subjective evaluation of reproduced sound in automotive...

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Subjective Evaluation of Reproduced Sound in Automotive Spaces Roger Shively Harman-Motive, Inc., Martinsville, Indiana, USA The automotive space is a harsh and challenging listening environment. This paper describes the listening environ- ment and listening test methods that are used to evaluate the sound quality of an audio system in that environment, and the system design issues involved with each. INTRODUCTION uniform coupling of acoustic modes between 80 and 300Hz. There will typically be some In order to understand the motivation for majorresonances due to transverse modes some vehicle listening test methods, it is between 120 and 150 Hz. The amplitude of necessaryto understand the environment in these modal resonances can be as high as which the listening will be performed and the 12dB SPL. Above 300 Hz, up to requirements it imposes on the methods as approximately 1kHz,the large coupling of well as the listeners, modes is reduced and modal resonances with Q values of less than 3 are numerous. In this region there is a great deal of spectral VEHICLE LISTENING ENVIRONMENT coloration due to thebrooder spacing of the modes, and variationsin amplitude as high As also described in House [1], the as 8 dB SPL can beobserved. The volumes automobile is not an ideal listening of the automobile's trunk and doors where environment. The one redeemingfact is speakers are mounted can contribute that the seat position for each listener is resonances as well between 150 to 500 Hz, known, otherwise theautomobile is a small with amplitudes anywhere from 4 to 8 dB noisy environment with several negative SPL. influences on the spectral, spatial, and temporal attributes of a reproduced sound Mechanical resonances can occur due to field. A short summary of those negative the vibration of the roof (which is the case influences follows, for vans andminivans) or the trunk liddue to rood motion or engine vibration. These Spectral. surfaces can radiate acoustic energy at Q values higher than 5 between 300 to 1k Hz Many factors can contribute toa vehicle's with amplitudes from 4 to 6 dB SPL. real and perceived frequency response: The interiorvolume of a vehicle, the size Vehicle interiors consist of glass, plastic, and shape of interior bo.undary surfaces, carpet, cloth or leather on surfaces that are absorption characteristics of all the at various compound angles which respect boundary surfaces, and the location of to each other, the listener and the speakersin the vehicle relative to the loudspeaker. Reflections off of these many listener and relative to nearby boundaries, and varied boundaries result in complex interference anddiffraction effects which For instance, an average mid-sized cause frequency responseaberrations and automobile has a volume of approximately sound coloration at frequencies above 300 3.5 m 3. In that volume there will be a large to 500 Hz. Interference occurs between AES 15th INTERNATIONAL CONFERENCE 109

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Page 1: Subjective Evaluation of Reproduced Sound in Automotive Spacesjjracoustics.com/15_Inter_AES-1998.pdf · untrained listenersfind difficult to describe. 0.5 point isa slight preference,

Subjective Evaluation of Reproduced Sound inAutomotive Spaces

Roger Shively

Harman-Motive, Inc., Martinsville, Indiana, USA

The automotive space is a harsh and challenging listening environment. This paper describes the listening environ-ment and listening test methods that are used to evaluate the sound quality of an audio system in that environment, andthe system design issues involved with each.

INTRODUCTION uniform coupling of acoustic modes between80 and 300Hz. There will typically be some

In order to understand the motivation for major resonances due to transverse modessome vehicle listening test methods, it is between 120 and 150Hz. The amplitude ofnecessary to understand the environment in these modal resonances can be as high aswhich the listening will be performed and the 12 dB SPL. Above 300 Hz, up torequirements it imposes on the methods as approximately 1kHz,the large coupling ofwell as the listeners, modes is reduced and modal resonances

with Q values of less than 3 are numerous.In this region there is a great deal of spectral

VEHICLE LISTENING ENVIRONMENT coloration due to the brooder spacing of themodes, and variations in amplitude as high

As also described in House [1], the as 8 dB SPL can be observed. The volumesautomobile is not an ideal listening of the automobile's trunk and doors whereenvironment. The one redeemingfact is speakers are mounted can contributethat the seat position for each listener is resonancesas well between 150 to 500 Hz,known, otherwise the automobile is a small with amplitudes anywhere from 4 to 8 dBnoisy environment with several negative SPL.influences on the spectral, spatial, andtemporal attributes of a reproduced sound Mechanical resonancescan occur due tofield. A short summary of those negative the vibration of the roof (which is the caseinfluencesfollows, for vans and minivans) or the trunk lid due to

rood motion or engine vibration. TheseSpectral. surfaces can radiate acoustic energy at Q

values higher than 5 between 300 to 1k HzMany factors can contribute to a vehicle's with amplitudes from 4 to 6 dB SPL.real and perceived frequency response:The interior volume of a vehicle, the size Vehicle interiors consist of glass, plastic,and shape of interior bo.undary surfaces, carpet, cloth or leather on surfaces that areabsorption characteristics of all the at various compound angles which respectboundary surfaces, and the location of to each other, the listener and thespeakers in the vehicle relative to the loudspeaker. Reflections off of these manylistener and relative to nearby boundaries, and varied boundaries result in complex

interference and diffraction effects whichFor instance, an average mid-sized cause frequency responseaberrations andautomobile has a volume of approximately sound coloration at frequencies above 3003.5 m 3. In that volume there will be a large to 500 Hz. Interference occurs between

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ROGER SHIVELY

direct and reflected waves. Diffraction will [Graph 1(a),(b).] The listener's brainoccur through speaker mounting holes and integrates that information and uses it togrille coverings, and from mounting locations formulate a perception of the sound field.that are drastically off-axis from the listener. Effectively the listener is experiencinga

diffuse and frontally incident sound field.The vehicle interior also has inherently high Looking at impulse responsecurves orambient noise conditions when the vehicle is energy time curves [Graph 2.], it can beon the road. Road, wind, and engine noise seen that in this diffuse and frontally incidentcan reduce an audio system's dynamic sound field, those first 10ms of soundwaverange and mask Iow frequencies. For the incidence are somewhat busy. Inthetypical mid-sized automobile, the noise is driver's position (with the window on the leftdominant below 500Hz. The average noise side of the driver) the time curves show thatSPL is greater than 80dB for frequencies the sound from the opposite side speaker tobelow 100 Hz and velocities above 35 mph. the ear (e.g., dght speaker to left ear) ardves

approximately 1 to 2ms later than the sameSome of these problems can be controlled side speaker to the ear. The arrival from theand overcome. Noise masking can be opposite side speaker has a greatercombated with dynamic loudness curves amplitude than the same side ardval. Andthat are tuned to the specific vehicle. Some whereas the same side arrival decaysmechanical resonances can be reduced by naturally, the opposite side speaker has areducing the acoustic resonances. Some reflection off a nearby surface that arrivescannot. The vehicle's structural integrity is approximately 4 to 5 ms later before itthe main source of such problems. Some begins to decay. The amplitude of thatfrequency response aberrations can be reflection is also nearly as large as the initialsuccessfully equalized by an audio system opposite side ardval. The listener integratesdesigner. The quality of that equalization this subtle information and creates anwork depends on the skill of the designer impression of the width and breadth of theand how severe the cause of the sound stage. This is not an experienceaberration(s) might be. In general non- common with a typical listening room. Thereminimum phase aberrations cannot be are no nearby boundaries to smear the timesuccessfully equalized. And, added signature of the sound field and confuse theequalization peaks or dips of Q values lateral staging or clarity. With the advent ofhigher than 5 can cause phase shifts that practical digital signal processorsforcan become as audible as other aberrations, automotive amplifiers, subtle timeThe acoustic radiation from a mechanical corrections, 3D algorithms, and surroundvibration may be reduced by equalization, sound processing can be used to overcomebut the audio sound may still have a poor some of the spatial limitations of thedamping characteristic, which causes it to automotive listening environment. This toosound unnatural, is at the mercy of the designer's skill and

can cause even worse problems if doneSpatial and Temporal. incorrectly.

Because of the small dimensions of thevehicle interior, the reverberation time is VEHICLE LISTENING TEST METHODSvirtually zero. In this size environment areverberant field cannot form. The sound The effects of this "listening room", which isfield in a vehicle consists entirely of direct the interior volume of an automobile, on theenergy and early reflections, which are loudspeakers in that "room" are ratherquickly absorbed or dissipated. For the dramatic and severe. The automotive spacetypical vehicle, the decay time for a 60dB produces a sound field that is much moresignal reduction is 30 to 50ms. This complex than the typically controlledprovides a very dead space for sound listening environment where speakerreproduction. The large amount of early systems might be evaluated. To makereflections produce a type of diffuse sound listening tests valuable -- with repeatable,field where 90% of the energy occurs within statistically significant, quantitative resultsthe first 10ms of the direct wave arrival, which will be useful for a system designer, a

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SUBJECTIVEEVALUATIONOF REPRODUCEDSOUND IN AUTOMOTIVESPACES

design team, as well as a marketing team -- plays the source with no equalization. Thevery careful training of the listeners involved general idea is for the listener to match upin automotive sound evaluations is therefore the equalization curves with the appropriaterequired. And then, a simple unbiased sound files, using the Flat curve as alistening test method is required, reference.The first level of the aberrations

was either a 6dB peak or 6dB dip (2.5octave). After the subjects achieved the

Listener Training. target 95% correct for 6dB aberrations, theaberrations were replaced with 3dB (2.5

The benefits of trained listeners have been octave) peaks and dips to further refine thewall established for listening in rooms and at listeners' resonance detection ability.computer workstations. [4],[5],[6] Recentstudies have illustrated the use of a self- For the next,step of listener training anotheradministered PC-based training program to homegrown software program calledimprove listeners' ability to reliably identify PrefTest is used. The user interface for thisand rate different types of spectral peaks self-administered PC program is illustratedand dips which have been added to a variety in Figure2. This is the same software that isof programs (i.e., resonance detection), used in collecting preference information[7],[8] Similar investigations have indicated from our listeners in listening experimentsthat critical listening in automobiles might and automotive sound comparisons. In therequire a more detailed training regimen and role of a training tool, it is (1) used toadditional repeats within a trial [9]. determine agreement among the listeners

for overall preference, and (2) used toThe method of using a self-administered evaluate the timbre balance results toPC-basedtraining program that requires the determine if the listeners are correctlylistenerto identify spectral peaks and dips in associating timbre changes with thea set of source material reinforces the appropriate frequency ranges. The samelisteners'ability to relate a perceived sound sources that were used in thespectral aberration to a common frequency resonancedetection are used in ascale. However, experience has shown that preference testing software. Four buttonsbecause a subject consistently scores high are displayed to the user. These buttonson such a resonancedetection test, it does play the same sources but with a differentnot mean that they are well trained for equalization. One of the 4 buttons randomlylistening evaluation purposes. Training has a flat response assigned to it for eachsessions in the use of the preference trial. This is used as a blind reference.ranking and timbre balance scales are also There are again 24 trials total. For eachnecessary [9]. The objective is to verify that equalization, the listener is forced to give athe listener is applying the resonance separate rating number for overalldetection training properly in the context of a preference and for the timbre balance oflistening evaluation or experiment. The treble, midrange, and bass. The scale fortraining focuses on frequency-related the preference is 0 to 10, 1/10TMptproblems since these are the problems most increments. The listeners are instructed thatuntrained listeners find difficult to describe. 0.5 point is a slight preference, 1.0 is a

moderate preference, and 2.0 is a strongThe PC-based resonance detection software preference. The scale for the timbrethat was used to begin the training is a balances is +5 to -5, 1 pt increments, 0homegrown program called EarTrain. The being neutral.interfacefor this software is illustrated inFigure 1. During each round of training, The listeners repeat the PrefTest trainingthere are 24 trials, in each of which the until they demonstrate a consistentlistener sees 4 different equalization curves behavior. If they seem to be having troubleon the screen. There are 6 buttons there, with any of the concepts associated withlabeled A, B, C, D, Flat, and Done. Each of PrefTest the administrator of the tests willthe first five buttons plays a different sound attempt to help them understand better. Infile. These sound files are the same source most cases proper use of the scales andwith different equalizations. The Flat button ranking occurs after 2 rounds each of 6dB

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and 3dB aberrations. In some cases, double-blind in-situ listening tests has beenconsistent but less than ideal use of the developed and is used as a benchmark forscales and ranking occurs no matter how single stimulus comparison of listeningmany rounds of training occurred. In either methodologies. In this method a strongcase, the quality ofthe listener is obtainable effort has been made to remove the non-in quantitative terms. A group average acoustic feedback in the automobile interior.variance of 0.5 point on a 10 pointscale The interior is scented with a very strongacceptance criterion in the ANOVA of scent disk to mask any new-car, old-car,PrefTest results. The individual variance diesel truck, smell that might influence theperformance is monitored with respect to listener's opinion. The automobile seat ishow they relate to the group and to the blind covered with a mat that removes any seatFlat reference, qualities from the listener's opinion. The

listener is asked not to touch any part of theinterior, but there is always a chance that

Listening Methods. that request will be violated during the timewhen a blinded listener is first situated inside

In-situ sighted listening tests are commonly the automobile. Therefore, the centerused within the automotive industry to console where a stick shift might be isevaluate the sound quality of automotive covered with thick sheet of non-reflectivesound systems. However, studies on material. The foot pedals are covered toconsumer loudspeakers indicate that sighted remove evidence of a manual or automaticjudgements of sound quality are strongly drive. And, the steering wheel is covered tobiased by non-auditory related biasesthat change its feel. The listener is blinded ininclude size, price, and brand name [10]. It another room away from the vehicle. Awould be logical to suspect that most complete blindfold is used to remove anylistening tests done in automobiles may be presence of light and visual feedback. Careinfluenced by these biases as well. Daily is taken not to cover the ears. The listenerwork in automotive sound design and is then given a pair of headphones to wear.evaluations show this to be true, and past Pink noise is played over the headphones toexperimental results have shown the same remove any acoustic feedback while theindication [9]. listener is led to the vehicle, helped into the

driver's seat, and the door closed. There isTraditionally, blind listening tests in an intercom communication fed into theautomobiles have not been done for headphones. (Later in the test, the intercomtechnical and logistical reasons. In-situ blind is made available to the listener through acomparisons between automobiles driven small portable speaker.) After the listener isunder road conditions are out of the in the automobile, the pink noise isquestion for obvious reasons. In-situ blind interrupted and the listener is told to removetests with the automobiles stationary are the headphones.possible but rapid A/B blind comparisons(i.e. paired comparisons) are difficult without Trained listeners with verified goodthe listener having some knowledgeof the audiometric performance are used asdevices and variables under test. As such, always for the lowest possible variability andthe test can no longer be considered blind, highest reliability. The listeners use anFurthermore, for blind or sighted in-situ tests interval scale to rate the sound quality of therandomization of variables known to system in terms of overall preference, timbreinfluence judgment of sound, like program balance, spatial fidelity, and absence ofmaterial and the automobiles themselves, is distortion. The listeners use the PrefTestalso impractical. Yet, without rapid A/B software, as illustrated before. In the blindcomparisons the discrimination and in-situ tests, the administrator runs thereliability of subject responses can be software outside of the automobile andnegatively impacted due to our limited communicates with the listener through theacoustic memory, intercom. The radio controls for the vehicle

are also made remote to the administrator,With that in mind, to test just the different who maintains a constant system volumemethodologies, a method for performing and changes source material as instructed

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by the PrefTestSOftware,which randomizes least 15dB of external sound isolation, andthe playback. In listening test comparisons very high repeatabilityfrom one session towhere it is not possible to remove or remote the next. PrefTest is used to evaluate thethe radio controls outside of the vehicle, the *.wav files. The source recordings areadministrator occupies the passenger seat randomized and four recordings of a sourceand communicates directly with the listener, made in four different cars are presented toAs a last test in the blind evaluation, the the listener, who can rapidly switch betweenadministratorvaries the playback volume, them by clicking on the appropriate GUIand the listener is asked to rate the overall button. Recordings can also be made underdynamic responseof the system from Iow to road conditions and with varying volumehigh volume levels, settings. The recordingscan then'be

synchronized and presented to the listenerThis method is a very reliable single- who then evaluates the sources under allstimulus benchmark for static systems, and the different conditions.it is being used on a regular basis to performcompetitive analyses of stationary This method has proven to produceautomotive sound systems. The method is excellent results when evaluating thevery consistent, repeatable with meaningful spectral aspects of a sound system, whetherresults, and is capable of discerning some it is a home system or an automotivesubtle differences in a large set of very system. [3, 4, 11] There is a lack of boneclosely matched sound systems in vehicles conduction howeverwith the binauralconsidered to be in the same class. Yet a playback method, which effects the absolutevast improvement in that ability to discern agreement of blind in-situand binaural basssubtle differences could be made if rapid results. They do, however, agree in relativeA/B comparisons were possible. And, too, terms. If the bass is ranked higher for onemaking on-road evaluations is a must for a vehicle over the other for a blind in-situ test,complete assessment of any automotive it will also be ranked higher for a binauralsound system performance, test, just not on the same scale. [Chart 1(a),

(b).] The most difficult point when using theAnother method, which does allow rapid binaural method is that binaural playback ofA/BIC/D double-blind comparisons to be recordings made with a stationary dummydone in an efficient and cost-effective way, head can prove to be less than accurate inis one that uses a high quality binaural reproducing the spatial aspects of the soundrecord/playback system, field. Lack of head movement andThis method is highly repeatable and allows mismatches between the pinna of theexcellent systematic control of nuisance listener and those of the dummy head canvariables knownto influence listening tests, cause the results of sound stage and sound

image evaluations to be confused whenA binaural dummy head (plus torso and compared to the same results from a blindlegs) is placed in the exact listening position in-situ test. [Charts 2 & 3.] If recordingsas a listener would be. Binaural recordings using pinna that are similar to the liseners'sof the source material are made on DAT and and recordings related to head movementedited on a PC as *.wav files. The *.wav could be made and synchronized to thefiles are played back through a digital audio listener's head movement, then the playbackcard on the PC, processed through an of the binaural recordings could moreexternal D-to-A Converter, and amplified accurately reproduce the live experiencethrough a headphone amp where the output and become more useful for spatialis maintained at a constant level consistent evaluations.with the listening level in the vehicle(85dBA). The analog conversion is done Another method, which some pilotoutside of the PC to reduce the noise that experiments have shown has very goodstill exists on most PCs during *.wav file agreement between it and the blind in-situplayback. The playback is listened to using method in all aspects of the sound field, isEtymotic ER4s earphones, which, with a what is called the _placebo"method [12].good seal in the ear canal, provide The placebo method could be an even moreextremely linear full-band reproduction, at efficient, cost-effective, and controlled

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method of sound evaluation than the The next thing wanting would be the abilitybinaural. In the pilot experiments for the to do a rapid paired comparison.placebo method, as before, qualifiedlisteners used PrefTest to evaluate a singleautomotive sound system in-situ, blind andsighted. A digital amplifier system was used REFERENCESin the vehicle's sound system. Threeequalizations (EQs) were stored in the [1] W.N. House, "Aspects of the Vehicleamplifier's memory. One wasthe target EQ Listening Environment", presented at thefor the system, and the other two had 87thConv. of the AES, New York, (1989spectral aberrations added to them. The October), Preprint 2873.listener evaluated several sound sourceswith all three EQs, first blinded and then [2] R.E. Shively, W.N. House, "Perceivedsighted. The sources and the EQs were Boundary Effects in an Automotive Vehiclerandomized, and the listener performed the Interior", Presented at the 100thConv. of theevaluation five different times for both the AES, Copenhagen, (1996 May), Prepdntblinded and sighted. [3] However, only the 4245.data for the target EQ was used as anassessment of the sound quality and [3] R.E. Shively, W.N. House, "Listeneranalyzed in comparison to the blind in-situ Training and Repeatability for Automobiles",results - with good agreement. Part of the Presented at the 104TMConv. of the AES,analysis was also to see if the listener was Amsterdam, (1998 May), Preprint 4660.giving different scores to each of the EQsand being consistent in the rankings, and [4] Floyd E. Toole, Sean E. Olive, "Listeningnot just ranking them all the same or trying Test Methods for ComputerWorkstationto scale the ranking in order to force an Audio Systems", presented at the 99 TM

opinion onto the data. Convention of the Audio EngineeringSociety, New York (1995 Oct.)

The qualities that the placebo method hasover other methods are that it factors out [5] Soren Bech, "Selectionand Training ofbiases and opinions based non-acoustic Subjects for Ustening Tests on Sound-aspects of the sound. Since the listener Reproducing Equipment," J. AudioEng.doesn't know which EQ is the target EQ, all Soc., Vol 40, (1992 July/August) pp. 590-of the EQs must be given an honest 610.appraisal. And, the listener can dotheevaluation in the actual vehicle and while [6] F.E. Toole, "SubjectiveMeasurements ofdriving on the road. In future experiments Loudspeaker Sound Quality and Listenerthe assumption will be made that all systems Performance", J. AudioEng.Soc.,vol. 33,for evaluation will have a CD or cassette pp. 2-32 (1985 Jan./Feb.)player. The aberrations that were made withthe digital amplifier will be made with a re- [7] Sean Olive, "A Method for Trainingrecording of the source material onto CD or Listeners and Selecting Program Material forcassette. So, no modifications would need Listening Tests," Presented at the 97thto be made to the original equipment. There Conv. of the AES, San Francisco, (1994will also be more types of aberrations. Not November), Preprint 3893.just spectral differences, but small timedelays and phase shifts will be added. The [8] Sean Olive, "A Method for Trainingintention would be to create a set of sonic Listeners: Part I1",presented at the 101staberrations that could be expanded into a Convention of the Audio Engineednglarger standardized setof aberrations which Society, Los Angeles (1996 Sept.)could keep growing and changing randomly.With a truly random set of sonic aberrations [9] R.E: Shively, W.N. House, S.E. Oliveand enough repetitions to maintain listener [unpublished report] "Pilot Results for: Anreliability, a much better double-blind single Examination of Listening Test Methods forstimulus evaluation should be achieved. Automobiles" (1997 Jan)

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SUBJECTIVEEVALUATIONOF REPRODUCEDSOUNDIN AUTOMOTIVESPACES

[10] F.E. Toole and S.E. Olive, "Hearing isBelievingvs. Believing is Hearing: Blind vs.Sighted ListeningTests and OtherInterestingThings", presented at the 97thConvention of the Audio Eng. Soc., SanFrancisco, (1994 November), Preprint 3894.

[11] F.E. Toole, "BinauralRecord/Reproduction Systems and TheirUse in Psychoacoustic Investigations",presentedat the 91stConvention of theAudio Eng. Soc. (1991 October), Preprint3179.

[12] R.E. Shively [unpublished report] "PilotResultsfor: Blind In-situ Method vs. PlaceboMethod" (1997 Dec)

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Left&RightSpeaker,65 msec70 deg, Doors, Roof, Left Ear

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Graph 1. Time Response: (a) Left Ear, (b) Right Ear.

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SUBJECTIVEEVALUATIONOF REPRODUCEDSOUNDIN AUTOMOTIVESPACES

o urosstatK45 deg, Roof, Doors

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0.09 _ 6.T'l 10.24 13.70

Graph 2. Same-Side Speaker and Opposite-Side Speaker Time Response, Left and Right Ears.

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Figure 1. EarTrain Software User Interface

L

Figure 2. Prefrest Software User Interface.

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SUBJECTIVEEVALUATIONOF REPRODUCEDSOUND IN AUTOMOTIVESPACES

Spatial In-sku BassBalance[] Ldoorbass

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Chart 1. Bass Balance: (a) Blind tn-situ, (b) Binaural.

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Spatial In-sltu Stage Quality

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Chart 2. Spatial Quality: (a) Blind In-situ, (b) Binaural.

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SUBJECTIVEEVALUATIONOF REPRODUCEDSOUNDIN AUTOMOTIVESPACES

Spatial In-sltu Stage Quality

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Chart 3. Image Quality: (a) Blind In-situ, (bi Binaural.

Page 13

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