alan cristea gallery at art cologne 2013
DESCRIPTION
Alan Cristea Gallery at Art Cologne 2013TRANSCRIPT
Christiane Baumgartner
Michael Craig-Martin
Richard Hamilton
Allen Jones
Julian Opie
Vicken Parsons
Lisa Ruyter
Tom Wesselmann
CHRISTIANE BAUMGARTNER
Ausfallstrasse, 2003 Woodcut on Zerkall Paper Paper 59.0 x 42.0 cm / Image 45.0 x 34.0 cm Edition of 250
CHRISTIANE BAUMGARTNER
Pfad, 2003 Woodcut on Japanese Misumi paper Paper 36.0 x 56.0 cm / Image 32.0 x 52.5 cm Edition of 30
CHRISTIANE BAUMGARTNER
Fahrt II nos. 5 & 6, 2004 Woodcuts on Kozo paper Paper 145.0 x 185.0 cm / Image 120.0 x 160.0 cm (each) Edition of 6
CHRISTIANE BAUMGARTNER
Berlin, 2009 Woodcut on Zerkall paper Paper and image 70.0 x 90.0 cm Edition of 16
Out of the Blue, 2010 Woodcut on Japanese Misumi paper Paper 36.0 x 56.5 cm / Image 26.0 x 45.0 cm Edition of 20
CHRISTIANE BAUMGARTNER
Gelände V, 2010 Woodcut on Misumi Japanese paper Paper 53.0 x 66.0 cm / Image 37.0x 50.0 cm Edition of 12
CHRISTIANE BAUMGARTNER
Sanssouci, 2011 Woodcut on Kozo paper Paper 79.93 x 130.0 cm / Image 61.3 x 119.7 cm Edition of 12
Himmelblau, 2012 Woodcut on Kozo paper Paper 85.0 x 140.0 cm / Image 62.0 x 120.0 cm Edition of 6
CHRISTIANE BAUMGARTNER
Insel, 2012 Woodcut on Misumi Japanese Paper Paper 37.0 x 54.8 cm / Image 51.5 x 68.5 cm Edition of 16
CHRISTIANE BAUMGARTNER
Nguyen Thai Hoc, 2012 Woodcut on Do paper Paper 60.5 x 75.0 cm / Image 46.5 x 61.0 cm Edition of 16
Vince Court, 2013 Woodcut on Shinohara Japanese paper Paper 66.5 x 82 cm / Image 57.5 x 74 cm Edition of 16
MICHAEL CRAIG-MARTIN
Study for Sunrise (first version), 1981 Hand applied black and red crepe tape on drafting film Sheet 61.0 x 91.5 cm
MICHAEL CRAIG-MARTIN
Untitled (apartment floor plan with table and chair), 1981 Hand applied black, red and blue crepe tape on drafting film Sheet 61.0 x 91.5 cm Catalogue reference: ACG no. 34
MICHAEL CRAIG-MARTIN
Black Venetian Blind Piece, 1988 Hand applied black crepe tape on Schoellershammer G4 - dick (thick) card Signed, dated and titled in pencil Sheet 73.0 x 51.0 cm Catalogue reference: ACG no. 14
MICHAEL CRAIG-MARTIN
Black - State 2, 1988 Hand applied black crepe tape on Schoellershammer G4 - dick (thick) card Sheet 73.0 x 51.0 cm Catalogue reference: ACG no. 15
Black - State 4, 1988 Hand applied black crepe tape on Schoellershammer G4 - dick (thick) card Signed, dated and titled in pencil Sheet 73.0 x 51.0 cm Catalogue reference: ACG no. 16
MICHAEL CRAIG-MARTIN
Study for Order of appearance (canvas), 1990 Hand applied black & red crepe tape on drafting film Sheet 59.4 x 42.0 cm
Study for Order of appearance (drawer), 1990 Hand applied black & red crepe tape on drafting film Sheet 59.4 x 42.0 cm
MICHAEL CRAIG-MARTIN
Study for Broadgate project (drawer & globe), 1990 Hand applied black crepe tape on drafting film Sheet 59.8 x 41.8 cm Catalogue reference: ACG no. 46
Study for Broadgate project (globe & umbrella), 1990 Hand applied black crepe tape on drafting film Sheet 59.3 x 42.2 cm Catalogue reference: ACG no. 45
MICHAEL CRAIG-MARTIN
Untitled (book, canvas, cassette and drawer),1990 Hand applied black crepe tape on drafting film Sheet 84.1 x 118.9 cm Catalogue reference ACG no. 51
MICHAEL CRAIG-MARTIN
Art & Design, 2012 Set of 10 screenprints on Somerset Tub-Sized Satin 410gsm paper Paper and image 100.0 x 45.3 cm (each) Edition of 50
MICHAEL CRAIG-MARTIN
Sofa, 2012 Hand applied black crepe tape on drafting film Sheet 84.2 x 60 cm
Corkscrew, 2012 Hand applied black crepe tape on drafting film Sheet 84.5 x 60 cm
RICHARD HAMILTON
My Marilyn, 1965 Screenprint Paper 68.0 x 83.3 cm / Image 51.4 x 62.7 cm Edition of 75 Catalogue raisonné reference: KW 59
RICHARD HAMILTON
Swingeing London 67 – poster, 1968 Photo-offset lithograph from 6 plates on Fabriano paper Paper 70.5 x 50.0 cm / Image 69.0 x 47.0 cm Edition of 50 Catalogue raisonné reference: KW 69
RICHARD HAMILTON
Release, 1972 Photo-offset lithograph from six plates on Fabriano paper Paper 69.9 x 94.5 cm / Image 68.2 x 85.8 cm Edition of 150 Catalogue raisonné reference: KW 83
RICHARD HAMILTON
Berlin interior, 1979 Photogravure, engraving, hard ground etching roulette, aquatint and burnishing on Rives paper Paper 56.3 x 76.0 cm / Image 49.7 x 69.5 cm Edition of 100 Catalogue raisonné reference: KW 109
RICHARD HAMILTON
Interior with monochromes, 1979 Collotype and screenprint on Ivorex paper Paper 50.0 x 70.0 cm / Image 47.5 x 53.2 cm Edition of 96 Catalogue raisonné reference: KW 110
RICHARD HAMILTON
Motel I, 1979 Soft ground etching and aquatint on Rives paper Paper 44.0 x 56.5 cm / Image 27.8 x 35.0 cm Edition of 40 Catalogue raisonné reference: KW 112
Motel II, 1979 Soft ground etching and aquatint on Rives paper Paper 44.0 x 56.5 cm / Image 27.8 x 35.0 cm Edition of 40 Catalogue raisonné reference: KW 113
RICHARD HAMILTON
Lobby, 1984 Collotype and screenprint on Ivorex paper Paper 43.0 x 58.3 cm / Image 33.0 x 48.0 cm Edition of 88 Catalogue raisonné reference: KW 142
RICHARD HAMILTON
Bathroom - fig. 1, 1997 Iris digital print on Somerset paper Paper 61.0 x 56.0 cm / Image 39.2 x 40.0 cm Edition of 50 Catalogue raisonné reference: KW 182
RICHARD HAMILTON
TiT, 2002 Screenprint on 400 gsm Somerset Satin paper Paper 89.0 x 67.2 cm / Image 65.7 x 47.0 cm Edition of 50 Catalogue reference: RH 187
RICHARD HAMILTON
Chiara & chair, 2004 Inkjet digital print on Somerset paper Paper 73.2 x 107.5 cm / Image 60.7 x 89.2 cm Edition of 60 Catalogue reference: RH 188
RICHARD HAMILTON
The annunciation, 2005 Inkjet digital print on Somerset Enhanced Radiant White Velvet paper Paper 68.0 x 59.4 cm / Image 44.0 x 44.0 cm Edition of 60 Catalogue reference: RH 189
RICHARD HAMILTON
Beatles, 2007 Inkjet digital print Paper 105.0 x 76.0 cm / Image 86.5 x 57.0 cm Edition of 80
ALLEN JONES
Gentleman’s Excuse Me From: Second Thoughts, 2012 A series of 6 lithographs on ? paper Paper and image 84.0 x 63.0 cm Edition of 40
Just Like That From: Second Thoughts, 2012 A series of 6 lithographs on ? paper Paper and image 91.0 x 63.0 cm Edition of 40
ALLEN JONES
Split Performance From: Second Thoughts, 2012 A series of 6 lithographs on ? paper Paper and image 80.7 x 63.0 cm Edition of 40
Swing Low From: Second Thoughts, 2012 A series of 6 lithographs on ? paper Paper and image 91.0 x 63.0 cm Edition of 40
ALLEN JONES
Second Thoughts From: Second Thoughts, 2012 A series of 6 lithographs on ? paper Paper and image 91.0 x 63.0 cm Edition of 40
Two Part Invention From: Second Thoughts, 2012 A series of 6 lithographs on ? paper Paper and image 80.9 x 63.0 cm Edition of 40
JULIAN OPIE
Twenty Six Portraits., 2006
A sixty-four page book bound in cloth and contained
within a silk slipcase
Text by Julian Opie with sixteen lithographic portraits
printed into the book, five Lambda portraits and five
screenprint portraits tipped-in
Overall size of slipcase 43.5 x 30.7 x 2.6 cm
Edition of 250 with 50 artist’s proofs
JULIAN OPIE
This is Shahnoza in 3 parts. 1, 2008
From a series of nine images, each made up of three panels
Each panel with flocking adhesive screenprinted on to 3 mm white
Plexiglass acrylic and then flocked by hand using an electrostatic
generator and 1 mm black nylon flock
Each panel separately presented in sprayed matt black aluminium
frame specified by the artist
Overall size 131.0 x 157.5 x 3.8 cm
Edition of 30
JULIAN OPIE
Maria (2)., 2011
From a series of eight inkjet prints on Epson Premium Semigloss
Photo paper, dry-mounted to aluminium and presented
in black tulip wood frames specified by the artist
Frame 128.1 x 90.6 x 6.5 cm
Edition of 40
JULIAN OPIE
Ika (2)., 2011
From a series of eight inkjet prints on Epson Premium Semigloss
Photo paper, dry-mounted to aluminium and presented
in black tulip wood frames specified by the artist
Frame 128.1 x 90.6 x 6.5 cm
Edition of 40
JULIAN OPIE
Winter 11., 2012
From a series of 75 digital prints on Epson Premium Glossy 250 gsm
Photo Paper laminated to glass mounted to a white chamfered acrylic
backing designed by the artist
Paper and image 68.0 x 121.0 cm
Each in an edition of 3
JULIAN OPIE
Winter 13., 2012
From a series of 75 digital prints on Epson Premium Glossy 250 gsm
Photo Paper laminated to glass mounted to a white chamfered acrylic
backing designed by the artist
Paper and image 68.0 x 121.0 cm
Each in an edition of 3
JULIAN OPIE
Winter 23, 2012
Winter 25, 2012
From a series of 75 digital prints on Epson Premium Glossy 250 gsm
Photo Paper laminated to glass mounted to a white chamfered acrylic
backing designed by the artist
Paper and image 68.0 x 121.0 cm
Each in an edition of 3
JULIAN OPIE
Winter 27, 2012
Winter 29, 2012
From a series of 75 digital prints on Epson Premium Glossy 250 gsm
Photo Paper laminated to glass mounted to a white chamfered acrylic
backing designed by the artist
Paper and image 68.0 x 121.0 cm
Each in an edition of 3
JULIAN OPIE
Winter 58., 2012
From a series of 75 digital prints on Epson Premium Glossy 250 gsm
Photo Paper laminated to glass mounted to a white chamfered acrylic
backing designed by the artist
Paper and image 68.0 x 121.0 cm
Each in an edition of 3
JULIAN OPIE
Winter 74., 2012
From a series of 75 digital prints on Epson Premium Glossy 250 gsm
Photo Paper laminated to glass mounted to a white chamfered acrylic
backing designed by the artist
Paper and image 68.0 x 121.0 cm
Each in an edition of 3
JULIAN OPIE
Apple tree. From: French Landscapes., 2013 A series of 4 lenticular prints presented in aluminium frames specified by the artist Frame 106.2 x 60.5 cm (each) Edition of 35
Daisies From: French Landscapes., 2013 A series of 4 lenticular prints presented in aluminium frames specified by the artist Frame 106.2 x 60.5 cm (each) Edition of 35
JULIAN OPIE
Evening sun From: French Landscapes., 2013 A series of 4 lenticular prints presented in aluminium frames specified by the artist Frame 106.2 x 60.5 cm (each) Edition of 35
Jet stream From: French Landscapes., 2013 A series of 4 lenticular prints presented in aluminium frames specified by the artist Frame 106.2 x 60.5 cm (each) Edition of 35
VICKEN PARSONS
Untitled, 2004 Oil on board 25.1 x 21.1 cm Catalogue reference: ACG 2
Untitled, 2007 Oil on board 15.3 x 20.3 cm Catalogue reference: ACG 4
VICKEN PARSONS
Untitled, 2010 Oil on board 21.0 x 25.0 cm Catalogue reference: ACG 13
Untitled, 2012 Oil on board 20.4 x 24.4 cm
VICKEN PARSONS
Untitled, 2008 Oil on board 20.5 x 25.0 cm
Untitled, 2004 Oil on board 21.0 x 25.0 cm
VICKEN PARSONS
Untitled, 2003 Oil on board 15.0 x 15.0 cm
Untitled, 2007 Oil on board 21.0 x 25.0 cm
LISA RUYTER
Walker Evans ‘Floyd Burroughs, cotton sharecropper. Hale County, Alabama’, 2011 Acrylic on canvas 120.0 x 100.0 cm Catalogue reference: ACG 7
LISA RUYTER
Walker Evans ‘Auto parts shop. Atlanta, Georgia’, 2011 Acrylic on canvas 150.0 x 190.0 cm Catalogue reference: ACG 8
LISA RUYTER
In a Lonely Place, 2012 Woodcut on Japanese Unryushi paper Paper 64.0 x 60.0 cm / Image 53.0 x 50.0 cm Edition of 35
LISA RUYTER
Count the Hours, 2012 Woodcut on Japanese Kozo paper Paper 95.0 x 114.0 cm / Image 79.9 x 99.8 cm Edition of 35
LISA RUYTER
Beyond the Forest, 2012 Woodcut on Japanese Unryushi paper Paper 95.0 x 94.0 cm / Image 79.9 x 79.9 cm Edition of 35
LISA RUYTER
Walk Softly, Stranger, 2012 Woodcut on Japanese Unryushi paper Paper 95.0 x 106.0 cm / Image 79.9 x 92.0 cm Edition of 35
TOM WESSELMANN
Monica Sitting with Mondrian, 1989 Screenprint on museum board Paper and image 129.3 x 93.9 cm Edition of 100
TOM WESSELMANN
Study for House and Barn in Distance, 1991 Acrylic on paper Paper and image 50.0 x 37.9 cm Unique
House and Barn in Distance, 1991 Screenprint on wove paper by Arches (with watermark) Paper 76.0 x 102.0 cm / Image 51.5 x 82.0 cm Edition of 100
TOM WESSELMANN
Still life with Apple, Orange and Radio, 1991 Silkscreen in colours on Velin arches paper Paper 76.5 x 93.5 cm / Image 49.7 x 65.5 cm Edition of 100
TOM WESSELMANN
Scribble Version of Still Life #58, 1992 Screenprint on board Paper 135.9 x 165.4 cm / Image 106.7 x 128.3 cm Edition of 90
TOM WESSELMANN
Still Life with Lilies and Mixed Fruit, 1997 Screenprint on Coventry paper Paper 80.1 x 96.5 cm / Image 59.7 x 75.6 cm Edition of 100