WE FEEL GREAT PLEASURE WE FEEL GREAT PLEASURE TO INTRODUCE ABOUT LATA TO INTRODUCE ABOUT LATA MANGESKAR JI, SHE IS THE MANGESKAR JI, SHE IS THE HEART OF INDIAN MUSIC HEART OF INDIAN MUSIC

LATA MANGESKAR IS ONE OF THE BEST LATA MANGESKAR IS ONE OF THE BEST SINGERS OF HINDI FILM INDUSTRY. SHE SINGERS OF HINDI FILM INDUSTRY. SHE IS LISTED IN THE GUINNESS BOOK OF IS LISTED IN THE GUINNESS BOOK OF

WORLD RECORDS AS THE MOST WORLD RECORDS AS THE MOST RECORDED ARTIST IN THE WORLD. IT IS RECORDED ARTIST IN THE WORLD. IT IS ESTIMATED THAT SHE HAS MORE THAN ESTIMATED THAT SHE HAS MORE THAN

30,000 SOLO, DUET AND CHORUS 30,000 SOLO, DUET AND CHORUS BACKED SONGS IN 20 DIFFERENT BACKED SONGS IN 20 DIFFERENT LANGUAGES FROM 1948 TO 1987.LANGUAGES FROM 1948 TO 1987.

NOW IT MUST WAY OVER 40,000, NOW IT MUST WAY OVER 40,000, LATA MANGESKAR WAS BORN ON LATA MANGESKAR WAS BORN ON 2828thth SEPTEMBER 1929,IN A PLACE SEPTEMBER 1929,IN A PLACE

CALLED INDORE.HER FATHER CALLED INDORE.HER FATHER DINANATH MANGESKAR WAS A DINANATH MANGESKAR WAS A RENOWNED CLASSICAL SINGER RENOWNED CLASSICAL SINGER

HIMSELF.LATA WAS INTRODUCED TO HIMSELF.LATA WAS INTRODUCED TO

MUSIC AT A VERRY YOUNG AGEMUSIC AT A VERRY YOUNG AGE..

THE LIFE HISTORY OF LATA MANGESKAR IS THE LIFE HISTORY OF LATA MANGESKAR IS TRULY FASCINATING. LATA MANGESHKAR TRULY FASCINATING. LATA MANGESHKAR

WAS VERY YOUNG WHEN HER FATHER WAS VERY YOUNG WHEN HER FATHER PASSED AWAY, THUS MAKING THE FAMILY PASSED AWAY, THUS MAKING THE FAMILY DEPENDANT ON LATA. TO TAKE CARE OF DEPENDANT ON LATA. TO TAKE CARE OF

HER FAMILY'S ECONOMIC SITUATION, LATA HER FAMILY'S ECONOMIC SITUATION, LATA ACTED IN AS MANY AS 8 FILMS FROM 1942 ACTED IN AS MANY AS 8 FILMS FROM 1942

TO 1948TO 1948. . SHE DEBUTED AS PLAYBACK SHE DEBUTED AS PLAYBACK

SINGER INSINGER IN MARATHI FILM NAMED KITI MARATHI FILM NAMED KITI

HASAAL (1942).HASAAL (1942).

UNFORTUNATELY THE SONG WAS UNFORTUNATELY THE SONG WAS EDITED OUT. HER FIRST HINDI EDITED OUT. HER FIRST HINDI

PLAYBACK WAS FOR THE FILM AAP PLAYBACK WAS FOR THE FILM AAP KE SEWA MAIN (1947) BUT SHE DID KE SEWA MAIN (1947) BUT SHE DID NOT GET NOTICED. AT THAT TIME, NOT GET NOTICED. AT THAT TIME,

THE FILM INDUSTRY WAS RULED BY THE FILM INDUSTRY WAS RULED BY FEMALE SINGERS WHO HAD FEMALE SINGERS WHO HAD

HEAVIER AND HUSKIER VOICES LIKE HEAVIER AND HUSKIER VOICES LIKE NOOR JEHAN, SHAMSHAD BEGUM NOOR JEHAN, SHAMSHAD BEGUM

AND ZOHRABAI AMBALEWALI. WHILE AND ZOHRABAI AMBALEWALI. WHILE AUDITIONING FOR THE MOVIE AUDITIONING FOR THE MOVIE

SHAHEED (1948)SHAHEED (1948)

SHE WAS REJECTED ON THE ACCOUNT OF SHE WAS REJECTED ON THE ACCOUNT OF HER THIN VOICE! BUT GHULAM HAIDER HER THIN VOICE! BUT GHULAM HAIDER SAW THE POTENTIAL IN HER AND GAVE SAW THE POTENTIAL IN HER AND GAVE

HER A CHANCE TO SING IN THE FILM HER A CHANCE TO SING IN THE FILM MAJBOOR. THE SONG DIL MERA TODA MAJBOOR. THE SONG DIL MERA TODA

FINALLY GOT HER NOTICED AND IT WAS FINALLY GOT HER NOTICED AND IT WAS TOUTED AS HER BREAKTHROUGH SONG. TOUTED AS HER BREAKTHROUGH SONG.

IN 1949, SHE HAD FOUR MAJOR HITS IN 1949, SHE HAD FOUR MAJOR HITS FROM THE FILMS BARSAAT, ANDAAZ, FROM THE FILMS BARSAAT, ANDAAZ,

DULARI AND MAHAL.DULARI AND MAHAL.

THE SONG "AAYEGA AANEWALA" FROM THE SONG "AAYEGA AANEWALA" FROM MAHAL WAS A HUGE HIT AND LATA MAHAL WAS A HUGE HIT AND LATA SECURED A FIRM POSITION IN THE SECURED A FIRM POSITION IN THE

INDUSTRY. THE HUSKY VOICES OF ALL INDUSTRY. THE HUSKY VOICES OF ALL OTHER SINGERS BECAME OBSOLETE IN OTHER SINGERS BECAME OBSOLETE IN FRONT OF THE HIGH PITCHED VOICE OF FRONT OF THE HIGH PITCHED VOICE OF

LATA MANGESHKAR.LATA MANGESHKAR. THE MUSIC INDUSTRY THE MUSIC INDUSTRY HAD A HUGE MAKEOVER WITH THE HAD A HUGE MAKEOVER WITH THE

ARRIVAL OF LATA MANGESHKAR.ARRIVAL OF LATA MANGESHKAR.

BY THE LATE 50'S, THE YOUNGER SISTER BY THE LATE 50'S, THE YOUNGER SISTER OF LATA MANGESHKAR KNOWN AS ASHA OF LATA MANGESHKAR KNOWN AS ASHA BHONSLE ALSO CAME INTO THE SCENE BHONSLE ALSO CAME INTO THE SCENE AND THEY BOTH WERE TOUTED AS THE AND THEY BOTH WERE TOUTED AS THE

UNBEATABLE VOICES OF THE INDUSTRY. UNBEATABLE VOICES OF THE INDUSTRY. LATA ROSE TO FAME RAPIDLY AND MADE LATA ROSE TO FAME RAPIDLY AND MADE HER INDELIBLE MARK IN THE INDUSTRY. HER INDELIBLE MARK IN THE INDUSTRY. SHE HAS SUNG WITH FAMOUS SINGERS SHE HAS SUNG WITH FAMOUS SINGERS

LIKE MOHAMMED RAFI, KISHORE KUMAR, LIKE MOHAMMED RAFI, KISHORE KUMAR, MUKESH, ETC. SHE HAS PERFECTED MUKESH, ETC. SHE HAS PERFECTED

ALMOST EVERY GENRE OF MUSIC.ALMOST EVERY GENRE OF MUSIC.

HER SUCCESS AND DETERMINATION HER SUCCESS AND DETERMINATION MADE HER ONE OF THE MOST POWERFUL MADE HER ONE OF THE MOST POWERFUL WOMEN IN THE INDUSTRY. SHE REFUSED WOMEN IN THE INDUSTRY. SHE REFUSED TO SING FOR THE GREAT COMPOSER S.D TO SING FOR THE GREAT COMPOSER S.D

BURMAN DUE TO SOME BURMAN DUE TO SOME MISUNDERSTANDING AND ALSO STOPPED MISUNDERSTANDING AND ALSO STOPPED

SINGING WITH MOHAMMED RAFI. HER SINGING WITH MOHAMMED RAFI. HER POWER WAS SO IMMENSE THAT THEY POWER WAS SO IMMENSE THAT THEY

HAD TO COME BACK TO HER. SHE HAD TO COME BACK TO HER. SHE ACTUALLY MONOPOLIZED THE MUSIC ACTUALLY MONOPOLIZED THE MUSIC

INDUSTRY AND EVERY MUSIC DIRECTOR INDUSTRY AND EVERY MUSIC DIRECTOR

WANTED TO WORK WITH HER.WANTED TO WORK WITH HER.

LATA MANGESHKAR HAS BEEN HONORED LATA MANGESHKAR HAS BEEN HONORED WITH INNUMERABLE AWARDS BUT THE WITH INNUMERABLE AWARDS BUT THE ONE THAT TRULY DESERVES A SPECIAL ONE THAT TRULY DESERVES A SPECIAL

MENTION IS THAT SHE IS THE ONLY MENTION IS THAT SHE IS THE ONLY SECOND SINGER IN THE NON-CLASSICAL SECOND SINGER IN THE NON-CLASSICAL

CATEGORY (AFTER M.S SUBBULAKSHMI) IN CATEGORY (AFTER M.S SUBBULAKSHMI) IN INDIA TO HAVE RECEIVED THE HIGHEST INDIA TO HAVE RECEIVED THE HIGHEST

CIVILIAN AWARD, BHARAT RATNA.CIVILIAN AWARD, BHARAT RATNA.

SHE HAS RECEIVED THREE NATIONAL SHE HAS RECEIVED THREE NATIONAL AWARDS AND EIGHT FILMFARE AWARDS AWARDS AND EIGHT FILMFARE AWARDS AFTER WHICH SHE STOPPED ACCEPTING AFTER WHICH SHE STOPPED ACCEPTING AWARDS IN ORDER TO PROMOTE NEW AWARDS IN ORDER TO PROMOTE NEW

TALENT. SHE CONTINUES TO SING EVERY TALENT. SHE CONTINUES TO SING EVERY NOW AND THEN FOR HINDI MOVIES AND NOW AND THEN FOR HINDI MOVIES AND PERFORM LIVE. TRULY A LIVING LEGEND, PERFORM LIVE. TRULY A LIVING LEGEND,

LATA MANGESHKAR HAS A TALENT THAT IS LATA MANGESHKAR HAS A TALENT THAT IS

SECOND TO NONESECOND TO NONE..

MOST FAMOUS SONG OF LATA MOST FAMOUS SONG OF LATA MANGESKARMANGESKAR

AI MERE WATAN KE LOGOAI MERE WATAN KE LOGO MOHE BHUL GAYE SAMWARIYAMOHE BHUL GAYE SAMWARIYA AAJA RE PARDESIAAJA RE PARDESI KAHIN DEEP JALE KAHIN DILKAHIN DEEP JALE KAHIN DIL JO WADA KIYA WO NIBHANA PADEGAJO WADA KIYA WO NIBHANA PADEGA RASIK BALMARASIK BALMA MUJHE KUCHH KAHNA HAIMUJHE KUCHH KAHNA HAI HUM BANE TUM BANE EK DUJE KE HUM BANE TUM BANE EK DUJE KE

LIYELIYE

I WILL SHOW YOU SOME I WILL SHOW YOU SOME MOST POPULAR PIC OF LATA MOST POPULAR PIC OF LATA

MANGESKAR.MANGESKAR.

LATA MANGESKAR IN 1949

LATA MANGESKAR IN 1961

LATA MANGESKAR

LATA MANGESKAR

LATA MANGESKAR WITH HER FAMILY

LATA MANGESKAR WITH MUKESH JI

LATA MANGESKAR

LATA MANGESKAR

REALLY LATA MANGESKAR IS A LANDMARK REALLY LATA MANGESKAR IS A LANDMARK OF INDIAN MUSIC INDUSTRIES. AND SHE IS OF INDIAN MUSIC INDUSTRIES. AND SHE IS ALWAYS IN EVERYBODIES HEART. SHE IS ALWAYS IN EVERYBODIES HEART. SHE IS ONE IN ONLY IN HOLL MUSIC IN INDIAN ONE IN ONLY IN HOLL MUSIC IN INDIAN

CINEMA.CINEMA.

LAST BUT NOT THE LEAST I LAST BUT NOT THE LEAST I HOPE YOU ENJOY THIS HOPE YOU ENJOY THIS

POWER POINT PRESTATION, POWER POINT PRESTATION, AND I REQUEST TO ALL PLZ AND I REQUEST TO ALL PLZ

PRAY TO LATA MANGESKAR JI PRAY TO LATA MANGESKAR JI FOR GOOD HEALTH, FOR GOOD HEALTH,

BECAUSE WE NEED HER.BECAUSE WE NEED HER.

SLIDE BY NIRAJ