phil 1013 unit 2 notes
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PHIL 1013 Unit 2 Notes
Cottingham
Partiality, Favoritism, and Morality
Impartialism is untenableo The feasibility of impartiality is doubtful
o Its doubtful that we should try to be impartial
A good parent should save their child from a burning building
The partialist faces serious difficulties but theses can be overcome.
Partialism: morally correct to favor one’s own.
o
In a special relationship
o
Unless one is under a direct or indirect duty to be impartial, it is morally
correct to favor one’s own
If famililism is permissible then so is nepotism [false]
John Cottingham
o
Thesis: Partiality can be morally correct
But not all forms of partiality are morally correct (ex. Nepotism,
cronyism, racism, sexism)
When they are correct, they are correct because they are
plausibly part of a life plan that would contribute to any human
being’s good
Moral and religion requires partiality
o Socialism, utilitarianism, Christianity, Buddhism
Extremely difficult for a normal human
being to be impartial
We must give up all the things that
human beings think are important;
to put everyone’s good above
yourself
There are circumstances in which it
wouldn’t be clearly morally right to be
impartial;
A good parent would save their own
child from a burning building ratherthan a cancer scientist
o If you don’t, you are a moral
leper; extremely distorted in
your thinking
It is morally correct to be partial
o
Not morally correct:
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Nepotism, Cronyism,
Violate duties that require being impartial (hiring your
family member, rather than a stranger)
Racism, Sexism
Nationalism, Planetism
Why are cronyism and nepotism impermissible?
o
They are forms of partiality that violate duties to an institution or
organization.
Hire a family member who is unqualified, rather than a stranger
who is highly qualified
Benefit their own friend and families
It interferes/harms with your duties to the organization and
everyone in it
Grading papers:o Required to grade impartially
o Shouldn’t bias grading
Good reasons to be impartial:
Role based duties rule out nepotism and cronyism
Partiality is self-referential: one shows partiality to those in a relationship with
oneself or who are part of the same group
o Commonality to those who we don’t necessarily have a significant
relationship with
List of partialisms:
o Familialism: partialism toward your immediate family
o Kinship: partialism toward your extended family
o Clanism: partialism toward members of the same clan
o Patriotism: partialism toward your own nation
We tend to think that it’s okay/good to be patriotic, but it’s
somewhat problematic
Post WW era: the fate of our nation is significantly intertwined
with other nations
o
Racism: partialism toward your own raceo Sexism: partialism toward your own gender
o Planetism (Hypothetical): partialism toward citizens of your own planet
and its nations
o
People are often motivated by racist and sexist tendencies; but we tend
to think that we shouldn’t be.
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o
Construct a blanket justification for partialism
Further explain why some are not justified
o
Ends up with selective justification strategy
Why shouldn’t we try to justify partiality by an appeal to bald preference?
o
We can arbitrarily pick our preferences and be justified That could include the non-permissible partialisms
o Racism and sexism are bad. They might be provisionally permissible in some
cases:
We feel a sense of solidarity with people who are like us
Some people think that it is okay to support others who are like us
(giving money to a person of the same race)
It is morally wrong to be partial if you are a
o Man only benefitting other men
o Woman only benefitting other women, etc.
o
You are legally permitted to spend your own money how you choose; but it isnot necessarily morally good.
We might judge people morally for picking such a specific type of
thing (blue eyed , striped cats)
What is an argument from a life plan?
o
Key premise: Moral guidelines have their basis in their tendency to promote
a flourishing life for any human.
o Some forms of partiality might figure into such a life plan.
Candidates:
Agent-related partialism;
Self-directed partialism;
Philophilic partialism
If there is a truth about moral matters, it is not up to us; there is something else that
determines it
o Aristotle: what moral guidelines and precepts come from is their ability to
promote flourishing life for human beings overall
A well developed rational capacity, virtuous habits, friendships all go
into a flourishing life
Cottingham: If partiality can be part of a life plan of flourishing
objectively good human life that could be good for any human, then it
would be morally justified. Agent-related Partialism
o We are permitted to assign some extra weight to our own goals
o
There is arguably a place for this in a flourishing human life
If we assign any importance to personal goals in a life plan, we’ve got
to allow some margin for partialism
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It wouldn’t be possible for everyone to eschew (avoid) agent-related
partialism
Cottingham (365): “if each day I was to consider how each moment
could best be spent furthering, for example, global utility,…
If you want your ethics to maintain room for people to put
importance on their own individual life plans, you need toallow for some partiality.
To be really good, you must put your own goals aside, and help others
Buddhist: the sense of the self doesn’t exist in a deep sense
o
The self is just a bunch of physical and mental
processes (the self isn’t real)
o We should cultivate and understand the sense of this
no-self culture in order to be extremely impartial
Cottingham: cultivating the world to be
impartial will take years of practice; it requires
self-cultivation over a lifetime; there must be agoal to be impartial
Even if you are a Buddhist, you must
allow for some partialism
Living as a monk requires the monk to
depend upon others for support
(depend on others for food and
survival); it must come from somewhere
and must be prepared
o A monk’s life plan couldn’t be
possible/viable for everyone
Self-directed Partiality
o
We are permitted to be self-centered in out goals, giving them some extra
weight in our moral decision-making
o
This too, arguably has a place in a flourishing human life
A little bit of self-privileging may be necessary for flourishing if it’s not
carried to excess.
If you never privilege your own goals, there are so many
activities that would be morally impermissible.
o Ex. Play videogames (brings enjoyment to yourself, but
doesn’t help anybody else)
o
Ex. Playing the piano where no one else can listen,going for a run
Goals that we do simply because we enjoy
them; for our own good.
Care of self is necessary for our own good; so that we are able
to care for others.
The goal of impartiality is thus too impractical for human beings
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Self-care is important for us to have the motivation to care for
others.
o Most people have joy in volunteering
Ideals and goals must be achievable by a normal human being
o We don’t want our ideals to be completely out of
reach It is best for us to endure some partiality to life a life that we would
want to live
Philophilic Partialism
o …is derived from the Greek for “one who loves his friends and family.”
o
We are permitted to assign a little bit of weight to the fact that someone is
your friend or family.
o
This arguably has a place in a flourishing human life.
Most of us want and need fulfilling relationships
You altruistically value the welfare of a person and hope thatthey flourish even after you die.
It is plausibly justified by the fact that love and friendship are
part of a blue print of human life that would be flourishing for
any human being
It would not be possible for all of us to be independent and
not have friends/family; most people gravitate towards
making friendships rather than complete isolation
Why don’t these arguments for partialisms extend to the morally problematic
partialisms?
o
Racism and sexism?
It systematically diminishes the process of flourishing
It couldn’t be a flourishing life for ALL humans
o Kinship?
It wouldn’t allow us to be impartial to those whom we share genes
with (relatives, other species, etc.)
Save Adopted child vs. Biological child from burning building
Sister vs. grandmother
o They both have equal claims, neither is justified
It is not necessary to save our genes to live a flourishing life
o Clanism and Patriotism?
Patriotism taken too far can have morally bad consequences We find them desirable because we want to be plugged into a group
that we can be loyal to.
o
Nationalism?
Only partialities that can be good and flourishing to human life are permissible
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Kai Draper ‘s “Epicurus and the Value of Death”
It is irrational to be troubled by one’s own mortality.
We can overcome the fear of death by understanding why there is nothing in
death to fear.
Only pain is intrinsically bad. One’s existence comes to a permanent end with death
Neither death nor its effects can be intrinsically bad for the one who dies
o
It is irrational to be disturbed by one’s own death.
The final conclusion is ambiguous
o
It can be understood as the claim that one ought to avoid being troubled
by death… or… as the claim that there is nothing in the nature of death
that merits being troubled.
Happiness is the end. Death merits equanimity (mental calmness, composure, tranquility).
o It does not merit fear or dread or sadness or disappointment or some
other emotional distress.
Few of Epicurus’ critics address this argument.
The standard “deprivationist” response to Epicurus is to argue that even though
neither death nor its consequences can be painful, death can deprive one of a
pleasurable future and so can be bad in the comparative sense of being worse
than the alternative.
o
Epicurus argued that because neither death nor its consequences can be
intrinsically bad in the absolute sense of “bad,” death does not merit
emotional distress.
o Death prevents its subject from acquiring wisdom might deprive that
individual of the “perfect way of life.”
o Epicurus affirmed that because there is no time at which death can be
comparatively bad for its subject, death cannot be comparatively bad for
its subject.
“When we exist, death is not yet present; and when death is
present, then we do not exist.”
Because there is no time at which death can have any impact on
its subject, death cannot be bad for the one who dies in the
absolute sense of “bad.” Only unhappiness has absolute intrinsic disvalue. Thus, death
should not trouble us, for there is no time at which it can make us
unhappy.
It cannot make us unhappy prior to its arrival, and once it
arrives, our nonexistence precludes out unhappiness.
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If it would be to one’s advantage to survive, then one has a good reason to avoid
death if one can.
o “He who advises the young man to live well and the old man to die well is
simple-minded, not just because of the pleasing aspects of life but
because the same kind of practice produces a good life and a good
death.” o If pain is intrinsically bad in the absolute sense of “bad,” then the absence
of pain must be intrinsically good in the comparative sense of “good.”
Epicurus believed that he could reach his final conclusion that there is no reason
to be troubled by death by establishing that neither death itself nor its
consequences can be intrinsically bad in the absolute sense of “bad.”
o Death can be instrumentally bad in the comparative sense (the
consequences of survival can be better than the consequences of death);
both the consequences of death are neither good nor bad for the one
who dies and that the consequences of survival can be good for the one
who survives (“life is desirable.”) He urged his followers to consider that consequences of their choices
o We should avoid pleasures “if we get a larger amount of what is
uncongenial from them”
o We should pursue pains if “a greater pleasure follows for a long while if
we endure the pains.” (76)
Bradley:
Instrumental good: the goodness or worthwhileness of these things lies in their
being instruments towards the attainment of the other things which are
considered good not merely as instruments
o
Something in instrumentally good in the absolute sense of “good” only if
its consequences are intrinsically good in the absolute sense of good.
Prevention value plays no role in such an account precisely
because the mere prevention of something intrinsically bad (in
the absolute sense of “bad”) is no guarantee of the production of
something intrinsically good.
Ex. Preventing pain does not lead to pleasure
Epicurus:
o
Neither death nor its consequences can be intrinsically bad (in the
absolute sense of “bad”) for the one who dies.
Moral virtue is an absolute (intrinsic) good
Moral vice is an absolute evil
Neither requires perception
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Disappointment may be a rational response to learning that an unexpected
death will prevent one from receiving some good that one reasonably expected
to receive
Dissatisfaction may be a rational response to the realization that death will
prevent one’s life as a whole from being worth living
Frustration may be a rational response to learning that death will prevent onefrom completing some valuable, long-term project, especially if one had invested
tremendous time and effort toward its completion.
The only disadvantage to death is the fact that it deprives us of certain absolute
goods
Epicurus’ Argument:
o “As a hedonist, he held that only pain is intrinsically bad. As a materialist
atomist, he held that one’s existence comes to a permanent end with
death. Because he also believed that the effects of death do no precede
their cause, he inferred that neither death nor its effects can beintrinsically bad for the one who dies, and on that basis, he claimed that
it is irrational to be disturbed by one’s own death.” (71).
1. “Only pain is intrinsically bad”
2. “One’s existence comes to a permanent end with death”
No part of you lives on after death to continue to feel
pleasure or pain. Those things die with you
3. Therefore, “neither death or its affects can be intrinsically bad for
the one who dies” (from 1 and 2)
If you have no remaining capacity for pain, there is no bad
that can happen to you
Death cannot harm you
4. Therefore, “it is irrational to be disturbed by one’s own death”
(from 3)
Once you are dead, there is nothing left to fear
o This wrong view of death causes us unnecessary
pain. If we had the correct view, we wouldn’t be so
anxious.
Anything other than pain is instrumentally bad because it causes pain???
Pleasure is the only intrinsically “good”
Does Epicurus think that death could be comparatively worse than life?o Draper presents the evidence for both ‘yes’ and ‘no’ answers
We are harmed by death because death deprives us of pleasures
that we could have if we extend our lives
We would be better off if we could avoid death
A life of wisdom is a life of perfect quality; which takes time to
cultivate
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Death can only be worse than life if there is a time where
death can be worse than life.
o Death is nothing to us because when we exist,
death is not present. When death is present, we do
not exist.
o
When we are dead, there can be no better orworse because we cannot experience pleasure or
pain
o If there is no possibility of harm in both states, the
possibility of pleasure in one state might be better
o He concludes ‘yes’
Life is comparatively better than death
Does this conflict with Epicurus’s argument?
o Draper says ‘no’
o He makes a distinction between the comparative sense of ‘bad’ and the
absolute sense of it.
Life is comparatively better than death
Two distinctions:
o Intrinsic vs. Instrumental
Intrinsic goods are goods in themselves
Pleasure is intrinsic good
Pain in intrinsic bad
Instrumental goods are good because they are a means to other
goods
Everything else is instrumental because it it’s a means to
pleasure/pain
o Comparative vs. absolute
Comparative goods are good by comparison to something worse
Recovering from illness is comparatively better/good
actually being ill
Sentenced to 5 years in prison is better compared to 10
years.
Absolute goods are good in an absolute sense. They are good
without qualification (they don’t have to be good by comparison
to something worse).
But recovering from illness is not necessarily good in itself
But 5 years in prison is not good in an absolute sense
Four combinations:
o Comparative intrinsic good
Good by comparison, in and of itself
Death is a comparative intrinsic bad. We would rather be
alive than dead. Death is worse than life (75).
o
Absolute intrinsic goods
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Good without qualification, in and of itself
A pleasurable existence (hedonistic)
The only intrinsic bad is pain
o
Death is not absolute intrinsic bad. Nothing can be
good or bad during death.
o
Comparative instrumental goods
Has consequences that are good by comparison
“It might be objected that even if Epicurus used the terms
“good” and “bad” to refer to things that are intrinsically
good or bad in the absolute sense of those terms, he
surely recognized that something are instrumentally bad.
Thus, inasmuch as critics…argues that the notion of
“instrumental value” is comparative in nature, and hence
that death can be instrumentally bad for the one who dies,
they threaten Epicurus’ position on death” (75).
o
Exercise makes us strong. Strength is comparativelybetter than weakness.
o Absolute instrumental goods
Has consequences that are good without qualification
o Exercise gives us pleasure for the activities
performed during exercise.
Is death an absolute intrinsic bad?
o No
Death is not absolute intrinsic bad. Nothing can be good or bad
during death because we cannot feel pain or pleasure.
Is death a comparative intrinsic bad?
o Yes
Death is a comparative intrinsic bad. We would rather be alive
than dead. Death is worse than life (75).
Is death an absolute instrumental bad?
o
No
In death we cannot feel pain or pleasure.
Is death a comparative instrumental bad?
o Yes
It deprives us the means of getting pleasure.
What if you aren’t a hedonist? Can there be things other than pleasure and pain
that are intrinsically good or bad?
o Candidate intrinsic good:
Moral virtue
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Being just and courageous and honest are goods, even if
they bring us pain instead of pleasure. They are good even
if they fail to give us a flourishing life
o Draper: You can’t be morally virtuous or vicious in
death. Therefore, Epicurus’ argument still stands.
o
Candidate intrinsic bad: Wasted life, failure, betrayal, moral vice
Nagel: Wasted life, failure, and betrayal are intrinsically
bad
Draper: It would be odd to say that these things are bad
for the ones who are dead. Once you are dead, you cannot
be touched by regret or disappointment. Therefore, they
can’t be bad for us.
o
All of these things are avoidable in life. We can
make choices in life to make sure that our projects
are not all wasted/failures.o We don’t get to choose when we die. Sometimes
failure might not be avoidable because you can die
before you are able to finish a project. But these
things are not caused by death, it is a cause of our
life choices.
o
Epicurus is correct
Should we fear death?
o Epicurus: death isn’t bad for us and we shouldn’t fear it.
Should we fear it as a comparatively worse state?
o
Draper: “it is comparatively bad for me as I cannot run a mile in under a
minute…” (78).
o
These things are comparatively bad, but none of them warrant fear
o
A person who is dead doesn’t deserve our pity because they can no
longer be harmed
o Fear for something comparatively worse than death might be a stretch
Disappointment, dissatisfaction seem more appropriate than fear.
Epicurus: we shouldn’t be disappointed, distressed, etc.
We shouldn’t fear death.
o Draper: “Nevertheless, fear seems to be an odd emotional response to
the mere denial of positive benefits, however numerous or large thosebenefits might be” (79).
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Thomas Nagel “The Absurd”
The central theme of Nagel’s paper is the absurdity of human life
o Absurdity, as a property of a situation, connotes both irrationality and
ridiculousness
If it doesn’t make sense; has a certain quality of silliness or
pointlessness Ridicule, contempt
Pants falling down when being knighted
Here are the three usual reasons given for thinking that life is absurd
1. “Nothing we do now will matter in a million years.”
This is supposed to support the conclusion that anything that does
not matter in a million years cannot matter at any time
But Nagel thinks that this is an example of “begging the question”
He says that the only way we could be sure that nothing
now will matter in a million years would be to know that
“it doesn’t matter, period.” The argument gives us no reason to think that nothing
could matter to us now, and if it could matter now, it’s
possible for it to matter in a million years.
2. “We are tiny specks in the infinite vastness of the universe; our lives are
mere instants even on a geological time scale, let alone a cosmic one.”
This embeds the assumption that a longer life would be more
meaningful. This assumption is doubtful
Long lives are not obviously more meaningful
Immortal characters: are often imagined to be miserable
and bored in virtue of their immortality
o
Nothing has meaning if you have all the time in the
world to do everything
3. “Because we are going to die, all chains of justification must leave off in
mid-air.”
Nagel isn’t convinced that this makes our lives absurd or
meaningless because it embeds a wrong way of thinking about
justification.
Our actions are not all justified in a single chain of
justification. There are separate chains that start and end
throughout our lives. (717)
The idea that each link in a chain of justification is justifiedby another future link is self-undermining, because:
o Either a) the chain stops somewhere and nothing is
justified, because it requires a further justification
Taking asprin to end a headache
o
Or b) it goes on forever and therefore never
completes the requirements for justification.
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Each chain has to be justified by something
further, so the project of achieving
justification is never complete
“Yet I believe they attempt to express
something that is difficult to state, but
fundamentally correct” (718).
Life is absurd
What do people do when they find themselves in some kind of absurd situation?
(718)
o Try to restore the reality to the pretention so that it is more realistic
o Or revise pretentions
o Try to get out of the situation entirely
Why is life absurd?
o
The absurdity comes from “the collision between the seriousness withwhich we take our lives and the perpetual possibility of regarding
everything about which we are serious as arbitrary, or open to doubt”
(718).
There is a universal absurdity to our lives
What is this perspective?
o It’s one made possible by our reflective capacity.
We usually use it to weigh one particular aim against another.
Decide which things in life are worth more pursuing
But we can also use it to reflect on whether anything we might
pursue at all could be meaningful
None of the choices we make are significant enough or
worthy enough of the intense energy and concern that we
give them.
o From this perspective, we judge our pretensions to be too great, but we
continue to act as if they were important.
We go to college because we want a good job, to have money to
do what we want
720: “we step back to find that the whole system of justification
and criticism, which controls our choices and supports our claims
to rationality, rests of responses and habits that we never
question, that we should not know how to defend withoutcircularity, and to which we shall continue to adhere even after
they are called into question.
Objection 1: absurdity is not an inevitable property of a human life because we
can give our lives meaning by serving some cause that is greater than ourselves.
o Nagel’s response:
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What would it take for these greater purposes to give our lives
meaning:
They would have to be themselves meaningful
To be meaningful to us, we would need to know that they
are meaningful
Nagel’s discussion of absurdity
o An absurd situation is one where there is a discrepancy between our
pretensions – the way we envision things ongoing – and the reality – the
way they actually are that sadly fails to live up to our pretensions
What do people do when they find themselves in some kind of absurd position?
o Try to recover and restore their aspirations to pretension
o Try to revise their pretensions
o Try to get out of the situation entirely
Objection 2: from our ordinary perspective, to say that something isn’tmeaningful is to say that something else, by contrast is.
o But from the artificial bird’s eye view perspective, we can’t say what’s
meaningful. And so the claim that nothing matters from this point of view
isn’t a meaningful action.
The claim that nothing matters isn’t actually a meaningful claim.
Because there is no contrast to be made.
We can’t make judgments about ….
o Nagel’s response: Comparison with epistemological skepticism
Epistemological skepticism: Suggests that we are never really
justified in our beliefs of what is true.
Has to do with justifications with actions and never with beliefs
There doesn’t seem to be any way that we can justify the
elements within the ordinary sense of justification.
I form beliefs of the basis of vision. And they are justified
because our vision is reliable (Ordinary beliefs). But we can
only compare our justification of vision from our other
senses. There is nothing you can do to prove that your
senses are reliable. We could be possessed by an evil
demon.
o P237: The system only works by taking the world largely for granted.
(pretensions) It is possible that all of it is groundless. All of this is tomotivate us that it is okay to doubt the justification of particular beliefs
and goals. And ask whether the whole system is justified.
Explained by our natural confidence
Natural confidence is no substitute for justification
So what does this mean for us?
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o We don’t stop forming beliefs because skeptical doubts are brought to
our attention. Nor do we quit pursuing goals.
What the introduction of a broader view changes is our attitude
about those beliefs and activities.
Compared to staying in a marriage with a person who
cheated on you. The relationship is the same, but youdon’t trust each other anymore. (Less pretense than we
had before)
o This altered attitude does not allow us to escape absurdity, but it helps.
Because the absurdity comes from the contrast between our
pretensions and reality.
We can’t remove it entirely, because there will always be a
seriousness that is a pretension.
“In continuing to live and work and strive, we take ourselves
seriously in action no matter what we say” (724).
What should we do?
o We don’t have the option to refuse the abstract perspective that made
doubt possible
o We don’t want to obsess about it and stop pursuing any goals.
Mice have no meaningful lives, but they are also not absurd.
Should we despair? Should we scorn the absurdity of life, as Camus suggested?
o Nagel says “no”.
We aren’t capable of willing ourselves to forget.
We cannot pursue anything at all without an attitude that
supports its importance
Nagel doesn’t think that this kind of despair, scorn is warranted by
the absurdity of the human situation
o 726 this seems to me romantic and slightly self-pitying. Our absurdity
warrants neither that much distress nor that much defiance…Absurdity is
one of the most human things about us: a manifestation of our most
advanced and interesting characteristics
In the end, Nagel says that an attitude of irony is the right one.
o “We can approach our absurd lives with irony instead of heroism or
despair” (727).
85 on the Final [360/400] (assuming reading guide #4 = 45/50 = 275 total) = A = 450 -
500
45 on the Final [320/400] (assuming reading guide #4 = 45/50) = B = 400 - 449
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Richard Taylor “The Meaning of Human Existence”
Why isn’t existence meaningful in itself?
o
It is possible for a life to be without meaning.
Because there is nothing we can do to make our lives meaningful
Like cogs in a clock wound up and set in motion until themotion cannot sustain itself.
Taylor believes that outset that we can redeem ourselves of the
fate of a meaningless existence.
Life itself isn’t meaningful on its own.
o
Our lives can be devoid of meaning in the same way that an animal’s can.
o
It is about how you live, and not the simple fact of your existence.
o
There is nothing special about human life in particular about
meaningfulness.
People see themselves as meaningful to them The fact that we cling to life doesn’t necessarily mean that it is
meaningful. It is something that we do as an instinct, instead of a
rational, reflective choice. It is just instinct that motivates us to
cling to life. We don’t do it for good reasons.
The things that are done in life make it meaningful, not simply
that fact that we exist.
Three images of a meaningless life:
o
Sisyphus
Rolls a boulder up a hill that falls down over and over again.
Completes his task endlessly.
The task doesn’t have any value
The rocks are not valuable; there is no inherent value in
the task; it is purposeless and endlessly repetitive
o The hole-digging convict
Dig holes in the ground only to fill them up again over and over
for the rest of his life.
The holes do not have a purpose; it is an endless task that
he is forced to repeat
o
The chanting nuns
A convent in Quebec chant the same prayers (in Latin) over andover without ceasing for their entire lives. Not meaning full
because they chant the same prayer over and over with no
particular purpose/aim.
There is no inherent value in chanting the prayers over and
over
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What are the features of these images that make them meaningless existences?
o It’s not pain.
o It is their…
Repetitiveness
Purposelessness
Endlessness Achieving pleasure for the person is NOT a meaningful life.
How do these images of meaninglessness compare to an ordinary human life?
o
The slaughterhouse worker (slash cows over and over)
The work is repetitive, and endless
Is it purposeless? Taylor thinks so.
The task as some kind of purpose, but it might not be
meaningful; it provides the meat that we eat, but it
doesn’t necessarily give his life a meaning
The slaughterhouse worker gets pleasure from his life (butthat doesn’t mean that it is meaningful)
Pleasure doesn’t amount to purpose
Social/Community value in the labor doesn’t amount to
purpose.
o What about the rest of us? Taylor suggests that a lot of our activities are
endlessly repetitive and of dubious purpose.
Monotonous task
Give you an idea that the person is replaceable.
The job can be valued by society, but it still has dubious worth if
that person is replaceable.
It is not particularly meaningful
How does the human life compare to an animal’s life?
o
The ground mole.
Spend their lives digging into the earth for food and shelter. Have
vestigial eyes (see only light and dark)
Only lives to dig and to find food to sustain itself and reproduce to
have offspring that do the same activities after it dies.
Dubious meaning
Human tasks are similarly endless and whatever they
achieve is illusory, so we repeat the task over and over.
We make money so we can spend it, and make more to
keep spending money, but there is no lasting purpose.
We keep repeating these tasks until we die.
We toil at these tasks that nothing comes of. There is no
greater purpose. We pursue these tasks mindlessly.
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Variations on the nun case: Would these changes reinforce meaninglessness or
would they alleviate it?
o The nuns have no freedom of choice
Lack of choice doesn’t make a life more meaningful. We have no
reason to think that the task achieves a bigger purpose that would
lend meaning to the task even though isn’t done by choice. Existence in activity is not sufficient
o The nuns freely choose, but they do so irrationally; they’ve been
indoctrinated to believe it to be a noble life
They do it out of a sense of desire for the activity itself because
they believe it is a noble task. The source of desire is not internally
motivated. It is an externally forced motivation.
Choice is present, and that is important; but the choice is an
irrational one. It is not for reasons; it is for motivation that has
been indoctrinated.
It is a choice to live a life that is not purposeful or meaningful.
Life, activity, choice= not sufficient
o The nuns are motivated to choose their life by deep religious conviction
and belief in the power of prayer
Belief that something is meaningful is not the same as it
ACTUALLY being meaningful. They believe that it has a grand
purpose. They are being deceived.
o
The nuns are motivated to choose their life by deep religious conviction
and believe in the power of prayer. And their beliefs are true.
They are achieving something even though it is a never ending
task. It is not purposeless. It achieves something lasting; but it is
still a ceaseless labor for a task that is never complete.
The fact that some real purpose is achieved is part of what it takes for a life to
have meaning, but it is still not SUFFICIENT, on its own.
o There are additional conditions to be met
What are those conditions?
o The activities aim at a significant, non-illusory, lasting purpose
o That purpose is achieved
The task cannot be endless
o The purpose is of the individual’s own creation
It doesn’t give meaning to life is the goal is forever unattainable
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John Locke “Essay Concerning Human Understanding: Chapter 27: Identity & Diversity”
Personal Identity
o
Personal Identity: what makes a person at one moment identical with
that same person at another moment
“Identity” is being used here in the numerical sense, not the qualitative sense
o Our ordinary concept of a person includes…
A human organism
And a set of psychological features (thoughts, memories, and
personality)
o Am I essential a thinking thing or am I my body?
Psychology and body are conceptually separable – we can imagine one being
present without the other.
o
There are human organisms that lose the usual psychological featureswhen they suffer very serious brain injuries
o And we can imagine a person’s psychological features residing in a
different body
Since these two components of persons are separable, we run into trouble
deciding whether someone is the same person in problem cases.
Problem cases
o Brain death
o
Sever brain injury
o
Permanent amnesia
o
Multiple personalities
o Body switching
o Fission/fusion
o Duplication
In “Identity & Diversity”, Locke is concerned with the identity conditions of
beings over time
o Identity conditions: the conditions necessary for something to remain the
same (numerically) identical thing
Locke distinguishes the identity conditions for different sorts of beingso The identity conditions for a substance:
The body (or rather the group of atoms that make it up) must
remain intact
It doesn’t matter whether they’re being reconfigured
o
The identity conditions for a living organism (a plant or an animal)
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Remaining intact is not necessary for the persistence of a living
organism
It must participate in the “same continued life…organized in the
same united body” (114).
o The identity conditions for a person are still different…
A person can be self-identical without being the same man (thesame human animal, the same body) and vice versa
What is a person?
o A person is essentially a conscious being with powers of thought, reason,
and reflection.
What are the identity conditions for a person?
o Personal identity is based on the continuity of a person’s consciousness.
We remain the same person as far back as our consciousness
extends
Section 9 (p 115)
Is consciousness a thinking substance? (Section 10)
o He argues that it couldn’t be
Substances must remain intact to remain self-identical
Consciousness is interrupted by forgetfulness, distraction, and
sleep.
o We don’t become a different person when our consciousness is
interrupted
If we are in a coma, our consciousness continues and we are the
same person when we wake up, as before the coma.
Elements of a person:
o Body (substantial)
Physical substance
o Consciousness (insubstantial)
Thoughts, memories, psychology, etc.
o Thinking Substance (sometimes referred to as “soul”) (substantial)
Section 14
o
“Can it be different persons if the same substance does the thinkingthroughout?”
o
Ex. With reincarnation, your soul substance is recycled in new beings
Thought experiment: the same soul (a substance) “that was in
Nestor or Thersites at the siege of Troy” is in you.
You have no consciousness of their past actions.
They have been replaced with your memories
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Can you be the same person? Can their actions be yours?
For Locke, a soul that retains none of these same
consciousness as you is not you
You cannot be the same person.
Section 15
o
Another Thought Experiment: explains how, at the resurrection (fromChristian theology), it wouldn’t matter if you had the same body as long
as the same consciousness inhabited the body
Locke: The body doesn’t matter. You can be resurrected in any
matter.
As long as the same consciousness stays with the soul that
inhabits the body
But the soul alone would not be accounted enough to make the
same man.
o Thought experiment: A prince’s consciousness has been relocated into a
cobbler’s body. The cobbler’s consciousness has been destroyed. Locke thinks that the cobbler remains the same man (the same
living organism) but he is a different person (the prince).
We would not hold the prince (in the cobbler’s body) responsible
for the actions of the cobbler
Section 19
o Locke explains a few of the implications of this view
If Socrates and the mayor of Queensborough shared the same
consciousness, they would be the same person
If Socrates in his waking life and Socrates while asleep
(sleepwalking) have different consciousnesses, then they are
different people
Section 20
o
Locke answers whether a person whose memory of a certain period has
been obliterated, never to return, is the same person?
Think: blackout drunk, madness, serious amnesia, brain damage
to the memory centers
You are not yourself; we do not hold you responsible.
We can sometimes consider some people less culpable of
a crime, especially if there is an alteration to your thinking.
A person can branch off into a different person and return again
This explains why we have different standards of punishment forone who does something deliberately and one who does
something in a fit of temporary insanity.
Section 20-21
o
How is it that the same man could be not one person, but two?
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IF there are two distinct consciousnesses with unique streams of
thought and memory, then they are different persons, even if
there is only one man (one body) that harbors them.
Section 21
Why couldn’t Socrates the man (the human organism) be what we
mean when we talk about Socrates the person? Locke enumerates a couple of different things we can
mean when we talk about an individual man (ex. Socrates)
By “man” we can mean:
1.
The immaterial Thinking thing (soul)
2.
The human animal
3.
The combination of the two
Locke argues that we couldn’t identify Socrates the person
with any of these.
o With 1 (soul), it would be possible for people living
in different times in different bodies to be thesame person even though they have none of the
other’s thoughts or memories.
o And with 2 (animal) and 3 (soul and animal), it
would be impossible for a person to be the same
person after the death of the body.
It wouldn’t matter which body or soul you
inhabit after resurrection because any body
or soul can render your consciousness
Section 22
o Locke answers the question, “Isn’t the person who does bad things when
they are sleepwalking or when they are drunk responsible for them”?
The law can’t determine whether the action actually belongs to
the person.
You are not the same person as when you are
sleepwalking or drunk
So the law punishes things that do not belong to the person
punished
The law punishes the human organism that committed the
crime. We wouldn’t want people to be able to avoid
punishment on the grounds that a person is sleepwalking.
The law can’t determine which person committed thecrime necessarily.
Sometimes we might not be culpable. True culpability
might not belong to the person who consists of the usual
stream of consciousness. IF it does belong to them, they
know it because their conscious tells them so, and God
knows it. But the law cannot identify who is responsible.
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Bernard Williams “The Self and the Future”
Argues against psychological identity view
Argues for body identity view
Questions:o Can we change bodies?
o Or do we change consciousnesses?
What would happen to a person if we took 2 people and switch
their consciousnesses.
The thought experiment that Williams considers is one involving moving a chain
of memories move from A to B.
o Could a chain of memories move from A to B?
o If conceivably could if..
The brains of A and B were switched, or
The information stored in A’s brain was recorded on a device andthen transferred to B’s brain
Phase 1 Cases (163-166)
o
The Original Case:
A and B are experimental subjects who have agreed to change
bodies.
One will be given a money reward and the other tortured.
The experimenter solicits which outcome each prefers.
A prefers that the B-body will be rewarded
B prefers that the A body will be rewarded
One will not receive his or her preference.
Suppose the experimenter announced that he planned to reward
the A-body and torture the B-body.
B will believe his request is going to be honored.
A will believe that his is not
o
They believe that they will be changing bodies.
o
Case 2:
This time, the experimenter does not announce which outcome
he will choose and goes ahead with the switch. He then proceeds to reward the A-body person and torture the B-
body person.
The A-body person (with B’s consciousness) will be happy
that he (B) got what he wanted.
The B-body person (with A’s consciousness) will complain
about the outcome.
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o A didn’t want to be tortured
This suggests that they believe that they went where their
consciousness went after the switch.
We are not concerned for out bodies if our consciousness
has been relocated.
o
Their concern for their future selves did not go with their body.o To care about what happens to me in the future does not include what
happens to the body.
o Case 3:
A and B are altruistic
A prefers that the A-body will be rewarded.
B prefers that the B-body will be rewarded.
The experimenter makes the switch, then rewards the A-body
person and tortures the B-body person.
The B-body person (with A’s consciousness) will beunhappy about being tortured, but will believe that his
choice has been honored.
The A-body person (with B’s consciousness) will be happy
about the reward, but will acknowledge that he expressed
a preference to receive the torture.
o The A-body person got what he wanted, but not what he wanted.
o The B-body person
o They believed that they did switch bodies after the experiment
o
Case 4:
A is selfish, so he requests that the B-body will be rewarded
B is an altruist, so he also requests that the B-body will be
rewarded
The experimenter honors both requests, rewarding the B-body
person and torturing the A-body person
The B-body persons
o 165. The B body person likes what he was receiving, recalls choosing it,
and congratulates himself on the wisdom of his choice;
o They believe they are switching bodies.
Wiliams argues that the experiment is best describes as “changing bodies” as
he’s already imagined it.
o What would it be like if they thought they were changing psychologies
instead?
If they think they’re changing psychologies, they’ll be concerned
about the psychological traits of the other.
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o Williams thinks that the “changing bodies” description makes most sense
with these cases (as they’ve been presented so far).
o They’ve gone where their consciousnesses went. And switched bodies.
The memories that they have seem more important than the bodies that
they have.
Phase 2 Cases (167,172)
o The First Person Perspective Case:
A is told that he will be tortured, but first, his psychology will be
altered so that he will have none of the same memories.
Williams imagines that A is told that he is going to be tortured tomorrow, but
that something would happen first so that he would not remember anything that
he now remembers.
o He (appropriately) feels fear.
It makes the case seem mysterious. When it’s described this way, the torture is being presented to A as happening
to A himself . And this is in accordance with a plausible principle:
o “…that my undergoing physical pain in the future is not excluded by any
psychological state I may be in at the time” (169).
Would it make a difference to A if he knew that his psychology would be
produced in B’s body?
o Not obviously.
o
To convince us, Williams considers some more cases
Phase 2 Cases (167,172)
o
The First Person Perspective Case:
A is told that he will be tortured, but first, his psychology will be
altered so that he will have none of the same memories.
Additional cases:
1.
A is subjected to an operation which produces total amnesia
a. Fear is appropriate. You would still think that the torture would be
happening to you
2. Amnesia is produced in A, and other interference leads to certain changes in his
charactera. Amnesia + new memories.
b. Fear is appropriate
c. New memories wouldn’t remove the fear of being tortured.
3.
Changes in his character are produced, and at the same time certain illusory
“memory” beliefs are induced in him. These are the
a.
Amnesia + new memories (fictitious memories)
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b.
Fear is appropriate.
c. Psychological state of going under pain doesn’t affect the pain. It still
seems like it will happen to you
4. The same as 3, except that both the character traits and the “memory”
a. Amnesia + new memories (modeled off of a real person)
b.
Fear is still appropriate.c. You will still fear the torture being done to you
5. The same as 4, except that the result is produced by putting the information into
A from the brain of B, by a method which leaves B the same as he was before
a. New memories (of another person’s actual memories)
b.
Fear is still appropriate.
6. The same happens to A as in 5, but B is not left the same, since a similar
operation is conducted in the reverse direction.
a. Fear is still appropriate.
b. There is no difference in what happens to him. The only difference is
what happens to someone else.
Williams asks whether these descriptions are fearsome
If we resist Williams’ claim that A’s fear is appropriate in 6, then there is a
problem.
o If it’s not appropriate in 6, it’s not appropriate in 5.
In 5, A does not exist, so fear of being tortured is not appropriate
Williams thinks A still exists in cases 1 and 2.
Because we still have something substantial to identify the
person with. After amnesia is produced, we are still able toidentify A.
But 3 and 4 are unclear.
Some cases are on the borderline, at best.
The memories given to A are fictitious memories.
Can a line be drawn between 3 and 4?
o They might be borderline (indeterminate) cases/
How is fear affected by indeterminacy?
o
If there is indeterminacy about who will be harmed?
We can’t be sure that it will happen to me, but fear is stillprobably appropriate.
Fear wouldn’t be as intense as it would (for a range of people)
than when I would know that it would happen to me.
o If there is indeterminacy about the nature of the harm?
Some bad thing is going to happen (not sure what to expect)
A’s fear of the coming torture is not like either of these.
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o P175: “in the present case, fear of torture…
In thinking about the imminent torture, if a is imagining what the
torture is going to be like for him, he is making an appropriate
assumption that is it to him that the torture is going to happen.
An Incurable Difficulty: its not really clear how he should fear.
Fear is both appropriate and inappropriate at the sametime.
o The concept of personal identity doesn’t apply to any of these cases.
Why is it no comfort to treat identity as something that we could just stipulate in
the same manner that we would stipulate something for legal reasons?
o It’s not clear that our stipulating something doesn’t make it true in these
indeterminate cases.
o Stipulating doesn’t help, or allay A’s fear.
How does Williams conclude?
o
There are different focal points when we think of personal identity fromfirst person and third person perspective.
o He wanted it to seem obvious to us that the two perspectives are
different.
o We focus on the mental aspects of the person. That makes it seems more
natural for us to identify people with personality features. (3rd
person)
o
It makes us more nature to focus on bodily continuity and that the body
isn’t essential to them. (1st
person) Especially with amnesia (where there
is nothing to identify the person with).
o The way he framed the case makes a difference in what we think would
happen.
o
The first conclusions made in the first set of cases can seem wrong.
Williams uses two perspectives (3rd
and 1st
) to describe similar cases. He does
this to show that the ready assent that we are prone to give the view that
personal identity is grounded in consciousness on the third person description is
suspicious.
o
True
Personal identity is essentially associated with your consciousness rather than
our body.
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Tamar Gendler
What is a cantilever?
o An architecture term
o
A drawbridge
o
2 parts of a cantilever make up a drawbridge
Can be separated A persons psychological (mental) features and physical
features can be separate
The ordinary components of persons:
o
Physical components
o
Mental components
The components are conceptually separable.
o We demonstrate this with thought experiments.
Thesis statement: “My goal in this paper is to suggest reasons for thinking that
this methodology may be less reliable than its proponents take it to be, for
interesting and systematic reasons” (593). o She thinks it’s the kind of concept that has necessary and sufficient
conditions
This way of arguing is totally ill conceived. It doesn’t get us anywhere
Objections to the usual approach to personal identity (using these cases that
push the limits of the concept) can either…
o Objections to the particular thought experiments
Ex. Brain transplants are not biologically possible
o
Objections to the use of thought experiments applied to this particular
concept
Gendler’s complaint is one of these
o Personal identity is one of those personal concepts.
o Thought experiments are only useful if the concept has necessary and
sufficient conditions
Why is personal identity is different?
o In the vast majority of cases, both characteristics (physical and
psychological) are present.
Because that’s the way it plays out most of the time in nature.
“But this means that our evaluation of the exceptional case willdepend upon which mapping we use in making this assimilation.
And this means that our ability to make sense of such cases
outruns our ability to make reliable judgments about them” (595).
o We aren’t capable of making reliable judgments about unusual cases.
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Why don’t the extreme cases in nature that somewhat resemble the thought
experiments give us reason to embrace the thought experiments as a guide to
understanding personal identity.
o
None of these cases in nature question
o
There has never been a case where someone actually changed bodies
with another persono One body supports a single psychology, the vast majority of the time.
o We end up assimilating unusual cases to persons depending on which
personal identity of a person we are focusing on.
o It is permissible to say that if a person could swap bodies, that they could
be the same person. But in unusual cases, out intuitions just don’t stretch
that far. We can be right, more or less, but we wouldn’t be able to have a
verdict on the really unusual cases.
Gender rehearses Locke’s taxonomy of types of identity over time
o
Non-living non-artificial entities: contiguity of the body Identity is a sameness of body
o
Living things (plants, animal): same life
Undergo significant changes in life (acorn to oak tree) but they are
the same entity
They are numerically one
Identity is a sameness of life
Humans are treated as a “Special case” of animal
o Persons: same consciousness
We retain the sameness of life
The life of a person remains the same life as long as there is a
sameness of consciousness
The prince and the cobbler:
o Locke uses a thought experiment to show that sameness of animal (body)
and sameness of person (consciousness) are different.
The cobbler’s body would be identical with the qua human
animal, but the psychology would be identical with the qua
human person.
o
Locke demonstrated that event though these two things tend to coincide,
they are separate
Lcoke’s thought experiment has 3 important features:
o
There appears to have been a body switch because the consciousness ofone person has been moved to another
o
There is a mechanism described which explained how the switch was
produced
o The mechanism is that a substance which harbored the consciousness
was moved from one body to another.
These features accomplish the following three tasks:
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o “(1) That we can make sense of a story In which two personalities ‘switch
bodies’;
o
(2) That we can describe a mechanism by which such a switch might take
place;
o (3) That that mechanism involves some transfer of substance” (599).
As cases get more complex, it is not clear to us how to make judgments
Contemporary Variations of Locke’s Thought Experiment
o In some variations, only 2 (the mechanism) gets altered
Instead of an exchange of souls, we are asked to imagine an
exchange of brains
Brown is Brownson, Robin is Robinson
More complicated: Fission Cases (based on Sperry’s split brain research)
o
So we can imagine two bodies with one divided braino In this case, it’s obvious whether Brown survives as one, the other, or
neither
Brain is split and shared between 2 twins.
Brownson 1 and Brownson 2
According to Gendler, it’s not clear
Neither has more of a claim than the other, but it would
be weird to say that they are both identical to Brown
In some variations, (3 the transfer of substance) is modified instead of (2).
Instead of changing substances, there is an exchange of information: brain states
are modified or duplicated in a computer or another brain.
o There is an artificial brain; can be similar to the transplant cases
More Complicated: Teletransportation cases
o A computer collects and stores information about a person’s brain and
body and recreates the person in another location
o But if this is possible, it’s also possible that the machine could make
duplicates of a person in different places.
Summary of all the possibilities (601-602)
o Brain transfers and exchanges
o Fission (brain split)
o
Brain state transfers, exchanges, and duplication (computer memories)o Teletransportation
o Independent replication (stores memories in a computer)
602
it seems to be undeniable that we can make sense of such scenarios. Each
represents a state of affairs that seems metaphysically, perhaps even physically
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possible. But this does not mean that we can make reliable judgments about
how we would or should respond to such scenarios, were we to encounter them.
Gendler on William’s brain state transfer thought experiments
o Williams describes the experiment 2 ways…
o
To push us toward the conclusion that A might be right in beingconcerned for the future of his body, Williams presents 6 possible
outcomes for A in this experiment [in handout]
Gendler: Framing
o Scenario (2 versions):
You are on your way to a play and you drop a $10 bill. When you
get to the theater, you realize that you lost it, but you have other
money in your wallet to buy a $10 ticket. Do you buy it?
Lost Cash/Money
You are on your way to a play and you dron a $10 ticket that youpurchased in advance. When you get to the theater, you realize
that you lost it, but you have other money in your wallet to buy a
new one. Do you buy it?
Lost Ticket
o We reason on the basis of different principles depending on how the case
is framed.
It’s economically imprudent to immediately replace items that we
lost or damaged (lost ticket)
When we lose things, we don’t necessarily immediately
replace them
We hesitate to say that we’ll buy a new ticket if we lost a
ticket
Its imprudent to make ourselves unhappy to deny ourselves a
pleasure in one domain simply because something went wrong in
another domain (lost cash)
We don’t take the losses in other domains to take away
from the pleasure in another domain.
William’s cases likewise are affected by how the experiments are framed
o Gender says: The usual arguments about personal identity attempt to
show that one of the frames is really the correct one.o This makes it understandable how we’d have different opinions
o Both frames are permissible, but the usual arguments show that one is
correct and the other is wrong.
Williams didn’t do enough in his paper to convince us that we
should be convinced by one case or the other.
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There are 2 possible approaches to understanding the significance of exceptional
cases
o The exception as scalpel strategy:
Exceptional cases allow us to narrow the range of what we think
are essential features of being a particular sort of thing
If X usually has features, a b c and d. X only has b and d, then a and c are accidental features.
They are not part of our necessary and sufficient
conditions.
o A body isn’t a necessary condition for personal
identity
o
This strategy falls through because we can also
imagine a person surviving with drastically changed
psychology.
o Yields no necessary conditions for being a person
We cut away to mucho This is to be expected with this sort of concept
o There are not necessary and sufficient conditions
for a personal identity
o The exceptions as cantilevers strategy
“Cantilever” is an architectural term that refers to a beam that is
supported at only one end.
If exceptional cases are persons, they are so “by courtesy” in
virtue of their similarity to the normal cases.
This explains why we are sometimes able to image a
person being identical to their personal self after losing
their body OR psychological features
They are still formally tethered to their normal self
We can have just one or the other of the ordinary
features,
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Aesthetics and Philosophy of Art
Ted Cohen “High and Low Thinking about High and Low Art”
According to Cohen, the distinction between art and non-art, high and low art
are alike in two respects:
o
They are not defensible philosophical distinctions They are honorific artistic contributions. (Museum art)
Child’s artwork is not normally seen as great art.
Not valued by society, or seen as an achievement on a
higher order.
o They are nevertheless indispensible distinctions
They should be honored and never be thrown away
Cohen does not give an account of how precisely the distinctions are employed.
o
Instead, his focus in the paper is to understand why they have a place in
our thinking about art and would-be art.
What is the high art/low art distinction?o It’s a distinction in quality.
Some art can be art without being good or meaningful
What is the art/non-art distinction
o It’s a distinction in kind
It can only be art if
Why do we need both distinctions
o
Its possible that the high/low distinction can render art/non-art
unnecessary or vice versa.
If paintings are high and pots are low, what difference does it
make whether both art art? If you think that Shakespeare is better
or deeper or nicer or something than The Simpsons, why do you
feel a need to say anything more than that? And if you do, why do
you feel a need to distinguish the kind of think Shakespeare is
from the kind of think The Simpsons is?” (152).
Both are useful distinctions for describing our intuitions on how to
categorize art.
To come up with his answer to this question, Cohen makes a comparison with his
thinking about moral categories and distinctions.
o Cohen’s illustration: He ought to visit Auschwitz.
Is there a moral theory behind his ought? For Cohen, there is not.
Ought” comes from a moral principle. Moral principles producedifferent kinds of verdicts.
“You are the one with the categories, the boxes, the petrifying
distinctions, and the dead sensibility: put my “ought” wherever
you like, and leave me alone” (152).
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“Well, I know that anyone who asks questions about moral senses
of “ought” and different kinds of obligations, has lurking in his…”
(152)
o Why does he think
He thinks that there are plenty of oughts that people ought to do.
But they are not universal. But in his particular circumstance, heought to have gone.
Resembles an anti-theory view of ethics (moral
particularism)
o Principles are too crude to capture what is
important in real world situations involving real
people. There are too many significant features in a
situation. They will distort your view of right and
wrong
Cohen has a whole catalogue of “oughts”
o “I ought to refrain form telling children that I know how they feel and will
feel.”
o “I ought to share my money with others”
o (And so forth)
These are landmarks in his “moral landscape”
o We can use the landmarks to create moral categories (like territories on a
map): “the forbidden. The permitted, the obligatory, and the
supererogatory”
These are too crude to “do justice to the sensibility of my moral landscape.”
The categories of art and non-art, high and low art are like the categories of
moral theories: “they just blur and blotch” (153).
Cohen gives a list of the things that he likes:
o
The Simpsons and Northern Exposure; King Lear; some pieces by Mose
Allison and some by the Neville Brothers; Pasternak’s Dr. Zhivago…” (and
so on)
He asks: Are all of these art?
o
He chooses not to answer the question.
o
But they are all important to him.o And it’s important to him that others appreciate them too.
The same art is not appreciated equally by everyone.
What you like and don’t like…
o Links you to other people who appreciate some of the same things, and…
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o
Differentiates you aesthetically from other people.
Cohen gives another list of things he likes:
o Chocolate ice cream, Bob Marley’s song “buffalo soldiers,” the movie
Blues Brothers, and a photograph I once made of my son with his bicycle
Cohen thinks that these probably are not arto They don’t link him to others
o They don’t contribute to his aesthetic sensibility
Ex. A catchy commercial jingle,
We think that things are art or not based on how they link us to
other people via aesthetic sensibility.
What Cohen has given is not a theory of art.
o Cohen characterizes it as a “proto-conception of art” (155).
The core idea of his proto-conception: art is a “focus for a
mutuality that locates a community” (155). o It can help us understand why we have categories of art and non-art, high
and low art.
Illustration: listening to the deceased’s favorite music at a funeral vs. displaying
their favorite possessions.
o Music: Understanding his friend’s aesthetic sensibility
Art has an acknowledged trans-personal significance
o Possessions: doesn’t have a significance that connects us to other people.
Art is at least partly characterized by being the focus of a community
o This explains art/non-art, high/low art distinctions
We all belong to different sets of communities
Large
o The art is good, popular,
High art
Small
o In spite of the fact that it is good
Underappreciated high art
o
Not great art
Low art
We don’t all have a uniform taste
The high/low and art/non-art distinctions describe how we are located in
different kinds of aesthetic communities.
o
Our appreciate for a particular work of art locates us in..
A community that is large because the art is shallow
Low or popular art
A community that is large because the art is good
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High art
A community that is small in spire of the fact that the art is good
Underappreciated high art
A community that is small because it is not great art
Low art
Eileen John “Artistic Value and Opportunistic Moralism”
Artwork can be good and have bad moral elements in them
Whether artwork needs to have a moral message or a moral purpose in order to
be good
John’s view: Opportunistic moralism
o
It is not the case that “the moral significance of works of artsystematically add to or detract from their value of art” (331).
o Nevertheless, we do tend to value art that conveys moral truths.
Thus, artists can convey moral messages opportunistically so that
people will value their art.
We tend to value art that conveys moral truths because
moral truths play a valuable role in our lives.
A work that rejects our morality can be considered great
Any art that plays an important role in our lives can
potentially find a role of acceptance into great art.
Some moralist views: Noel Caroll and Berys Gaut
o
Most moralists accept the following premise:
Assessment of moral value is relevant to assessment of the value
of a work of art
o Gaut: immorality always counts negatively against the value of a work
The response it prescribes is unmerited.
Huckleberry Finn
It makes us feel uncomfortable
Discomfort is what is really merited by the work
Immoral works are necessarily flawed in virtue of their moral
contento
Caroll: immoral contentment might contribute positively to the value of a
work, but it usually counts against it.
Moral content could contribute possibility for a value of a work,
but it is very rare
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Artworks with moral flaws that contribute to their artistic value:
o Ernest Hemingway “ The Short Happy Life of Francis Macomber”
Treated as a coward for running away from a lion
Redeems himself by confronting a buffalo and dies
Changes his companion’s perception of him. They see him
as a hero. He earned his friends’ respect Grown-up and shown himself to be a man
o But she doesn’t believe that running away from a
lion is necessarily a cowardly act or that
confronting a buffalo is of moral courage.
o Henry James “The Portrait of a Lady”
Nightmare of a marriage. Marriage that is pervaded with deceit
and manipulation. She has opportunity to leave her marriage and
live a happier life, and doesn’t take it.
Her loyalty to her marriage is admirable
John doesn’t believe in the moral of the book. Her choice was toofoolish and too self-sacrificed to be worthy of admiration.
o Trainspotting
Self-consciously challenges your moral commitments
Successful because it gives us an unsettled response.
o
The Talented Mr.Ripley
Successful because it elicits this unsettling of our ordinary moral
judgments.
When is morally flawed content artistically valuable?
o
The work succeeds in getting you to understand the moral framework
that it presents.
o The work’s moral assessments are intelligible and compelling for the
audience in interpreting the events in the narrative.
If we were to do a detailed analysis, we would find them to have a
moral framework that is understandable and compelling, and
makes sense of the events in the narrative. The assessments
would be compelling even if the framework of moral assessments
that it is using isn’t one that we agree with.
336: the moral flaw in an excellent work will not seem…
How does John challenge the “mismatched response principle:” The principlethat responses that a work elicits, but that are not prescribed by the work, are
flaws of the work?
o
John finds this principle to be immediately suspect.
o Designed to produce a range of responses or a complicated and
restricted response, or no response at all.
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o
Even if we accept the assumption that every work wi ith a moral
framework prescribes a moral response, it is not obvious that the
intended response has to be successfully ilicited in order to be successful.
o The important thing for a work’s success is that it gives us a compelling
and coherent moral picture.
o
We don’t have to agree with it or react in the same way o We must understand that pieces of the work that are supposed to be
morally
o Our emotions don’t have to “track” with the work’s moral assessments.
o We are supposed to try out the work’s assessment as we follow the
unfolding of events in the narrative.
If the work is successful, it will be a compelling source of spin, but
we may not agree with it.
Why according to John, shouldn’t we limit evaluations of art to evaluations on its
own terms?
They don’t have to elicit the emotional response that is
presented.
o Why is it also appropriate to evaluate a work of art’s general value as a
part of human life?
“In our practices of evaluating art, we have come to treat it as the
sort of thing that rightly aims for…further preciousness” than can
be ascribed within a limited evaluative framework (339).
It can still be a good work of art even if we don’t get the
response that was initially intended.
Why do we find art that agrees with our moral beliefs and sensibilities to be
more valuable?o According to John, it’s an opportunist thing. Moral values matter to us.
o But there is no necessary connection between morality and artistic merit.
A work that is successful on its own terms and demonstrates worth to human
values has more worth than an artwork that simply is successful on its own
terms.
Anne Eaton “Robust Immoralism”
Any character that makes us sympathize with a rough character is morallyflawed. (FALSE)
The Evil Queen,
Sympathy that we feel for these works of art is an achievement and it doesn’t
reveal anything about yourself as the audience.
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David Hume on the rough hero :”We cannot prevail on ourselves to enter into
his sentiments, or bear and affection to characters, which we plainly discover to
be blamable”
Eaton’s view:
o
Immoralism: moral flaws can be artistic merits Contrasting from Hume, she claims that sometimes we do
sympathize with rough heroes.
When we do, it is an artistic achievement
How is art an object of moral assessment?
o Example: Goya’s Third of May painting
It is a historical event. Sanctions an attitude of disgust and
compassion for the victims
It asks us to deplore atrocities, and not sanction them.
A work’s “moral valence” comes from its perspective on its diegetic (whatever itdepicts/represents) elements.
o
Moral valence = its moral or immoral charge.
Is it moral or immoral?
o Diegetic elements = what it depicts or represents.
Moral valences: Does a work commend the right things and condemn the right
things?
o If it does, it has a positive (+) moral valence
Bad person is seen as bad
o If it doesn’t, it has a negative (-) moral valence (i.e. it’s immoral)
Bad person is seen as good
Examples of works with immoral characters:
o Uriah Heep from David Copperfield
Is portrayed as “clammy, slimy, and writhing” (282).
Giving the work a positive valance.
He was truly a bad person, therefore it is an artistic
achievement
o
Tony Soprano form the Sopranos
Is portrayed as “savvy, charismatic, bold, daring, and resolute”
(282).
Giving the work a negative valence. He is portrayed as a good person, but was actually a bad
person
Distinction:
o A moral judgment is extrinsic to a work
If it “is not a component of the work’s perspective” (282)
It is not a response that the work implies
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It is not how it is telling us to respond
A separate moral response that the work does not
prescribe
Make a judgment that is external to the work.
o
A moral judgment is intrinsic to a work
If it “is a component of the work’s perspective” (283)
It is a response that the work prescribes
Depiction is supposed to prompt moral outrage
It comes from the actual features of the object
The work it meant to sanction moral disapproval
Moral flaws are aesthetic virtues when the work prescribes an immoral
response, sometimes but not necessarily in cases where the work doesn’t
prescribe
Lolita is supposed to be good because it is supposed to draw both disgust and
sympathy for a pedophile.
How are rough heroes different from antiheros?
o Antiheros are flawed, but they are not outrageously bad people.
o
Rough heroes are egregiously bad people.
Rough hero flaws are not peripheral characteristics, they are
characteristics of their personality.
Rough Hero Archetypes:
o
Admirable devil
o
Glorified criminal
o
Congenial murderer
o
Likeable sex criminalo Sympathetic sadist
o Appealing mean-spirited person
o And others..
They are acknowledged to be profoundly flawed, if not downright
evil.
Rough hero’s flaws create “imaginative resistance” that the works attempt to
overcome.
o You like them, but you realize that they are terrible/evil people
o
Overcome your dislike,
o
Supposed to maintain a delicate tension between like and dislike of thecharacter
Common devices used to overcome imaginative resistance:
o
Humanize them
o
Idealize them
o Contrast them with worse characters
o Give them a “quasi-moral code”
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A code of honor; a code of says you never harm a certain type of
person
o
Make the good characters fools
Good characters are misguided
Why do proponents of the moralist view of art think that immoral content is an
aesthetic flaw?o The responses that you have for the works and that the work sanctions
are not warranted
Does this argument equivocate, conflating two kinds of warrant?
o
A response can be warranted in the sense that it fits its object
Or
o A response can be warranted in the sense that “it would be the right
response to have for reasons unrelated to whether the object possesses
features picked out by that response” (286).
The right response to have for moral reasons
The moralistic fallacy a faulty influe from the claim to have a response that does
not fit that object.
o A work can warrant a response that have characteristics to cause a
response,
A moralist response:
o Your moral response to a work fits the work’s features too, just as the
immoral response does.
o
And your moral response makes it impossible for you to appreciate the
immoral aesthetic features of the work.
Eaton’s rejoinder:
o
An argument from analogy:
Moral flaws are like the stench of a painting made from putrid
materials
o They might detract form our enjoyment of the work, but for anyone
capable of suppressing their olfactory/moral reaction, the aesthetically
good features of the work would be undiminished.
Rough hero works are designed to overcome the stench/negative
reaction to immoral content.
A further moralist response:o Moral flaws in a person (or character in an artwork) warrant antipathy,
not sympathy.
o Thus, rough hero works don’t warrant what they prescribe
Eaton’s rejoinder:
o Rough hero works successfully elicit sympathy.
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Why does Eaton think that the creation of a rough hero is an aesthetic
achievement?
o
“The rough hero type sets up and then skillfully solves an ambitious and artistically interesting problem: namely, to overcome the audience’s
imaginative resistance” (287).
Giving them a sense of goodness.
There must be a sense of balance between good and bad.
They must seem bad/good, but not too good/bad
o “This state of dividing-ourselves-against-ourselves that such works induce
in their audience is aesthetically valuable” (287).
We are compelled by rough hero characters because we feel
mixed emotions for them.
It makes these works haunt us and keep us awake at night To be compelling is to be an aesthetic achievement. It sticks with
you.
For it to be an aesthetic achievement:
Must set up a worthwhile problem, and solve it well
Moral flaws are valued if they are set up in a way that
makes it compelling
“The very same feature of a work is both a blemish and
moral good?””
The recent spike of rough hero characters might detract from the
aesthetic value of the works
Because the problem might be less compelling if it has
been done so many times before
We might find the systems too predictable and too
formulaic.
o But if it is interesting, it is aesthetically notorious