the anglerfish issue #4 - march 2013
DESCRIPTION
Inside you'll find: PAX East 2013, My Little Pony: Friendship is Magic, video games, and much more!TRANSCRIPT
CONTENT!"#$%&'(#)*+,#-.+/*0
!,#$%&'(#)*+,#1%2
)34#5.67
Spotlight: Robert Borden
Are Video Games Art?
Thoughts From Places
Advice with Cecily
There’s a Tardis on my Holodeck!
Rest in Awesome: Raymond Cusick
Blown Away by Gaiman & Rex
Anthros in Story Telling
!"#$%&'()*+,-$)./01
!22/-$3)4$'-#"5)*+*!
The Yellow Brick Road
Shakespeare and Other Dead Poets
Sandy Hook Arcade Center; Day of Silence
Code.org; Carpe Diem
6+/-789/):-;097+"):<%-9
CISPA
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Guns vs Video Games
Quick Bytes
Time Warner v Google Fiber; Piece of the Pi
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Lit Submissions
Art Submissions
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Reader Submissions
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Reader Submissions
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to so I can get some fresher ideas brewing in my head.
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RB: I try to listen to as much as I can to expand my musical horizons. A %+0#()/-';)+E)F<);+2)&,$)9%7';')I+0/3)(9,$);+)1$)690/)A9%-1$90J)D$#-"9):2$B;+%J)A%-#(;)><$'J)YR)R0"';9//J)9"3)A+1)4</9"H)Q($")K)#$;)(++B$3)+")9)"$I)9%7';J)K);$"3);+)-F-;9;$);($-%)';</$)9)/-S/$)1-;)-")F<)+I")F0'-8J)10;)I-;()F<)+I");I-';H)K)/-B$);+);%<)9"3)B$$2);(-"#')E%$'(J)9"3);+)$,+/,$J)without completely changing my style. Progressing and changing as an 9%7';)-'),-;9/);+)F$H
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RB: I plan on going wherever it takes me. I’d love to be a performer 9"3)1$)91/$);+)'022+%;)F<'$/E)-");($)E0;0%$J)$,$");(+0#();(9;)F-#(;)"+;)1$)"$8$''9%-/<)%$9'+"91/$H)K")9)8+02/$)+E)<$9%'J)KL//)1$)($93-"#)+P);+)university. I hope to study something music‐related so I can get some '+%;)+E)G+1H)A0;)1$';N89'$)'8$"9%-+J)-")9)E$I)<$9%')Z+%)9O$%)8+//$#$[J)K)would be touring and making real money from YouTube‐ing and selling F<)F0'-8)9"3)F$%8()'+);(9;)K)8+0/3)89//)I%-7"#)9"3)2$%E+%F-"#)F<)UG+1HV
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Robert Borden9:;$)<".+"1"8:/<,"=/+.2.1&"1&>"?:/@/;$)A"B$",1+";$$&"C(18.&'"=/+.2"D:)"8$1)+":&"1"E1).$<8":D".&+<)/=$&<+F"G).<.&'",.+":G&"=/+.2"1+"G$(("1+"2:E$).&'":<,$)";1&>+A"B$"C(1&+":&"C/)+/.&'"=/+.2"1+"1"21)$$)A
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Reader Submissions
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Reader Submissions
You can subscribe to Robert on Youtube and buy his music on Bandcamp.
Are Video Games Art?#$"0/+$/=":D"0:>$)&"%)<")$2$&<(8"2)$1<$>"1&"1)<"$I,.;.<"+/)):/&>.&'"E.>$:"'1=$+A"J.<,"<,1<"+1.>F"G$"1+K$>":/)")$1>$)+".D"<,$8"<,.&K"<,1<"E.>$:"'1=$+"(.K$"L#$"M.=+NF"LO12P01&NF"1&>"LO:)<1(N"1)$"G:)K+":D"1)<A"B$)$"1)$"+:=$":D"<,$.)")$+C:&+$+Q
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K)G+-"$3)X+0R01$)-")$9%/<)caaeJ)G0';)/++B-"#)E+%)9)I9<);+)#$;)F<)F0'-8)+0;);($%$)E+%)2$+2/$);+)($9%H)R(%+0#();($)<$9%'J)-;)1$89F$)/$'')9"3)/$'')91+0;);%<-"#);+)#$;)popular and make money and more and more about making friends and trying to 10-/3)9)8+FF0"-;<H)R(%+0#()_$%3&#(;$%-9J)KL,$)F$;)F<)1$';)E%-$"3'J)F<)#-%/E%-$"3J)9"3)G0';)'+)F9"<)2$+2/$)I(+)K)'+)#%$9;/<)93F-%$H)A<)3-'8+,$%-"#)9)10"8()+E)2$+2/$)I(+)9%$)29''-+"9;$)91+0;)F0'-8J)9"3)/-E$)-")#$"$%9/J)KL,$)#%+I")'+)F08()9')9)F0'-8-9")9"3)9')9)2$%'+"J)9"3)K)2%-F9%-/<)(9,$)b+(")9"3)C9"B);+);(9"B)E+%);(9;H)K)3+"L;)B"+I)I(+)K)I+0/3)1$);+39<)I-;(+0;)K";$%"$;)8+FF0"-7$'J)$'2$8-9//<)_$%3&#(;$%-9H
Reader Submissions#:/',<+"D):="O(12$+
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Thoughts From a Funeral
The second half of the wake was open to the 201/-8J) 9"3) ;($) %++F) f0-8B/<) &//$3) 02)I-;()E9F-/<) F$F1$%'J) E%-$"3'J) 9"3) 8+NI+%B$%'J)each wishing to pay his or her respects. I '9;)-")9)8(9-%);+I9%3');($)198B)+E);($)%++FJ)watching and observing. In one corner of ;($)%++FJ)9);91/$)+,$%g+I$3)I-;()2-8;0%$'J)2+';$%'J) 9"3) 9%78/$') 91+0;)F<) #%9"3E9;($%H)His World War II medals rested on an easel I(-8() ';++3) "$M;) ;+) 9) ($93/$'')F9""$f0-");(9;)I+%$)(-')!-%)=+%8$)G98B$;H)!)'/-3$'(+I)+E)(-') /-E$) -")2-8;0%$')%9")+")9)8+"7"0+0') /++2)+") 9) /9%#$) g9;) '8%$$") ;$/$,-'-+"H) >,$%<) "+I)9"3);($"J) KL3) /++B)02)9"3)1$)';9%;/$3);+)'$$)a younger version of myself staring back out at me.
K") ;($) +;($%) 8+%"$%J) 9) 'F9//) G9^^) 19"3)played my grandfather’s favorite songs. He had hired them himself before he died be‐890'$J)($)%$9'+"$3J)U;($%$)'(+0/3)9/I9<')1$)F0'-8HV) \889'-+"9//<J) F<) F+;($%) +%) +"$) +E)F<)90";')I+0/3)1%$9B)+0;)-";+)'+"#J)'-"#-"#)along with the band. A few people started swing dancing at one point. Though there I$%$);$9%'J);($%$)I9')9/'+)2/$";<)+E)/90#(;$%H)Q-;()9//);($)"+-'$)-");($)%++FJ)9O$%)9)I(-/$J)K)I9'"L;)91/$);+)3-'7"#0-'();($)(922-"$'')E%+F)the sadness.
!') K) '9;) f0-$;/<J) I9;8(-"#) $,$%<;(-"#) 0"‐E+/3J) K)I+"3$%$3)(+I) ;(-') 9//)F-#(;) /++B) ;+)'+F$+"$)I9;8(-"#) E%+F);($)+0;'-3$J)'+F$‐one unfamiliar with my family. I wondered
if this someone would understand what we I$%$) 3+-"#H) R(+0#() E0"$%9/) 2%9878$') ,9%<)widely throughout history and from country ;+)8+0";%<J) ;($<)9%$)'7//J)9/F+';)0"-,$%'9//<J)rituals everyone knows.
D-;09/')2$%F$9;$)+0%)/-,$')-")F9"<)3-P$%‐$";)I9<'J)I($;($%)I$L%$)8%+''-"#)+0%)&"#$%')E+%) /08BJ) 8$/$1%97"#) 9) 1-%;(39<) +%) 9""-,$%‐'9%<)I-;()E%-$"3'J)+%)2/9""-"#)9)I$33-"#)8$%‐emony. We do these things and take these '2$8-&8)987+"')1$890'$)I$)1$/-$,$);($<)(+/3)a symbolic purpose. They provide us with some greater meaning and even a sense of order. Rituals give us a way to react to what‐ever life throws in our way and to remember that life is a shared event. We’re not in this 9/+"$) 9"3)I(9;$,$%) (922$"'J) ;($%$L') ,9/0$)and meaning in coming together to share the G+<')9"3);($)10%3$"'H
I stayed in the back of the room for most +E);($)9O$%"++"J)1$890'$)-;)I9')I($%$)K)I9')most comfortable. I’m not big on crowds in general and my grandfather had lived and died more than six hours away from my (+F$H) :+J) K) 3-3"L;) %$9//<) B"+I)F+';) +E) ;($)people in the room. But as I watched them 9"3)/-';$"$3)9')%$F$F1$%$3)F<)#%9"3E9;($%J)I felt as if I did know them.
\")9"<)+;($%)39<J) -")9"<)+;($%)%++FJ)I$)I+0/3) G0';) 1$) 9) %9"3+F) #%+02) +E) 2$+2/$J)';9"3-"#)9%+0"3J) /-';$"-"#) ;+)F0'-8J) ;9/B-"#J)9"3)'(9%-"#)';+%-$'H)A0;)+");(-')39<J)I$)I$%$)brought together by a strange sense of un‐spoken camaraderie. We were all there for ;($)'9F$)%$9'+"J)9"3)I$)I$%$)9//)29%78-29;‐
ing in the same ritual. We had all come to‐#$;($%) ;+) 8$/$1%9;$) F<) #%9"3E9;($%L') /-E$J)9"3)-")3+-"#)'+J);0%"$3)+0%)-"3-,-309/)987+"')into something greater than the sum of their parts.
U">)$++$>"+(:G(8F"<1K.&'"21)$"&:<"<:"1>>"1&8"G).&K($+"<:"=8"&$G(8P.):&$>";(:/+$"1&>"C1&<+A"U"$I1=.&$>"$E$)8".&2,":D"=8"+,:$+F"=1K.&'"+/)$"<,$)$"G1+&N<"1"+.&'($"+2/V"=1)KA"U";)/+,$>"=8",1.)"/&<.(".<"D$(("W/+<").',<F"&:<":/<":D"E1&.<8F";/<";$21/+$"U"K&$G",$"G:/(>"1CC)$2.1<$"1"&.2$"C)$+$&<1<.:&A"#$&F"G,$&".<"G1+"<.=$F"U"G1(K$>".&<:"1&"/&1>:)&$>")::="1<"<,$"D/&$)1(",:=$"1&>"C)$C1)$>"<:"+18"'::>;8$"<:"=8"')1&>D1<,$)A
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Rituals give us a way to react
to whatever life throws in our way
Thoughts From a FuneralReader Submissions
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Advice
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Do you have an issue or question you could use some advice on?
Send an email with your conundrum ;+);($9"#/$%&'(F9#9^-"$h#F9-/H8+F)I-;();($)'01G$8;)7;/$)i93,-8$LH)\0%)advice‐giver Cecily will take a look and perhaps you’ll get an anwser in the "$M;)-''0$)+E)R($)!"#/$%&'(]
P%6#Q*?'/#Q.?#CC#0(/.'6#?(67(/#*+#.+#(.6('#RA%FA#67**/# +(S7#7*#.#A(./'(66#0.++(TD%+#7A.7#R*?(#A%6#3%?#-*?F(#U.FL(7VC+#7A(#*7A(?#F*?+(?W#.#60.''#U.22#8.+/#X'.,(/#0,#>?.+/O.7A(?Y6#O.Z*?%7(#6*+>6V
Thoughts From Places
Have you ever been in a place and had a thought there? Submit a Thoughts From Places!Send an email with your story to ;($9"#/$%&'(F9#9^-"$h#F9-/H8+F)I-;();($)'01G$8;)7;/$)i;(+0#(;')E%+F)2/98$'LH)Y$$2)<+0%)';+%<)9;)9%+0"3)jaa)words and please also include some pictures that go with your story!
Your photo here!
Entertainment
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There’s A TARDIS on my Holodeck! (What Happens When Fandoms Collide)C9,$) <+0) $,$%) 2+"3$%$3) ;($) '-F-/9%-7$') 1$‐tween the Cybermen of Doctor Who and the A+%#)+E):;9%)R%$B5)R($)_$M;)?$"$%97+"k):+)3-3):8+S)l)49,-3)R-2;+")+E)K4Q)601/-'(-"#H)!''-F-‐/97+"c)-')9)8%+''+,$%)-")I(-8();($)8%$I)+E);($)>";$%2%-'$)9"3);($)4+8;+%J)!F<J)9"3)D+%<)F0';)team up against the combined forces of the .<1$%F$")9"3);($)A+%#);+)2%$,$";J)I(9;)$/'$J)-";$%#9/9878) 3+F-"97+"H) K4Q) %$/$9'$3) ;($)concluding volume of this series in early Febru‐ary. The art style is reminiscent of watercolor and allows for incredible likenesses of the ac‐;+%')+E);($)%$'2$87,$)'(+I'J)9"3);($)3-9/+#0$)-') '2+;) +"J) $'2$8-9//<) E+%)*9S) :F-;(L') 4+8;+%H)R($) 8%+''+,$%) ;9B$') 2/98$) '+F$7F$) 1$;I$$")
the end of Series 5 and the halfway point of Se‐%-$')m)-")4+8;+%)Q(+J)9"3)-");($)&O()'$9'+")+E)R_?)N)9/;(+0#();($%$)-')9)g9'(198B);+);($)7F$)+E) .92;9-") Y-%B) 9"3) ;($) E+0%;() 4+8;+%H) !) 890‐7+");+);(+'$)E9"')I(+)F9<)(9,$)$"8+0";$%$3)one series but not the other: while a back‐#%+0"3) -") "$-;($%) '$%-$') -') "$8$''9%<) ;+) $"G+<);($)';+%<J)$MN;$"'-,$)$M2/9"97+"')E+%)8(9%98;$%)198B#%+0"3'J)$;8H)9%$)"+;)+P$%$3H)Q(-/$)'+F$)%$E$%$"8$')I-//)1$)1$S$%)922%$8-9;$3)1<);(+'$)E9F-/-9%)I-;() ;($) '$%-$'J) ;(-')F-#(;) 1$) 9) #%$9;)way to convert Whovians and Trekkers to a new F0/7NE9"3+F)1$9';H)Q(+BB$%'k)Q9-;J)"+J)"$,$%)mind. When the Doctor spots an android in a 1940s
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Rest In Awesome: Raymond CusickD9<F+"3) .0'-8B) 9P$8;$3) ;($) /-,$') +E) F9"<)"$%3'J)<$;)9)F9G+%-;<)+E)0')(9,$)"$,$%)($9%3)+E)(-FH)).0'-8BJ);($)+%-#-"9/)3$'-#"$%)+E);($)49/$B'J)3-$3)+")=$1%09%<)cdJ)cado)9;);($)9#$)+E)ep)+E)($9%;)E9-/0%$)9O$%)9")-//"$''J)/$9,-"#)1$(-"3)8(-/‐3%$")9"3)#%9"38(-/3%$"H))40%-"#)(-')/-E$7F$J).0‐'-8B)I+%B$3)9')9")9%;);$98($%J)'$%,$3)-");($)A%-;‐-'() 9%F<J) 9"3)2%+,-3$3) 9%;) 3-%$87+") E+%)F9"<)other shows. ) ) ) ) ) R(-') 0"'0"#)($%+)I+%B$3)9') 9)2%+3087+")F9"9#$%) E+%) ;($) AA.H) C$) I+%B$3) +") i4+8;+%)Q(+L) 30%-"#) ;($) '(+IL') &%';) ;(%$$) <$9%'J) 9"3)(-') '7";) -')F+';)"+;91/$) E+%) ;($)3$'-#")+E) ;($)49/$B'J);($)9/-$")%98$);(9;)F+';)8+"'-3$%);+)1$)the Doctor’s greatest nemesis. Despite the growing trend of edgier Who vil‐/9-"')9"3)8%$97,$');($)49/$B')I-//)9/I9<')1$);($)1$';),-//9-"')-")F<)$<$'H))>,$")I-;();($-%)89F2<J)/+IN103#$;)922$9%9"8$J);($)-3$9)1$(-"3);($)3$‐
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If you looked down 18th Street and 6th Av‐$"0$)-")*9"(9S9")+")9)%9-"<):9;0%39<)F+%"-"#)-")/9;$)=$1%09%<)q);($)co%3J);+)1$)2%$8-'$)q)<+0)would have seen a long line of people stretch‐-"#) E%+F)A++B')+E)Q+"3$%)9%+0"3) ;($)8+%"$%J)all seeking shelter under awnings and umbrel‐/9'H))R($<)29<)<+0)"+)89%$)9');($<)297$";/<)I9-;)E+%) ;($) ';+%$) ;+) +2$"H) ) Q(<J) <+0) F-#(;) 9'Bk)):-F2/$5);+)%$8$-,$)'-#"-"#) /-"$)78B$;')9"3)I9-;)9%+0"3)E+%)_$-/)?9-F9")9"3)!39F)D$M);+)9%%-,$)E+%) ;($)+"/<) +n8-9/) '-#"-"#)+E) i.(0L')49<LJ)*%H)?9-F9")9"3)*%H)D$ML')/9;$';)Z9"3)+"/<[)8+//91+‐%97+")E+%)8(-/3%$"H)))) The seemingly never‐ending line of readers 1$#9")';%$9F-"#)-";+);($)';+%$)G0';)9O$%);$")9"3)I9')2%+F2;/<)'2/-;)-")(9/EJ)+"$)/-"$)E+%)80';+F‐ers who pre‐ordered or were buying books at the store and one line for people who brought 9)1$/+,$3)1++B)E%+F)(+F$H) )!');($)9S$"3$$')2-8B$3) 02) ;($-%) 78B$;') Z9"3) 1++B'[J) ;($) ';+%$)';9%;$3)&//-"#);+)Z9"3)F+';)/-B$/<)$M8$$3-"#[)89‐298-;<)I-;()2$+2/$) '-r"#)+")1$"8($'J) /$9"-"#)02)9#9-"';);($)1++BN'($/,$'J)9"3)8%+I3-"#);($)g++%H) ) _++") $,$";09//<) %+//$3) 9%+0"3J) 30%-"#)I(-8()7F$)$,$N%<+"$)F-//-"#)9%+0"3)%$93);($-%)?9-F9") 1++B') 9"3) 8(9S$3) 91+0;) %$/9;$3) 9"3)0"%$/9;$3);+2-8'J);++)(+22$3)02)+")$M8-;$F$";);+);(-"B)91+0;)"922-"#H) )_922-"#)I+0/3)8+F$)
later in the day. )))))b0';)29';)"++"J)*%H)?9-F9")9"3)*%H)D$M)were lead in around the milling crowds and taken to a back room before a mem‐1$%)+E);($)';+%$)';9P)9""+0"8$3);(9;);($)duo would be leading a surprise reading 1$E+%$) ;($) '-#"-"#H) ) !S$"3$$') 8%+I3$3)closer to the corner of the store with the '-#"-"#) ;91/$J) 9"3) ;($) 8(-/3%$") -") 9S$"‐39"8$)Z-"8/03-"#)+"$)I-;()9).(0N';</$)(9;)9"3)9,-9;+%)#+##/$'[)I$%$)1%+0#(;)02);+)the front so they could watch and listen ;+)*%H)?9-F9")9"3)*%H)D$M)%$93);($)';+%<J)3-'2/9<);($)-//0';%97+"'J)9"3)$,$")'"$$^$)– all from the comfort and safety of the top of said table.) ) ) ) ) R(-') /++B) /$'') ;(9")&,$)F-"0;$'J) 9"3)I9')E+//+I$3) 1<) 9) '(+%;) sl!J) 30%-"#) I(-8() *%H)?9-F9") 9"'I$%$3) '08() f0$'7+"') 9') I(<) ($)I%+;$)i.(0L')49<L)Z"+"$)+E)(-')8(-/3%$"L')1++B')I$%$)201/-'($3)-")F9-"/9"3).(-"9J)9');($)2%+‐;9#+"-';')I$%$)I-'$J)(93)"+)%$'2$8;)E+%)90;(+%‐-;<J)9"3)'0P$%$3)"+)8+"'$f0$"8$'[)9"3)I(9;)($)-"-79//<) E$/;) 91+0;)(-')I%-7"#)+27+"')+%) #+9/')Z($) 3-3"L;)I9";) ;+) 1$) /+8B$3) -";+) +"$)I%-7"#)89;$#+%<) 10;) -"';$93) ;+) U#$;) F<) (9"3') -") 9')F9"<) G9%')9')2+''-1/$VJ) 8+F29%-"#)(-')1+3<)+E)I+%B);+)1$N-"#)/-B$)9)B-3)/+8B$3)-")9)'I$$;)'(+2[H))!"+;($%) 903-$"8$) F$F1$%) 2+'$3) 9) f0$'7+")91+0;)E9,+%-;$)8(-/3(++3)1++B'J)'+)*%H)?9-F9")I$";)I-;() iR($).9;) -") ;($)C9;).9F$)A98BL) Z+%)9')*%H)?9-F9")20;)-;J)UR(-')-');($)&%';)7F$)KLF)F$$7"#)(-F]V[)9"3)*%H)D$M)"9F$3)'08()8/9'‐'-8') 9') iQ($%$)R($)Q-/3) R(-"#')!%$L) 9"3) iR($)Bernstein Bears’. As the author and illustrator descended from ;($) ;91/$J) ;($) 903-$"8$) I9') '(0t$3) 198B) ;+);($)-"N';+%$)19B$%<J)9-'/$'J)9"3)I(9;$,$%)+;($%)open space was available so the signing could
';9%;H))40%-"#)9)'(+%;)'-#"-"#)1%$9BJ)+"$)+E);($)';9P)9S$F2;$3);+)%$93);($)&%';)8(92N;$%)+E)*%H)?9-F9"L') i.+%9/-"$LJ) 10;) %$';9%;$3) 9O$%) 9) E$I)F-"0;$'@)"+1+3<)I9')%$9//<)'0%$)-E)'($)&"-'($3H))R($) (+0%') 2%+8$$3$3) ;+) 2/$9'9";/<) 78B) I-;()2/$";<)+E) -";$%$'7"#)8+",$%N'97+"')I-;() -";$%‐$'7"#)2$+2/$J) '+F$)(+F$I+%BJ) 9"3J) -") '+F$)89'$'J)"922-"#H) )\"$) -";$%N$'7"#)2$%'+") -")9;‐;$"39"8$J)"+;)8+0"7"#);($)E$I)8+'2/9<$%'J)I9').9F$%+"J) 9) ,-'-;+%) E%+F) ;($) Q9'(-"#;+"J) 4.)9%$9)I-;()9)8+FF0"-f0uN%-33/$3)/$9;($%)G98B$;J)&//$3)I-;();($)198BN9"3NE+%;()'8%-11/-"#')+E)*%H)?9-F9")9"3)*%'H)!F9"39)69/F$%J)(-')I-E$)9"3)9)%$8$";)R>4)'2$9B$%H))))) The calm and welcoming vibe of Books of Q+"3$%J)8+02/$3)I-;();($)3$/-8-+0'),$#9")E++3)+27+"') Z-"8/03-"#) E9/9E$/[) 2%+,-3$3) 1<) ;($) -"N';+%$)19B$%<J)'($/;$%$3);($)9S$"3$$'J)90;(+%'J)9"3)';+%$)';9P)E+%);($)"$9%/<)"-"$N(+0%)$,$";J)$,$") 9') ;($) ';+%$) 8+"7"0$3) ;+) $F2;<) 1<) ;($)hour. The day was even longer for the author 9"3);($) -//0';%9;+%J)9') ;($<)1$#9");($)F+%"-"#)I-;() 2%$N'-#"-"#'J) 10;) ;($<) '+/3-$%$3) ;(%+0#();($)39<)9"3)-";+);($)"-#(;J)89%-"#)91+0;)$,$%<‐+"$)-")9S$"39"8$)9"3)'(+I-"#)/-S/$)E97#0$)1$‐E+%$);($<)298B$3)02J)'-#"$3);($)#0$';)1++BJ)9"3)called it a night. The key thing I took away from this whole ex‐2$%-$"8$J)1$-"#);($)&%';)'-#"-"#)K)';08B)9%+0"3);(%+0#(J)I9');($)9E+%$F$"7+"$3)'$"'$)+E)8+F‐F0"-;<);(9;)0"-;$3)F+';J)-E)"+;)9//J)+E);($)`aav)9S$"3$$'H))>,$%<+"$)89F$)E+%)F+%$)+%)/$'');($)'9F$)%$9'+"J)(93)9)8+FF+"N9/-;<);+)1+"3)+,$%J)9"3)/$O)I-;()I-3$)'F-/$')98%+'');($-%)E98$')9"3)9) '$"'$) +E) %$/-$EJ) -"N8/03-"#)F$) 9"3) ;($) +;($%)!"#/$%&'()';9P)F$F1$%'H)
Entertainment
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R($%$)9%$)2/$";<)+E)f0$'7+"')'0%%+0"3-"#)i*<)w-S/$)6+"<L)Z($"8$E+%;()911%$,-9;$3)9')i*w6L[)9"3);($)U1%+"<)8+FF0"-;<V)Z1%+"<)q)9)F9/$)+%)E$F9/$)930/;x<+0"#)930/;)E9")+E)i*<)w-S/$)6+"<5)=%-$"3'(-2)-')*9#-8L[J)9"3)+"/<)'+)F9"<)I+%3');(9;)89")&;)-")+"$)9%78/$H))KLF)G0';)#+-"#);+)933%$''J)I(9;)K);(-"BJ)-');($)F+';)'-#"-&89";)9"3)F+';N+O$")9'B$3)f0$'7+"5)Why? Just … why? Why is the demographic percentage of a show about candy‐colored 2+"-$')F93$)02)'-#"-&89";/<)+E)<+0"#)adults? And why is a startling amount of that demographic male?
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!//)<+0)(9,$)-');($)'(+IH))R($%$)9%$)"+)';%-"#')9S98($3J)no pressure – only curiosity. And if your curiosity drives <+0);+)B$$2)I9;8(-"#J)9"3)<+0);(-"B);($)'(+I)-')#++3)Z+%)#%$9;[J)9"3);($%$)9%$)+;($%')+0;);($%$)I(+);(-"B)'+);++J);($")<+0)(9,$)<+0%'$/E)9)E9"3+FJ)'2$8-&89//<);($)i*w6L)E9"3+FH))K")+;($%)I+%3'J)F9<1$);($)2$+2/$)I(+)(9,$)the best chance to start liking it are the ones who were I9;8(-"#)E%+F);($)';9%;J)f0-;$)2+''-1/<)1<)988-3$";H
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F!iendship is Magic
“MLP is a special case for two reasons; !"#$%&'!$(#)*+$!",!$)!$",'$(##*$,$franchise for thirtyplus years, and its past existence will affect peoples’ opinions today. Secondly, it is reaching a demographic that it was not at all meant to.”
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Q($"L');($)/9';)7F$)<+0)I9;8($3)9)B-3L')'(+I)/-B$);(9;k))\"$);(9;)3+$'"L;)8+"3$'8$"3);+)B-3')9"3)%$8+#"-^$');($-%)3-P$%$"8$')(+"$';/<J)and one that tries to teach morals but doesn’t absolutely suck because +E);(9;k)):(+I')/-B$);(-')9%$)%9%$%);(9");($<)'(+0/3)1$J)9"3)1%+"<)+%)"+)1%+"<J)+"$)89")922%$8-9;$)'+F$;(-"#)/-B$);(9;H
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Anthropological AnimalsIn Story Telling
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Animals have been featured -")F$3-9)E+%)<$9%'J)10;)-")+%3$%)to make them more relatable to ;($-%)903-$"8$J);($<)9%$)+O$")-F10$3)I-;()(0F9")f09/-7$')ranging from blushing to threat‐ening to blow your house down. While every cat in a tale may not I9/B)+")-;')(-"3)/$#')+%)72)-;')(9;);+)29''$%'N1<J)9)8(9%98;$%)F0';)1$)relatable to the reader or viewer if they are going to assume the role of protagonist. To become relat‐91/$J);($<)F0';);9B$)+")0""9;0%9/)8(9%98;$%-'78'H
Why are animals so popular in 1++B')9"3)&/Fk))KE);($%$)-')'08()a necessity for the audience to %$/9;$);+)8(9%98;$%'J)I+0/3"L;)-;)be simpler for them to be human? Q(9;)-');($)E9'8-"97+")I-;();($'$)anthropomorphic animals? Does it come from a desire to imagine ourselves as another species or -')-;)'-F2/<)9")$P$87,$);++/)E+%)storytelling?
To discover the answers to ;($'$)f0$'7+"'J)K)';9%;$3)1<)looking to fairy tales and fables. !)%$80%%-"#)�%$);(9;)890#(;)F<)9S$"7+")-")29%780/9%)I9');(9;)+E);($)9";9#+"-'78)Q+/EH))!22$9%-"#)-")1+;()UR($)R(%$$)w-S/$)6-#'V)9"3)Uw-S/$)D$3)D-3-"#)C++3JV)($)-')the embodiment of cunning and 8%0$/;<H))Q(-/$)I+/,$')9%$)(0";$%'J)his single‐minded determina‐7+")'(+I')9)';011+%")9"3)'-"-';$%)(0F9")"9;0%$H))K;L')"+;)9)g9S$%-"#)8+F29%-'+")10;)it’s an apt one. So why not have a man stalk D$3);(%+0#();($)I++3')9"3);(%$9;$")/-S/$)piggies? There are a couple of reasons. One is that while the Wolf’s wile is larger‐;(9"N/-E$J)-E)($)'2+%;$3)9)#0")+%)$M2/+'-,$'J)it would make it all that easier for him to thwart the pigs and would subtract from the bricks‐and‐mortar moral of the story. His #%$9;$';)I$92+")-')(-')I-8B$3)-";$"7+"'J)
which brings me to the second point. The Wolf gives children something to be fright‐ened of without impressing the stark reality +E)9")930/;)�%$)I(+)(0";')8(-/3%$")-");($)woods.
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9"-F9/')F+,$)9"3)98;)"9;0%9//<J)9"3)+O$"J)it is only their speech or facial expressions that mimic our own. There is an interest‐ing balance of the scale here between what -')3-'7"8;/<)U(0F9"V)91+0;);($)I9<);($'$)8(9%98;$%')1$(9,$)9"3)I(9;)-')U9"-F9/HV)Where adding human expressions to a bear
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A place where anthropological animals thrive best is in animated ;$/$,-'-+"J)29%780/9%/<)8(-/3%$"L')programming. If you’re of my #$"$%97+"J)<+0)F-#(;)1$)E9F-/-9%)I-;()i:8++1<)4++JL)iD+88+L')*+3‐$%")w-E$L)+%)iR$$"9#$)*0;9";)_-"G9)R0%;/$'HL))K");($'$)'(+I'J)8(9%‐acters are far more likely to look like animals but act far more like (0F9"'H))R($<);9/BJ)I$9%)8/+;($'J)and get themselves into and out +E);%-8B<)'-;097+"'H))R($-%)9"-F9/)appearance mixed with their human nature adds an amount +E)8+F$3<)9"3)f0-%B-"$''H))!)2+%‐802-"$)$97"#)9)F0n")F-#(;)1$)E9%)F+%$)-";$%$'7"#);(9")9)/-S/$)(0F9")1+<)$97"#)'9-3);%$9;H
)))))K")8+"8/0'-+"J)9";(%+2+F+%2(-8)animals aren’t going anywhere. Using animals instead of humans allows for not only a sense of escapism but also removal. The 903-$"8$)-')91/$);+)$"G+<);($)';+%<)and imagine themselves in the 2%+;9#+"-';L')2/98$J)I-;(+0;);($)uncomfortable reality that it could 1$);($F)-");(9;)'-;097+"H)K")+%3$%);+);%0/<)$F1%98$)$'892-'FJ)<+0)
must forfeit a fragment of reality.
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!"#$%&'(#)*+"$,-./#$0(12Tim Burton’s ‘Vincent’ and ‘Frankenweenie’ (2012)
Welcome to the debut edition of !e Angler"sh Movie Club! Each month, two sta#ers here at !e Angler-"sh will watch and discuss two movies selected through top secret means. !is issue, Eric and Jason examine ...
Featuring Eric Cole and Jason Stack
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PAX East 2013 Impressions
.+",$"7+"') '2+%;) 9) 29%780/9%) B-"3) +E)F93"$''H) R9B$) E9"'J) 8%$9;+%'J) 9"3) F$3-9)and put them in a large unnavigable build‐-"#) ;+) 8$/$1%9;$) 9") -"30';%<J) 0'09//<) E+%)91+0;);(%$$)39<'J)9"3)<+0)(9,$)<+0%'$/E)9)8+",$"7+"H)=+%);(%$$)39<'J)<+0)2/9")9)7#(;)'8($30/$)9%+0"3)9)E$I)29"$/'J)#9F$)3$F‐+'J)9"3)2+''-1/$)F$$;)02')I-;()<+0%)E9,+%‐-;$)8%$9;+%'J)+"/<);+)8+//92'$)1<);($)$"3)+E)$98()39<) -")<+0%)+I")'I$9;J)(0"#$%J)9"3)1/-''H)6!z)>9';)-')"+)$M8$27+");+);(-')2($‐nomena. Though seemingly more laid back ;(9")'+F$)F+%$)I$//)B"+I")8+",$"7+"'J);($)$9';)8+9';L')6$""<)!%893$)>M2+)I9')'7//)9);(%-//)%-3$)-";+)#$$B3+F)E%+F)';9%;);+)&"‐-'(H)))))R($)8+",$"7+")8$/$1%9;$');($)#9F$)-"30';%<J) ,-3$+) 9"3) ;91/$;+2) #9F$') 9/-B$H)
R(-')<$9%)I9')F<)&%';)10;)3$&"-;$/<)"+;)F<)/9';)6!z)>9';J)9')F<)F-';9B$)E+%)+"/<)(9,-"#)a Saturday pass encouraged me to go full ;(%+S/$)9"3)20%8(9'$)9);(%$$N39<)29'') -");($)E0;0%$H)Q-;()9)+"$N39<)29''J)-;L')2+''-‐ble to spread yourself too thin and not cap‐;0%$);($)$''$"8$)+E)6!zH)w-"$');+)2/9<);($)02)9"3)8+F-"#)D$F$F1$%)*$) E%+F).92‐com or even the already premiered Diablo KKK)(93)9/F+';)9);(%$$)(+0%)I9-;)$98(J)80;‐7"#)198B)+")7F$);+)#+);+);($)8+"L')29"$/'H) ) ) ) R(9;) 1$-"#) '9-3J) R($) !"#/$%&'() ;$9F),-'-;$3) ;I+) 29"$/') 9;) 6!z) ;(-') <$9%H) R($)&%';)2$%;9-"$3);+);($)-"30';%<J)1$##-"#);($)f0$'7+")+E)Q(<)Q+0/3)X+0)Q!_R)R+)A$)!)W-3$+)?9F$)b+0%"9/-';k)R($)29"$/J)(+';$3)1<)I%-;$%'J)$3-;+%')9"3)2%$'-3$";')+E)'-;$')
/-B$) Y+;9B0J)b+<'7fJ) 9"3)Polygon. It was an eye opening hour where cre‐ators leveled with ambi‐7+0') E9"') +E)the industry. It was a good reminder of how small the video game G + 0 % " 9 / - 'F)commun i t y ;%0/<) -'H) *+';)all of the pan‐elists agreed
;(9;) B$$2-"#) <+0%) %$20;97+") 2%-'7"$) -')a tough act against the video game com‐panies trying to push their product and money to you for a possibly more favorable review.))))\")9)/-#(;$%)"+;$J);($)'$8+"3)29"$/)I$)visited concerned table top role playing games. Aptly named The Campaign Doc‐;+%'J) $M2$%-$"8$3) %+/$) 2/9<$%') 9"3) #9F$)designers alike stood atop their panel stage and handed the mic around the audience. This was a wonderful free for all where anyone could ask the Doctors how to make ;($-%) 89F29-#")1$S$%J)9"3) E+%) ;($) %$';)+E);($) 903-$"8$) -;) 2%+,-3$3) ,9/091/$) 731-;')on how to play a successful role playing #9F$)1+;()9')9)?9F$)*9';$%)9"3)9)2/9<$%H))))69"$/')9%$"L;);($)+"/<)9S%987+");+)6!z)>9';H)R($)$M2+)g++%)"+;)+"/<)(+';'),9%-+0')previews for video games but also various table top games as well available to play. X+0) 89") &"3) ,-%;09//<) 9"<) #9F$) %$93<) ;+)2/9<) 9"3) E+%) '9/$J) 9') I$//) 9') 1+9%3) #9F$)and card tournaments.))))A<);($)7F$)-;)I9')7F$);+)/$9,$)9;)A+'‐;+"L') :+0;() :;97+"J) ;($) E++3) 8+0%;) I9')&//$3)I-;()I+%") +0;) "$%3') 2%+03/<) '2+%;‐-"#);($-%)6!z)>9';)193#$')9O$%)9)/+"#);(%$$)39<')+E)9)#%$9;)8+",$"7+"H)K)"$,$%);(+0#(;)K)I+0/3)1$)+"$);+);%9,$/)E+%)9)8+",$"7+"J)10;)6!z)>9';);%0/<)I9')I+%;();($)E+0%)9"3)9)(9/E)(+0%)10')%-3$)E%+F)_$I)X+%B).-;<H
By Sasha Bogoslowsky
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Entertainment!"#$,-+3$%&3/4/563#7$869#+$-:$;%<$=6+3$>?@A!"#$B6+3$-:$C+)N)=%+F)_90#(;<)4+#J);($)F9B$%')+E)|"8(9%;$3J)8+F$')9))"$I)#9F$)'$;)-")9)2+';N92+89/<2‐78)|"-;$3):;9;$')I($%$)9)B-//$%)E0"#0')(9')-"E$8;$3);($)F9G+%-;<)+E)(0F9"')9"3);($)1/98BNF9%B$;$%)b+$/)F0';)$'8+%;)E+0%;$$"N<$9%N+/3)>//-$);+)'9E$;<)I(-/$)9,+-3-"#)scavengers and the military. Those who braved the /+"#)/-"$')9;)6!z)>9';);(-')<$9%)I$%$)91/$);+)#$;);($-%)(9"3')+")9)($O<)(9/E)(+0%)3$F+);(9;)'(+I89'$3);($)#9F$2/9<)9"3)1$907E0/)#%92(-8')9')+E)"+IH
D#9#92#)$,# This new cyber punk IP was 2/9<91/$)9;)6!z)9"3)(+';')9S98B)8+F1+')'-F-/9%);+);($)A9;F9"5)!%B(9F)';</$H)R($)/$93J)_-/-"J)I9')9/F+';);($)game’s downfall before Capcom decided that a female lead would not be unpopular and that she could hold ($%)+I"J)F9"-20/97"#)F$F+%-$')-")69%-'J)caepH):$;);+)be released June 6th.
Watch Dogs This next‐gen game has everyone excited to traverse Chicago’s open world as vigilante‐ who also happens to be an expert hacker. Aiden Pearce (9')988$'');+);($)8-7$'L)8;\:J)+%).$";%9/)\2$%97"#):<'‐;$FJ)9"3) 89")988$'')9"<+"$L')2%-,9;$) -"E+%F97+") ;+)0'$)E+%)#++3)+%)$,-/H)R($)#9F$)-";0-7,$/<)%$'2+"3');+);($)2/9<$%L')8(+-8$'J)8(9"#-"#);($)#9F$)2/9<)-")%$;0%"H)R(-')#9F$)-')9/'+)9,9-/91/$)+")80%%$";)#$"$%97+")8+"‐soles coming Holiday 2013.
Elder Scrolls Online – For years fans of the >/3$%):8%+//')'$%-$')(9,$)1$$")I9"7"#)9)I9<);+)2/9<)I-;()$98()+;($%J)9"3)"+I);($<)(9,$);($-%)8(9"8$H)):$;)daaa)<$9%')1$E+%$):B<%-FJ)2/9<$%')I-//)1$)91/$);+);%9‐,$%'$)E9F-/-9%)/9"3'J)-"8/03-"#);($)I(+/$)8+"7"$";)+E)R9F%-$/J)9"3)&#(;);+#$;($%)9');($<)0"8+,$%)9)';+%<‐/-"$);(9;)(9')1$$")8%9O$3)9%+0"3)/+%$);($<L,$)($9%3)-")+;($%)>/3$%):8%+//')7;/$'H))R($)>/3$%):8%+//')\"/-"$)-')currently in its closed beta stages and should be avail‐91/$)E+%)6.)9"3)*98)-")/9;$)cadoH
Entertainment
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Applied Design: What Is Art (Really)?by Sasha Bogoslowsky
We are living in an extraordinary time where we can control moving pictures in multiple virtual realities through video games. Living in this age, we may not always realize that our perspective is far di#erent from the perspectives that even our parents toward video games when they were growing up. It is a new medium, and just like how an artist sculpts clay, game designers sculpt an entire virtual world and writers create a story to go along with their worlds, creating a video game where the player is an art-ist. In more recent years, decision-making in video games has altered the future for play-ers as we become a part of the experi-ence and the art.
The fact that video games could be 8+"'-3$%$3)9%7'78J)+%)$,$")9%;);($F'$/,$'J)-')'7//)9)8+";%+,$%'-9/)-''0$H))!')-;)';9"3'J)since video games are sold for commercial #9-"J)-;)'+F$(+I)3-';%98;')2$+2/$)E%+F);($)9%0/)"9;0%$);(9;),-3$+)#9F$')$F1+3<H))R($)*0'$0F)+E)*+3$%")!%;)Z*+*
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Entertainment
The Yellow Brick Road Revisited"""""M.&2$".<+".&2$C<.:&F"L#$"J._1)>":D"`_N",1+").+$&"<:".&2)$>.;($"D1=$A"J.<,"<,.+"D1=$",1+"2:=$"=1&8"+C.&:V+F"C)$\/$(+F"+$\/$(+F"1&>")$.&<$)C)$<1P<.:&+"2:E$).&'"=1&8"=$>./=+F"1((":D"G,.2,",:&:)"aA"S)1&K"b1/=N+"($'128A
8,#!('%66.^$,++#P(%+(0.+
)))))iR($)Q-^9%3)+E)\^L)-')-"9%#091/<)+"$)+E)the most famous stories to surface in the hearts and nostalgia of anyone born in the ca;()9"3)cd';)8$";0%<J)9;)/$9';)-")!F$%-89H)601/-'($3)-")daaJ);($)';+%<)-//0';%9;$3);($)life of author L. Frank Baum and many of ;($)9'2$8;')+E);($)?-/3$3)!#$J)9')I$//)9');($)2+20/-';)F+,$F$";J)I(-8()I9')-")E0//)'I-"#)during Baum’s adolescence. He had been a storyteller since his early youth and would ;$//)(-')'+"')9"3)"-$8$)Z4+%+;(<L')"9F$'9B$[)stories that were eventually compiled into the series of novels.
)))))R($)&%';)1++BJ)iR($)Q+"3$%E0/)Q-^9%3)+E)\^LJ)E+//+I')4+%+;(<)?9/$)E%+F)3%$9%<)Y9"'9');+)'$$F-"#/<)I+"3$%E0/)\^H))Q(-/$)-")\^J)'($)F$$;')9)1-^9%%$)F-M;0%$)+E)'2$8-$'J)-"8/03-"#)9):89%$8%+IJ)w-+")9"3)R-")*9"J)I(+)G+-")($%)+")($%)G+0%"$<)9"3)%$8$-,$);($-%)($9%;L')3$'-%$)E%+F);($)7;0/9%)I-^9%3H))The following 13 novels introduced a cluster +E)"$I)8(9%98;$%'J)%$,-'-;$3);($)+/3J)9"3)brought the readers to new parts of Oz and
/9"3')1$<+"3)-;H))=+//+I-"#)A90FL')3$9;(J)cj)i89"+"L)1++B')(9,$)1$$")201/-'($3J)9/+"#)I-;()"0F$%+0')-";$%2%$;97+"'J)9//)+E)I(-8()8+"7"0$);+)%$;$//);($)';+%<)+E)\^)-")9),9%-$;<)of mediums.
)))))R($)F+';)E9F+0'),-'-;97+")-";+)\^)I9');($)do)b03<)?9%/9"3)&/FJ)I(-8()E+//+I');($)'9F$)2%$F-'$)9');($)&%';)1++BJ)10;)80;')and alters some key elements. The Good Witches are combined into one character: Glinda the Good Witch. The Wicked Witch +E);($)Q$';)1$8+F$')9)8$";%9/)8(9%98;$%J)9')well as a sister to the Wicked Witch of the >9';J)3$'2-;$)+"/<)922$9%-"#)-")+"$)8(92;$%)of the book. There’s also the iconic slipper color change from silver to ruby.)))))iR($)Q-^L)-')9"+;($%)"+;91/$)%$-F9#-"‐ing. It surfaced as a Broadway musical in dmp)9"3)I9')+"$)+E);($)&%';)F9-"';%$9F)9//N1/98B)2%+3087+"')+")A%+93I9<);+)#9-")988/9-FJ)(9,-"#)1$$")%$,-,$3)F0/72/$)7F$'H))C+I$,$%J)-;)-')1$';)B"+I")1<)-;')dme)&/F)9392;97+"J)I(-8()';9%%$3)4-9"9)D+'')9')4+%+;(<H))R($)&/F)I9')9);%9-")I%$8B)+E)-F29''-+"9;$)987"#J)2++%/<)89';)98;+%'J)9"3)'(+33<)89F$%9)I+%BH))*-8(9$/)b98B'+"L')performance as the Scarecrow has probably #9%"$%$3);($)F+';)2%9-'$J)E+//+I$3)1<);($)0'$)+E)_$I)X+%B)/9"3F9%B')9')-";$%2%$;9‐7+"')+E)\^)/+897+"'H
)))))iD$;0%");+)\^L)Zde`[)-')9)80/;)8/9''-8)9"3)9")0"+n8-9/)'$f0$/);+);($)do)&/FH))K;)8+F1-"$')F0/72/$)89"+")"+,$/'J)10;)%$/-$');($)F+';)+")iR($)*9%,$/+0')w9"3)+E)\^L)9"3)i\^F9)+E)\^LH))K;)E+//+I')4+%+;(<)198B)to Oz where she discovers that her friends have been turned to stone or captured by ;($)_+F$)Y-"#J)9"3)'($)f0$';')Z9/+"#)I-;()'+F$)"$I)E%-$"3'[);+)'9,$);($FH))Q(-/$),$%<);%0$);+);($)';+%-$'J)-;)-')8%-78-^$3)E+%)1$-"#);++)39%B)E+%)8(-/3%$"J)10;)-')"$,$%;($/$'')9)3$/-#(0/)8+"7"097+")+E);($)/$#98<H
)))))?%$#+%<)*9#0-%$L')iQ-8B$35)R($)w-E$)9"3)R-F$')+E);($)Q-8B$3)Q-;8()+E);($)Q$';LJ)is also incredibly well‐known and loved. A I%-S$")2%$f0$/);+)A90FL')1++B'J)-;)E+//+I')>/2(919)+")($%)G+0%"$<);(9;)/$93')($%);+)become the Wicked Witch of the West and E+80'$')+");($)%$/97+"'(-2)1$;I$$")($%)9"3)?9/-"39)Z?/-"39[J)9/+"#)I-;();($)Q-^9%3L')8+%%027+")9"3)>/2(919L')E9//)E%+F)#%98$H)R($)A%+93I9<)9392;97+"J)iQ-8B$35)R($)|";+/3):;+%<)+E);($)Q-;8($')+E)\^LJ)-');($)dc;()/+"‐gest running show in Broadway history and has become iconic for its soundtrack.
)))))iR-")*9"L)-')9)8%$97,$)%$-F9#-"-"#)+E);($)';+%<J)I(-8()9-%$3)9')9):<=<)F-"-'$%-$'H)):;9%%-"#)++$<)4$'8(9"$/)9')4H?HJ);($)&/F)follows the clairvoyant D.G. as she is forced -";+);($)\HH)1<);($);<%9""-89/)%0/$%J)!^B$3$/‐/-9H)):($)-')G+-"$3)1<)8+F%93$')?/-;8(J)Q<9S).9-"J)D9IJ)9"3)R0;+%)9')'($)'$9%8($')E+%);($);%0;()+E)($%)29';)9"3);($)>F$%9/3)+E);($)>8/-2'$)q);($)-;$F);(9;)I-//)'9,$)+%)$"'/9,$)the O.Z.’s inhabitants.. The series gained F-M$3)%$,-$I'J)10;)I+")+"$)+E);($)"-"$)>FF<)89;$#+%-$')-;)I9')"+F-"9;$3)-"H))K;)-')3$&"-;$/<)I+%;()2-8B-"#)02)-E)<+0)(9,$)9")extra four‐and‐a‐half hours on your hands.
)))))iR($)Q-^9%3)+E)\^L)-');%0/<)-8+"-8)9"3)8+"7"0$');+)1$)%$I+,$")-";+)2+20/9%)$";$%;9-"F$";)F$3-0F'H))*9%8()'$$');($)%$/$9'$)+E)i\^);($)?%$9;)9"3)6+I$%E0/LJ)9)2%$f0$/)';9%%-"#)b9F$')=%9"8+)9');($)Q-^9%3H))i4+%+;(<)+E)\^LJ)9")9"-F9;$3)93927+")+E);($)1++B)I%-S$")1<)A90FL')#%9"3'+"J)-')'$;);+)be released later this year. Also in the works are feature‐length and miniseries adapta‐7+"')+E)iQ-8B$3LH))X+0)'(+0/3"L;)';+2);($%$J)9');($%$)9%$)F9"<)+;($%)E9";9'78)%$;$//-"#'J)I(-8()K)'0##$';)/++B-"#)02H))>"G+<);9B-"#)9)trip – again – down the yellow brick road.
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Although William Shakespeare is the only poet/play‐I%-#(;)-");(-')9%78/$)I(+)I9'"L;)1+%")-")*9%8()Z-;L')1$/-$,$3)($)I9')1+%")'+F$7F$)-")!2%-/)+E)d`jp[J)+"$)F9<)-"3-%$8;/<);(-"B)of him this month as they recall ;($) K3$') +E) *9%8(J) +;($%I-'$)B"+I") 9') *9%8() d`;(H) ) R($);$%F) U-3$'V) F$%$/<) -') 9) I+%3);+) %$E$%) ;+) ;($)d`;()+E)*9%8(J)*9<J) b0/<J) 9"3) \8;+1$%@) (+I‐$,$%J);(-')2(%9'$)I9')F93$)E9‐mous thanks to Julius Caesar’s murder in 44 B.C. carried out 1<)(-')'$"9;+%'H) ):022+'$3/<J)9)
seer had prophesied Caesar’s death and tried to warn him about it; so :(9B$'2$9%$)3%9F97^$3);(-')F$$7"#)-")(-')2/9<)ib0/-0').9$'9%LJ)9"3)-F‐29%;$3);($)E9F+0')2(%9'$J)UA$I9%$);($)-3$')+E)*9%8(JV)"+;);+)F$"7+").9$'9%L')'022+'$3)/9';)I+%3');+)(-')E+%F$%)E%-$"3)A%0;0'J)9').9$'9%)/9<)3<-"#)9;)A%0;0'L')E$$;5)U>;);0J)A%0;$kV
601/-0') \,-3-0') _9'+J) 1$;‐ter known as OvidJ) -') 9) 2+$;)whose works I’m not personally 98f09-";$3)I-;(J)10;)K)3+)B"+I)that he falls into that category +E)9%7';')I-3$/<)93F-%$3)1<)'+‐ciety: those who persevere in ;($-%)8%9OJ)$,$")I-;();($)+33')stacked against them. Born in *9%8(J) po) AH.HJ) ($) I9') %9-'$3);+)1$8+F$);($)$f0-,9/$";)+E)9)lawyer – but our buddy Ovid had other ideas. He renounced 2%9878-"#) /9I) 9"3) ';9%;$3);%9,$/-"#@) -;L') $'7F9;$3) ;(9;)($)+n8-9//<)3$8-3$3) ;+)20%'0$)
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!"3) /9';J) 10;) 8$%;9-"/<) "+;) /$9';J)we have Theodor Seuss Geisel: our beloved Dr. SeussJ)1+%")+")*9%8()cJ)dapH))4%H):$0'')I9'"L;)<+0%)8/9'‐sic badass – it’s not like he rode F+;+%8<8/$')9"3)%9")E%+F);($)/9IJ)he was a children’s author – but a strong argument can be made that he is among the coolest socially‐9I9%$)2$+2/$) -")!F$%-89")(-';+%<J)%-#(;) 02) ;($%$)I-;() >/$9"+%) D++'‐evelt. Although it is true that many +E)(-')B-3'L)';+%-$')I$%$)G0';);(9;)q)kids’ stories – it is also true that he used the power of metaphor to put %$9/N/-E$) 8+";%+,$%'<) -") (-') 1++B'J)
and what he felt were issues kids should be aware of. A well‐known ex‐9F2/$)+E);(-')-')iR($)w+%9MLJ)I(-8()I9')91+0;):$0''L)(9;%$3)+E)2+//07+")9"3)E+%$'7"#@)9"+;($%)-'J)9229%$";/<J)iX$%;/$);($)R0%;/$LJ)9)8(9%98;$%)I(-8():$0'')+"8$)';9;$3)I9')F+3$/$3)9O$%)C-;/$%H))>,$")-E)<+0)3+"L;)9#%$$)I-;();($) 98;) +E) 20r"#)2+/-789/) ';9;$F$";') -") 2-8;0%$) 1++B'J) -;L') 3-n80/;) ;+)argue against how awesome Seuss was besides that. Did you know that i?%$$")>##')9"3)C9FL)I9')I%-S$")19'$3)+")9)39%$):$0''L)$3-;+%)F93$)that he couldn’t write a book using only 50 words? Spoiler: he did it. And 3-3)<+0)B"+I);(9;);($)&%';)%$8+%3$3)-"';9"8$)+E);($)I+%3)U"$%3V)-')E+0"3)-")(-')1++B) iKE) K) D9") ;($)++Lk) )C+"$';/<J) K) ;(-"B) -;L') -")$,$%<+"$L')1$';)-";$%$';)-E)I$)89")G0';)9#%$$)+"8$)9"3)E+%)9//);(9;)4%H):$0'')-')0"3$"-91/<J)0"f0$'7+"91/<)8++/H
Robert Frost is someone whose works I am familiar I-;(J) 9') ($) -') 98;09//<) +"$) +E)my favorite poets. Frost was an !F$%-89")I%-;$%J)1+%")+")*9%8()cjJ)dempH))!)/+;)+E)(-')2+$;%<)3$‐picted the beauty of nature as it both contrasts and represents U;($) (0F9") $M2$%-$"8$JV) -")forms ranging from free‐verse to rhyming stanzas. He is prob‐ably most well‐known for his 2+$F) UR($) D+93) _+;) R9B$"JV)which is a must‐read for most F-33/$x(-#()'8(++/)>"#/-'()80%‐riculums in the United States.
!"+;($%),$%<)E9F+0')2+$F)+E)(-')-')U_+;(-"#)?+/3).9"):;9<JV)I(-8()2$%‐(92')F9"<)2$+2/$)%$93J)9')K)3-3J)E+%);($)&%';)7F$)-"):H>H)C-";+"L')"+,$/)iR($)\0;'-3$%'LH))K;)$"3$3)02)1$-"#);($)+"/<)1-;)+E)2+$;%<)K)98;09//<)/-B$3)9')9)B-3H))=%+';L')2+$;%<)2%+,$');+)'7//)1$)%$/$,9";)-")!F$%-89")/-;$%9;0%$)through the many appearances his work makes in school curriculums and /-;$%9;0%$)-;'$/EJ)9"3)KLF)8$%;9-"/<)"+;)8+F2/9-"-"#H
All these poets share at least one thing in common: they’ve all got ties to March. Thanks to that coincidence, we’ve been given an opening to talk about all of them. If you’re cu&)-4'5$+-$&#,6$!"#)&$'!4772$$8"#.9&#$04'!$,'$+&#,!$throughout the rest of the year, you know.
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The Sandy Hook Arcade Center
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)))))*9"<)?9<N:;%9-#(;)!//-9"8$')9"3)'-F-/9%)+%#9"-^97+"')-")'8(++/')98%+'');($)I+%/3)(9,$)';9%;$3)29%78-297"#)-");($)9""09/)$,$";)B"+I")9');($)49<)+E):-/$"8$H)R(-')<$9%J)-;L');9B-"#)2/98$)+")=%-39<J)!2%-/)d;(H)\");(-')39<J)F$F1$%')+E);($)w?ARs)8+FF0"-;<)9"3);($-%)9//-$');9B$)9)2/$3#$)+E)'-/$"8$J)%$2%$‐'$"7"#);($)'-/$"8$);(9;)'+F$)F$F1$%')+E)the community live in. This symbolic act leads people to think about treatment of the LGBTQ community and makes people recog‐nize that the community should be given a louder voice. Day of Silence began in 1996 when a group of students at the University of Virginia devised the idea. What started as 9)8/9'')9''-#"F$";J)(9')'-"8$)#%+I")-";+)9")-";$%"97+"9/)F+,$F$";H))!%+0"3)d`a)';03$";')29%78-29;$3)-")djJ)9"3);(%+0#(‐+0;);($)<$9%'J)2$+2/$)-"),9%-+0')8+0";%-$')across the world have begun taking vows of silence on April 19th. Satellite radio has E$9;0%$3)$,$";')91+0;);($)F+,$F$";J)9"3)9")+%#9"-^97+")89//$3)?w:>_)"+I)'2+"'+%')the Day of Silence.)))))*<)?:!)-')(+'7"#)9)U1%$9B);($)'-/$"8$V)event on the evening of April 19th for many +E);($)+%#9"-^97+"')-");($)%$#-+"H)R($%$)I-//)be musical performances and readings to end the silence. To get involved in the Day +E):-/$"8$J)<+0)89")$-;($%)9%%9"#$);($)$,$";)through any sort of LGBTQ‐related or philan‐;(%+2-8)8/01)9;)<+0%)'8(++/)+%)I+%B2/98$J)+%)become involved in a group that is already planning to take part. Just be sure to talk to <+0%);$98($%')+%)1+''$')9($93)+E)7F$H))R($)F+%$)2$+2/$);($)F+,$F$";)#9-"'J);($)#%$9;‐er power the message has. Join in to help raise awareness and inspire understanding. =+%)F+%$)'2$8-&8')+");($)49<)+E):-/$"8$J)#+)to dayofsilence.org.
Empowerment Through Silence
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)))))D$8$";/<)-")F<)>"#/-'()8/9''J)I$L,$)1$$")discussing random acts of kindness which I have learned can also be a way to seize the 39<H)R+)F9"<J);($)2(%9'$)i'$-^$);($)39<L)89")1$),-$I$3)9')9")$M80'$);+)29%;<)9"3)29%78-‐29;$)-")$M;%$F$)987,-7$'HQ(9;);($<)F9<)"+;)think of it as is a way to make someone else 'F-/$H)K")F<)8/9''J)I$)(9,$)1$$")3-'80''‐-"#);(-"#')+"$)89")3+J));($")K)%$F$F1$%$3)9)2%+G$8;)-"-797,$);($)W/+#1%+;($%')3-3)9)I(-/$)198B)89//$3)i2+'-7,$)2%9"B-"#HL)R($<)went around and did good things for people that would make them smile. John placed R++;'-$)6+2')-")F9-/1+M$'J)9"3)C9"B)2%9"BNcalled people and told them happy news.. R(+0#()b+("L')$M$807+")+E);($)2%9"B)I9'"L;)$M98;/<)/$#9/J);($)-"-797,$)-')9//)91+0;)($/2‐-"#)+;($%')9"3)F9B-"#)2$+2/$L')39<')1$S$%H)\E)8+0%'$J);($)B-"3"$'')89")9/'+)8+F$)-");($)form of being kind to yourself. Do something +")<+0%)108B$;)/-';5)'B<3-,$J)'8019)3-,$J)#+);+)9)3-P$%$";)8+0";%<H)4+-"#)"-8$)E+%)+;($%)people takes the idea to a whole new level. K)"+78$3);(9;);($)2+'-7,$)2%9"B-"#)-"-797,$)kind of blew over. I haven’t heard about it '-"8$J)9"3);(+'$),-3$+')I$%$)02/+93$3)-")caddH)K)I9";)0');+)1%-"#)-;)198BH)R(-')F+";(J)K)8(9//$"#$)F<'$/EJ)9"3)<+0J);+)3+)'+F$;(-"#)spectacular for other people. If you see '+F$+"$)';%0##/-"#)I-;();($-%)#%+8$%-$'J)help them. Pay it forward ‐‐ when you check +0;)9;):;9%108B'J)9'B);+)29<)E+%);($)"$M;)2$%‐son’s drink as well as your own.. It doesn’t $,$")(9,$);+)1$);9M-"#H)Q%-;$)02/-O-"#)"+;$')on the back of note cards and hand them +0;);+)2$+2/$H)\%J)'-"8$)I$L%$)"$%3')9"3)I$L%$)"+;)-"8%$3-1/<)'+8-9/J)'9"3I-8();($F)in books at the library or bookstore. Do good ;(-')F+";(J)9"3)'2%$93)(922-"$''H)w$;)0')($%$)9;)R($)!"#/$%&'()B"+I)I(9;)<+0)3-3)30%-"#);($)F+";();+)($/2)2+'-7,$/<)-"g0‐$"8$)9"+;($%)2$%'+"J)9"3)I$L//)E$9;0%$)'+F$)in the next issue!
Carpe DiemJ,#b?%67%+#5+7'(?
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!/$?)4&'$0/1$15$3/$.23#JJJ In *9%8()caddJ)9)series of protests against the cur‐rent ruling party in Syria escalated from dem‐+"';%97+")to military 8+"g-8;)1$;I$$");($)A9L9;()69%;<J)/$3)1<)6%$'-3$";)A9'(9%)9/N!''93J)9"3);($)=%$$):<%-9")!%F<J)I(+)I9";)!''93)%$F+,$3)E%+F)+n8$H
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that the FSA will eventually be victori‐ous.
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-"23$2?/13$-#+3#)&$O&3#)B#&6/&: Recently appointed Secretary of State b+(")Y$%%<)(9')2%+F-'$3)E++3)9"3)F$3-‐89/)'022/-$');+);($)%$1$/)E+%8$'J)9')I$//)9')E0"3');+)9-3)-")U19'-8)#+,$%"9"8$)9"3)+;($%)'$%,-8$')-")%$1$/N8+";%+//$3)9%$9'JV)988+%3-"#);+);($)AA.H)>,$");(-')"+"N/$;(9/)9''-';9"8$)has raised some concerns that the Assad government may see humanitarian aid as a E%+";)E+%)9")!F$%-89")F-/-;9%<)9#$"39J)I(-8()8+0/3)890'$)2%+1/$F')E+%)-";$%"97+"9/)9-3)programs already working in the country. In $9%/<)*9%8(J);($)=%-$"3')+E):<%-9)#%+02)F$;);+)3-'80'');($)'-;097+"J)9"3);($)+;($%)F$F‐ber countries agreed to call for the halt of arms supplies to the Assad government and ;+)#-,$)F+%$)2+/-789/)9"3)F9;$%-9/)'022+%;);+);($)+22+'-7+"H)
-"23$92&$D#).*'"3#)+$./: The number of Syrians seeking refuge in other countries is expected to reach a mil‐/-+")-");($)8+F-"#)F+";('H)_+)F9S$%)I($%$)<+0)/-,$J)<+0)89")($/2)1<),-'-7"#)'-;$')/-B$)89%$H+%#)Z(S25xx3OH19xNp\26[);(9;)2%+,-3$)relief for refugees. You can also give moral '022+%;);+)2$+2/$)/-B$)A-#)!/J)/$r"#);($F)know that their voices are being heard and that you are hoping for their safety.
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Freedom or Security?"""""U<N+":&(8"1";.(("+.f.&'":&"R1C.<:("B.((F";/<"G,1<",1CC$&+".D"RUMO%";$P2:=$+"1"(1GZ
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)))))\"$)+E);($)1-#)f0$'7+"');(9;);($)-";$%"$;)has posed in our modern lives is how our 91-/-;<);+)'(9%$)-"E+%F97+")-";$%98;')I-;()our desire for pri‐,98<H)w$#-'/97,$)1+3‐-$')(9,$)9S$F2;$3)to address this -''0$)F0/72/$)7F$')through proposed 1-//'J)10;)F+';)(9,$)not passed as they infringed too much on the user’s right ;+)2%-,98<H)R($)F+';)%$8$";)9S$F2;)-');($)revived$G0?#)$O&3#((4'#&9#$I"2)4&'$2&.$P)/‐3#96/&$%93$QGOIP%R which was reintroduced to the House on February 13. Here’s what you need to know:
%$S4T(#$;4+3/)0 This bill was originally proposed in _+,$F1$%)+E)cadd)9"3)I9')29''$3)1<);($)C+0'$)+E)D$2%$'$";97,$')+")!2%-/)cjJ)cadcH)C+I$,$%J)-;)I9')"$,$%)29''$3)1<);($):$"9;$H)Q(<)3-3)-;)U3-$Vk)*9"<)+E)-;')+22+"$";'J)-"8/03-"#);($)\19F9)93F-"-';%97+"J)%9-'$3)concerns that the original bill overreached legal boundaries by compromising the pri‐
,98<)+E);($)-"3-,-309/H)!;);(-')7F$J);($)F9-")goal of legislators is not to prevent copyright infringement but to secure networks against (98B$%'J)$'2$8-9//<)E%+F)9S98B');(9;)+%-#-‐nate in other countries.
%$!")#23$3/$P)4B290:)))))R($)+n8-9/)7;/$)+E);($)1-//)-')UR+)2%+,-3$)
for the sharing of certain cyber threat intelligence and cyber threat infor‐F97+")1$;I$$");($)intelligence com‐munity and cyberse‐80%-;<)$"77$'J)9"3)E+%)+;($%)20%2+'$'HV)*9"<)+22+"$";')1$‐
/-$,$);(9;);($);$M;)+E);($)1-//)3$&"$')'$,$%9/)9'2$8;');++)/++'$/<)NN);($)B-"3)+E)-"E+%F97+");(9;)F-#(;)1$)'(9%$3J);+)I(+F);(9;)-"E+%F9‐7+")8+0/3)1$)#-,$"J)9"3)I(9;)$/'$)F-#(;)1$)3+"$)I-;();($)-"E+%F97+"H
)))))!88+%3-"#);($);($)>/$8;%+"-8)=%+"7$%)=+0"397+"J)U.K:6!)9//+I')9)8+F29"<);+)+1;9-")9"3)'(9%$)i8<1$%);(%$9;)-"E+%F97+"L)-E)-;)(9')1+;()9)i8<1$%'$80%-;<)20%2+'$L)9"3)1$/-$,$')-;)-')2%+;$87"#)-;')%-#(;')9"3)2%+2‐$%;<HV)C+I$,$%J);(-')8+0/3)1$)-";$%2%$;$3)-")F9"<)3-P$%$";)I9<')1<)8+F29"-$'J)9"3)$,$")if a company shares an individual’s informa‐7+")+0;'-3$)+E);(9;)3$&"-7+"J);($%$)-')/-S/$)%$8+0%'$)E+%);($)-"3-,-309/H)*9"<)$",-'-+")
9)I+%';N89'$)'8$"9%-+)-")I(-8()$F9-/'J);$M;NF$''9#$'J)+%)&/$')-")9)8/+03)';+%9#$)system would be vulnerable to government $M9F-"97+"H)
;/<$4+$GOIP%$.4@#)#&3$7)/8$IUP%$2&.$POP%:R($)1-##$';)3-P$%$"8$)-');(9;);($)/9"#09#$)referring to intellectual property or copy‐right enforcement has been removed from the current version of CISPA. The blackout 2%+;$';')+E)I$18+F-8)9%7';'J),/+##$%'J)9"3)9/F+';);($)$"7%$;<)+E)'$,$%9/)'+8-9/)F$3-9)sites will not be seen in protest of this bill. C+I$,$%J)'+F$)/9"#09#$)-");($)1-//)8+0/3)1$)interpreted to refer to copyrighted infor‐F97+"J)$'2$8-9//<)%$/9;$3);+)3-#-;9/)%-#(;')F9"9#$F$";)Z4D*[H)
!"#$!2=#2<20Supporters of CISPA want to protect net‐I+%B')E%+F)+0;'-3$)9S98B'J)'08()9');($)'$‐%-$')+E)9S98B')9#9-"';)+%#9"-^97+"')/-B$);($)_$I)X+%B)R-F$'H)\22+"$";')9%$)8+"8$%"$3)that the bill will allow private companies to 910'$);($)I-3$/<)3$&"$3);$%F');+),-+/9;$);($)2%-,98<)+E);($)-"3-,-309/J)9')I$//)9');($)possibility of giving the government too F08()2+I$%)+,$%)+"/-"$)8+FF0"-897+"H)
The most important thing is to look into ;($)1-//)E+%)<+0%'$/E])A$)9I9%$);(9;J)I(-/$).K:6!)F9<)"+;)1$)29''$3J);($)6%$'-3$";)(9')already signed into being a cyber security ex‐$807,$)+%3$%)9"3)(9')$"8+0%9#$3).+"#%$'');+)29'')/$#-'/97+");(9;)I-//)933%$'')8<1$%)'$80%-;<H)w$#-'/97+")-')'7//)1$-"#)3$,$/+2$3)concerning whether a person’s emails and +;($%)8+FF0"-897+"')9%$)2%+;$8;$3);($)'9F$)I9<)9')F9-/)9"3)2(+"$)8+",$%'97+"'H)The way that you use the internet and com‐F0"-89;$);(%+0#()-;)I-//)1$)9P$8;$3)1<);($)%$'0/;')+E);(-')/$#-'/97+"H)A$)-",+/,$3J)1$)-"E+%F$3J)9"3)1$)($9%3]
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NewsThe Avengers Save the Day – 6&7$!"#/)$;#&&/#+I$!--C+# 7A(# m+%7(/# 97.7(6W# 3X?%'# %6# [.7%*+.'#-%+.+F%.'#$%7(?.F,#!*+7AW#RA%FA#A%>A-'%>A76# 7A(# %0X*?7.+F(#*O#@+.+F%.'# (/D-F.7%*+V# C+# .+# (:*?7# 7*# 7(.FA# @+.+F%.'#F*+F(X76#%+#.#OD+W#(+7(?7.%+%+>#.+/#(.6-%',#.FF(66%8'(#R.,W#!.?Z('#N*0%F6#.+/#n%6.# 7(.0(/#DX# 7*# F?(.7(# .# +(R# F*0%F#8**L# O(.7D?%+># 7A(# 3Z(+>(?6# 6.Z%+>#7A(#/.,#.+/#'(.?+%+>#A*R#7*#6.Z(#7A(%?#0*+(,#.7#7A(#6.0(#7%0(V
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:-"8$) ;($<) 3$10;$3) -") djoJ) >9%;(L')*-#(7$';)Heroes have repeatedly saved the day by pro‐;$87"#) ;($) I+%/3) E%+F) 39';9%3/<) ,-//9-"'J) $,-/)#$"-0'$')9"3J)F+';)%$8$";/<J)9")9/-$")%98$)1$";)+")#9/9878)3+F-"97+"H)_+IJ)-")9)E%$$)djN29#$)8+F-8J);($)!,$"#$%')19S/$);($)*+/$)*9")I(-/$)-";%+308-"#) %$93$%') ;+) 19'-8) 2$%'+"9/) &"9"8$)concepts.)))))!,$"#$%'5):9,-"#);($)49<)-')9)0"-f0$)&"9"8-9/)/-;$%98<) 8+F-8) 1++B) E$9;0%-"#) K%+")*9"J) R(+%J):2-3$%N*9"J) ;($) C0/BJ) 9"3) ;($) A/98B) Q-3+IH)The comic follows the Avengers as they work ;+#$;($%) ;+) ';+2) ;($) '01;$%%9"$9")*+/$)*9")E%+F)%+11-"#)9)19"B) -")(-')f0$';) ;+) ;9B$)+,$%);($)'0%E98$H)!') ;($) ;$9F)&#(;') ;($)*+/$)*9")9"3)(-')$,-/)F-"-+"'J);($)!,$"#$%')3-'80'')103‐#$7"#J)'9,-"#J)9"3)(+I)19"B')+2$%9;$H)))))W-'9J)K"8H);$9F$3)02)I-;()*9%,$/).+F-8');+)create the comic book as a fun way of teaching ;($) '+F$7F$') 30//) 9"3) 3%<) ;+2-8) +E) &"9"8-9/)/-;$%98<H) K") ;($) +n8-9/) 2%$'') %$/$9'$) 9""+0"8‐-"#);($)2%+G$8;J)W-'9L'):$"-+%)4-%$8;+%)+E)?/+19/)=-"9"8-9/) >30897+"J) b9'+") !/3$%F9"J) ';%$''$3);($)-F2+%;9"8$)+E)&"3-"#)"$I)I9<');+)%$98()9)<+0"#) 903-$"8$5) UK") ;+39<L') -"8%$9'-"#/<) 8+F‐2/$M)&"9"8-9/)I+%/3J)I$)F0';)&"3)8%$97,$)I9<')to help parents and educators teach children ;($) E0"39F$";9/')+E)F+"$<)F9"9#$F$";HV)A<)29-%-"#) 2+20/9%) *9%,$/) 8(9%98;$%') I-;() W-'9L')&"9"8-9/) $M2$%7'$J) ;($) 8+F-8) #-,$') %$93$%') 9)G0F2-"#)+P)2+-";);+)';9%;)9)/9%#$%)8+",$%'97+"H)))))b0"-+%)!8(-$,$F$";)Zb![)-');($)I+%/3L')/9%#$';)"+"2%+&;) +%#9"-^97+") 3$3-89;$3) ;+) $30897"#)8(-/3%$"J);$$"'J)9"3)<+0"#)930/;')91+0;)&"9"‐cial literacy. A 2012 JA survey found that only `j)+E);$$"')(9,$)8+"&3$"8$)-");($-%)&"9"8-9/)futures – a drop of almost 40% from 2011. Addi‐7+"9//<J)F+%$);(9")9);(-%3)+E);$$"')Zop[)93F-;)that they don’t budget or manage their money 9;) 9//H)Q-;() '+F$) %$2+%;') '0##$'7"#) ;(9;) ;($)80%%$";)#$"$%97+")+E)<+0"#)930/;')I-//)"+;)1$)1$S$%)+P)&"9"8-9//<) ;(9") ;($-%)29%$";'J) -;)(9')1$8+F$) -F2$%97,$) ;+) 2%+,-3$) ;$$"')I-;() ;($);++/') ;($<)I-//)"$$3) ;+)1$)&"9"8-9//<) -"3$2$"‐
dent.) ) ) ) )*9%,$/) 9"3)W-'9)7F$3) ;($) %$/$9'$)+E) ;($)comic to capitalize on the release of and en‐;(0'-9'F)E+%);($)*9%,$/L')!,$"#$%')&/F)-")*9<)2012. The movie went on to become the third (-#($';N#%+''-"#) &/F) +E) 9//) 7F$J) '(+I89'-"#)the popularity of these characters. While the !,$"#$%') F9<) 1$) '02$%($%+$'J) ;($<) (9,$) ;+)'9,$)9"3)103#$;);($-%)F+"$<)G0';)/-B$)$,$%<+"$)$/'$H) K%+")*9"L') :;9%B) K"30';%-$'J) E+%) $M9F2/$J)wouldn’t be successful without proper wealth F9"9#$F$";J) 9"3) :HCHKH>HwH4HL') %$'$9%8() ;$9F)-'"L;) #+-"#) ;+) E0"3) -;'$/EH) !')*9%,$/) $3-;+%)A-//)D+'$F9"")%$F-"3')0'J) U9)I-'$)F9")+"8$)'9-3)that with great power there must come great %$'2+"'-1-/-;<J) 9"3) ;(9;) 8$%;9-"/<) 922/-$') ;+)F9"9#-"#)<+0%)&"9"8$'HV) ) ) ) )R($)!,$"#$%'5):9,-"#) ;($)49<)8+F-8J)I%-;‐ten by James Asmus and designed by Andrea 4-)W-;+J) -') 9,9-/91/$) E+%) E%$$J)1+;() -")2%-";)9"3)+"/-"$) 9"3)(9')1$$")201/-'($3) -") $-#(;) 3-P$%‐ent languages. The comic is a part of Visa’s free &"9"8-9/) $30897+") 2%+#%9FJ) 6%98789/) *+"$<)Skills for Life.
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From Controller to Chaos:Video Games & Gun Violence in America’s Schools
in violent game sales is associated with up to a aHao)3$8%$9'$)-"),-+/$";)8%-F$HV))R($<)#+)+");+)point out that these results are not consistent with games causing aggression but are consis‐;$";)I-;(),-+/$";)#9F$')(9,-"#)9)U89;(9%78)+%)9") -"89298-;97+") $P$8;HV) ) !88+%3-"#) ;+) ;($F),-3$+)#9F$'J)$,$");($)F+';),-+/$";)+"$'J)'$$F);+)($/2)2$+2/$)%$/$9'$);($)';%$'')9"3)9"M-$7$')+E);($)%$9/)I+%/3)-")'9E$J),-%;09/)I+%/3'J)F9B-"#)actual violent acts less likely.)))))C+I$,$%J);($)90;(+%')+E);(-')';03<)9/'+)';9;$);(9;);($-%)8+"8/0'-+"')%$/9;$);+);($)U'(+%;)9"3)F$3-0F)%0"VJ)9"3);(9;)-;)-')F08()(9%3$%);+)$'‐;91/-'()9) U/+"#) %0"V) %$/97+"'(-2)1$;I$$"),-+‐lence and the use of video games. In a study carried out by the Department of Psychology 9;) R+%+";+L') A%+8B)|"-,$%'-;<J) 9") 9""09/) '0%‐vey was given to students every year of their 7F$)-")(-#()'8(++/H))R($<)I9";$3);+)-",$'7‐#9;$);(-')-''0$)+,$%)9)"0F1$%)+E)<$9%'J)%$E$%‐$"8-"#);($)'9F$)'01G$8;')9');($<)2%+#%$'');(%+0#() ;($) E+%F97,$) (-#() '8(++/) <$9%'H))As a result of this long term research the team from Brock established the follow‐ing conclusion:U:0';9-"$3) ,-+/$";) ,-3$+) #9F$) 2/9<)I9')'-#"-&89";/<) %$/9;$3) ;+)';$$2$%) -"‐8%$9'$') -") 93+/$'8$";'L) ;%9G$8;+%<) +E)9##%$''-,$)1$(9,-+%)+,$%)7F$H))*+%$‐+,$%J)#%$9;$%),-+/$";),-3$+)#9F$)2/9<)predicted higher levels of aggres‐'-+")+,$%)7F$J)9O$%)8+";%+//-"#)E+%)2%$,-+0')/$,$/')+E)9##%$''-+"HV The last sentence must be $F2(9'-^$3H) ) R($) 9''+8-97+")between violent video games and higher levels of aggression
are increased over 7F$) I($") ;($)'01G$8;L') 2%$,-‐ous levels of aggression
are taken into account. As Iowa State Univer‐'-;<)2'<8(+/+#-';).%9-#)!H)!"3$%'+")'9<'J)U_+"$)+E) ;($'$) $M;%$F$) 98;'J) /-B$) 9) '8(++/) '(++7"#J)occurs because of only one risk factor; there are
F9"<)E98;+%'HV) )!)E+%F$%)=AK)2%+&/$%J)*9%<)>/‐/$")\LR++/$J)9#%$$3)1<)'9<-"#);(9;),-+/$";),-3$+)#9F$') 3+) "+;) 890'$) ,-+/$"8$J) 10;) ;($<) UE0$/)-3$97+") ;(9;L') 9/%$93<) ;($%$VH) ) K") '(+%;J) ;($)-"g0$"8$)+E),-+/$";),-3$+)#9F$')89""+;)'+/$/<)explain away America’s plague of school shoot‐ings. Such extreme acts of violence are due to 9)8+F1-"97+")+E)E98;+%'J)9"3);%<)9')I$)F-#(;J)it may never be possible to fully understand them.
When we examine the tragedies of Columbine C-#() :8(++/J) W-%#-"-9) R$8(J) !0%+%9J) .+/+%93+J)9"3)_$I;+I"J).+""$8780;J)9)"0F1$%)+E)8+"‐"$87+"')9%$)'0%E98$5)0"3-9#"+'$3)+%)0";%$9;$3)F$";9/)($9/;()-''0$'J)(9%9''F$";)-")'8(++/)+%)9;)(+F$J)+%)$9'<)988$'');+)(-#(N2+I$%$3)&%$9%F'H))C+I$,$%J) ;($%$) -') 9"+;($%)factor that some believe is -"E$87"#) ;($) ;($)F-"3')+E)!F$%-89L')<+0;(5)U0/;%9N,-+/$";V) ,-3$+) #9F$'H))In a recent survey cited 1<);($)_$I)X+%B)R-F$'J)about 80 percent of high school‐age boys in America play video games. A third to a half of those players report playing at least 10 hours a I$$B)+%)F+%$H) )6+/-78-9"')have gone as far as to sug‐#$';) 9) Uda) '-") ;9MV)+") 9//),-3$+) #9F$') I-;() 9") U*V)%97"#) Z;(+'$) '0-;91/$) E+%)9#$') dm) 9"3) 91+,$[H) ) R($'$)people believe that long hours of gameplay combined with the ultra‐violent content of games such as Call of Duty N) *+3$%")Q9%E9%$) c) +%) ?%9"3)R($O)!0;+)KW);0%");($'$);$$"‐9#$) 1+<') -";+) 78B-"#) 7F$)1+F1'J) /-91/$) ;+) $M2/+3$) 9;)any moment and with possi‐1/<)3$93/<)8+"'$f0$"8$'H Or do they? How much impact do video games have on the modern American 2'<8($J) 9"3) 89") I$) 1/9F$);(-') %$/97,$/<)"$I)$";$%;9-"‐ment medium for the gun violence plaguing America’s youth? In a recently published study at the University of R$M9') 9;) !%/-"#;+"J) $8+"+‐mists have found that high violent video game sales are related to a decrease in the violent crime rate. The results of their study show that both violent occurrences and high video game sales are season‐al; violence peaks in summer while more video games are sold during the holiday season. R+)f0+;$);($)|"-,$%'-;<)+E)R$M9')';03<J) U!) +"$) 2$%8$";) -"8%$9'$)
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$$$$$K2)4++2$K#0#)E$D/3$]#8/3#(0$O&3#)#+3#.,$C2"//^$2&.$3"#$K/.#)&$-/)=5(29#)))))R$/$8+FF07"#)$F2/+<$$')9;)X9(++])I$%$);(%+I")-";+)02%+9%)-")/9;$)=$1%09%<)9').>\)*9%-''9)*$<$%)%$/$9'$3)9)F$F+)91+/-'(-"#);($)2%9878$)+E)%$F+;$)8+""$87+");+);($)I+%B2/98$H)*$<$%)-')+");($)%$8+%3)'9<-"#);(9;)$n8-$"8<)9"3)f09/-;<)9%$)1$-"#)'98%-&8$3)E+%);($)8+",$"-$"8$)+E)I+%B-"#)E%+F)(+F$H):7//J);(-')-')%$#9%3$3)9')9)';%9"#$J)2+''-1/<)%-'B<)F+,$)+");($)29%;)+E)9)2%+F-"$";);$8()8+F29‐"<H):-"8$);($)-"30';%<)-')%$'2+"'-1/$)E+%)F9"<)+E);($)-""+,97+"');(9;)9//+I)'08()/0M0%-$')9')I+%B-"#)E%+F)(+F$J);($<)9%$)0'09//<)/+9;($);+)3$"<);($-%)I+%B$%');($'$)8+",$"-$"8$'H)Q-//)*$<$%L')#9F1/$)29<)+P)I-;()(-#($%)%9;$')+E)2%+3087,-;<k)!')F+%$)-""+,97+"')9%-'$);(9;)8(9"#$)(+I)I$),-$I);($)"9;0%$)+E);($)I+%B2/98$J)I-//)I$)3-'8+,$%)that certain aspects must remain unchanged in order to assure the success of a business?
$OIP0,$!"#$I0+3#8$3"23$%(#)3+$O&3#)$I#)B49#$P)/B4.#)+$3/$P4)290)))))60;)-";+)2/98$)-")/9;$)=$1%09%<J);($).+2<%-#(;)!/$%;):<';$F)-')9)8++2$%97,$)$"3$9,+%)1$;I$$"J)9;);(-')7F$J)&,$)F9G+%)K:6')Z!RlRJ).91/$,-'-+"J)W$%-^+"J)R-F$)Q9%"$%J)9"3).+F89';[)9"3)U8+";$";)8%$‐9;+%'V)NN);(9;)-'J)C+//<I++3)8+2<%-#(;)(+/3$%'H)K");(-')'<';$FJ)I($")the copyright holders detect that their material is being shared -//$#9//<J);($<)-"E+%F);($)K:6)+E);($),-+/9;+%H)R($)K:6)%$'2+"3')I-;(),9%-+0')+27+"')+E)"+7&897+"');+);($),-+/9;+%J)-"8/03-"#)$F9-/'J)%$f0-%$3),-3$+'J)9"3)+");($)&O()+%)'-M;()+P$"'$J)/-F-;$3)19"3I-3;(H)R($%$)9%$)"+)/$#9/)8+"'$f0$"8$')-",+/,$3)-");(-')'<';$FJ)9"3)-;)-')targeted mostly at torrent users.
$$$$$I"2=4&'$!"4&'+$_5,$%$`4)2($O&3#)$I#&+26/&$Z#3+$%$P/(4692($P1)5/+# The Harlem Shake may be an amusing trend in many parts of ;($)I+%/3J)10;)E+%)F9"<)';03$";')-").9-%+)-;)-')9)"$I)I9<);+)2$98$‐E0//<)2%+;$';);($)80%%$";)2%+F-"$"8$)+E);($)*0'/-F)A%+;($%(++3)-")>#<2;L')#+,$%"F$";H)R($)#%+02)1$(-"3)F9"<)+E);($'$)2%+;$';')89//);($F'$/,$');($)U:97%-8)D$,+/07+"9%<):;%0##/$V)9"3)2$%E+%F);($)39"8$)9')9")9n%F97+")+E)E%$$3+F)+E)$M2%$''-+"H)K")R0"-'-9J)9")+n8-9/)-");($)*-"-';%<)+E)>30897+")'2+B$)9#9-"';);($)39"8$J)9"3)';03$";'J)-")%$'2+"'$J)&/F$3)9),$%'-+")+E);($)39"8$)-")E%+";)+E);($)*-"-';%<)+E)>30897+")($93f09%;$%'H)R($'$)';03$";')9%$)F+%$)3$;$%‐F-"$3);(9")$,$%);+)29%78-29;$)-");($)-";$%"$;)8%9^$J)&#(7"#)E+%);($-%)right to express themselves.
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You may remember the Writer’s Guild ';%-B$)+E)=9//)caamJ)I($%$);($)Q?!)2%+;$';$3);($)E98;);(9;);($<)I$%$)1$"$&r"#)F-"-F9//<)or not at all from downloads and stream‐-"#H) K;)I9')9")$M9F2/$)+E)10'-"$'')2%9878$')and new technological op‐2+%;0"-7$') 89;8(-"#) 02) ;+)$98() +;($%J) I-;() -"3-,-30‐als having to stand up and ensure that the big com‐panies were being fair. His‐tory now seems to be re‐2$97"#)-;'$/E) -");($)W-'09/)>P$8;')-"30';%<H
On the night of the 85th \'89%'J) '$,$%9/) (0"3%$3)W=z) 9%7';') 2%+;$';$3) G0';)+0;'-3$) ;($) Y+39B) R($‐9;%$H)*9"<) +E) ;($F)I$%$)%$8$";/<)/9-3)+P)E%+F)D(<;(F)9"3)C0$'J);($)9I9%3NI-""-"#) ';03-+) ;(9;)I+%B$3) +") iw-E$)+E)6-L)9"3)(93)&/$3)E+%)19"B%02;8<);($)I$$B)1$E+%$H)|"E+%;0"9;$/<J)D(<;(F)9"3)C0$') -')not the only studio facing problems. Accord‐-"#);+)'+F$J);($)'+0%8$)+E);($'$)-''0$')9%$)E%+F)1+;() ;($)F+,-$) ';03-+') 9"3) W=z) ';0‐dios themselves.
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as well as outsourcing low %0"#) G+1'H) R($) 9%7';'J) E+%)fear of being replaced by ;($) W=z) ';03-+J) E$$/) ;($<)89""+;)8+F2/9-"H)R($)W=z)studios in turn feel they 89""+;)"$#+79;$)2%+2$%/<)with the movie studios for fear of being blacklisted. *9"<) 1$/-$,$) ;(9;) 0"-+"‐-^97+")I-//) '+/,$) '+F$) +E)these problems by creat‐-"#) %0/$') E+%) E$$'J) I+%B)(+0%'J)9"3);($)/-B$H
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surprise if you have never heard of it before. Google Fiber is what Google is currently call‐-"#) 9") $M2$%-F$";9/) 2%+G$8;H) .0%%$";/<) /+‐89;$3) -")Y9"'9').-;<J)Y:x*\J) ;($)'$%,-8$)9/‐lows customers to get blazing high internet speeds for a surprisingly low cost. How fast? Q$//J) 988+%3-"#) ;+) ;($) '$%,-8$L') +n8-9/) '-;$)Z(S25xx&1$%H#++#/$H8+Fx91+0;x[) 8+"'0F$%')can currently have internet speeds at close to 1 gigabit/second for 70 dollars per month. Although actual reports puts the speed at 8/+'$%) ;+) maa) *A:) 2$%) '$8+"3J) ;(9;) -') '7//)approximately twice as fast as the next best '$%,-8$)ZW$%-^+")=-+')9;)9%+0"3)oaa)*A:)2$%)'$8+"3[) 9"3) 922%+M-F9;$/<) pm) 7F$') E9';$%);(9");($)E9';$';)'$%,-8$)+P$%$3);+);($)201/-8)by Time Warner Cable.
I/E$2)#$0/1$4&3#)#+3#.$4&$'#a&'$"4'"$+5##.$4&3#):
?++#/$) 8$%;9-"/<) 1$/-$,$') '+J) I(-8() -')I(<)30%-"#);($-%)%$8$";)E+0%;()f09%;$%)$9%"‐-"#')89//J)?++#/$).(-$E)=-"9"8-9/)\n8$%)69;‐%-8B)6-8($S$)F93$)-;)8/$9%);(9;);($)8+F29"<)was currently looking at expanding the ser‐,-8$);+)'$,$%9/)+;($%)8-7$'H)C+I$,$%J)"+;)9//)are convinced that a gigabit service is neces‐sary in today’s world.
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During a recent conference in San Fran‐8-'8+J)R-F$)Q9%"$%).91/$).(-$E)R$8("+/+#<)\n8$%)K%$"$)>';$,$')I9')f0+;$3)9')'9<-"#J)-")%$#9%3');+)#-#91-;)-";$%"$;J)UQ$L%$)-");($)10'-"$'')+E)3$/-,$%-"#)I(9;)8+"'0F$%')I9";J)9"3);+)';9<)9) /-S/$)9($93)+E)I(9;)I$);(-"B);($<)I-//)I9";HHH)Q$)G0';)3+"L;)'$$);($)"$$3)+E)3$/-,$%-"#);(9;);+)8+"'0F$%'HV)R(-')';9;$‐F$";)F9<),$%<)I$//);0%")+0;);+)1$);%0$J)10;)it is made all the more ironic by the fact that
Time Warner vs. Google Fiber: Let The Internet Wars Commence!
Individuals have to stand up and ensure that the big companies are being fair.
They Just Want A Piece -:$3"#$;/P/+16($=::#43+$%)3/+3+$;)-3#+3$B64H$-:$%4H&-K(#7'#9#&3I$C&:6/)$M-)H$0-&7/3/-&+
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I/E$"/<$<4(($!"#$O&3#)$-2)+$#&.:With technology expanding at a rapid
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The simple an‐swer to the big moon f0$'7+") -') #%9,-;<H)R($) I+%3) U#%9,-;<V)comes from the Lat‐-") I+%3) U#%9,-;9'JV)meaning weight. K'998) _$I;+") %$8‐ognized that there was a force that at‐tracted things to the >9%;() 9"3) ;+) +;($%);(-"#'H) _$I;+") 3-3)89/80/97+"') 9"3) $M‐periments in order to create what we now know as the Universal w9I)+E)?%9,-;97+"J)I(-8()19'-89//<)$M2/9-"');(9;) ;($) #%9,-;97+"9/) E+%8$) 1$;I$$") 9"<);I+) +1G$8;') 89") 1$) 89/80/9;$3H) !//) +E) ;(-')3$2$"3')+") ;($)F9''$')+E) ;($) ;I+)+1G$8;')and the distance they are from each other. The moon is constantly falling towards the >9%;(J)9O$%)9//J)10;) -;)9/I9<')F-''$')30$);+)its speed.
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the 20th century. One of the biggest reasons that so much changed during the 1900s was !/1$%;) >-"';$-"H) C-') E9F+0') R($+%<) +E) D$/9‐7,-;<)-",+/,$3)'298$J)7F$J)9"3);($)'2$$3)+E)/-#(;H)>-"';$-")2%+2+'$3);($)%93-89/)-3$9);(9;J)9/+"#) I-;() ;($) ;(%$$) 3-F$"'-+"') I$) B"+IJ);($%$)-')9)E+0%;()i7F$)3-F$"'-+"HL)C$)89//$3);(-')8+"8$2;)'298$7F$)9"3)3$,-'$3)(-')+I")theory of gravity. When there is a massive +1G$8;J)-;)I9%2');($)I9<);(9;)'298$)-')'(92$3H)This can be visualized with the use of a bed‐
sheet. When a bed‐sheet is held at its 8+%"$%'J) 9) 'F9//) +1‐G$8;) 89") %+//) 98%+'') -;)in a straight line with ease. Once a large +1G$8;J)'9<)9)1+I/-"#)19//J) -') 2/98$3) +";+);($) '($$;J) -;) 1$"3'H)_+I) I($"') 9) 'F9//)19//)-')%+//$3)98%+'')-;J)it spirals toward the bowling ball. In real‐-;<J) %$/97,-;<) -') "+;)exactly like this given our three dimensions +E) '298$J) 10;) -;L') 9)good way to visualize the concept.
=%+F) K'998) _$I;+"L') $';91/-'(F$";) +E);($)';03<)+E)2(<'-8');+)>-"';$-"L')%$,+/07+"‐-^97+") +E) ;($) &$/3J) ;($) -3$9) +E) #%9,-;<) 9;‐;%98;$3);($)F-"3')+E)'8-$"7';')$,$%<I($%$H)A9'-89//<)$,$%<;(-"#)(9') '+F$)#%9,-;97+"9/)9S%987+") ;+) $,$%<;(-"#) $/'$) 9"3) 8(9"#$');($)I9<) '298$) -') '(92$3H) :+) ;($)"$M;)7F$)<+0) ;%-2)+,$%)9) %+8BJ) ;(-"B)91+0;)(+I)8++/)-;)-');+)1$)9P$8;)1<)#%9,-;<);($)I9<)<+0)9%$H)
Gravity: Attracting Physicists For Centuries
J,#aD67%+#9R.+According to a news release from the
Harvard‐Smithsonian center for Astrophys‐-8'J) ;($) _08/$9%) :2$8;%+'8+2-8) R$/$'8+2$)!%%9<) Z_0:R!D[) (9') '-#(;$3) 9) '02$%F9''-,$)black hole spinning near the speed of light. The black hole is more than two million miles across and is located in the center of ;($)'2-%9/)#9/9M<)_?.)doj`H)|'-"#)39;9)E%+F)_0:R!DJ) 9';%+"+F$%') 89/80/9;$3) ;($) 9F9^‐-"#/<)E9';)%+;97+")+E);($)F+"';$%)1/98B)(+/$H)UR(-') -');($)&%';)7F$)9"<+"$)(9')9880%9;$/<)measured the spin of a supermassive black (+/$JV) '9-3) /$93)90;(+%)?0-3+)D-'9/-7)+E) ;($)Harvard‐Smithsonian Center for Astrophys‐-8')9"3)K_!=)q)!%8$;%-)\1'$%,9;+%<)-")9)';9;$‐ment.
!88+%3-"#) ;+) 9';%+"+F$%'J) 9) 1/98B) (+/$L')#%9,-;<) -')'+)2+I$%E0/);(9;) -;)U3%9#'V);($)'0%‐rounding fabric of space with it which creates an event horizon. The event horizon is the edge of the black hole. Once something cross‐$');($)$,$";)(+%-^+"J)-;)3+$'"L;)#$;)198B)+0;H)*9S$%)'2-%9/')-")9"3)#9;($%')-";+)9")988%$7+")3-'BJ)I($%$) E%-87+") -') '+)';%+"#) ;(9;) -;)($9;');($)F9S$%)$"+0#();+)8%$9;$)9"3)$F-;)zN%9<'H)D-'9/-7)9"3)(-')8+//$9#0$')$M9F-"$3);($)zN%9<')E%+F);($)8$";$%)+E);($)#9/9M<);+)-3$"7E<)I($%$);($)-""$%)$3#$)+E);($)988%$7+")3-'B)I9'H)=-#‐uring out the black hole’s spin is important for 9)E$I)%$9'+"'H)=-%';J)F9'')9"3)'2-")$P$87,$/<)3$&"$)9)1/98B)(+/$H)A<)/$9%"-"#);(+'$);I+),9/‐0$'J)'8-$"7';')89")/$9%")$,$%<;(-"#);($<)I9";);+) B"+I) 91+0;) ;($) 1/98B) (+/$H) :$8+"3J) ;($)1/98B) (+/$L') '2-") -') ;($) $f0-,9/$";) +E) 9)F9'‐'-,$J) ,$%<) 39"#$%+0') (-';+%<) 1++B) ;(9;) ;$//')astrophysicists about the history of the galaxy as a whole. Astrophysicists say the black hole grew so large by numerous smaller black holes E0'-"#);+#$;($%H)_+;)+"/<)-');(-')9")-";$//$8;09/)80%-+'-;<J)10;)-;)98;')9')9);($+%$789/)9';%+2(<'‐-8-';'L)2/9<#%+0"3J)9//+I-"#);($F);+)%$'$9%8()>-"';$-"L') ;($+%<) +E) #$"$%9/) %$/97,-;<) 0"3$%)'+F$)+E);($)F+';)$M;%$F$)8+"3-7+"')-F9#-"‐91/$H)K")'(+%;J);(-')3-'8+,$%<)(9');($)2+;$"79/);+) %$,+/07+"-^$) ;($) 80%%$";) F+3$/) E+%) (+I)1/98B)(+/$')9"3)#9/9M-$')E+%FJ)9"3)I-//)/$93);+)9)3$$2$%)0"3$%';9"3-"#)+E)>-"';$-"L')#$"$%9/)%$/97,-;<)-")9%$9')+E)$M;%$F$)#%9,-;<H
,-&+3)-1+$Black Hole DiscoveredStructure Spinning Q#6)$G5##7$-:$B/'"3
Einstein proposed the radical idea that, along with the three dimensions we know, there is a fourth “time dimension.”
Art & Literature
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
J,#](8(L.A#90%7A
%$,--&$6&7$!"#&
Ub9"$JV)<+0)I(-'2$%$3H)X+0%),+-8$)(93);(9;)9S%987,$)%9'2-"$'');+)-;H)*<)1/++3)(0%%-$3)and my voice nearly caught in my throat.
UX$9(kV)R($)I+%3)19%$/<)89F$)+0;J)nearly swallowed. Our friends laughed in the distance. There was a rock under the blanket digging into my back.
UK)I9""9);$//)<+0)'+F$;(-"#JV)<+0)'9-3H)K)8+0/3)E$$/)F<)($9%;)1$97"#)-")F<)/$#'H)K);%-$3);+)93G0';)9)/-S/$J)"+;)I9"7"#);+)F+,$)from your warmth.
UX$9(kV)K)'9-3)9#9-"H)You sat up. There were a few strands of
#%9'')';08B);+)<+0%)g9""$/)'(-%;H)K)E$/;)8+/3)instantly and so I sat up as well.
You looked at me and your thick dark eye‐brows furrowed. You looked down at your (9"3'J)'I9//+I$3)<+0%)"$%,$'J);($")/++B$3)back to my face.
Ub9"$kV)<+0)'9-3J)<+0%),+-8$)8%98B-"#)between a whisper and a murmur.
UX$9(kV)K)%$2$9;$3H)Q$)1+;()'F$//$3)of sweat and your beard was three days unshaven.
UK)I9";);+)B-'')<+0kV)K;)89F$)+0;)/-B$)9)f0$'7+"J)9"3)<+0%)1%$9;(-"#)I9')E9';)9"3)nervous.
K)/++B$3)9;)<+0H)*<)($93)I9')7"#/-"#)9"3)
E0^^<)9"3)K)'F-/$3)9"3)'9-3J)UX$9(HV)K)/$9"$3)in and kissed you.
X+0)I$%$)'0%2%-'$3)9;)&%';)9"3)(9/E)+E)9)second passed before you kissed me back. Your lips were chapped and mine weren’t. We kissed without tongues and I leaned the rest of my body into you. You wrapped your arms around me and held me close. Your 1$9%3)'8%9;8($3)F<)8(-")9)1-;J)10;)K)3-3"L;)F-"3H)*<)I(+/$)1+3<)I9')7"#/-"#)9"3)K)kissed your cheek and neck. It was good to have the rock out of my back.
I pulled my lips away. X+0)/++B$3)9;)F$)I-;()9)'+O)$M2%$''-+"H)
\0%)$<$')I$%$)/+8B$3J)1%+I")9"3)1/0$H)X+0)had your hands on my hips as I sat in front of you and looked at you. There was a moment +E)20%$)1/-'')9"3)'-/$"8$)9')I$)G0';)/++B$3)9;)$98()+;($%J)(922-"$'')3+r"#)+0%)#9^$H
UX$9(J)b9"$])?$;)'+F$]V)+"$)+E)+0%)friends shouts. We laughed and the moment ended.
A<);($)7F$);($)F++")(93)#%+I")E0//)9#9-"J)+0%)g-"#)I9')+,$%H)A0;)<+0)I-//)9/I9<')1$);($)+"$)I(+)B-''$3)F$)&%';)0"3$%);($)';9%')-")'0FF$%H)_+)+"$)$/'$)I-//)$,$%)1$)that to me again.
@Z(#0(66.>(6#7*#@Z(#X(*X'(
1the chills that seep through my skin and pierce my bones are $98()+E)<+0%)I+%3'H)<+0);(-"B)-)(9;$);($)8+/3H)-")%$9/-;<J)-)I+0/3)
1$)/+';)I-;(+0;)-;H)<+0);(-"B)-)89")9"3)8(++'$);+)$M2$/)&%$J)10;)9//)of my sparks have turned into embers.
2 -)I9;8()<+0)/-"#$%)+")F<)3++%';$2J)<+0%)$<$'J)E0//)+E)922%$($"‐'-+"J)9%$)&M9;$3)+");($)3++%1$//H)<+0)I-//)"$,$%)2%$'')-;@)-)(9,$)
988$2;$3);(9;H)-)I-//)%$F9-")-"3++%'J)9"3)+"$)39<J)I($");($)8/+8B')1$#-");+)E9/;$%J)-)I-//)%$F+,$);($)1$//J)9"3)I9;8()<+0)'-#()I-;()relief.
3i had wrung every ounce of water from from every fragment of cloth. you crept up behind me and trickled drops of indigo onto
$98()2-$8$J)/$9,-"#)1$(-"3)9)';9-")+")1+;();($)g++%)9"3);($)8/+;(H)-)
watched in amazement as the room once again gained life. i would '7//)/-B$);+)B"+I)(+I)<+0)B"$I)F<)E9,+%-;$)8+/+%)I9')-"3-#+H
4 ;($)73$)I9')9/I9<')1+0"3);+)I9'()-"H)-)(93);+/3)<+0);+)%0")away as fast as your heart would allow. but you looked past ;($)39"#$%J)9"3)'9I)+"/<);($)#/-FF$%-"#)1/0$)+E);($)'$9H)-;)(9')'-"8$);($")$"#0/E$3)<+0J)9/+"#)I-;()<+0%)"9-,$)F-"3H)2/$9'$)'I-F)f0-8B/<J)39%/-"#H);($%$)9%$)"+)/-E$#09%3');+)1$)E+0"3H
5 -)9F)'7//)9I9-7"#);($)1-S$%'I$$;)39<)I($")<+0)"+78$);(9;)-)have unlocked the chain that keeps you on this crumbling nest.
<+0)I-//)g<)9"3)1$)E%$$H);($)I+%/3)-')I9-7"#)E+%)<+0H)#+)+"H)'+9%H
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Good books to you aren’t the same as to me?++3)1++B');+)F$)9%$)E9";9'78)9"3)E%$$?++3)1++B');+)<+0)9%$)$";%9"8-"#J)3-,-"$?++3)1++B');+)F$)9%$)%$9/-'78)9"3)&"$
?%$9;);(-"#');+)<+0)F$9")-8$)'B97"#)9"3)danceGreat things to me are Tumblr and ro‐mance
KL3)/-B$);+);9/B)9)8+/3)I9/B)-");($)29%BJYou’d like to go adventure in the dark
:+)2/$9'$J)"$M;)7F$J)Don’t think I’ll come;+)<+0%)'93);I-';$3)29%7$''-r"#);($%$)E$$/-"#)"0F1
Please don’t think I’ll like when you dance With your nice stupid boyfriendAnd me in a trance
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Good Books
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Art & Literaturee$)>*',<$)"+/;=.++.:&+
In the yellow light of the apartment stairwellK)($9%3);($-%),+-8$')%-'$)9"3)E9//T:+O)9"3)F0t$3J)<$;)8/$9%/<)I-;()F$9"-"#JK)';++3)9;);($)1+S+FJ)F-''-"#HC$%),+-8$)I9')'+O$%J)(-'),+-8$)I9')F+%$)8+";%+//$3HR($<)I$%$)9%#0-"#J)"+;)I-;()9"#$%J)10;)I-;()-";$";HK)';++3)9;);($)1+S+FJ)"+;)I-//-"#);+)#+)02HY"+I-"#)K)I+0/3)1%$9B)9)8+3$J)-";%03$)+")9)'298$That was not meant for me.
R($)/+"#$%)K)I9-;$3J);($)F+%$)K)1$#9");+)F-'')91+0;)($%)9"3)F$HK)'/+I/<)8%$2;)02);($)';9-%'J)B"+I-"#)K)I+0/3)&"3);($FJ)'-r"#);($%$J>M2$87"#)F$);+)-";$%%02;)F$TR($<)(93)'$$")F$)8+F$)3+I"J)9O$%)9//H
R($)'+O);(0F2)9')K)%+'$)$98()';$2HR($)'$8+"3);($<)($9%3)F$J);($<)';+22$3)'2$9B-"#JChoosing to sit in silence as their inevitable end approached.Q($")K)%$98($3);($FJ);($<)';++3H:;++3);+);($)'-3$'J)'2/-;)-");($)F-33/$J)9"3)9')KQ9/B$3)29''$3);($FJ)K)8+0/3)E$$/)R($-%)-F297$"8$J);($-%)'93"$'')9');($-%)2-$8$)+E)2%-,98<)1%+B$R($-%)I+%/3J)-";$%%02;$3)1<)F-"$H
I opened the door to the apartment and went to bed.:($)';9<$3)+0;)/9;$%J)E+%)(+0%')-;)E$/;)/-B$HQ($")'($)89F$)198B)-"'-3$J)'($)2%$;$"3$3)$,$%<;(-"#)I9');($)'9F$HBut I knew.>,$%<;(-"#)I9')3-P$%$";J)G0';)/-B$);(9;H
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agonising sips.
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R(9;)%0'(JThat wave that crashes!#9-"';);($)%+8B'J>%+3-"#)9//)-")-;')29;(@K;)%$,$9/')-;'$/EJw-B$)C9^$/)?%98$L')/+,$J:/+I/<JThen all at once.A0;);($"JR($)I9,$)/$9,$'JPulling away from
shoreAnd drowningIn horizon.
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Art & Literature
63""#$"%&'($)*+,"-".++/$"!"01)2,"3456""
e$)>*',<$)"+/;=.++.:&+
\(J)E$%,9";J)fuming skin
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do hold.
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tempt%$/-"f0-'()F$H
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pheromones dodeceive me
/-B$)($9;)1$97"#against the as‐
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to reach.
X$;J)3+)(+/3to what degree?
J,#-?.+F%6#-'*,/
To What
Degree
9D80%7#,*D?#R?%7-%+>#7*#D6#.7#7A(-.+>'(?@6A0.>.-2%+(o>0.%'VF*0`#C7#/*(6+Y7#A.Z(#7*#8(#[(?/@>A7(?#?('.7(/W#6A.?(#RA.7#,*D#R.+7#7*#6A.?(V
P.Z(#,*D#6D80%7-7(/#6*0(7A%+>#.+/#%7Y6#+*7#%+#=(#3+>'(?@6Ai#K*+Y7#R*??,W#R(Y?(#X?*8-.8',#UD67#6.Z%+>#%7#O*?#.#OD7D?(#%66D(V
U.(%-';)9/-,$])Q(9;L');(9;)'F$//kV)A9-/$<)F9"9#$3J)1$;I$$")9S$F2;');+)1%$9;($)I-;(+0;)-"(9/-"#H):+F$‐how the horror of the scene seemed less relevant within ;($)8/+03)+E)';$"8(J)9"3)-;)I9')'0%$/<)"+)2-8"-8H)K");($)B-;8($")9)F9")/9<)3$93)-")9)2++/)+E)(-')+I")1/++3J)9229%$";/<)#9%+S$3)I-;()I-%$J)9"3);($)I+%3)UF93$V)(9'7/<)I%-S$")-")1/++3)"$M;);+)(-FH)\");($)'($/,$')I$%$)'2-8$)G9%')9"3)'$,$%9/)'F9//);%+2(-$'H)R($)8+0";$%')were covered in strange cooking utensils and prepara‐7+"'J)9"3)9)($O<)8++B1++B)/9<)'(0;)+")9)';9"3)+")+"$)counter.
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D$""$;)I+%$)9)8%$9F)2-"';%-2$)'0-;J)%+0"3)'2$8;98/$'J)9"3)%$E%9-"$3)E%+F)0'-"#)(-')G98B$;)'/$$,$'H)?%$9,$')watched in horror as Leicester not only exposed his nose but inhaled deeply in the doorway to the house.
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A fairy who’s lost her wings in a war.
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