architecture portfolio 2014

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T H E P O W E R O F selected works by Brendan Gregory

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The Power of Design, selected works by Brendan Gregory. Candidate: Masters of Architecture, Kansas State University.

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T H E P O W E R O F

selected works by Brendan Gregory

“We require from buildings two kinds of goodness: �rst, the doing their practical duty well: then that

they be graceful and pleasing in doing it.”

John Ruskin

1

Portfolio Contents

EPTHNGAGEMENTITE

NFLUENCEROWTH

academic + professional experience

traits + contact information

selected work #1: Manhattan Events Center

selected work #2: Dominican Cultural Center

selected work #3: Puryear Art Museum

ICHEa quick note + professional references

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4

5

7

9

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EPTHBrendan GregoryCandidate, Masters of ArchitectureKansas State [email protected](314)578-9944

Kansas State UniversityCollege of Architecture, Planning, and DesignManhattan, Kansas2011-2016

Anticipated Masters of Architecture (2016)

Parkway South High SchoolSaint Louis, Missouri2007-2011

Member, National Honor SocietyChurch Youth Group + Mission Team

academic experience

personal skills

HARDWORKINGMISSION MINDED

LEADERTEAM PLAYER QUICK THINKER

PUBLICSPEAKER RELIABLE

I N Q U I S I T I V E

3

EPTH NGAGEMENT+

Six FlagsSaint Louis, MissouriSummer 2012

Food-service LeadFood sales + customer service responsibilities

Oak Hill Presbyterian Church PC(USA)AMEN|Saint Louis Summer Site CoordinatorSaint Louis, MissouriSummer 2013, 2014

Organized, hosted, and directed traveling mission teams who visited Saint Louis for week-long urban mission experiences. Startup website and graphic design work. amenstlouis.org

professional experience

professional skills

RELIABLESketchingFreehand DrawingModel MakingGraphics and LayoutGraphic Design + BrandingPresentation

Adobe Creative SuiteAutocadRevit 2014Rhinoceros 5SketchUp3DS Max

ITEManhattan Events CenterManhattan, KansasSecond Year

Hand drafted and rendered[Graphite on Vellum]

SECTION AA

“The project, to create a multipurpose event space, was made all the more complicated by a tranquil prairie site. The building �oats on the landscape as a delicate gesture to the setting with which it exists in.”

FIRST FLOOR

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SECTION BB

SECOND FLOOR

NFLUENCEDominican Cultural CenterNew York City, NYThird Year

Computer [Revit, Rhinoceros, Adobe Suite]

STREET ELEVATION

“How does one create a building to represent an entire culture? That was the challenge of the NYC Dominican Cultural Center and the product was a celebration of the in�uence of dance, food, and music on the Dominican People.”

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1 Lobby+Service 2 Learning Center 3 Gallery+Classrooms 4 Cantina+Kitchen 5 Adminstration Suite

DANCE

LEARNSUPPORT

SUPPORT

CHANNELGLASS

CORTENSTEEL

MECHANICAL

LOBBY AND MARKET

CHILDREN’S LEARNING CENTER

GALLERYFLEXIBLE CLASSROOM

CANTINA

ADMIN

LIBRARY

CONFERENCE ROOM TERRACE

DANCE HALL

FORMAL EXPRESSIONAn angular facade allows for deeper light penetration and the creation of intermediary outdoor spaces

UNIQUELY DOMINICAN VERNACULAR GESTURECENTRALIZED CIRCULATIONCirculation is condensed to the center maximizing �oorspace and opening up the facades to light

Dancing, eating, and learning about the culture take center stage as the culture is celebrated

Corten steel is reminiscent of the metal buildings of the Dominican while channel glass maximizes light

6 Dance Hall 7 Research Library

CROSS SECTION

ROWTHPuryear Art MuseumNew York City, NYThird Year

Computer [SketchUp, Revit, Rhinoceros, Adobe Suite]

ARTIST STUDYThe scope and scale of American sculpture artist Martin Puryear’s work necessitated an open gallery with easy access for large scale pieces

PURYEAR WELCOME

STREET ELEVATION ART PARK ELEVATION

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B Service+Support 1 Lobby+Reception 3 Admin+Research 4 Outdoor Gallery

OUTDOOR GALLERYADMINISTRATION

RESEARCH LIBRARY

CAFE’

GIFTSHOP

AUDITORIUM

MECHANICAL

STORAGE

CONSERVATIONSTUDIO

LOBBY

ART PARK

CHASE

ARRIVING AT THE GALLERYCirculation (of art and people) is tucked within the masses that elevate the gallery

IN SERVICE TO THE GALLERY STRUCTURING THE GALLERYFREE SPACEElevating the gallery creates more open park space at the street level

FLEXIBLE GALLERY

ROOFTOP CAFE’

ENTRY EXPERIENCECROSS SECTION

Service and administration rests between the public entry and elevated gallery

The gallery, a habitable truss, is suspended in the air by the circulation masses

5 Flexible Gallery 6 Flexible Gallery 7 Penthouse Restaurant

DONALD JUDD TEMPORARY EXHIBIT

P|U|R

GALLERYGALLERY

PATIO P|U|R

ICHE

Architecture for me has always been a passion; an obsession. From an early age, the inner-workings of the built environment have captivated me. The ability to mold and shape space and in turn manipulate mood and human behavior makes architects among the most powerful people on Earth. This is the task we are charged with as designers and this is the task with which I’m prepared to embark upon.

THE POWER OF DESIGN?

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Donna CookChair, Mission Commission

Oak Hill Presbyterian Church PC(USA)

[E] [email protected][C] (314)807-3949

Rev. Erin CounihanPastor

Oak Hill Presbyterian Church PC(USA)

[E] [email protected][C] (773)698-3362

Michael McGlynnAssociate Professor, Architecture

Kansas State University

[E] [email protected][C] (773)698-3362

PROFESSIONAL REFERENCES

Every project deserves an identity. The design problem doesn’t stop with the creation of plans or sections slapped haphazardly on a page. My graphic design and presentation work in and out of the studio has helped clarify my intent and manifest ideas visually to enhance understanding for the client or end user.

GRAPHICS+PRESENTATION

PAMPURYEAR

MUSEUMA R T

TH

AN

K Y

OU

IS CREATIVITY

Brendan [email protected]

(314)578-9944

W I T H S T R A T E G Y