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Index de Ollantaytambo LARA: Latin American Roaming Art Museo de Arte Contemporáneo de Lima, Peru 8 May–30 June 2014

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Page 1: Index de Ollantaytambo - irenekopelman.comirenekopelman.com/site/assets/files/1028/2014_index_de_ollantayta… · Ollantaytambo, the capital of the district of Ollantaytambo, is a

Index de OllantaytamboLARA: Latin American Roaming ArtMuseo de Arte Contemporáneo de Lima, Peru8 May–30 June 2014

Page 2: Index de Ollantaytambo - irenekopelman.comirenekopelman.com/site/assets/files/1028/2014_index_de_ollantayta… · Ollantaytambo, the capital of the district of Ollantaytambo, is a

Maras en angulo viradoLARA: Latin American Roaming ArtMuseo de Arte Contemporáneo de Lima, Peru8 May–30 June 2014

Page 3: Index de Ollantaytambo - irenekopelman.comirenekopelman.com/site/assets/files/1028/2014_index_de_ollantayta… · Ollantaytambo, the capital of the district of Ollantaytambo, is a

Index de Ollantaytambo and Maras en angulo virado are works that were developed during a two-week residency in Ollantaytambo, orga-nized by LARA (Latin American Roaming Art), a travelling artists’ residency project. Ollantaytambo, the capital of the district of Ollantaytambo, is a town and Inca archaeo-logical site located in the province of Cusco, in southern Peru. It covers an area of 645.25 square km (249.13 square miles) and has a population of ca. 11,000 inhabitants, of which only 4,000 live in the town of Ollantaytambo. It is believed that Ollantaytambo was a military, agricultural and religious centre, established to manage and control the Sacred Valley of the Incas. Its high-walled buildings, watchtowers, and resistance platforms seem to have been intended for military defence. For this reason Ollantaytambo is considered a fortaleza (fortress). It is also known as a tambo (inn) or lodging town, given its strategic location in the Sacred Valley of the Incas.

landscape of Maras, in the Sacred Valley of the Incas (Maras en angulo virado)

landscape of Ollantaytambo (Index de Ollantaytambo)

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Index de Ollantaytambo

10 diptychs (i – x)index: 30.5 × 22.5 cm (framed: 33.5 × 25.5 cm)squares: 10 × 10 cm (framed: 3 frames of 16 × 52 cm, 3 frames of 16 × 64 cm, 3 frames of 16 × 76 cm, 1 frames of 16 × 88 cm)gouache on paper

In the village of Ollantaytambo, what immedi-ately caught my attention were the color tones of its constructions. Centuries ago, the Incas built with the same stones, brought from the Cachicata quarry. The piece consists of an index of colors based on stones I collected in the Cachicata quarry, in the area of Ollantaytambo. The color index shows a dissection of the colors that those stones contained. Altogether I chose 10 stones to work with. Each diptych is based on one stone.

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i ix

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reference

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Maras en angulo virado

220 × 50 × 18 cmclay

These clay works were the outcome of several visits to the salt evaporation ponds of Maras, a town in the Sacred Valley of the Incas, 40 kilometres north of Cuzco, Peru. During my stay I visited the location several times, walked through and along the ponds; observed the place from nearby as well as from a distance by looking down on it from the opposite slope. From there I could see the entire area. This is also where I sketched and documented the landscape. This gave birth to a sculptural project that is an interpretation of the landscape.

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landscape

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process

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Irene KopelmanIndex de Ollantaytambo · Maras en angulo virado

Curated by:Miguel Lopez

Credit documentation of the exhibition:Muauk Nolte

Design PDF:Ayumi Higuchi

Sponsored by:LARA (Latin American Roaming Art)

Special thanks:Jose Roca, Miguel Lopez, Daniela Moscoso, Amanda Briggs and Corinna Silva Rodriguez.