as image: marking time (student art by Sandra McHenry)

Page 14: Text and Image in Painting

Text as subtext: the text is covered by semi-opaque white so it whispers behind the image (student art by Adrian Cotter)

Page 15: Text and Image in Painting

Text as subtext: creating patterns underneath

Page 16: Text and Image in Painting

Text as image: hieroglyphics appear in ruled lines, vertical or horizontal, a gridded pattern

Page 17: Text and Image in Painting

Text as image: In my art, I appropriate Mayan glyphs for their appearance not their meaning (this glyph is on its side)

Page 18: Text and Image in Painting

Text as image: the glyph in the previous slide has been painted large on the wall of this installation (collaborative art: Glenn Hirsch, Pamela Lanza, Nena St.Louis)

Page 19: Text and Image in Painting

Text as image: I like the ruled lines that the glyphs make, the mystery they create is accented by the light which appears to fall on to them (art by Glenn Hirsch)

Page 20: Text and Image in Painting

detail

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art by Glenn Hirsch

Page 22: Text and Image in Painting

art by Glenn Hirsch

Page 23: Text and Image in Painting

detail

Page 24: Text and Image in Painting

Text as image - or in this case, a code which has analogies to other codes: in this case, the code of an electrical diagram or the double-helixed code of DNA

Page 25: Text and Image in Painting

Text as image - or in this case, a code which has analogies to other codes: the code of computers – HTMLThe Maya wrote their glyphs in an illiterate society. Only the priests could read them. The writing wasn't meant to be read, but was magic writing which, if written, would operate the universe and make sure the sun would come up and that the crops would receive rain.

Today, we have modern priests/technicians who run our society with the help of a special code, HTML, which isn't meant to be read, but is used to keep our world running smoothly.

Page 26: Text and Image in Painting

Text as image: codes overlapping: Mayan writing, HTML and DNA

Page 27: Text and Image in Painting

Text as image: codes overlapping: Mayan writing, HTML and DNA

Page 28: Text and Image in Painting

IIText as message

the text is meant to communicate an idea

Page 29: Text and Image in Painting

Text as MESSAGE - words to communicate important ideas are also part of our tradition, as in this religious painting in which the word of God appears

Page 30: Text and Image in Painting

Text as message: Magritte's famous "this is not a pipe" in which the message is about the nature of pictures and picture making (art by Magritte)

Page 31: Text and Image in Painting

Text as message: the language of advertising used to subvert the message of consumer culture (art by Jenny Holzer)

Page 32: Text and Image in Painting

Text as message: the language of advertising used to subvert the message of consumer culture (art by Barbara Kruger)

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Barbara Kruger

Page 34: Text and Image in Painting

Text as message: the language of advertising used to subvert the message of galleries and the commodification of art (mural by Banksy)

Page 35: Text and Image in Painting

Text as message: the language of advertising used to protest inequality in the arts (Guerrilla Girls)

Page 36: Text and Image in Painting

Text as message: satire, sarcasm and irony in this case making fun of Homeland Security

Page 37: Text and Image in Painting

Text as message: satire, sarcasm and irony in this case making fun of corporate thinking

Page 38: Text and Image in Painting

Text as message: satire, sarcasm and irony in this case making fun of sex roles and stereotypes

Page 39: Text and Image in Painting

Text as message: satire, sarcasm and irony in this case making fun of the culture of militarism (art by Marty Skocilich

Page 40: Text and Image in Painting

Text as message: satire, sarcasm and irony in this case making fun of racism and bigotry (art by Travis Somerville)

Page 41: Text and Image in Painting

Travis Somerville

Page 42: Text and Image in Painting

Text as poetry the text is meant to communicate

multiple shades of meaning through irony, metaphor or mood

Page 43: Text and Image in Painting

Text as POETRY - no clear message, just a suggested feeling of sarcasm and irony

Page 44: Text and Image in Painting

Text as poetry - what makes poetry? Compare the slide with the following slide - in this one, the message is journalistic, clear, unambiguous ... but in the next ...

Page 45: Text and Image in Painting

Text as poetry - this version uses language which opens up multiple meanings, creating a feeling and mood for the viewer to interpret

Page 46: Text and Image in Painting

Text as poetry: “One World” is a journalistic word rather than a poetic word because it’s clear and descriptive

Page 47: Text and Image in Painting

Text as poetry: in this version, “Balloon Beings” is more subtle, open-ended and suggestive

Page 48: Text and Image in Painting

The text here is hard to see but when you do, it says “This is a mighty wave”

Page 49: Text and Image in Painting

student art by Kim Schoen

Page 50: Text and Image in Painting

A good way to use poetry is to find it, selecting it from a larger text to create unusual combinations (art by Glenn Hirsch)

Page 51: Text and Image in Painting

Text as poetry: this drawing is done over a page of text, and the poetry found by revealing it from the layers beneath (art by Tom Phillips)

Page 52: Text and Image in Painting