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TheContentsIntroductionBrand Identities Simplicty vs complexityconclusion

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IntroductionLooking back at Carsten Nicolai’s Work you straight away notice a few things; Complexion, Sound and Theory. These three traits are what I wanted to bring across with this experiment called “Sound Visualised”. The concept behind this project is to develop and progress some of the already existing research Nicolai has uptaken when it comes to sound visualisation. Nicolai’s work tends to attempt to visualise sound in a number of ways be it through digital work or analog, and the same happens when working as his alter ego ‘Alva Noto’; with him supporting his music visually, and his music supporting his visuals.

Thats why I wanted to attempt to visualise a number of musical genres to their core. This experiment got me to look at synthesesia, the meaning of colour to create visuals that were generated by the ‘audio’, that for once would be represented by print.

These are the results of my experiments...

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Right10%

90%

Coca Cola

05BRranding ecognition

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kodak

wrongRight

45%55%

07BRranding ecognition

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Marlboro

Right20%

80%

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Burger King

Right20%

80%

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Google

50%50%

Wrong

Right

13BRranding ecognition

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95%

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pepsi

Right5%

95%

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BMW m3

Right65%

35%

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Amazon

Right25%

75%

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BBC

Right75%

25%

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Nintendo

Right75%

25%

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Atari

Right20%

80%

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hewelett Packard

Right15%

85%

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Harley Davidson

Right50%50%

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Subway

45%55%

Wrong

Right

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HBO

20%80%

Wrong

Right

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Ebay

65%35%

Wrong

Right

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NBC

50%50%

Wrong

Right

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Apple

65%35%

Wrong

Right

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Target

65%35%

Wrong

Right

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Royal Air Force

50%50%

Wrong

Right

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LG

80%20%

Wrong

Right

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Ebay

65%35%

Wrong

Right

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OXfam

85%15%

Wrong

Right

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Lego

70%30%

Wrong

Right

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Adobe

Right10%

90%

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Bic

Right55%

45%

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Cartoon Network

Right45%

55%

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T-Mobile

65%35%

Wrong

Right

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Eurosport

70%30%

Wrong

Right

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Cisco

35%65%

Wrong

Right

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Participants Results Igniame verum, odic te nullor aliquia spernatem eum quisit omnis ius vellorecum rest pa dolum erorruptae ommolup tatiat faccae sandem. Ovid qui nonseque quos el excepel ectium facessit, offic te consequam consequi te pos quamet labor re laut rerro molumqui dolore nulpa quidest otatem et hic tectibe ataqui vent ium es alit, se et quas nonsequae est lacea dusam, velestem illores as vel inctem aut expel exerunt volupta pore, sus eseditatent, cusdam, none con preritat.Cae etur, et plitate aciet recus milland erspedi omnihil isquisciist quia verum nis ut essi a commo explametur, quas cori con paruntia pla ad modigenditat eicit maioriat.Id mo et reperro totatiosto et dolorit maiore etur ratum harcimin postemo loreresedis eum explati coressum veles ipsanto qui dita conem rest molupta eperovid et hario veliquiae et eium faccatusanis modici nissi rem im archillit hariorehene re officia sunt hit ex esto eaqui comnis simperum

aloy helen kay andrew quarina jit jamie anh tavis Ash

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wrongRight

Ash Alba Jack Piper taavi Rachey james George Jay James

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simplicityvs complexity

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ConclusionLooking back at Carsten Nicolai’s Work you straight away notice a few things; Complexion, Sound and Theory. These three traits are what I wanted to bring across with this experiment called “Sound Visualised”. The concept behind this project is to develop and progress some of the already existing research Nicolai has uptaken when it comes to sound visualisation. Nicolai’s work tends to attempt to visualise sound in a number of ways be it through digital work or analog, and the same happens when working as his alter ego ‘Alva Noto’; with him supporting his music visually, and his music supporting his visuals.

Thats why I wanted to attempt to visualise a number of musical genres to their core. This experiment got me to look at synthesesia, the meaning of colour to create visuals that were generated by the ‘audio’, that for once would be represented by print.

These are the results of my experiments...

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