how subscription billing can save a popular music provider
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How Subscription Billing Can Save a Popular Music Provider
© 2015 Vindicia, Inc. All rights reserved. Vindicia Confidential.
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How Subscription Billing Can Save a Popular Music Provider
© 2015 Vindicia, Inc. All rights reserved. Vindicia Confidential.
The online music service SoundCloud has struggled with various issues since its
beginning. In the past, the company came under constant fire over the fact that none of
the music is provided was licensed. Numerous lawsuits from record companies like Sony
and Universal forced SoundCloud to divert most of its funding from increasing its brand
to paying legal fees. These troubles, combined with SoundCloud's difficulties monetizing
its service, caused deep financial concern. According to Music Business Worldwide, the
company brought in $19.4 million in revenue in 2014 but lost $44.2 million that same
year. Ultimately, SoundCloud earned approximately $42 million between 2012 and 2014
but lost $85 million during the same timeframe.
Offering a new service
One could argue that SoundCloud's strength was its ability to serve as a platform for
independent publishers. While the company did stream licensed content, it was popular
with unsigned artists and those from small labels. They were able to put their music in
front of a large audience and, thanks to SoundCloud's algorithm, even play directly after
a song from a famous music group. Unfortunately, while this delighted avant-garde music
enthusiasts, it didn't bring in much revenue. Meanwhile, the legal expenses regarding
licensed and established artists were too large to ignore.
Solving both problems with one stone, SoundCloud launched a new subscription
service named SoundCloud Go, The New York Times reported.
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A subscription service lets SoundCloud Go users save online music to their phones.
4 © 2015 Vindicia, Inc. All rights reserved. Vindicia Confidential.
Prior to release, the company signed several licensing deals with both major and smaller
record companies that gave SoundCloud legal access to millions of songs. Go operates
distinctly from the platform's free version, which lets users enjoy 100 million songs
uploaded directly by artists or as a promotional effort by record labels. The new offer,
which costs $10 per month, gives subscribers access to these songs plus over 25 million
more. It also allows users to listen without advertisements and save songs to their
smartphones.
Subscription billing improves SoundCloud's product
One might consider the switch to an online subscription business model a risky move on
the company's part. One of SoundCloud's advantages was that it was completely free for
listeners. Now, the company is more in line with its competitors: Spotify, Apple Music,
Pandora and Tidal.
However, there still remains one key difference: SoundCloud's numerous independent,
unlicensed and small-label artists. This lets a company offer a larger variety of music,
turning the platform into a one-stop shop where users can find the same artists on other
services as well as smaller, lesser-known acts. What's more, since SoundCloud Go is
competitively priced, users get more value for their money. They can spend $9.99 per
month for Apple Music or spend the same amount and get access to more artists with
SoundCloud Go.
5 © 2015 Vindicia, Inc. All rights reserved. Vindicia Confidential.
This move also helps address the issue of customer acquisition, although maybe not
intentionally. SoundCloud first launched in 2008, and the eight years since then can be
thought of as an extended free trial. There's not much the company has to do to reach a
broad audience – it already has 175 million regular users. That's a sizeable market in
itself, and many of these users undoubtedly already pay for Spotify or Apple Music. Once
they see they can get the same artists and more via SoundCloud Go, they're likely to
switch over.
"Subscription
billing is the
standard among
most online
providers today."
Making subscription business models work
Subscription billing is the standard among most online
providers today. Users adapted to the payment methods quite
easily – it's convenient for them and provides access to
content under terms they can agree with. Companies planning
to follow in SoundCloud's footsteps should do significant
research to devise subscription terms and customer
acquisition methods that will work best for them. It's highly
unlikely SoundCloud entered this new territory without certain
calculations, after all. The company likely did a lot of
forecasting to ensure this sudden move would be financially
beneficial and not cause even more trouble. SoundCloud Go's
success hinges on its ability to convert former free users into
paid subscribers or attract new customers altogether, so acting
recklessly could spell the company's end.
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To start the process of transitioning to a subscription model, companies must come to
some understanding of how many users will sign up for the experience. They can do this
by monitoring all the channels on which they advertise and recording how many users
come in from each. It might be difficult for companies to get an accurate count, especially
if they're employing subscription services for the first time or using new channels, but
there is plenty of third-party data available to help make more accurate calculations.
Ultimately, SoundCloud's new offer is an attempt to merge its ability to promote
underserved artists with its desperate need to become a profitable institution.
A subscription business model served its competitors well, and SoundCloud believes
combining the payment method with its large catalog of music will benefit the company
and its users.
7 © 2015 Vindicia, Inc. All rights reserved. Vindicia Confidential.
About the Author: Bryta Schulz
Bryta joined Vindicia in 2013 and serves as Senior Vice
President of Marketing. She is responsible for building brand
awareness, creating go-to-market strategy and promotion, and
driving growth. With over a decade of executive level marketing,
product management and PR experience, Bryta has led
marketing teams in enterprise technology and SaaS companies.
Her experience includes heading product marketing at GoGrid,
PGP, RSA and Symantec and business development and
product management positions at Xcert, Thales, and
Persistence Software. Bryta holds a MA in Translation from the
Johannes Gutenberg University Mainz and an MBA from the
University of Reutlingen.
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© 2015 Vindicia, Inc. All rights reserved. Vindicia Confidential.