chapter 16 classical humanism in the age of the renaissance

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Chapter 16 Classical Humanism in the Age of the Renaissance

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Page 1: Chapter 16 Classical Humanism in the Age of the Renaissance

Chapter 16Classical Humanism

in the Age of the Renaissance

Page 2: Chapter 16 Classical Humanism in the Age of the Renaissance

Ambrogio Lorenzetti, The Effects of Good and Bad Government in the Town, 1337-39. Palazzo Pubblico, Siena http://www.all-art.org/history194-18.html

Page 3: Chapter 16 Classical Humanism in the Age of the Renaissance

Ambrogio Lorenzetti, Effects of Good Government in the City, from the Allegory of Good Government, Sala della Pace, Palazzo, Siena 1338-1339.

Page 4: Chapter 16 Classical Humanism in the Age of the Renaissance

Ambrogio Lorenzetti, Effects of Good Government in the Country, from the Allegory of Good Government, Sala della Pace, Palazzo, Siena 1338-1339.

Page 5: Chapter 16 Classical Humanism in the Age of the Renaissance

Bad Government by Ambrogio LorenzettiFresco, Palazzo Publico, Sienahttp://faculty.cua.edu/pennington/Religion402/Architecture/BadGovernment.htm

Page 6: Chapter 16 Classical Humanism in the Age of the Renaissance

Renaissance•1300~1600

•= revival of classicism

= rebirth

Page 7: Chapter 16 Classical Humanism in the Age of the Renaissance

Myths• 1. “Death” of classical learning in

the Middle Ages.

• 2. A medieval “age of faith” vs. “Renaissance paganism”

• 3. There exists one single Renaissance position.

Page 8: Chapter 16 Classical Humanism in the Age of the Renaissance

Classical Humanism

• An elitist educational and cultural program based on the study of ancient Greek and Latin classics.

Page 9: Chapter 16 Classical Humanism in the Age of the Renaissance

Food for thought• Where were Greco-Roman texts

preserved during the Middle Ages?

• How many times did classical revival take place during the Middle Ages?

• How did the Renaissance revival of humanism differ from that of its medieval counterparts?

Page 10: Chapter 16 Classical Humanism in the Age of the Renaissance

• “Renaissance humanists discovered in the Greek and Latin classics a rational guide to the fulfillment of human potential” (Fiero 369).

Page 11: Chapter 16 Classical Humanism in the Age of the Renaissance

Renaissance Classicism• 1. A greater quantity and variety of

classical texts were available.

• 2. Classical models were adopted in art, not to glorify God, but for their own sake—for its clear and graceful style and for its insight into human nature.

• 3. The culture was more worldly and overtly materialistic.

Page 12: Chapter 16 Classical Humanism in the Age of the Renaissance

Individualism• In contrast to medieval thinker, who

emphasized the Christian belief in human sinfulness, Renaissance figures revived the classical confidence in human capacities to achieve excellence.

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Influences• The ideal of the “universal man,” or

the “Renaissance man.”

• Emphasis on the pragmatic use of knowledge: rhetoric, science, and art

• A revolutionary view of history: the belief in progress

Page 14: Chapter 16 Classical Humanism in the Age of the Renaissance

Food for thought• Why Italy?

Page 15: Chapter 16 Classical Humanism in the Age of the Renaissance
Page 16: Chapter 16 Classical Humanism in the Age of the Renaissance

Italy• South: Kingdom of Naples

• Middle: the Papal States

• North:

–Venice: merchant oligarchy

–Milan: dynastic despotism

–Florence: a republic in name only, actually ruled by the Medici

Page 17: Chapter 16 Classical Humanism in the Age of the Renaissance

Florence

Page 18: Chapter 16 Classical Humanism in the Age of the Renaissance

Europe's First Euro The Florin of Florence

http://www.umilta.net/wellesley.html

Page 19: Chapter 16 Classical Humanism in the Age of the Renaissance

Cosimo de’ Medici

• 1434-1464• pater patriae

Page 20: Chapter 16 Classical Humanism in the Age of the Renaissance

Lorenzo de’ Medici

• 1469-1492

• The Magnificent

Page 21: Chapter 16 Classical Humanism in the Age of the Renaissance

Petrarch• 1304-1374

• Father of Humanism

• “When it comes to thinking or speaking of religion, that is, of the highest truth . . . I certainly am not a Ciceronian or a Platonist but a Christian.”

• Famous as a forerunner of Christian humanists and for his sonnets

poet laureate

Page 22: Chapter 16 Classical Humanism in the Age of the Renaissance

Petrarchan Sonnet• An octave (8 lines) followed by a sestet (6

lines).

• Subject matter: the hopes and pains of an adoring male lover

• Conceit: a figure of speech which establishes a striking parallel, usually ingeniously elaborate, between two very dissimilar things or situations.

Page 23: Chapter 16 Classical Humanism in the Age of the Renaissance

Ficino

• 1433-1499

• Translated the entire corpus of Plato’s writings from Greek into Latin

• Cosimo de’ Medici established the Platonic Academy in Florence.

• Renaissance Neoplatonism

• Platonic love: a major theme in art

Page 24: Chapter 16 Classical Humanism in the Age of the Renaissance

Two Theories of Art• Da Vinci believed that "the most praiseworthy pa

inting [was that] which has the most conformity with the object imitated.“

• • Michelangelo believed that: "the greatest artist h

as no conception which a single block of marble does not potentially contain within its mass, but only a hand which obeys the intelleto [i.e. the deep knowing of reality] can accomplish that."

http://hercules.gcsu.edu/~dvess/micel.htm

Page 25: Chapter 16 Classical Humanism in the Age of the Renaissance

Pico• 1463-1494

• Translated a lot of ancient literary works in Hebrew, Arabic, Latin, and Greek

• The manifesto of humanism: Oration on the Dignity of Man

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•“What a great miracle is man” (Pico, Oration)

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Alberti• 1404-1474

• On the Family

“Man can do anything he wants.”

• Virtù: “power,” describes the self-confident vitality of the self-made Renaissance individual

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Alberti• “Only my books and records and those of

my ancestors did I determine to keep well sealed . . . . These my wife not only could not read, she could not even lay hands on them. I kept my records at all times . . . Locked up and arranged in order in my study . . . . I never gave my wife permission to enter that place, with me or alone . . . .”

Page 29: Chapter 16 Classical Humanism in the Age of the Renaissance

Alberti• “[Husbands] who take counsel with

their wives are madmen if they think true prudence or good counsel lies in the female brain . . . .”

• “I made it a rule never to speak with [my wife] of anything but household matters or questions of conduct, or of the children.

Page 30: Chapter 16 Classical Humanism in the Age of the Renaissance

Castiglione• 1478-1529

• The Book of the Courtier

• L’uomo universale: the Renaissance man; the well-rounded person

Page 31: Chapter 16 Classical Humanism in the Age of the Renaissance

Female Humanists• Laura Cereta (1468-1499)

Defense of Liberal Instruction of Women

• Lucretia Marinella (1571-1653)

The Nobility and Excellence of Women and the Defects of Vices of Men

Page 32: Chapter 16 Classical Humanism in the Age of the Renaissance

Female Humanists

• "Did Women Have a Renaissance?"

http://www.columbia.edu/cu/sister/Renaissance.html

Page 33: Chapter 16 Classical Humanism in the Age of the Renaissance

Machiavelli• 1469-1527

• The Prince• politics divorced from ethics

• The pragmatic use of power for state management

• The end justifies the means.

Page 34: Chapter 16 Classical Humanism in the Age of the Renaissance

•The End