the journey powerpoint

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    A Look at Three Ways ofInterpreting a Plotline

    The Journey of 10,000 milesbegins with a single step.

    ~Lao Tzu

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    Main character must either:

    Involves a main character

    Deal with majorinternal growth experiences

    Deal with a series of majorexternal events

    Tests the main characters courage

    Tests the main characters resolve

    The Journey usually has Three Acts

    There are three styles of Journey:

    1. The Joseph Campbell Journey

    3. The Masculine Journey

    2. The Feminine Journey

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    Traditional Storytelling Model LovedbyHollywood

    Based on myths and stories of Ancient Greece

    The plotline and character are driven by external factors

    A basic visual of the Campbell Plotline

    (Beginning) (Middle) (End)

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    An outside force starts the journey for the main character:

    A basic visual of the Campbell Plotline

    (Beginning) (Middle) (End)

    The Dark Knight

    The Amazing Spiderman

    Battleship

    The Avengers

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    The Journey is character driven

    A basic visual of the Feminine Plotline

    (Beginning) (Middle) (End)

    Decisions made by the main character promote the story

    Risk: main character gives up and story ends

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    Feminine Hero isnotsupported by tribe in following her quest

    A basic visual of the Feminine Plotline

    (Beginning) (Middle) (End)

    Needs to build her ego strength and find her power

    Often sacrifices self for others, but doesnt know herself

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    The Journey is character driven

    A basic visual of the Masculine Plotline

    (Beginning) (Middle) (End)

    Risk: main character gives up and story ends

    Decisions made by the main character promote the story

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    Masculine Hero is supported by tribe in following his quest

    A basic visual of the Masculine Plotline

    (Beginning) (Middle) (End)

    Needs to lose some of his ego strength and power to succeed

    Usually taught to be powerful early in life; creates an ego

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    The Beginning

    (Campbell Beginning) Feminine Beginning Masculine Beginning

    Typically follows theMasculine Journey

    External forces promptthe storys beginning

    Ex In Dark Knight Rises,Bane is discoveredplanning somethingsinister for Gotham City

    Hero challenges orquestions authority

    Usually pressured intobeing good, nice ornormal

    Hero is in his version of aperfect world withfriends and enemies alike

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    The Middle

    Campbell Middle Feminine Middle Masculine Middle

    a)

    b)

    Hero gains courage to

    stand up for herself

    Takes on the will to facethe world on her terms

    Faces same event or

    internal conflict manytimes until she gets it rightor learns the lesson

    Typically follows the

    Masculine Journey

    External events continue topush the story along

    Ex Gotham City continues

    to be terrified by violence,Bane, and the League ofShadows

    Hero is thrust into a

    situation he must decidehow to solve

    Journey can go either oftwo ways:

    a) Go outwardly?b) Stay inwardly?

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    The Ending

    Campbell Ending Feminine Ending Masculine Ending

    a)

    b)

    a)b)

    The Hero returns to thetribe in this Journey

    Has accomplished allthings by himself andhelped the tribe(not cyclical)

    Ex Batman sacrificeshimself for GothamCity and is made aLegend

    The Hero is ready to faceher symbolic death & be

    reborn as someone new

    The Journey can continue(cyclical) or return to thetribe to help another onher own Journey

    Inner process of change

    can only be experienceddirectly, not shared

    Hero goes through rebirth

    a) The Hero chooses the outwardpath, sees his destruction

    (not cyclical)

    b) The Hero chooses theinward path, a mini

    Feminine Journey

    Faces same event orinternal conflict manytimes until she gets it right

    or learns the lesson

    Hero goes through rebirth

    Accomplished all things,by himself, helped tribe(non-cyclical ending)

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    Act I Questions

    What is it that propels the

    Hero to go on an inner or

    outer Journey?

    Why does the Hero need to

    go on a Journey? Has hestarted to question what life

    is about?

    Is preparation needed toembark on a Journey?

    Has the Hero journeyedbefore? Or known someone

    else who has?

    Does the Hero have a

    mentor or someone to talk

    to? (The Feminine Hero may

    not)

    How will the Villain Make his

    first appearance?

    Act II Questions

    Why does the Hero keep

    going forward? What is

    important to him?

    What tools does the Hero

    have at his disposal?

    Does the Hero have any

    helpers?

    How does the Villain play

    into this act?

    Why did you pick the

    Journey model you did? Is

    it working for this story?Would changing Journeys

    make it better? More

    challenging?

    Act III Questions

    Did the Hero fail or

    succeed? Does the

    Feminine Journey Hero findsupport?

    Do you need to go backand flesh out more

    character history to make

    character choices

    believable?

    Why do we care if the Hero

    is successful or not?