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The

Rena

issa

nce

Timeli

ne Ca

rds

Subj

ect M

atte

r Exp

ert

Ann E

. Moy

er, Ph

D, De

partm

ent o

f Hist

ory, U

nivers

ity of

Penn

sylva

nia

Illus

trat

ion

and

Phot

o Cre

dits

Title

Scho

ol of

Athe

ns, f

rom th

e Sta

nza

della

Seg

natur

a, 15

10–1

1 (fr

esco

), Ra

phae

l (Ra

ffaell

o San

zio of

Urb

ino) (

1483

–152

0) /

Vatic

an M

useu

ms an

d Ga

llerie

s, Vati

can C

ity /

Bridg

eman

Imag

es

Chap

ter 1,

Card

1 Ric

hard

Cumm

ins/S

uperS

tock

Chap

ter 1,

Card

2 De

Agos

tini/S

uperS

tock

Chap

ter 1,

Card

3 Eff

ects

of Go

od Go

vern

ment

in Cit

y, de

tail fr

om Al

legor

y and

Effec

ts of

Good

an

d Ba

d Go

vern

ment

on To

wn a

nd C

ountr

y, 13

37–1

343,

by A

mbrog

io Lo

renze

tti (

activ

e 12

85–1

348)

, fres

co, R

oom

of Pe

ace,

Palaz

zo P

ublic

o, Sie

na, L

orenz

etti, A

mbrog

io (1

285-

c.134

8) /

Palaz

zo Pu

bblic

o, Sie

na, It

aly /

De Ag

ostin

i Pict

ure Li

brary

/ G. D

agli O

rti /

Bridg

eman

Imag

es

ISBN: 978-1-68380-075-0

Chap

ter 1,

Card

5 Ms

Fr 28

10 f.5

1, Tra

nspo

rtatio

n of

spice

s to t

he w

est a

nd un

loadin

g spic

es

in th

e ea

st, m

iniatu

re fro

m Liv

re de

s me

rveille

s du

mon

de, c

.1410

–12

(temp

era on

vellu

m), B

oucic

aut M

aster

, (fl.1

390–

1430

) (an

d wo

rksho

p) /

Biblio

theq

ue N

ation

ale, P

aris,

Franc

e / D

e Ag

ostin

i Pict

ure L

ibrary

/ J.

E. Bu

lloz /

Bridg

eman

Imag

es

Chap

ter 1,

Card

6 Int

erior

of a 1

6th ce

ntury

printi

ng w

orks,

copy

of a

minia

ture f

rom ‘C

hants

roy

aux s

ur la

Conc

eptio

n cou

ronne

e du P

uy de

Roue

n’ (co

lour li

tho)

, Fren

ch

Scho

ol, (

16th

cen

tury)

(after

) /

Biblio

theq

ue N

ation

ale, P

aris,

Franc

e /

Bridg

eman

Imag

es

Chap

ter 2

Scho

ol of

Athe

ns, f

rom th

e Sta

nza

della

Seg

natur

a, 15

10–1

1 (fr

esco

), Ra

phae

l (Ra

ffaell

o San

zio of

Urb

ino) (

1483

–152

0) /

Vatic

an M

useu

ms an

d Ga

llerie

s, Vati

can C

ity /

Bridg

eman

Imag

es

Chap

ter 3,

Card

1 Co

simo d

e’ Med

ici (I

l Vec

chio)

(138

9–14

63) 1

518 (

oil on

pane

l), Po

ntorm

o, Jac

opo (

1494

–155

7) / G

alleri

a deg

li Uffiz

i, Flor

ence

, Italy

/ Brid

gema

n Ima

ges

Chap

ter 3,

Card

2 Th

e ‘Ca

rta d

ella

Caten

a’ sh

owing

a p

anora

ma o

f Flor

ence

, 149

0 (d

etail

of 16

1573

)

Chap

ter 4

Self P

ortra

it, c.1

506 (

tempe

ra on

woo

d), R

apha

el (R

affae

llo Sa

nzio

of Ur

bino)

(1

483–

1520

) / Ga

lleria

degli

Uffiz

i, Flor

ence

, Italy

/ Br

idgem

an Im

ages

Chap

ter 4

Pope

Leo

I (c.

390–

461)

Rep

ulsing

Atti

la (c.

406–

453)

151

1–14

(fres

co),

Raph

ael (

Raffa

ello S

anzio

of U

rbino

) (14

83–1

520)

/ Va

tican

Mus

eums

and

Galle

ries, V

atica

n City

/ Al

inari /

Bridg

eman

Imag

es

Chap

ter 5,

Card

1 Th

e Mira

cle of

the R

elic o

f the

True

Cros

s on t

he R

ialto

Bridg

e, 14

94 (o

il on

canv

as) (

see a

lso 11

9437

), Ca

rpacci

o, Vit

tore (

c.146

0/5–

1523

/6) /

Gall

eria

dell’ A

ccade

mia,

Venic

e, Ita

ly / B

ridge

man I

mage

s

Chap

ter 5,

Card

2 Se

lf Por

trait, c

.1562

–64 (

oil on

canv

as), T

itian (

Tizian

o Vec

ellio)

(c.14

88–1

576)

/ Ga

lleria

degli

Uffiz

i, Flor

ence

, Italy

/ Br

idgem

an Im

ages

Chap

ter 5,

Card

3 Po

rtrait

of Isa

bella

d’Este

(147

4–15

39), T

itian (

Tizian

o Vec

ellio)

(c.14

88–1

576)

/ Ku

nsth

istori

sches

Mus

eum,

Vien

na, A

ustri

a / Al

i Mey

er / B

ridge

man I

mage

s

Chap

ter 6

Wes

tend6

1/Su

perst

ock

Chap

ter 6

Fine A

rt Im

ages

/Sup

erstoc

k

Chap

ter 7

Portr

ait o

f Mich

elang

elo, c

a 15

35, b

y Jac

opino

del

Conte

(151

0–15

98) /

De

Agos

tini P

icture

Libra

ry / B

ridge

man I

mage

s

Chap

ter 7

Pieta

by M

ichela

ngelo

(147

5–15

64),

St Pe

ter’s

Basil

ica in

Vati

can

City

/ De

Agos

tini P

icture

Libra

ry / M

. Carr

ieri /

Bridg

eman

Imag

es

Chap

ter 8,

Card

1 ak

g–im

ages

/Sup

erstoc

k

Chap

ter 8,

Card

2 Pe

ter W

illi/S

upers

tock

Chap

ter 9,

Card

1 Se

lf Por

trait a

t the

Age o

f Twen

ty-Eig

ht, 15

00 (o

il on p

anel)

, Düre

r or D

uerer

, Al

brech

t (14

71–1

528)

/ Al

te Pin

akoth

ek, M

unich

, Germ

any /

Brid

gema

n Im

ages

Chap

ter 9,

Card

2 Me

lanch

olia,

1514

(eng

raving

), Dü

rer o

r Due

rer, A

lbrec

ht (1

471–

1528

) /

Priva

te Co

llecti

on /

Bridg

eman

Imag

es

Chap

ter 9,

Card

3 Po

rtrait

of M

iguel

de Ce

rvante

s y Sa

aved

ra (1

547-

1615

), Jau

regui

y Agu

ilar,

Juan

de (c

.1566

–164

1) /

Priva

te Co

llecti

on /

Bridg

eman

Imag

es

Chap

ter 9,

Card

4 Po

rtrait

of W

illiam

Shak

espea

re (15

64–1

616)

c.161

0 (oil

on ca

nvas)

, Taylo

r, Joh

n (d.

1651

) (att

r. to)

/ Nati

onal

Portr

ait Ga

llery,

Lond

on, U

K / Br

idgem

an Im

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THE RENAISSANCE

CHAPTER 1: A New Dawn

Big Question: What factors helped bring about the age known as the Renaissance?

People living during the Renaissance were interested in the writing of great thinkers and writers from ancient Greece (2500s–300s BCE), such as Plato and Socrates.

THE RENAISSANCE

CHAPTER 1: A New Dawn

Big Question: What factors helped bring about the age known as the Renaissance?

The architecture, art, and writings from ancient Rome (700s BCE–400s CE) also inspired people living during the Renaissance.

THE RENAISSANCE

CHAPTER 1: A New Dawn

Big Question: What factors helped bring about the age known as the Renaissance?

In the late Middle Ages (1200s–1300s), Europe experienced the growth of towns, an increase in trade, and the rise of a money economy.

THE RENAISSANCE

CHAPTER 1: A New Dawn

Big Question: What factors helped bring about the age known as the Renaissance?

The Italian Renaissance began in Italy in the mid-1300s.

Venice

FERRARA

LUCCA

SAVOY

FlorenceFLORENCE

TyrrhenianSea

Sicily

Mediterranean Sea

Adriatic Sea

Sard

inia

Cors

ica

FRANCE OTTOMANEMPIRE

Siena

Siena

Naples

KINGDOM O

F TWO SICILIES

Genoa

PAPALSTATES

Milan

Rome

REPUBLICOF VENICE

MODENA

MILAN MANTUA

The Italian Peninsula in the Renaissance

GENOA

S

W

0 200 miles

N

E

THE RENAISSANCE

CHAPTER 1: A New Dawn

Big Question: What factors helped bring about the age known as the Renaissance?

In the 1400s, trade expanded within Europe and between Europe, Asia, and the Middle East.

THE RENAISSANCE

CHAPTER 1: A New Dawn

Big Question: What factors helped bring about the age known as the Renaissance?

In about 1450, Johannes Gutenberg developed movable type in Europe.

THE RENAISSANCE

CHAPTER 2: From Artisan to ArtistIn the 1400s, Brunelleschi and Alberti invented the technique of perspective in painting, brilliantly demonstrated in Raphael’s School of Athens.

Big Question: What were some of the changes that occurred during the Renaissance for artists and the work they produced?

THE RENAISSANCE

CHAPTER 3: The Cradle of the Renaissance

Big Question: How did the success of merchants and bankers during the Renaissance benefit artists?

By 1429, Cosimo de’ Medici became the leader of the Medici family, which had banks in several important cities in Italy as well as in other European cities.

THE RENAISSANCE

CHAPTER 3: The Cradle of the Renaissance

Big Question: How did the success of merchants and bankers during the Renaissance benefit artists?

1400s–1770s: Florence was governed by the Medici family.

THE RENAISSANCE

CHAPTER 4: Rome and the Renaissance Popes

Big Question: How did the Roman Catholic Church use the many talents of Renaissance artists?

The great Renaissance painter Raphael lived from 1483 to 1520.

THE RENAISSANCE

CHAPTER 5: Venice: Jewel of the Adriatic

Big Question: Why was Venice known as the “Jewel of the Adriatic” during the Renaissance period?

In about 1500, Venice was the leading commercial center in the Western world, controlling trade routes through Europe, the Middle East, and the rest of Asia.

THE RENAISSANCE

CHAPTER 5: Venice: Jewel of the Adriatic

Big Question: Why was Venice known as the “Jewel of the Adriatic” during the Renaissance period?

The Renaissance painter Titian (left) lived from about 1485 to 1576. He painted many celebrated portraits of men and women, such as the one on the right.

THE RENAISSANCE

CHAPTER 6: Leonardo da Vinci

Big Question: Why might Leonardo da Vinci be described as a symbol of the Renaissance?

The Renaissance man Leonardo da Vinci (below) lived from 1452 to 1519, and he painted such masterpieces as The Last Supper (left).

THE RENAISSANCE

CHAPTER 7: Michelangelo

Big Question: What does the art that Michelangelo created tell us about the Catholic Church at this time in history?

Michelangelo (left) was a master painter and sculptor who lived from 1475 to 1564. Among his greatest works is this sculpture of the Pieta (right).

THE RENAISSANCE

CHAPTER 8: Two “How-To” Men

Big Question: Why might people have been shocked by Machiavelli’s book The Prince?

In 1513, Machiavelli wrote The Prince. The printed version was first published in 1532.

THE RENAISSANCE

CHAPTER 8: Two “How-To” Men

Big Question: Why might people have been shocked by Machiavelli’s book The Prince?

In 1528, Castiglione published The Courtier.

THE RENAISSANCE

CHAPTER 9: The Renaissance in Northern Europe

Big Question: How did the ideas of the Renaissance spread to other parts of Europe?

German artist Albrecht Dürer (left) lived from 1471 to 1528. He created many outstanding paintings and engravings, such as the one shown on the right.

THE RENAISSANCE

CHAPTER 9: The Renaissance in Northern Europe

Big Question: How did the ideas of the Renaissance spread to other parts of Europe?

Spanish author Miguel de Cervantes lived from 1547 to 1616.

THE RENAISSANCE

CHAPTER 9: The Renaissance in Northern Europe

Big Question: How did the ideas of the Renaissance spread to other parts of Europe?

The English playwright and poet William Shakespeare lived from 1564 to 1616.