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TheContentsIntroductionBrand Identities Simplicty vs complexityconclusion
IntroductionLooking back at Carsten Nicolai’s Work you straight away notice a few things; Complexion, Sound and Theory. These three traits are what I wanted to bring across with this experiment called “Sound Visualised”. The concept behind this project is to develop and progress some of the already existing research Nicolai has uptaken when it comes to sound visualisation. Nicolai’s work tends to attempt to visualise sound in a number of ways be it through digital work or analog, and the same happens when working as his alter ego ‘Alva Noto’; with him supporting his music visually, and his music supporting his visuals.
Thats why I wanted to attempt to visualise a number of musical genres to their core. This experiment got me to look at synthesesia, the meaning of colour to create visuals that were generated by the ‘audio’, that for once would be represented by print.
These are the results of my experiments...
Right10%
90%
Coca Cola
05BRranding ecognition
kodak
wrongRight
45%55%
07BRranding ecognition
Marlboro
Right20%
80%
Burger King
Right20%
80%
50%50%
Wrong
Right
13BRranding ecognition
95%
pepsi
Right5%
95%
BMW m3
Right65%
35%
Amazon
Right25%
75%
BBC
Right75%
25%
Nintendo
Right75%
25%
Atari
Right20%
80%
hewelett Packard
Right15%
85%
Harley Davidson
Right50%50%
Subway
45%55%
Wrong
Right
HBO
20%80%
Wrong
Right
Ebay
65%35%
Wrong
Right
NBC
50%50%
Wrong
Right
Apple
65%35%
Wrong
Right
Target
65%35%
Wrong
Right
Royal Air Force
50%50%
Wrong
Right
LG
80%20%
Wrong
Right
Ebay
65%35%
Wrong
Right
OXfam
85%15%
Wrong
Right
Lego
70%30%
Wrong
Right
Adobe
Right10%
90%
Bic
Right55%
45%
Cartoon Network
Right45%
55%
T-Mobile
65%35%
Wrong
Right
Eurosport
70%30%
Wrong
Right
Cisco
35%65%
Wrong
Right
Participants Results Igniame verum, odic te nullor aliquia spernatem eum quisit omnis ius vellorecum rest pa dolum erorruptae ommolup tatiat faccae sandem. Ovid qui nonseque quos el excepel ectium facessit, offic te consequam consequi te pos quamet labor re laut rerro molumqui dolore nulpa quidest otatem et hic tectibe ataqui vent ium es alit, se et quas nonsequae est lacea dusam, velestem illores as vel inctem aut expel exerunt volupta pore, sus eseditatent, cusdam, none con preritat.Cae etur, et plitate aciet recus milland erspedi omnihil isquisciist quia verum nis ut essi a commo explametur, quas cori con paruntia pla ad modigenditat eicit maioriat.Id mo et reperro totatiosto et dolorit maiore etur ratum harcimin postemo loreresedis eum explati coressum veles ipsanto qui dita conem rest molupta eperovid et hario veliquiae et eium faccatusanis modici nissi rem im archillit hariorehene re officia sunt hit ex esto eaqui comnis simperum
aloy helen kay andrew quarina jit jamie anh tavis Ash
wrongRight
Ash Alba Jack Piper taavi Rachey james George Jay James
simplicityvs complexity
ConclusionLooking back at Carsten Nicolai’s Work you straight away notice a few things; Complexion, Sound and Theory. These three traits are what I wanted to bring across with this experiment called “Sound Visualised”. The concept behind this project is to develop and progress some of the already existing research Nicolai has uptaken when it comes to sound visualisation. Nicolai’s work tends to attempt to visualise sound in a number of ways be it through digital work or analog, and the same happens when working as his alter ego ‘Alva Noto’; with him supporting his music visually, and his music supporting his visuals.
Thats why I wanted to attempt to visualise a number of musical genres to their core. This experiment got me to look at synthesesia, the meaning of colour to create visuals that were generated by the ‘audio’, that for once would be represented by print.
These are the results of my experiments...