tessa crespo design work

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[email protected] 828.216.1499 tessacrespo.com 473 e 16th ave eugene, or 97401 tc tessa crespo

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Page 1: Tessa Crespo Design Work

[email protected] e 16th aveeugene, or 97401

t ctessa crespo

Page 2: Tessa Crespo Design Work

HARVEST[WATER | ENERGY | FOOD]

FILTER[STORMWATER RUNOFF |

100 YR FLOOD]

BIO-FILTER[LIVING MACHINE]

+

PHOTOVOLTAICS

[PASSIVE PUMPING | SUPPORTING HABITAT DIVERSITY]

+

FOOD PRODUCTION

CATCH[REMOTE BIOSAND FILTER]

COMPOST[CENTRALIZED CATCHMENT

SYSTEM]

PERCH[LIGHT-WEIGHT PREFAB

STRUCTURE]

NEST[PERMANENT CLUSTERS]

PRIMARY DRAINAGE PATH[SLOW | SPREAD | SINK]

BIOSWALES

GABION WALLS

CONFLUENCE

FLOOD TRIBUTARY AREA APPROX.18.5 ACRES

2.2 MILLION GALLONS OF STORMWATER DRAIN THROUGH SITE/YR

[INDICATES TEACHING SPACE]

RESIDE[CAMPERS]

STAFF[PERMANENT]

STAFF[SEASONAL]

15’

30’

60’

120’

EARTH AIR HEAT EXCHANGER [EAHX][BERRIE COMPLEX]

GRAVITY FED WATER SUPPLY[BIOFILTERED FROM SOUTH CAMP]

EARTH SHELTERING[BERRIE NORTH]

Hancock Field Station is an outdoor education retreat center for Oregon Museum of Science and Industry (OMSI). located in the John Day Fossil Beds National Monument in central Oregon, this station acts as the base camp for further explorations of the rich adjacent geological phenomenon. The station exposes visitors in landscape and embeds education through deliberate experiential processes in all aspects of their stay.

TOTAL ENERGY GENERATION

19,732 kWh/yr

Page 3: Tessa Crespo Design Work

[STORE]

[RETRE

AT]

[PERMANENT CLUSTER]

[TEMPORARY S

TRUCTURE]

[REST]

[REST]

POLYCA

RBONATE +

OSB PANEL

S

[PRESERVATION OF CHARACTER]

PERCH

NEST

FRAME[2X4 DOUG FIR 16" O.C.]

FILTER[TRANSLUCENT POLYCARBONATE PANELS]ACTING INSULATION +SHADING DEVICE + VAPOR BARRIER

DEFLECT[3/4" CHARRED JUNIPER RAINSCREEN, SOURCED ON SITE]

Regional connectivity within the camp is achieved through the medium of ecological and anthropological education; an opportunity for students to engage the past, present, and future conditions of the surround-ing John Day Fossil Bed National Monument.

At the building scale, the existing design language of volunteer constructed a-frame cabins was adapted to preserve the rich, existing character of the site. The historic Rajneesh staff cabins located on site were retrofitted and reused.

An outdoor education corridor is established along the valley of the site through a series of depressed areas and accompanying bioswales that slow stormwater while providing habitat for local flora and fauna.

[GLOBAL + LOCAL CARBON CYCLING]DROUGHT | DESERTIFICATION | FLOODING | FIRE

The ecological issue most aggressively addressed during the site planning and programming phases was that of stormwater management, especially pertaining to frequent flash floods of depths up to 2’ directly through the center of the camp. Due to scarcity of water in this arid, high desert region it became imperative to drastically reduce water usage while simultaneously harvesting as much rain water as possible (see measure 6 for more info).

Considering the site’s remote location, efforts were made to recycle or reuse as many materials as possible to minimize the embodied energy due to transport. For example, the existing concrete slabs would be repurposed as fill for the series of gabion walls, while the saw dust generated from any unsalvagable wood would aid in the aeration process of the composting toilets.

The majority of the teaching spaces are simply constructed covered pavillions comprised of affordable, lightweight materials and are intended to be flexible in their modularity.

Page 4: Tessa Crespo Design Work

STRATIFY [PASSIVE COOLING: STACK VENTILATION]

GENERATE[EAHX CLOSED LOOP SYSTEM | PASSIVE HEATING + COOLING]

WATER CYCLE

OPTIMIZE [VIEW CORRIDORS + VENTILATION]

100%of the camp season [april-october] occupants will be comfortable using passive systems. Due to the informal nature of the camp program, most structures are flexible in use, open-aired, and designed to be utilized during said time period. Berrie Complex and permanent staff housing are equipped to accommodate thermal comfort year round.

81%100%100%

daylit (only) during occupied hours

floor area with views to the outdoors

floor area within 15 ‘ of an operable window

RATTLESNAKE FORMATION[pliocene]

MASCALL FORMATION [late miocene]

COLUMBIA RIVER BASALT [mid-miocene]

JOHN DAY FORMATION

PRE-TERTIARY SEQUENCE

CLARNO FORMATION[eocene]

DEERWESTERN TOAD ANTELOPE NIGHTHAWK

WESTERN RATTLESNAKE

DESERT COTTONTAIL RABBIT

RABBIT BRUSH

JUNIPER MULLEN

RIPARIAN CORRIDOR

HACK BERRY RUSSIANTHISTLE

PONDEROSA

HIGH LAVA PLAINS ROCKY OUTCROPPINGS

The ecological issue most aggressively addressed during the site planning and programming phases was that of stormwater management, especially pertaining to frequent flash floods of depths up to 2’ directly through the center of the camp. Due to scarcity of water in this arid, high desert region it became imperative to drastically reduce water usage while simultaneously harvesting as much rain water as possible (see measure 6 for more info).

Considering the site’s remote location, efforts were made to recycle or reuse as many materials as possible to minimize the embodied energy due to transport. For example, the existing concrete slabs would be repurposed as fill for the series of gabion walls, while the saw dust generated from any unsalvagable wood would aid in the aeration process of the composting toilets.

The majority of the teaching spaces are simply constructed covered pavillions comprised of affordable, lightweight materials and are intended to be flexible in their modularity.

Page 5: Tessa Crespo Design Work

HISTORIC WHITEAKER NEIGHBORHOOD

SKINNER BUTTE PARK

SPENCERS' BUTTE

ALTON BAKER PARK

WILLAMETTE RIVER

WHITEAKER BRANCH

LIBRARY

Skinner Butte Park, the site of the branch library, is located within the eccentric Whiteaker district of Eugene, Oregon. Known for its abundance of fledgling local businesses and alternative art and music scene, the presence of community, creativity, and collaboration is very prominent. Initially considered the primary industrial sector of the city, the recent influx of young entrepreneurs has transformed “the Whit” into a newly commercial and residential district, resulting in a highly diverse population. The design intent of the branch library was to respond to the strong cultural presence of its context, which was pursued through an incorporation of arts education, performance and gallery space, community gathering space, and a strong connection to the surrounding physical environment to emphasize the sustainable initiatives of the Whiteaker district and the surrounding Eugene area.

GREATER EUGENE NETWORK OF OPEN SPACES

AN EXPERIENTIAL SITE PLAN OF SKINNER BUTTE PARK

Page 6: Tessa Crespo Design Work

1st RULE: You do not talk about FIGHT

CLUB.2nd RULE:

You DO NOT talk about FIGHT

CLUB.3rd RULE:

If someone says "stop" or goes

limp, taps out tt is

over .

4th RULE: Only two guys to ht.

5th RULE: O

ht at a time.

6th RULE: No shirts, no shoes.

7th RULE: Fights will go on as long as they

have to.

8th RULE: If this is yourst night at FIGHT

CLUB, you HAVE to ht.

1st RULE: You do not talk about FIGHT

CLUB. 2nd RULE: You DO NOT talk about FIGHT

1st RULE: You do not talk about FIGHT

CLUB. 2nd RULE: You DO NOT talk about FIGHT

CLUB. 3rd RULE: If someone says "stop" or goes

limp, taps out thght is

over .4th RULE: Only two guys to at.

5th RULE: Ont at a time.

6th RULE: No shirts, no shoes.

7th RULE: Fights will go on as long as they

have to.8th RULE: If this is yourrst night at FIGHT

CLUB, you HAVE toght.

abc

d

e

f

g

hi

j

k

l

a lobbyb conference c officed restroomse break roomf local ecology collectiong cafeh courtyardi children’s sectionj art studiok reading room l gallery

Page 7: Tessa Crespo Design Work

HOUSING

CBD

RIVER INDUSTRIAL

FOOD ARTS

DEVELOPING DISTRICTS[ENHANCING THE EXISTING IDENTITY OF DOWNTOWN SPRINGFIELD]

This project, completed in collaboration with Nicole Ghiselli and Regan Greenhill, aimed to address specific design issues presented by Springfield cities officials to the sustainable cities initiative (sci). throughout the course of the term, my team worked closely with the city of Springfield, Oregon to establish realistic short term and long term goals as a tool to gain momentum and support within the community as well as from prospective developers. The studio encompassed elements of planning, urban design, architecture, and landscape architecture and sought to enhance the existing infrastructure and character of the city through the development of potential districts that were identified during the analysis phase.

CATALYTIC PROJECTSBY DISTRICT

EXISTING STRENGTHS

ILLUSTRATIVE PLANCOMPLETE BUILD OUT

HOUSING CONDOS

RIVER HOTEL

INDUSTRIAL LIVE-WORK

CIVIC CITY HALL

SPROUT!BUSINESSINCUBATOR

CITY HALL

TRANSPORTATIONHUB

LTD

PERFORMINGARTS

THE ROYAL BLDG

Page 8: Tessa Crespo Design Work

While a large range of scales were addressed within this project, a specific focus provided by the city was on establishing flexible public plaza space that represented Springfield’s history and future identity. Mill Plaza, visible at the entrance of the city and acting as a transition space between main street and the riverfront, mill plaza was crucial in both representing Springfield accurately and acting as an early catalyst project to attract developers and spark growth. Interactive water features, a strampitheater (accessible amphitheater), both affordable and market rate housing, mixed-use commercial and retail developments are among the strategies we employed to ensure that the plaza attracted people of all demographics at all times of day. Spatial composition and orientation of the plaza was intended to create a public outdoor room that accommodated both large and small events successfully while avoiding the space ever feeling far too open or enclosed when the events were not occurring. Additional proposed projects within the vicinity were a parking structure, a hotel supported by retail, and a public boardwalk for accessibility to the nearby Willamette river.

MILL PLAZA

VIEW TO ISLAND PARKFROM MILL PLAZA PROMENADE

VIEW OF STRAMPITHEATERFROM MILL PLAZA CORRIDOR

ACTIVITY DIAGRAM

CONCERT [800 PEOPLE]

VIEW OF MILL PLAZAFROM MAIN STREET

ACTIVITY DIAGRAM

LUNCH [120 PEOPLE]

Page 9: Tessa Crespo Design Work

As a connection between all districts in Springfield, we envisioned 5th Street as a multi-use highly active street with pockets of activity and a variety of store fronts or setbacks. We see local residents strolling down fifth, having lunch or doing errands.

The housing district from the north filters into the food and arts/civic district. To anchor these districts, and provide a catalyst project to jump-start the area, we designed the library connected to a Market Hall. The shared vestibule allows for patrons to experience both districts under one roof. The southern anchor of the food district is a medium-sized grocery store and for the arts/civic district is a Community Art Gallery displaying work from artists residing in the live-work complex, also allowing Springfield to build upon it’s existing industrial area.

The Central Business District, expanding east to west, will bring in mixed-use offices and retailers to add more investment opportunities within downtown. Connecting to the River district is the Mill Race and adjacent trails. To provide pockets of activities we encouraged setbacks for restaurants and other retail space with seating or displays along the sidewalk. Two plazas, Civic Plaza and Mural Plaza, would be enhanced to make them functioning and enjoyable spaces.

FIFTH ST DESIGN FIFTH ST DESIGN MAIN ST DESIGN SOUTH A ST DESIGN

POCKET PLAZACURRENT MURAL AS BACKDROP

VIEW OF MARKET + NEW LIBRARY

FIFTH ST

Page 10: Tessa Crespo Design Work

HOPS HOUSES

OPEN AIR EVENT HALL

WALLOWA LAKE LOOKOUTS

HOPS HOUSES1

LOOKOUTS PERFORMANCE PLATFORMS

TIMBERFRAME

2

3

these structures help frame the transition from the shore to the upper banks of wallowa lake while also providing support for the hop vines that contribute to the atmosphere and actual production of this late summer brew fest

this series of platforms arranged around cascading water features provides spots for prospect and refuge alike. each frames a view down to the town of joseph, oregon as well as up towards the greater wallowa range. they provide space for performances or group gatherings during the festival, but also serve as a great resting spot for visitors and hikers during the rest of the year

the final phase of the progression is that of a great hall where most of the festivities take place - polka dancing, alphorn blowing, swiss yodeling, and, of course, the consumption of copious amounts of bratwurst and beer. the heavy timber truss references the history and setting of the original oktoberfest and helps strengthen the county’s reputation as “oregon’s little switzerland”

[PROGRESSIO

N]

JOSEPH T

O W

ALLOWA L

AKE S

OUTH

SHORE

2

WALLOWA MOUNTAIN RANGEJOSEPH, OREGON

ALPENFEST GARDEN

1/4" GLASSDOUGLAS FIRFINISHED CONCRETE

4 X 8 RIDGE BEAM

2 X 4 PURLINS

2" SIDING

LOAD BEARING MASONRY WALL

Page 11: Tessa Crespo Design Work

CUT PROFILES

STACK LAMINATION

CARVE STAIR STEPS

CUT STEEL

(TIG) WELD

GRIND

SAND

1 ” X 1 ” X 1/16 ” STEEL TUBING

3/4 ” RUSSIAN BIRCH PLYWOOD

Page 12: Tessa Crespo Design Work

CRADLE[A MODERN DAY FAINTING CHAIR]

BASE EXPLORATION

MORPHOLOGY EXPLORA

TION

-

The intent of this studio was to identify a formerly useful piece of furniture that had been rendered obsolete by society and to redesign it back into relevance. This established a framework for the modern fainting chair, which avoids the pitfalls of its predecessors by allowing for flexibility of comfort and function.

Page 13: Tessa Crespo Design Work

2,974,000 HECTARES12% OF OREGON

POPULATION 2,085,00066% OF OREGON

MCKENZIE WATERSHED

HJ ANDREWS EXPERIMENTAL FOREST[BLUE RIVER WATERSHED]

EUGENE

WILLAMETTE RIVER BASIN

DISTURBANCE LANDSLIDE HAZARDS CURRENT

DISTURBANCE FIRE HISTORY1482 - 1952

SEVERE NATURAL DISTURBANCE IS FOLLOWED BY CHANGES IN SOIL MOISTURE AND TEMPERATURE REGIMES, AND SUCCESSION OF FOREST SPECIES WITH DIFFERENCES IN QUANTITY AND QUALITY OF BIOMASS RETURNED TO THE SOIL.

FORESTS COVER ABOUT 30% OF EARTH’S LAND SURFACE, WHILE ACCOUNTING FOR 50% OF PLANT PRODUCTIVITY. AS MUCH AS 45% OF THE CARBON STORED ON LAND IS TIED UP IN FORESTS.

EMERGINGCARBON

GEOGRAPHIES

THESIS PREVIEW

EUGENE

LANE COUNTY

MOMENTIVE SPECIALTY

CHEMICALS

OREGON INDUSTRIAL

LUMBER

MCFARLAND CASCADE

SENECASAWMILL 124

2,223

4,237

4,641

METRIC TONS OF CO2 EMISSIONS (2013)

SITE

Scientists estimate that humans release about 9 billion tons of carbon (mostly carbon dioxide) each year by burning fossil fuels and by changing the landscape. About 4 billion tons end up in the atmosphere and 2 billion tons dissolve in the ocean. The last 3 billion go into ecosystems on land, but exactly where these sinks are located remains an open question.

FACTORS AFFECTING

DEPLETION OF SOIL

CARBON POOL

establish a system that engages the dynamic (carbon)intersection between the atmosphere + biosphere through exploring the physical + material attributes of a built form as primary research specimen. The subsequent micro-climates + habitats established through these conditions will manifest the phases of the carbon + nutrient cycle, providing extensive opportunities to test mitigation + sequestration techniques.

INTENT