all write - fiction advice_ july 2012

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2/23/2015 All Write Fiction Advice: July 2012 http://allwritefictionadvice.blogspot.in/2012_07_01_archive.html 1/9 SATURDAY, 21 JULY 2012 Keeping Continuity Continuity errors might seem one of the least important aspects of a writer’s list of things to watch out for, but they are easy to make and sometimes difficult to spot and yet remain an important part of the writing method. Writing a novel isn’t an instant process. It takes months (years even), and during that time it is feasible and sometimes unavoidable that writers will inadvertently create continuity errors, simply because it’s hard to remember what happened on page 12 when you’re at page 200 of the story and you’re beavering away to get it completed. Just as in movies, the mistakes can sometimes be glaring or sometimes quite subtle, but they are errors nonetheless. Common Errors: Time – Time of year, time of key scenes etc. Place – Setting, place names etc. Characterisation – Clothes, personal objects, birthdays, names, traits etc. Plotting – Plot flaws and gaping inconsistencies. Objects Time continuity errors happen because writers forget timeframes. A writer might have a story set during the summer and thus in chapter 4 he or she mentions that it is June, but then a few chapters later, and without realising, the month has changed to July. Likewise, they might forget that it’s summer and write something more akin to a wintery ALL WRITE FICTION ADVICE Is Backstory Necessary? Creating Lasting Images Trust Your Memories Reading Your MSS Out Loud Sorting Fact from Fiction WELCOME TO ALL WRITE So you've embarked on your fiction writing journey. It's one of the hardest things to do create a whole, believable world for other people to enjoy, especially if you're new to writing. It's also one of the loneliest jobs, especially when there is no help or advice or support...so right here there will be handy articles, examples and simple step by step guides to help make the creative process that much easier. FEBRUARY FEMMES FATALES This new deliciously dark anthology is out now, with a range of stunning female writers to scare and delight in equal Ad by Browser Shop | Close 14 More Next Blog» Create Blog Sign In ALL WRITE FICTION ADVICE ADVICE ON CREATIVE WRITING

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  • 2/23/2015 AllWriteFictionAdvice:July2012

    http://allwritefictionadvice.blogspot.in/2012_07_01_archive.html 1/9

    SA T URDA Y , 2 1 JU LY 2 0 1 2

    KeepingContinuityContinuityerrorsmightseemoneoftheleastimportantaspectsofawriterslistofthingstowatchoutfor,buttheyareeasytomakeandsometimesdifficulttospotandyetremainanimportantpartofthewritingmethod.

    Writinganovelisntaninstantprocess.Ittakesmonths(yearseven),andduringthattimeitisfeasibleandsometimesunavoidablethatwriterswillinadvertentlycreatecontinuityerrors,simplybecauseitshardtorememberwhathappenedonpage12whenyoureatpage200ofthestoryandyourebeaveringawaytogetitcompleted.

    Justasinmovies,themistakescansometimesbeglaringorsometimesquitesubtle,buttheyareerrorsnonetheless.

    CommonErrors:

    TimeTimeofyear,timeofkeyscenesetc.PlaceSetting,placenamesetc.CharacterisationClothes,personalobjects,birthdays,names,traitsetc.PlottingPlotflawsandgapinginconsistencies.Objects

    Timecontinuityerrorshappenbecausewritersforgettimeframes.Awritermighthaveastorysetduringthesummerandthusinchapter4heorshementionsthatitisJune,butthenafewchapterslater,andwithoutrealising,themonthhaschangedtoJuly.Likewise,theymightforgetthatitssummerandwritesomethingmoreakintoawintery

    A LL WR IT E F I C T IONADVICE

    IsBackstoryNecessary?CreatingLastingImagesTrustYourMemoriesReadingYourMSSOutLoudSortingFactfromFiction

    WE LCOME T O A L L WR IT E

    Soyou'veembarkedonyourfictionwritingjourney.

    It'soneofthehardestthingstodocreateawhole,believableworldforotherpeopletoenjoy,especiallyifyou'renewtowriting.It'salsooneoftheloneliestjobs,especiallywhenthereisnohelporadviceorsupport...sorightheretherewillbehandyarticles,examplesandsimplestepbystepguidestohelpmakethecreativeprocessthatmucheasier.

    FE BRUA R Y FE MME SFA T A LE S

    Thisnewdeliciouslydarkanthologyisoutnow,witharangeofstunningfemalewriterstoscareanddelightinequal

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    A L L WR I T E F I C T I ON ADV I C EA D V I C E O N C R E A T I V E WR I T I NG

  • 2/23/2015 AllWriteFictionAdvice:July2012

    http://allwritefictionadvice.blogspot.in/2012_07_01_archive.html 2/9

    scene.

    Therearealsotimeswhenthetimemightactuallybementionedbecauseitisrelevantinakeyscene,sothewritermentionsthatitis10pminchapter7,butwhenreferringtoitagainfurtherintothenovel,thattimesuddenlychangesto9pm.

    Whiletinydetailsliketimemightseemunimportant,youcanbetthereaderwillpickuponthem.Overall,itshowslackofattention.

    Thesameruleappliesforsettingitseasytomixupplacenames,particularlyiftheybeginwiththesameletter.ItseasytoforgetthatacharactermightbeboardingaplaneinLondon,butthenthenameoftheairportsuddenlychangestoLutonhalfwaythroughthestory.

    Characterisationisapricklyareaforcontinuitymistakes.Donthaveacharacterstartoffwithblueeyesatthebeginningofthestory,andthenbychapter20hehasbrowneyes.Doesacharacterwearglassesatthestartofthestoryandthenhalfwaythroughheisinexplicablyiscuredofhisshortsightednessbecausethewriterforgotthatthecharacterworeglasses?

    Whatifyoudescribeacharactersclothesinonescene,thenseveralsceneslaterthecharacteriswearingsomethingelsecompletelydifferent?Again,thisisaneasyslipuptomake.Youmightnotspotit,butthereaderwill.

    Also,makesurethatcharacternamesdontmorphintosomethingelse,orarespelleddifferentlyinchapters.Theirtraits,personality,theirstyleandidiomsetc.shouldremainconstantthroughout.

    Plotcontinuityisparamounterrorsherecausemassiveplotflawsandgapingholes.Forinstance,ifyouhaveacharacterthatisscaredofheightsandyouvehighlightedthisaspartoftheircharacterisationearlyinthenovel,thenduringtheexcitingclimaxdonthavethecharacterheroicallyclimbingupthesideofabuildingwithoutawhiffoffear,unlessofcourseyoumakeitpartoftheplot.Inotherwords,thecharacterisforcedtoconfrontthatfearinordertosaveanothercharacterfromdanger.

    Payparticularattentiontothisareasothatyoudontcreatetomakeeverythingfit.Makesureyourplotiswatertightandnotfullofthosegapingholes.

    Objectscausewritersallsortsofcontinuitygaffes.Gotapatternedruginchapter3,butthepatternsvanishbychapter8?Whatifacharacter

    measure.Iamprivilegedtohaveeightshortstories/poemspublishedinthisbook,soifyoulikeyourdamesalittledarkanddangerous,thisisthebookforyou.

    NOW A VA I LA BLE ONAMA ZON

    FebruaryFemmesFatalesTheBook

    WISE WORDS . . .

    Writingislikebeingmarriedyouhavetoworkhardatmaintaininghappinessandequilibrium,butinvariablyonealwaysendsupinthedoghouse.

    A BOUT ME

    AJHUMPAGE

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    I'vebeenwritingforover25yearsandstartedoutinthe

    publishingindustry.I'vepublishedarticles,studyguides,poems,flashfiction,shortstoriesandanovel.IalsoworkfulltimesoI'mALWAYSworking.

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  • 2/23/2015 AllWriteFictionAdvice:July2012

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    isdrivinga4x4inchapter10,butbychapter11itsbecomeasalooncar?IfacharacterisusingaBlackberryatthebeginningofthestoryandthenitchanges(withoutexplanation)toaniphone,thatisacommonerror.

    Didacharacterplaceanobjectonthetableinthediningroominchapter12ofyourcrimenovel,butachapterlatertheobjectvanishesorturnsupelsewhereinthescene?

    Colourscanalsochange,somakesurethebluecaryoudescribeearlyinascenestaysblue.Ifacharacterpickssomethinguptouse,likeagun,thenmakesurethatthecharacterstillhasit.Itseasyforthatobjecttosimplyvanishwhileyourebusywritingthefollowingscenes.

    Toavoidcommoncontinuityfaultslikethese,duringthewritingprocess,makealistofthenamesyouveused/willuse,makeanoteofkeydatesandtimesinthestorysoyoudontgetinamuddle.Keeptrackofkeyeventsorplacesincaseyouhavetoreferbacktothemlaterinthenovel.

    Doingthismakesiteasierwhileediting.Andofcourseyouhavetobethorough,sowhenreviewingyourwork,keepyourlistsandnotesinmindsothatyoucanchecktomakesurethattimes,places,names,objects,charactersandplotflawsremainconstantthroughout.

    Theideawithcontinuityistokeeptheinformationconsistentfromonechaptertothenext,sothereisasmooth,seamlesstransitionoftime,characters,plot,settingandobjects.

    Nextweek:Keepingviewpointsbalanced.

    POSTEDBYAJ HUMPAGEATSATURDAY, JULY21, 2012NOCOMMENTS: L INKSTOTHISPOST

    REACTIONS: Helpful (0) Interesting (0) OK (0)

    SA T URDA Y , 1 4 JU LY 2 0 1 2

    PolishingYourProsePart2Withtheusualfaultsofclichs,grammar,POVandsentencestructureetcallcorrectedthroughjudiciouseditingtheprosepolishingprocessshouldthentakeonadeepernarrativecleansetotidythethingsthatarenotsoobvioustowriters,thethingsthatwedontalwayslookoutfor.

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    Thismeanslookingalittledeepertoseewhatelsecanbeimprovedpriortosendingyourprideandjoytoagentsandpublishers.

    Ambiguity,forinstance,issomethingwriterstendtomiss.Ambiguityoccursduetopoorsentencestructures,ofteninadvertentlygivingsentencesdoublemeaningsandthusconfusingthereader(andonoccasion,makingthemchuckle).Whatyouintendedforthereaderisntalwayswhatisunderstoodbythem,somakesureeverysentencereadscorrectlyanddoesntgiveadoublemeaning.

    Tensesstillremaintheonethingthatconfusessomanywriters,andespeciallysowhenworkinginfirstpersonpointofviewbecauseitseasytolosefocusandslipfrompresenttopasttense.Itsimperativethatyoupayattentiontotenses,otherwisethenarrativebecomesweakened.Forexample:

    Ilivebytheshadows,Ihideinthem,makethemmyown.IveneverhadafearofthedarktheymademewhoIam.

    Spottedthetensechange?IveneverhadandmademewhoIamshouldbeIdonthaveandtheymakemewhoIamrespectively.Thatshoweasyitistoslipupwithtenses.Thereadermaynotspotthis,butaneditorwill.

    Hangingparticiplestobeginsentencesdontimpresseditors,either.Theycauseambiguityandweakensentences,buttheyarealsoasignofpoorwriting.

    Flingingasidehercoat,sheturnedtohimmightsoundperfectlyfine,buttoanagentorpublishinghouseeditor,ittellsthemthewriterhasntpaidattentiontoclarityofthesentence.Youcantreallyhaveacharacterdotwothingsatonce(eventhoughitsperfectlyfineintherealworld)becausethisisfiction,andeveryactionshouldbecleartothereader.Inotherwords,sheflungasidehercoatandthenturnedtofacehim.Avoidstartingsentenceswithhangingparticiplesifyouwanttomaketherightimpression.

    Clarityandsimplicitycountyoudonthavetomakeyourwritingoverlycomplicated,sothatitishardtofollow,andasshownintheexampleabove,dontfallintothetrapoflettingyourwritingbecomeambiguousandthusweakenedasaresult.Writingshouldbeclearandconcise.Clarityandsimplicityspeakforthemselves.

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  • 2/23/2015 AllWriteFictionAdvice:July2012

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    Keepyourcharacterisationconsistentthroughoutthestorycharactersevolvewiththestory,aswillyourreader,sodontletthemstepoutofcharacterbydoingsomethingludicrousinordertofalselyevokedramaticeffectoreventsinordertoforcethestory,otherwiseyourrisklosingnarrativeintegrityandthereaderwontbetooimpressedeither.

    Alsomakesureyourcharactersarenotclichd.Inotherwords,dontmakethemcardboardcutoutsorcaricatures.Theyshouldbeindividualandflawedasrealpeople,andinstantlylikeable.

    Overall,yourproseshouldhavemovement,sotospeak.Itneedstoundulate,raceaway,slowdown,itneedsriseandparry,itneedstobegentle,itneedstobeexciting.Itshouldneverstaystillotherwiseitwouldborethereader.Inotherwords,yourproseshouldhavetherightbalanceofpace.Ifitdoesnteitheritreadstoofastortooslowcorrectit.

    PolishingProseChecklist

    Ensure:

    Youveeliminatedambiguity.Youhavethecorrecttensesthroughout.Youvecutouthangingparticiples.Yourprosehasclarityandsimplicity.Youhaveconsistentcharacterisationthroughout.Pacingshouldbebalancednottoofastandnottoslow.

    Perfectproseisunattainable,butbetterproseisachievable.Bypayingattentiontowhatmatters,awriterimproveshisorherchancesofbecomingpublishedandstayingpublished.

    Nextweek:Gettingcontinuityright

    POSTEDBYAJ HUMPAGEATSATURDAY, JULY14, 2012NOCOMMENTS: L INKSTOTHISPOST

    REACTIONS: Helpful (1) Interesting (0) OK (0)

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    SA T URDA Y , 7 JU LY 2 0 1 2

    PolishingYourProsePart1Everywritershouldunderstandtheimportanceofaddingfinishingtouchespriortoasubmissiontoanagentoreditor.Whileabsoluteperfectionisunattainable,writersshouldtidyandpolishtheirMSS/shortstorytothebestitcanbe,andthisisforseveralreasons.

    Oneistopresenttoyourwouldbeagentorpublisheraprofessionalwriter,someonewhoknowswhattheyredoing.Youraimistomakeanimpressiontherightimpression.Anotherreasonisshowthereaderaflawless,enjoyablepieceofwriting.

    Payingattentiontoyourproseanintegralpartoftheeditingprocessisvitalbecausethisiswhereyourvoice,yourstyle,yourtechniqueandyournarrativeisscrutinisedbyyouragent,publisherorreadersandtheverystructureofyourprosedetermineswhetheritreadssmoothly,makessense,isenjoyable,orwhetheritisjarring,clunkyordoesntreadrightatall.

    Thedownfallofsomewritersisthattheydontpayenoughattentiontoeditingandrewriting,andtheresultcanbeprettyawful.

    Thereareumpteenwaysyoucantidyandpolishyourprose,butherewelllookattheusualthingsthattendtoescapeawritersattentionthemoreimportantoneslikeclichs,repetition,waffle,unbalancedsentences,show/donttell(exposition)balanceofdescription,narrativeanddialogue,overuseofadjectivesandadverbsandkeepingyourPOVconsistent.

    Tobeginwith,startbygettingridofthoseterribleclichs,unlessyouwantyournarrativesoundingasthoughyouwroteitinthedarkages.Thesamegoesforrarelyusedorarchaicwords,whichmighthavebeenpopularatthebeginningofthe19thCentury,butwillseemoutofplaceinthemodernworld(unlessofcourseyouarewritingahistoricalbasedstory,wheresuchlanguagewascommon).

    Lookoutforrepetitionwhereverpossible.Thiscancatcheverywriterout,soeditjudiciously.Repetitioncanbecertainwordswithinthesamesentence,repetitionofwholesentencesorpartsentences,andonoccasion,partsofscenes,especiallywhencuttingandpasting

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    duringtheeditingprocess.

    Weedoutirrelevantinformationandcutoutunnecessarywafflebecausethisinevitablyslowsthepaceandrendersthewritingclunkyandhardtofollow.Sticktorelevantinformationtomovethestoryforward.

    Also,aimforsmooth,evenlypacednarrative,ratherthanbadlyconstructedsentencesandparagraphswhichmaketoithardtoread.Tightensentenceswhereverpossible

    GothroughyourstoryandreducetheuseofWasandtherebecausethesearetelltalesignsoftellingratherthanshowing.Ifyouwanttoimpressanagentorpublisher,thencutdownonthem.Toomuchuseofeitherscreamsamateuratprospectiveagentsandpublishers.

    EverywritershouldknowthemaximShow/Donttell.Plentyofwritersfallintothistheytellthereaderwhatishappening,butnevershowthem.Theartofwritingistocreateandconstructplacesandpeopleandevents,tomakethereaderbecomepartofthestory,todescribetheminsuchawaythatthereaderfeelsliketheyarethere.Nowriterwillaccomplishthatwithtelling,andyetahighproportionstillcontinuestotellratherthanshow.

    Withyourdescriptivescenes,showthereader,donttellthem.Paintapictureandlurethemin.

    Asstatedinpreviousposts,trytobalancethenarrative,thedescriptionandthedialogue.Toomuchortoolittleoftheseelementscanmakethestoryunevenandawkwardtoread.Itdoesnthavetobeexact,butgetagoodbalanceofallthreeandyouwillmakeareaderhappy.

    Dontforgettocutoveruseofadjectivesandadverbs.Again,toomanyofeitherwillshowagentsandpublishersthatthewriterisamateur.Letyournounsandverbsdoallthework.Theyaremuchstronger.

    MakesureyourPOVisconsistentthroughoutdonthaveitchangefromonepointofviewtotheotherduringthemiddleofscenes,anditsessentialthatyoumaintaintheprotagonistsviewpointbynotlettingothercharacterstakeover.Aimforan80%20%ratioofprotagonist:othercharacters(moreonthisinupcomingarticles).

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    protagonistsstory,thereforemakesureitdoesntwaverfromtheirperspectivetoomuch.

    PolishingProseChecklist

    Ensure:

    Youveeliminatedclichs.Youveeliminatedrepetitionwords,phrases,sentencesrepeatedscenesetc.Cutoutwaffle/irrelevantinformation.Thatnarrativeisntoverlyfloweryandsentencesremaintightandconcise.Thattherearefewinstancesofwasandthereaspossible.Thatyoushow/donttell.Youhaveagoodbalanceofnarrative,descriptionanddialogue.Youveremovedadjectivesandadverbs.YouvekeptaconsistentPOV.

    Therearealotofthingstolookoutforinfictionwriting,butbykeepinganeyeonthesemainpoints,polishingyourproseshouldbecomesecondnature.

    Nextweek:Part2ofPolishingYourProse.POSTEDBYAJ HUMPAGEATSATURDAY, JULY07, 20124COMMENTS: L INKSTOTHISPOST

    REACTIONS: Helpful (1) Interesting (0) OK (0)

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