v for victory (at synthesizing sources)

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Synthesiz ing Sources Based on a web-shared PowerPoint by Alisa Cooper, Faculty Director, Center for Teaching, Learning & Engagement at Glendale Community College Mask for sale on E-Bay

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For my students in WRC 1013 at UTSA

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Page 1: V for Victory (at synthesizing sources)

Synthesizing Sources

Based on a web-shared PowerPoint by Alisa Cooper, Faculty Director, Center for Teaching, Learning & Engagement at Glendale Community College

Mask for sale on E-Bay

Page 2: V for Victory (at synthesizing sources)

Your research on a topic will lead you to consult

several sources, and you will need to present the information you find in a way that combines, or

synthesizes, those sources.

Synthesizing

Halloween Shopping on Google

Page 3: V for Victory (at synthesizing sources)

Strategies for Synthesizing

• There are several strategies for synthesizing multiple sources.

• The easiest is a Summary Report which consists of two steps:– Writing separate summaries or

paraphrases of the individual sources and then…

– Linking them with transitional passages.

• This is a resource for writing a paper not the structure; that would make it predictable and boring.

Page 4: V for Victory (at synthesizing sources)

Writing a Summary Report

• A simple strategy for your report is to summarize these sources individually and then to present the three summaries, linked with connecting comments.

• You want your report to have unity.

• For your report to be unified, you will need to discover a theme that relates to all three sources.

Page 5: V for Victory (at synthesizing sources)

Writing an Objective Report on Sources

• Writing an objective report on sources is the second strategy for synthesizing.

• A report on sources refers specifically to these sources by name.

• It says, in effect, “Source A says theis; Source B says this; Source C says this…”

• A report on sources can be subjective (presenting your own analysis and opinions of them).

Page 7: V for Victory (at synthesizing sources)

My notes: (summaries, paraphrases and quotes I can use for my paper)

In-text and bibliographical citations

Source A:

Lev Grossman

“Everybody associated with the productions — Portman, McTeigue, Weaving, Silver — forcefully, insistently stresses that V is an ambiguous, ambivalent figure. They express their hope that the movie will spark debates about the definition of terrorism”

Grossman finds the idea of a heroic terrorist “repugnant”, but concedes that the question of justified violence has never been answered.

Grossman, Lev. “The Man in the Mad Mask”, NYT online

Sunday, Mar. 12, 2006

Source B

Carretero-Gonzalez, Margarita.

“The film establishes a dialogical relationship, in an attempt to reflect any period in which individual freedom has been completely abolished in the name of –allegedly- public good.”

Carretero-Gonzalez compares the Novel to a variety of works such as The Count of Monte Cristo, Beauty and the Beast, and 1984 to demonstrate it’s place among works that open a dialogue for readers about the loss of freedom in the name of safety, the question of justified violence., and that speak to whatever “Frankenstein monster” that era produces.

Carretero-Gonzalez, Margarita. Promoting and Producing Evil. Ed. Nancy Billias.

Amsterdam & New York: Rodopi, 2010: 207-218

What my sources agree on

Dialogical: As in a

conversation where all

participants listen, pay

attention and respond to

the others’ arguments.

Ambiguous, ambivalent figure: good and evil. confusing to us because you sort of like him but are scared by him and freaked out because of the violence at the same time.

My Way,

but much

neater

Page 8: V for Victory (at synthesizing sources)

Kinetic Learners like to lay things out and look at them

Carretero-GonzalezCarretero-Gonzalez, Margarita. Promoting and

Producing Evil. Ed. Nancy Billias. Amsterdam & New York: Rodopi, 2010: 207-218

“The film establishes a dialogical relationship, in an attempt to reflect any period in which individual freedom has been completely abolished in the name of –allegedly- public good.”

Page 9: V for Victory (at synthesizing sources)

Many need to make it into a story

“Frankenstein’s monster turned political…”

He can’t control it and it wreaks havoc on the

villagers.

Dr. F makes a monster out of human parts

FascismCommunism MilitarismAuthoritarianismMass Movements…ismisms

Page 10: V for Victory (at synthesizing sources)

…meanwhile, back at the…

bombings!?

Since V fights against injustice is his violence justified?

Or does he enjoy it too much?

Page 11: V for Victory (at synthesizing sources)

http://notthebeastmaster.typepad.com/weblog/2005/11/v_and_terror.html

So is there a difference?

Page 12: V for Victory (at synthesizing sources)

Acknowledging Sources

• Whenever you compose a summary report or an other type of writing that relies on sources, you create something new for others to read.

• Although what you produce may seem less than earth-shaking in significance, you are nevertheless adding , in however small a way, to the sum of the world’s knowledge.

• You are making a contribution to the domain of scholarship.

Page 13: V for Victory (at synthesizing sources)

The Obligation of Scholarship

• One of the principal benefits of being a scholar is that you are entitled to read and to use the scholarship of others.

• Presenting your research and ideas for others to use is in fact one of the obligations of scholarship.

• Another of your obligations as a scholar is to acknowledge your sources.

Page 14: V for Victory (at synthesizing sources)

Acknowledging Sources

• In the Summary Report, the writer uses parenthetical notes and a list of works cited to identify sources of information.

• In the Objective Report on sources, the writer makes it clear that the ideas and opinions being presented have been expressed by others.

• You would do the same with a subjective report on sources.

Page 15: V for Victory (at synthesizing sources)

Importance of Acknowledging Sources

• Credit must be given where it is due. Creators of ideas deserve to be recognized for them.

• Readers need to know where they can locate your sources so they can consult the original versions. This allows them not only to check the accuracy of your citations, but also to find additional material beyond what you have presented.

Page 16: V for Victory (at synthesizing sources)

Two Ways to Acknowledge Sources:

• Besides naming them within the text itself, writers acknowledge sources in two principal ways:– One is to use notes, such as parenthetical notes or footnotes, to

credit sources of specific ideas and statements.– The second way is to append a list of works cited, which

acknowledges all the sources from which words have been quoted or from which information or ideas have been derived.

See the

Synthesis

Exercise

(next up in

the folder)

Page 17: V for Victory (at synthesizing sources)

Acknowledgements

Carretero-Gonzalez, Margarita. Promoting and Producing Evil. Ed. Nancy Billias. Amsterdam & New York: Rodopi, 2010: 207-218

Grossman, Lev. “The Man in the Mad Mask”, NYT online. Sunday, Mar. 12, 2006

• Rhetoric by Alisa Cooper, “• All graphics taken from promotional materials for the

novel or movie.