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Page 1: Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong.  Painting in OIL, developed
Page 2: Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong.  Painting in OIL, developed

Renaissance Art in Renaissance Art in Northern EuropeNorthern Europe

Renaissance Art in Renaissance Art in Northern EuropeNorthern Europe

, Should not be considered an appendage to Italian art.

, But, Italian influence was strong. Painting in OIL, developed in Flanders, was

widely adopted in Italy.

, The differences between the two cultures: Italy change was inspired by humanism with

its emphasis on the revival of the values of classical antiquity.

No. Europe change was driven by religious reform, the return to Christian values, and the revolt against the authority of the Church.

, More princes & kings were patrons of artists.

Page 3: Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong.  Painting in OIL, developed

Characteristics of Northern Characteristics of Northern Renaissance ArtRenaissance Art

Characteristics of Northern Characteristics of Northern Renaissance ArtRenaissance Art

, Tendency toward realism & naturalism [less emphasis on the “classical ideal”].

, Interest in landscapes., More emphasis on middle-class

and peasant life., Details of domestic interiors., Great skill in portraiture.

Page 4: Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong.  Painting in OIL, developed

• People from Flanders are Flemish• Flanders = parts of present day Belgium, France and the Netherlands

Page 5: Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong.  Painting in OIL, developed

Jan van Eyck (1395 – 1441)Jan van Eyck (1395 – 1441)Jan van Eyck (1395 – 1441)Jan van Eyck (1395 – 1441)

, More courtly and aristocratic work. Court painter to

the Duke of Burgundy, Philip the Good.

, The Virgin and Chancellor Rolin, 1435.

Page 6: Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong.  Painting in OIL, developed

Van Eyck:Van Eyck:

The The CrucifixionCrucifixion

&&

The Last The Last JudgmentJudgment 1420-14251420-1425

Van Eyck:Van Eyck:

The The CrucifixionCrucifixion

&&

The Last The Last JudgmentJudgment 1420-14251420-1425

Page 7: Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong.  Painting in OIL, developed

Giovanni Giovanni Arnolfini Arnolfini and His and His

WifeWife

(Wedding (Wedding Portrait)Portrait)

Jan Van Jan Van

EyckEyck

14341434

Page 8: Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong.  Painting in OIL, developed
Page 9: Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong.  Painting in OIL, developed

Rogier van der Weyden Rogier van der Weyden (1399-1464)(1399-1464)

Rogier van der Weyden Rogier van der Weyden (1399-1464)(1399-1464)

The The DepositioDepositio

nn

1435 1435

Page 10: Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong.  Painting in OIL, developed

van der Weyden’s van der Weyden’s DepositionDeposition (details) (details)van der Weyden’s van der Weyden’s

DepositionDeposition (details) (details)

Page 11: Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong.  Painting in OIL, developed

Quentin Massys (1465-Quentin Massys (1465-1530)1530)

Quentin Massys (1465-Quentin Massys (1465-1530)1530)

, The Ugly Dutchess, 1525-1530

Page 12: Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong.  Painting in OIL, developed

Massys’ Massys’ The Moneylender & The Moneylender & His WifeHis Wife, 1514, 1514

Massys’ Massys’ The Moneylender & The Moneylender & His WifeHis Wife, 1514, 1514

Page 13: Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong.  Painting in OIL, developed
Page 14: Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong.  Painting in OIL, developed
Page 15: Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong.  Painting in OIL, developed
Page 16: Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong.  Painting in OIL, developed

Lucas Cranach the Elder Lucas Cranach the Elder (1472-1553)(1472-1553)

Lucas Cranach the Elder Lucas Cranach the Elder (1472-1553)(1472-1553)

, Court painter at Wittenberg from 1505-1553.

, His best portraits were of Martin Luther (to the left).

Page 17: Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong.  Painting in OIL, developed

Lucas Cranach the ElderLucas Cranach the ElderLucas Cranach the ElderLucas Cranach the Elder

Old Man with a Young Old Man with a Young WomanWoman

Amorous Old Woman with Amorous Old Woman with a Young Mana Young Man

Page 18: Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong.  Painting in OIL, developed

Albrecht Dürer (1471-1528)Albrecht Dürer (1471-1528)Albrecht Dürer (1471-1528)Albrecht Dürer (1471-1528), A scholar as well as

an artist., Also a scientist

Wrote books on geometry, fortifications, and human proportions.

, Self-Portrait at 26, 1498.

Page 19: Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong.  Painting in OIL, developed

Dürer – Dürer – Self-Portrait in Fur-Self-Portrait in Fur-Collared RobeCollared Robe, 1500, 1500Dürer – Dürer – Self-Portrait in Fur-Self-Portrait in Fur-Collared RobeCollared Robe, 1500, 1500

Page 20: Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong.  Painting in OIL, developed

Dürer Dürer

The Last The Last SupperSupper

woodcut, woodcut, 15101510

Dürer Dürer

The Last The Last SupperSupper

woodcut, woodcut, 15101510

Page 21: Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong.  Painting in OIL, developed

Dürer Dürer

FourFourHorsemenHorsemen

of theof theApocalypsApocalyps

ee

woodcut, woodcut, 14981498

Dürer Dürer

FourFourHorsemenHorsemen

of theof theApocalypsApocalyps

ee

woodcut, woodcut, 14981498

Page 22: Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong.  Painting in OIL, developed
Page 23: Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong.  Painting in OIL, developed

Hieronymus Bosch (1450-Hieronymus Bosch (1450-1516)1516)

Hieronymus Bosch (1450-Hieronymus Bosch (1450-1516)1516)

, A pessimistic view of human nature., Had a wild and lurid

imagination. Fanciful monsters &

apparitions.

, Untouched by the values of the Italian perspective. His figures are flat. Perspective is ignored.

, More a landscape painter than a portraitist.

Page 24: Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong.  Painting in OIL, developed

HieronyHieronymusmus

BoschBosch

The The Garden Garden

of of Earthy Earthy

DelightsDelights

15001500

HieronyHieronymusmus

BoschBosch

The The Garden Garden

of of Earthy Earthy

DelightsDelights

15001500

Page 25: Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong.  Painting in OIL, developed

Pieter Bruegel the Elder Pieter Bruegel the Elder (1525-1569)(1525-1569)

Pieter Bruegel the Elder Pieter Bruegel the Elder (1525-1569)(1525-1569)

, Was deeply concerned with human vice and follies.

, A master of landscapes; not a portraitist. People in his works often have round, blank,

heavy faces. They are expressionless, mindless, and

sometimes malicious. They are types, rather than individuals. Their purpose is to convey a message.

Page 26: Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong.  Painting in OIL, developed

Bruegel’s, Bruegel’s, Tower of BabelTower of Babel, , 15631563

Bruegel’s, Bruegel’s, Tower of BabelTower of Babel, , 15631563

Page 27: Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong.  Painting in OIL, developed

Bruegel’s, Bruegel’s, Mad MegMad Meg, 1562, 1562Bruegel’s, Bruegel’s, Mad MegMad Meg, 1562, 1562

Page 28: Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong.  Painting in OIL, developed

Bruegel’s, Bruegel’s, The BeggarsThe Beggars, , 15681568

Bruegel’s, Bruegel’s, The BeggarsThe Beggars, , 15681568

Page 29: Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong.  Painting in OIL, developed

Bruegel’s, Bruegel’s, Parable of the Parable of the Blind Leading the BlindBlind Leading the Blind, 1568, 1568

Bruegel’s, Bruegel’s, Parable of the Parable of the Blind Leading the BlindBlind Leading the Blind, 1568, 1568

Page 30: Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong.  Painting in OIL, developed

Bruegel’s, Bruegel’s, The Triumph of The Triumph of DeathDeath, 1562, 1562

Bruegel’s, Bruegel’s, The Triumph of The Triumph of DeathDeath, 1562, 1562

Page 31: Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong.  Painting in OIL, developed

Bruegel’s, Bruegel’s, Hunters in the Hunters in the SnowSnow, 1565, 1565

Bruegel’s, Bruegel’s, Hunters in the Hunters in the SnowSnow, 1565, 1565

Page 32: Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong.  Painting in OIL, developed

Bruegel’s, Bruegel’s, Winter SceneWinter Scene, , 15651565

Bruegel’s, Bruegel’s, Winter SceneWinter Scene, , 15651565

Page 33: Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong.  Painting in OIL, developed

Bruegel’s, Bruegel’s, The HarvestersThe Harvesters, , 15651565

Bruegel’s, Bruegel’s, The HarvestersThe Harvesters, , 15651565

Page 34: Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong.  Painting in OIL, developed
Page 35: Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong.  Painting in OIL, developed

El El GrecoGreco

Christ Christ in in

Agony Agony on the on the CrossCross

1600s1600s

El El GrecoGreco

Christ Christ in in

Agony Agony on the on the CrossCross

1600s1600s

Page 36: Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong.  Painting in OIL, developed

El GrecoEl Greco

Portrait of aPortrait of aCardinalCardinal

16001600

El GrecoEl Greco

Portrait of aPortrait of aCardinalCardinal

16001600

Page 37: Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong.  Painting in OIL, developed
Page 38: Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong.  Painting in OIL, developed

Hans Holbein, the Younger Hans Holbein, the Younger (1497-1543)(1497-1543)

Hans Holbein, the Younger Hans Holbein, the Younger (1497-1543)(1497-1543)

, One of the great German artists who did most of his work in England. Erasmus Writing, 1523

, Henry VIII was his

patron from 1536., Great portraitist noted

for: Objectivity &

detachment. Doesn’t conceal the

weaknesses of his subjects.

Page 39: Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong.  Painting in OIL, developed

Artist to the TudorsArtist to the TudorsArtist to the TudorsArtist to the Tudors

Henry VIII (left), 1540 Henry VIII (left), 1540 and the future Edward and the future Edward VI (above), 1543.VI (above), 1543.

Page 40: Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong.  Painting in OIL, developed

The Elizabethan AgeThe Elizabethan AgeThe Elizabethan AgeThe Elizabethan Age, Queen Elizabeth reigned in England

from 1558 to 1603 … more on her later.

Page 41: Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong.  Painting in OIL, developed

William William ShakespeareShakespeare

William William ShakespeareShakespeare“All the world’s a stage, we

are merely players.”

Page 42: Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong.  Painting in OIL, developed

Shakespeare's’ MoviesShakespeare's’ MoviesShakespeare's’ MoviesShakespeare's’ Movies, Gnomeo and Juliet (2011)

Page 43: Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong.  Painting in OIL, developed

Shakespeare's’ MoviesShakespeare's’ MoviesShakespeare's’ MoviesShakespeare's’ Movies, Romeo Must Die (2000)

Page 44: Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong.  Painting in OIL, developed

Shakespeare's’ MoviesShakespeare's’ MoviesShakespeare's’ MoviesShakespeare's’ Movies, Valley Girl(1983)

Page 45: Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong.  Painting in OIL, developed

Shakespeare's’ MoviesShakespeare's’ MoviesShakespeare's’ MoviesShakespeare's’ Movies, West Side Story (1961)

Page 46: Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong.  Painting in OIL, developed

Shakespeare's’ MoviesShakespeare's’ MoviesShakespeare's’ MoviesShakespeare's’ Movies, The Lion King (1994)

Page 47: Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong.  Painting in OIL, developed

Shakespeare's’ MoviesShakespeare's’ MoviesShakespeare's’ MoviesShakespeare's’ Movies, The Lion King II: Simba's Pride (1998)

Page 48: Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong.  Painting in OIL, developed

Shakespeare's’ MoviesShakespeare's’ MoviesShakespeare's’ MoviesShakespeare's’ Movies, She's the Man (2006)

Page 49: Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong.  Painting in OIL, developed

Shakespeare's’ MoviesShakespeare's’ MoviesShakespeare's’ MoviesShakespeare's’ Movies, Forbidden Planet (1956)

Page 50: Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong.  Painting in OIL, developed

Shakespeare's’ MoviesShakespeare's’ MoviesShakespeare's’ MoviesShakespeare's’ Movies, 10 Things I Hate about You (1999)

Page 51: Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong.  Painting in OIL, developed

Shakespeare's’ MoviesShakespeare's’ MoviesShakespeare's’ MoviesShakespeare's’ Movies, Kiss Me, Kate (1948)

Page 52: Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong.  Painting in OIL, developed

Quotable ShakespeareQuotable ShakespeareQuotable ShakespeareQuotable Shakespeare

, A fool thinks himself to be wise, but a wise man knows himself to be a fool.

Page 53: Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong.  Painting in OIL, developed

Quotable ShakespeareQuotable ShakespeareQuotable ShakespeareQuotable Shakespeare

,  Be not afraid of greatness: some are born great, some achieve greatness, and some have greatness thrust upon them.  

Page 54: Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong.  Painting in OIL, developed

Quotable ShakespeareQuotable ShakespeareQuotable ShakespeareQuotable Shakespeare

, Love all, trust a few, do wrong to none. 

Page 55: Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong.  Painting in OIL, developed

Quotable ShakespeareQuotable ShakespeareQuotable ShakespeareQuotable Shakespeare

, All the world's a stage, and all the men and women merely players: they have their exits and their entrances; and one man in his time plays many parts, his acts being seven ages. 

Page 56: Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong.  Painting in OIL, developed

Quotable ShakespeareQuotable ShakespeareQuotable ShakespeareQuotable Shakespeare

, Ignorance is the curse of God; knowledge is the wing wherewith we fly to heaven. 

Page 57: Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong.  Painting in OIL, developed

Quotable ShakespeareQuotable ShakespeareQuotable ShakespeareQuotable Shakespeare

, Better three hours too soon than a minute too late. 

Page 58: Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong.  Painting in OIL, developed

Quotable ShakespeareQuotable ShakespeareQuotable ShakespeareQuotable Shakespeare

, The empty vessel makes the loudest sound. 

Page 59: Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong.  Painting in OIL, developed

Quotable ShakespeareQuotable ShakespeareQuotable ShakespeareQuotable Shakespeare

, I say there is no darkness but ignorance. 

Page 60: Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong.  Painting in OIL, developed
Page 61: Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong.  Painting in OIL, developed