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“Photographs are a link to the eternal”

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Page 1: Portraiture

“Photographs are a link to the eternal”

from Photography, by London and Upton

Page 2: Portraiture
Page 3: Portraiture

~Traditional Portraiture

~Environmental Portraiture

~Portraits using props/clothing

~Portraits that rely on gesture

~Portraits taken from the back

~Portraits with shadows and reflections

~Self-Portraits

Page 4: Portraiture

Traditional Portraiture

~ A straight forward approach to photographing a person with emphasis placed on the face of the subject.

~ The object is to capture a physical likeness of the subject, as close to reality as possible.

Page 5: Portraiture

Julia Margaret Cameron,Mrs. Herbert Duckworth, 1867

Page 6: Portraiture

Sandy Edwards, from the bookParadise is a Place,1997

Page 7: Portraiture

Bob GruenJohn Lennon, 1999

Page 8: Portraiture

Environmental Portraiture

~ A portrait of a person taken in front of background or setting which helps to relay something meaningful about that person.

Page 9: Portraiture

Arnold Newman,Piet Mondrian, 1942

Page 10: Portraiture
Page 11: Portraiture

Bernd Lohse, Bookkeeper at the Minolta Company, Osaka, 1951

Page 12: Portraiture

Arthur Tress, Boy in a Fire-Bombed Store 1969

Page 13: Portraiture

Portraits using props/clothing

~Using an object or article of clothing that relates to your subject can help to convey something unique about that person.

Page 14: Portraiture

Danny Lyon,Spanky and Cowboy 1965

Page 15: Portraiture

Edward Steichen, Gloria Swanson, 1926

Page 16: Portraiture

Arnold Newman,Igor Stravinsky, 1946

Page 17: Portraiture

Portraits that rely on gesture

~By capturing your subject’s body language, i.e. a distinctive hand movement or facial expression, you can provide insight into the personality or profession of the individual you are photographing.

Page 18: Portraiture

Yosef Karsh, Martha Graham, 1948

Page 19: Portraiture

Roy DeCarava, Coltrane No.24, 1963

Page 20: Portraiture

Alfred Stieglitz,Georgia O’Keeffe, 1920?

Page 21: Portraiture

Georgia O’Keeffe,Calla Lilies, 1923

Page 22: Portraiture

Portraits from the back

~It is possible to create a meaningful rendering of a person without focusing on their face.

Page 23: Portraiture

Onesipe Aguado,Woman Seen From the Back,1862

Page 24: Portraiture

Imogen Cunningham,Jane and Alice and Imogen,1940

Page 25: Portraiture

Portraits with shadows or reflections

~Using the many different qualities of light and shadow can help to add another layer of interest and depth to a photograph.

Page 26: Portraiture

Lee Friedlander,New York City, 1960

Page 27: Portraiture

Imogen Cunningham,Roi Partridge, 1922

Page 28: Portraiture

Self-Portraits

~Alone with the camera, you can create an honest and revealing portrait of yourself.

Page 29: Portraiture

Ilse Bing, Self-Portrait with Mirrors,1957

Page 30: Portraiture

Ashley Knight-Greenfield,Self-Portrait, 2001

Page 31: Portraiture

Whitney Hart,Self-Portrait, 2001

Page 32: Portraiture

More Student Work

Page 33: Portraiture

Yume Kitasei,Portrait of her Twin, 2001

Page 34: Portraiture

Susannah Ludwig,Portrait of her Twin, 2001

Page 35: Portraiture

Ariana Constant,Portrait of her Sister, 2001

Page 36: Portraiture

Raffi Holznyc-Pimental,Portrait of his Brother, 2001

Page 37: Portraiture

The End

Page 38: Portraiture

Bibliography

Hirsch, Robert. Seizing The Light, A History of Photography. Boston: McGraw-Hill, 2000.

London and Upton. Photography, Sixth Edition. New York: Addison-Wesley Educational Publishers,Inc., 1998.

Philippi, Simone, editor. 20th Century Photography Museum Ludwig Cologne. Cologne, Germany: Taschen, 1996.

Mears and Edwards. Paradise Is A Place. Sydney, Australia: Random House, 1997.

Friedman and Friend. From Yesterday To Today, The Beatles. Boston: Little, Brown and Company, 1996.

Time-Life Editors. Life Library of Photography, Photographing Children. New York: Time-Life Books, 1971.

Hambourg, Apraxine, Daniel, Rosenheim, and Heckert. The Waking Dream, Photography’s First Century. New York: The Metropolitan Museum of Art, 1993.

Page 39: Portraiture

Bibliography

Greenough and Hamilton. Alfred Stieglitz, Photographs and Writings. Washington, DC: National Gallery of Art, 1983.

Arrowsmith and West, editors. Georgia O’Keeffe & Alfred Stieglitz, Two Lives. New York: HarperCollins Publishers/Callaway Editions, 1992.

Wolf, Sylvia. Julia Margaret Cameron’s Women. Chicago: Art Institute of Chicago, 1998.

Friedlander, Lee. Lee Friedlander Photographs. New York: Haywire Press, 1978.

Galassi, Peter. Roy De Carava, A Retrospective. New York: The Museum of Modern Art, 1996.

Lorenz, Richard. Imogen Cunningham Portraits. Boston: Little, Brown and Company, 1997