2013

When nature absorbs architecture.

Lenka Milerova

When nature absorbs architecture.

Lenka Milerova2013

Intrigue

It’s always for little things that you get lost.

Maria Cagnoli

Written Into Stone

I am the opposite of somebody who wants to conserve everything. To conserve, for me, is like announcing death.

Filipa Araújo

Presentism and Growing Block Universe

Temporal ordering, relation among di�erent series. �e two series di�er principally in their use of tense and tenseless to describe the temporal

relation between events.

Tiago Correia

Reaching Out

�e only empty space around us is the one we make for ourselves.

Eternalism and Four-Dimension.

Simona Halici

Reaching Out

�e only empty space around us is the one we make for ourselves.

Eternalism and Four-Dimension.

Simona Halici

Presentism and Growing Block Universe

Temporal ordering, relation among di�erent series. �e two series di�er principally in their use of tense and tenseless to describe the temporal

relation between events.

Tiago Correia

Trojan Horse

A tree that hides the forestCuriosity is the key.

Arnaud Despretz

Repetition Concept Flowers

�e object is only a pretextComposition, repetition, a strong order contrasting with a random organization of colour.

Juliana Rocha

Repetition Concept Flowers

�e object is only a pretextComposition, repetition, a strong order contrasting with a random organization of colour.

Juliana Rocha

Trojan Horse

A tree that hides the forestCuriosity is the key.

Arnaud Despretz

Liberation

Andrzej Gwizdala

Why So Serious

�e life of a building is in constant transfornation.

Time

João Monteiro

Why So Serious

�e life of a building is in constant transfornation.

Time

João Monteiro

Liberation

Andrzej Gwizdala

It becomes more intriguing to follow a little mystery than to be able to see all at once.

So, the word with a stripe through

Stefaan Jamaer

Mysterious Way

It’s fascinating to follow a clue. Not knowing where we are going is mysteriously scary. And yet, we go ahead, with the certainty that there is

always something to discover.

Mariana Brás

Frivolous

Mysterious Way

It’s fascinating to follow a clue. Not knowing where we are going is mysteriously scary. And yet, we go ahead, with the certainty that there is

always something to discover.

Mariana Brás

It becomes more intriguing to follow a little mystery than to be able to see all at once.

So, the word with a stripe through

Stefaan Jamaer

Roads

�e pureness is an inconscious contemplation, but the breeze is fresh.

Francesco Martinazzo

When strength lies in fragility.

Roots

About what can be substituted,mostly about what cannot.

Leaves (Wheat�eld with Crows - Van Gogh)

When the paths diverge, the animal instinct is no more than a fragile sense of belonging.

Laura Sattin

Roots

About what can be substituted,mostly about what cannot.

Leaves (Wheat�eld with Crows - Van Gogh)

When the paths diverge, the animal instinct is no more than a fragile sense of belonging.

Laura Sattin

Roads

�e pureness is an inconscious contemplation, but the breeze is fresh.

Francesco Martinazzo

When strength lies in fragility.

Joan Massagué

�e Beauty in the Ugly

Somehow we make mistakes; misunderstandings sometimes make something extremely inspiring; that’s how we get the essence.

Imprint on White CanvasWoven by Cloto

What will there beIn this future unknown

A re�ection of you or of reality?

Red String

Ties you tightOnce TwiceDon’t pull

With might

Giovanna Zuliani

Red String

Ties you tightOnce TwiceDon’t pull

With might

Giovanna ZulianiJoan Massagué

�e Beauty in the Ugly

Somehow we make mistakes; misunderstandings sometimes make something extremely inspiring; that’s how we get the essence.

Imprint on White CanvasWoven by Cloto

What will there beIn this future unknown

A re�ection of you or of reality?

Transcendental Oposing Forces

�at moment when transcendental forces are trying to �nd equilibrium between what is fragile and powerful at the same time.

Joana Matos

“What are we doing here, that is the question. And we are blessed in this, that we happen to know the answer. Yes, in the immense confusion one

thing alone is clear. We are waiting for Godot to come.” -Samuel Beckett, Waiting for Godot

Such is Life

Alessandra Tarara

“What are we doing here, that is the question. And we are blessed in this, that we happen to know the answer. Yes, in the immense confusion one

thing alone is clear. We are waiting for Godot to come.” -Samuel Beckett, Waiting for Godot

Such is Life

Alessandra Tarara

Transcendental Oposing Forces

�at moment when transcendental forces are trying to �nd equilibrium between what is fragile and powerful at the same time.

Joana Matos

Playground

�e feet on the ground, the eyes look ahead. �ere is a vision of a person free in perspective, any paysage would become the playground of

freedom.

Framing Reality

Laura Micheli

�e feet on the ground, the eyes look ahead. A city is always a playground of everybody’s life. �e view of the space between two walls

becomes the playground of freedom.

Playground

Hiroki Tanigaki

�e feet on the ground, the eyes look ahead. A city is always a playground of everybody’s life. �e view of the space between two walls

becomes the playground of freedom.

Playground

Hiroki Tanigaki

Playground

�e feet on the ground, the eyes look ahead. �ere is a vision of a person free in perspective, any paysage would become the playground of

freedom.

Framing Reality

Laura Micheli

Adequate

Keep your face to the sunshine and you will see no shadow. It’s not about lying, just that it doesn’t show the truth.

Victor Moldoveanu

Surface

�ings aren’t always where they are supposed to be and are not as they look like. Discovering the real thing means to look deep inside the

surface.

Aina Soler

Surface

�ings aren’t always where they are supposed to be and are not as they look like. Discovering the real thing means to look deep inside the

surface.

Aina Soler

Adequate

Keep your face to the sunshine and you will see no shadow. It’s not about lying, just that it doesn’t show the truth.

Victor Moldoveanu

Sea Terrace

A woman borrows part of a public pedestrian path to settle items of her private life, creating a con�ict between the intimate and the communal.

Nonwithstanding, this picture portraits her alone, so all seems like a secluded spot for an a�ernoon of sunbathing and reading.

Inês Oliveira

Untitled

By breaking a de�ned rule we are able to explore new forms and new conditions in architecture.

Maria Rebelo

Untitled

By breaking a de�ned rule we are able to explore new forms and new conditions in architecture.

Maria Rebelo

Sea Terrace

A woman borrows part of a public pedestrian path to settle items of her private life, creating a con�ict between the intimate and the communal.

Nonwithstanding, this picture portraits her alone, so all seems like a secluded spot for an a�ernoon of sunbathing and reading.

Inês Oliveira

Instant 2D vision

Loreto Ramon-Solans

Instant 2D vision

Loreto Ramon-Solans

Written Into Stone

I am the opposite of somebody who wants to conserve everything. To conserve, for me, is like announcing death.

Filipa Araújo

Intrigue

It’s always for little things that you get lost.

Maria Cagnoli

Porto Academy ‘13

Pascal Flammer Studio

Porto Academy ´13

Pascal Flammer

Maria CagnoliTiago Correira

Arnaud DespretzAndrzej Gwizdala

Stefaan JamaerFrancesco Martinazzo

Joan MassaguéJoana Matos

Laura MicheliVictor Moldoveanu

Inês OliveiraLoreto Ramon-Solans

Maria RebeloAina Soler

Hiroki TanigakiAlessandra TararaGiovanna Zuliani

Laura SattinMariana BrásJoão MonteiroJuliana RochaSimona HaliciFilipa Araújo

Lenka Milerova

José Martins

Porto Academy ‘13

Pascal Flammer Studio

Porto Academy ´13

Pascal Flammer

Maria CagnoliTiago Correira

Arnaud DespretzAndrzej Gwizdala

Stefaan JamaerFrancesco Martinazzo

Joan MassaguéJoana Matos

Laura MicheliVictor Moldoveanu

Inês OliveiraLoreto Ramon-Solans

Maria RebeloAina Soler

Hiroki TanigakiAlessandra TararaGiovanna Zuliani

Laura SattinMariana BrásJoão MonteiroJuliana RochaSimona HaliciFilipa Araújo

Lenka Milerova

José Martins

Porto Academy ‘13

Pascal Flammer Studio

Porto Academy ´13

Pascal Flammer

Maria CagnoliTiago Correira

Arnaud DespretzAndrzej Gwizdala

Stefaan JamaerFrancesco Martinazzo

Joan MassaguéJoana Matos

Laura MicheliVictor Moldoveanu

Inês OliveiraLoreto Ramon-Solans

Maria RebeloAina Soler

Hiroki TanigakiAlessandra TararaGiovanna Zuliani

Laura SattinMariana BrásJoão MonteiroJuliana RochaSimona HaliciFilipa Araújo

Lenka Milerova

José Martins Porto Academy ‘13

Pascal Flammer Studio

Porto Academy ´13

Pascal Flammer

Maria CagnoliTiago Correira

Arnaud DespretzAndrzej Gwizdala

Stefaan JamaerFrancesco Martinazzo

Joan MassaguéJoana Matos

Laura MicheliVictor Moldoveanu

Inês OliveiraLoreto Ramon-Solans

Maria RebeloAina Soler

Hiroki TanigakiAlessandra TararaGiovanna Zuliani

Laura SattinMariana BrásJoão MonteiroJuliana RochaSimona HaliciFilipa Araújo

Lenka Milerova

José Martins