Elaine Heumann Gurian

Elaine Heumann Gurian

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We own places that are – and should be – for everyone … Museums can benefit from emulating PInterest - an intuitive and gratifying mode of museum learning. … The visitor becomes the assembler of content, for further assembly by still further users on the Web … using a visible bulletin board strategy. Pinterest is easy, portable, and I find the search joyous. It feels like shopping. Free, inquisitive and satisfying experience … A new free choice, non-prescriptive, customer-focused approach. The museum as a two-way street … broadening the relationship between the object and its many different spokespersons.

Elaine Heumann Gurian

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We own places that are – and should be – for everyone … Museums can benefit from emulating PInterest - an intuitive and gratifying mode of museum learning. … The visitor becomes the assembler of content, for further assembly by still further users on the Web … using a visible bulletin board strategy. Pinterest is easy, portable, and I find the search joyous. It feels like shopping. Free, inquisitive and satisfying experience … A new free choice, non-prescriptive, customer-focused approach. The museum as a two-way street … broadening the relationship between the object and its many different spokespersons.

Elaine Heumann Gurian

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”

We own places that are – and should be – for everyone … Museums can benefit from emulating PInterest - an intuitive and gratifying mode of museum learning. … The visitor becomes the assembler of content, for further assembly by still further users on the Web … using a visible bulletin board strategy. Pinterest is easy, portable, and I find the search joyous. It feels like shopping. Free, inquisitive and satisfying experience … A new free choice, non-prescriptive, customer-focused approach. The museum as a two-way street … broadening the relationship between the object and its many different spokespersons.

Elaine Heumann Gurian

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”

We own places that are – and should be – for everyone … Museums can benefit from emulating PInterest - an intuitive and gratifying mode of museum learning. … The visitor becomes the assembler of content, for further assembly by still further users on the Web … using a visible bulletin board strategy. Pinterest is easy, portable, and I find the search joyous. It feels like shopping. Free, inquisitive and satisfying experience … A new free choice, non-prescriptive, customer-focused approach. The museum as a two-way street … broadening the relationship between the object and its many different spokespersons.

Elaine Heumann Gurian

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”

We own places that are – and should be – for everyone … Museums can benefit from emulating PInterest - an intuitive and gratifying mode of museum learning. … The visitor becomes the assembler of content, for further assembly by still further users on the Web … using a visible bulletin board strategy. Pinterest is easy, portable, and I find the search joyous. It feels like shopping. Free, inquisitive and satisfying experience … A new free choice, non-prescriptive, customer-focused approach. The museum as a two-way street … broadening the relationship between the object and its many different spokespersons.

Elaine Heumann Gurian

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”

We own places that are – and should be – for everyone … Museums can benefit from emulating PInterest - an intuitive and gratifying mode of museum learning. … The visitor becomes the assembler of content, for further assembly by still further users on the Web … using a visible bulletin board strategy. Pinterest is easy, portable, and I find the search joyous. It feels like shopping. Free, inquisitive and satisfying experience … A new free choice, non-prescriptive, customer-focused approach. The museum as a two-way street … broadening the relationship between the object and its many different spokespersons.

Elaine Heumann Gurian

“

”

We own places that are – and should be – for everyone … Museums can benefit from emulating PInterest - an intuitive and gratifying mode of museum learning. … The visitor becomes the assembler of content, for further assembly by still further users on the Web … using a visible bulletin board strategy. Pinterest is easy, portable, and I find the search joyous. It feels like shopping. Free, inquisitive and satisfying experience … A new free choice, non-prescriptive, customer-focused approach. The museum as a two-way street … broadening the relationship between the object and its many different spokespersons.

Andrew Payne

Archives make you stop and put to one side everything you think you thought about the past. And yet the way in which we present ourselves to our audiences is as a boring organisation – boring to the power of thirteen … And does a million views on Flickr really make you ‘essential’?

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”Andrew Payne

Archives make you stop and put to one side everything you think you thought about the past. And yet the way in which we present ourselves to our audiences is as a boring organisation – boring to the power of thirteen … And does a million views on Flickr really make you ‘essential’?

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”Andrew Payne

Archives make you stop and put to one side everything you think you thought about the past. And yet the way in which we present ourselves to our audiences is as a boring organisation – boring to the power of thirteen … And does a million views on Flickr really make you ‘essential’?

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”Andrew Payne

Turn the paradigm on its head … rather than put the stuff up there … we had to reach out to them rather than expect them to come to us … We handed over control and asked ‘There you go, we will facilitate, but we will not dictate how to do it. We were hoping that people would give us responses so that we could capture them … but actually this feels like a much more authentic way to work with a collection …. To respond to a collection in the way that the community want to respond. Our role is now as a provider and a facilitator.

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”Andrew Payne

Turn the paradigm on its head … rather than put the stuff up there … we had to reach out to them rather than expect them to come to us … We handed over control and asked ‘There you go, we will facilitate, but we will not dictate how to do it. We were hoping that people would give us responses so that we could capture them … but actually this feels like a much more authentic way to work with a collection …. To respond to a collection in the way that the community want to respond. Our role is now as a provider and a facilitator.

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”Andrew Payne

Turn the paradigm on its head … rather than put the stuff up there … we had to reach out to them rather than expect them to come to us … We handed over control and asked ‘There you go, we will facilitate, but we will not dictate how to do it. We were hoping that people would give us responses so that we could capture them … but actually this feels like a much more authentic way to work with a collection …. To respond to a collection in the way that the community want to respond. Our role is now as a provider and a facilitator.

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”Andrew Payne

Nick Winterbotham

Nick Winterbotham

Nick Winterbotham

I would like to talk about how we, the border guards of learning, can take away the entanglements. One key to educational success lies in social behaviour … there is a capacity for pursuit … Be clear about the distinction between: ‘cognitive gains’ – what you know; and ‘effective gains’ – how you feel afterwards.

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Nick Winterbotham

I would like to talk about how we, the border guards of learning, can take away the entanglements. One key to educational success lies in social behaviour … there is a capacity for pursuit … Be clear about the distinction between: ‘cognitive gains’ – what you know; and ‘effective gains’ – how you feel afterwards.

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Nick Winterbotham

I would like to talk about how we, the border guards of learning, can take away the entanglements. One key to educational success lies in social behaviour … there is a capacity for pursuit … Be clear about the distinction between: ‘cognitive gains’ – what you know; and ‘effective gains’ – how you feel afterwards.

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Nick Winterbotham

The GEM ‘manifesto’:

- Our heritage is not about things it is about people- Everyone has a right to know about and be at east with heritage- The multiple narratives of heritage deserve respect- Heritage learning is an entitlement for everyone

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Nick Winterbotham

The GEM ‘manifesto’:

- Our heritage is not about things it is about people- Everyone has a right to know about and be at east with heritage- The multiple narratives of heritage deserve respect- Heritage learning is an entitlement for everyone

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”

Nick Winterbotham

The GEM ‘manifesto’:

- Our heritage is not about things it is about people- Everyone has a right to know about and be at east with heritage- The multiple narratives of heritage deserve respect- Heritage learning is an entitlement for everyone

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Nick Winterbotham

‘None of us is as smartas all of us’

When you co-curate, sometimes it pulls you up short. Does it use all our senses: visual; auditory; kinesthetic; olfactory; gustatory? Fun is the oxygen of learning

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”

Nick Winterbotham

‘None of us is as smartas all of us’

When you co-curate, sometimes it pulls you up short. Does it use all our senses: visual; auditory; kinesthetic; olfactory; gustatory? Fun is the oxygen of learning

“

”

Nick Winterbotham

‘None of us is as smartas all of us’

When you co-curate, sometimes it pulls you up short. Does it use all our senses: visual; auditory; kinesthetic; olfactory; gustatory? Fun is the oxygen of learning

“

”

Nick Winterbotham

‘None of us is as smartas all of us’

When you co-curate, sometimes it pulls you up short. Does it use all our senses: visual; auditory; kinesthetic; olfactory; gustatory? Fun is the oxygen of learning

“

”

Nick Winterbotham

‘None of us is as smartas all of us’

When you co-curate, sometimes it pulls you up short. Does it use all our senses: visual; auditory; kinesthetic; olfactory; gustatory? Fun is the oxygen of learning

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Ken Arnold

Ken Arnold

Reinventing our institutions in a way that puts control into the hands of users. Another venerable aspect of museums needs to flourish: one in which the visitor is not the prime assembler of content, but rather an old-fashioned recipient of pre-curated content. A ‘Gurian-esque’ approach to our public offer.

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Ken Arnold

Reinventing our institutions in a way that puts control into the hands of users. Another venerable aspect of museums needs to flourish: one in which the visitor is not the prime assembler of content, but rather an old-fashioned recipient of pre-curated content. A ‘Gurian-esque’ approach to our public offer.

“

”

Ken Arnold

Reinventing our institutions in a way that puts control into the hands of users. Another venerable aspect of museums needs to flourish: one in which the visitor is not the prime assembler of content, but rather an old-fashioned recipient of pre-curated content. A ‘Gurian-esque’ approach to our public offer.

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Ken Arnold

Three durations of visitor experience - the ‘tyranny of 90’: 90 minutes for live events; temporary exhibitions 90 days; permanent gallery at least for 90 months. The new ‘Reading Room’: Gallery – Library – Event Space. Never happened together before. A space where people might spend 90% of their time sitting down. Our role, less a ‘provider’ more an ‘enabler’. An institution prepared to use its public platform to try out ideas – to think out loud

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Ken Arnold

Three durations of visitor experience - the ‘tyranny of 90’: 90 minutes for live events; temporary exhibitions 90 days; permanent gallery at least for 90 months. The new ‘Reading Room’: Gallery – Library – Event Space. Never happened together before. A space where people might spend 90% of their time sitting down. Our role, less a ‘provider’ more an ‘enabler’. An institution prepared to use its public platform to try out ideas – to think out loud

“

”

Ken Arnold

Three durations of visitor experience - the ‘tyranny of 90’: 90 minutes for live events; temporary exhibitions 90 days; permanent gallery at least for 90 months. The new ‘Reading Room’: Gallery – Library – Event Space. Never happened together before. A space where people might spend 90% of their time sitting down. Our role, less a ‘provider’ more an ‘enabler’. An institution prepared to use its public platform to try out ideas – to think out loud

“

”

Ken Arnold

Three durations of visitor experience - the ‘tyranny of 90’: 90 minutes for live events; temporary exhibitions 90 days; permanent gallery at least for 90 months. The new ‘Reading Room’: Gallery – Library – Event Space. Never happened together before. A space where people might spend 90% of their time sitting down. Our role, less a ‘provider’ more an ‘enabler’. An institution prepared to use its public platform to try out ideas – to think out loud

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Follow our users(where they are, what they use, what they want to do)

Assume museum borders are porous(physical, organisational,intellectual)

Treat the museum as an adaptive medium

Follow our users(where they are, what they use, what they want to do)

Assume museum borders are porous(physical, organisational,intellectual)

Treat the museum as an adaptive medium

Follow our users(where they are, what they use, what they want to do)

Assume museum borders are porous(physical, organisational,intellectual)

Treat the museum as an adaptive medium

Follow our users(where they are, what they use, what they want to do)

Assume museum borders are porous(physical, organisational,intellectual)

Treat the museum as an adaptive medium