the descent analysis

20
+ The Descent Analysis Zachary Buchanan

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Page 1: The descent analysis

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The Descent Analysis

Zachary Buchanan

Page 2: The descent analysis

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The second scene is a MS (Mid Shot) of the main protagonists young deceased daughter and he birthday cake a reminder of what has occurred MS(Medium

Shot)

Page 3: The descent analysis

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MCU ( Medium Close Up)

The next scene is a MCU which is a Medium Close up of the main protagonist in the hospital, with no clue of what happened on that fateful day

Page 4: The descent analysis

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Then it pans into a MS where she id trying to find out where she currently is and how she got their in that current state

MS(Medium Shot)

Page 5: The descent analysis

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CA (Cut Away

The Next scene is a CA (Cutaway) to the heart monitor where she is hooked up to heart monitor and showing if she’s alive or not

Page 6: The descent analysis

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MS(Medium Shot)

Then she appears in a MS (Mid shot) in said corridor her being scared and confused where her family is

Page 7: The descent analysis

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VWS(Very Wide Shot)/WS

Then it pans into another WS where her full body is shown where it’s mixed between and an VWS (Very Wide Shot) showing how isolated she really is

Page 8: The descent analysis

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CU (Close Up)

Then it the movie has a trombone effect where it zooms into the main protagonist face and creates a CU (Close Up) and shows how the sudden realization of what may have happened

Page 9: The descent analysis

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MCU ( Medium Close Up)

Then it pans into a MCU where she is “followed” by someone or something and how it builds suspense

Page 10: The descent analysis

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MCU(Medium Close Up)/ POV

Then again into a MCU where she is running away, this could as be a POV of what she is running away from

Page 11: The descent analysis

+POV(Point of Way/WS

Then is a POV of the thing she is followed by and whilst still an, WS where she is running away . This is also when the Steady Cam comes into play

Page 12: The descent analysis

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POV(Point of Way)/WS

Then it is still a POV of the thing she is followed by and whilst still an, Where she is running away . This is also where the Steady Cam comes into play

Page 13: The descent analysis

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POV(Point of View)/VWS

Then it is the final POVs shot and VWS in the scene and is the last time they use the SteadiCam in the hallway chase, another effective thing about this is how the lights turn off slowly the further away she get from the camera.

Page 14: The descent analysis

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WS (Wide Shot)

Then the WS turns straight into the a Two Shot where the the protagonist and best friend hug over what has occurred in the car crash

Page 15: The descent analysis

+Two Shot

Then pans around the the two using the steady cam in a Two-Shot this implies that she has escaped the darkness and realized what has happened

Page 16: The descent analysis

+Over the Shoulder

Then it is an over the shoulder where we see the protagonist latch's on whilst grieving on her friends arm about how she has lost her child and family

Page 17: The descent analysis

+Two Shot

Then it is a Two Shot of the those two crying in grief and anger showing them that they have lost their closest ones.

Page 18: The descent analysis

+CU (Cut Away)

Then it Pans into a CU (Clos up) of the third musketeer where she shows emotion of loosing her causal love fling ( best friends husband) and best friends daughter

Page 19: The descent analysis

+WS (Wide Shot

Then it has it’s final scene before the time skip where they both cry in agony and the the third “friend” walks of in pain.

Page 20: The descent analysis

+VWS (Very Wide Shot)

Then it has it’s final Frame where it’s a VWS of the pair crying in agony about the loss of today and how they can never changed what happened on that Day.