Download - Pascal Flammer Presentation
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2013
When nature absorbs architecture.
Lenka Milerova
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When nature absorbs architecture.
Lenka Milerova2013
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Intrigue
It’s always for little things that you get lost.
Maria Cagnoli
Written Into Stone
I am the opposite of somebody who wants to conserve everything. To conserve, for me, is like announcing death.
Filipa Araújo
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Presentism and Growing Block Universe
Temporal ordering, relation among di�erent series. �e two series di�er principally in their use of tense and tenseless to describe the temporal
relation between events.
Tiago Correia
Reaching Out
�e only empty space around us is the one we make for ourselves.
Eternalism and Four-Dimension.
Simona Halici
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Reaching Out
�e only empty space around us is the one we make for ourselves.
Eternalism and Four-Dimension.
Simona Halici
Presentism and Growing Block Universe
Temporal ordering, relation among di�erent series. �e two series di�er principally in their use of tense and tenseless to describe the temporal
relation between events.
Tiago Correia
![Page 7: Pascal Flammer Presentation](https://reader034.vdocuments.us/reader034/viewer/2022051401/55cf9a91550346d033a26602/html5/thumbnails/7.jpg)
Trojan Horse
A tree that hides the forestCuriosity is the key.
Arnaud Despretz
Repetition Concept Flowers
�e object is only a pretextComposition, repetition, a strong order contrasting with a random organization of colour.
Juliana Rocha
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Repetition Concept Flowers
�e object is only a pretextComposition, repetition, a strong order contrasting with a random organization of colour.
Juliana Rocha
Trojan Horse
A tree that hides the forestCuriosity is the key.
Arnaud Despretz
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Liberation
Andrzej Gwizdala
Why So Serious
�e life of a building is in constant transfornation.
Time
João Monteiro
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Why So Serious
�e life of a building is in constant transfornation.
Time
João Monteiro
Liberation
Andrzej Gwizdala
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It becomes more intriguing to follow a little mystery than to be able to see all at once.
So, the word with a stripe through
Stefaan Jamaer
Mysterious Way
It’s fascinating to follow a clue. Not knowing where we are going is mysteriously scary. And yet, we go ahead, with the certainty that there is
always something to discover.
Mariana Brás
Frivolous
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Mysterious Way
It’s fascinating to follow a clue. Not knowing where we are going is mysteriously scary. And yet, we go ahead, with the certainty that there is
always something to discover.
Mariana Brás
It becomes more intriguing to follow a little mystery than to be able to see all at once.
So, the word with a stripe through
Stefaan Jamaer
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Roads
�e pureness is an inconscious contemplation, but the breeze is fresh.
Francesco Martinazzo
When strength lies in fragility.
Roots
About what can be substituted,mostly about what cannot.
Leaves (Wheat�eld with Crows - Van Gogh)
When the paths diverge, the animal instinct is no more than a fragile sense of belonging.
Laura Sattin
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Roots
About what can be substituted,mostly about what cannot.
Leaves (Wheat�eld with Crows - Van Gogh)
When the paths diverge, the animal instinct is no more than a fragile sense of belonging.
Laura Sattin
Roads
�e pureness is an inconscious contemplation, but the breeze is fresh.
Francesco Martinazzo
When strength lies in fragility.
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Joan Massagué
�e Beauty in the Ugly
Somehow we make mistakes; misunderstandings sometimes make something extremely inspiring; that’s how we get the essence.
Imprint on White CanvasWoven by Cloto
What will there beIn this future unknown
A re�ection of you or of reality?
Red String
Ties you tightOnce TwiceDon’t pull
With might
Giovanna Zuliani
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Red String
Ties you tightOnce TwiceDon’t pull
With might
Giovanna ZulianiJoan Massagué
�e Beauty in the Ugly
Somehow we make mistakes; misunderstandings sometimes make something extremely inspiring; that’s how we get the essence.
Imprint on White CanvasWoven by Cloto
What will there beIn this future unknown
A re�ection of you or of reality?
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Transcendental Oposing Forces
�at moment when transcendental forces are trying to �nd equilibrium between what is fragile and powerful at the same time.
Joana Matos
“What are we doing here, that is the question. And we are blessed in this, that we happen to know the answer. Yes, in the immense confusion one
thing alone is clear. We are waiting for Godot to come.” -Samuel Beckett, Waiting for Godot
Such is Life
Alessandra Tarara
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“What are we doing here, that is the question. And we are blessed in this, that we happen to know the answer. Yes, in the immense confusion one
thing alone is clear. We are waiting for Godot to come.” -Samuel Beckett, Waiting for Godot
Such is Life
Alessandra Tarara
Transcendental Oposing Forces
�at moment when transcendental forces are trying to �nd equilibrium between what is fragile and powerful at the same time.
Joana Matos
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Playground
�e feet on the ground, the eyes look ahead. �ere is a vision of a person free in perspective, any paysage would become the playground of
freedom.
Framing Reality
Laura Micheli
�e feet on the ground, the eyes look ahead. A city is always a playground of everybody’s life. �e view of the space between two walls
becomes the playground of freedom.
Playground
Hiroki Tanigaki
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�e feet on the ground, the eyes look ahead. A city is always a playground of everybody’s life. �e view of the space between two walls
becomes the playground of freedom.
Playground
Hiroki Tanigaki
Playground
�e feet on the ground, the eyes look ahead. �ere is a vision of a person free in perspective, any paysage would become the playground of
freedom.
Framing Reality
Laura Micheli
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Adequate
Keep your face to the sunshine and you will see no shadow. It’s not about lying, just that it doesn’t show the truth.
Victor Moldoveanu
Surface
�ings aren’t always where they are supposed to be and are not as they look like. Discovering the real thing means to look deep inside the
surface.
Aina Soler
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Surface
�ings aren’t always where they are supposed to be and are not as they look like. Discovering the real thing means to look deep inside the
surface.
Aina Soler
Adequate
Keep your face to the sunshine and you will see no shadow. It’s not about lying, just that it doesn’t show the truth.
Victor Moldoveanu
![Page 23: Pascal Flammer Presentation](https://reader034.vdocuments.us/reader034/viewer/2022051401/55cf9a91550346d033a26602/html5/thumbnails/23.jpg)
Sea Terrace
A woman borrows part of a public pedestrian path to settle items of her private life, creating a con�ict between the intimate and the communal.
Nonwithstanding, this picture portraits her alone, so all seems like a secluded spot for an a�ernoon of sunbathing and reading.
Inês Oliveira
Untitled
By breaking a de�ned rule we are able to explore new forms and new conditions in architecture.
Maria Rebelo
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Untitled
By breaking a de�ned rule we are able to explore new forms and new conditions in architecture.
Maria Rebelo
Sea Terrace
A woman borrows part of a public pedestrian path to settle items of her private life, creating a con�ict between the intimate and the communal.
Nonwithstanding, this picture portraits her alone, so all seems like a secluded spot for an a�ernoon of sunbathing and reading.
Inês Oliveira
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Instant 2D vision
Loreto Ramon-Solans
Instant 2D vision
Loreto Ramon-Solans
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Written Into Stone
I am the opposite of somebody who wants to conserve everything. To conserve, for me, is like announcing death.
Filipa Araújo
Intrigue
It’s always for little things that you get lost.
Maria Cagnoli
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Porto Academy ‘13
Pascal Flammer Studio
Porto Academy ´13
Pascal Flammer
Maria CagnoliTiago Correira
Arnaud DespretzAndrzej Gwizdala
Stefaan JamaerFrancesco Martinazzo
Joan MassaguéJoana Matos
Laura MicheliVictor Moldoveanu
Inês OliveiraLoreto Ramon-Solans
Maria RebeloAina Soler
Hiroki TanigakiAlessandra TararaGiovanna Zuliani
Laura SattinMariana BrásJoão MonteiroJuliana RochaSimona HaliciFilipa Araújo
Lenka Milerova
José Martins
Porto Academy ‘13
Pascal Flammer Studio
Porto Academy ´13
Pascal Flammer
Maria CagnoliTiago Correira
Arnaud DespretzAndrzej Gwizdala
Stefaan JamaerFrancesco Martinazzo
Joan MassaguéJoana Matos
Laura MicheliVictor Moldoveanu
Inês OliveiraLoreto Ramon-Solans
Maria RebeloAina Soler
Hiroki TanigakiAlessandra TararaGiovanna Zuliani
Laura SattinMariana BrásJoão MonteiroJuliana RochaSimona HaliciFilipa Araújo
Lenka Milerova
José Martins
Porto Academy ‘13
Pascal Flammer Studio
Porto Academy ´13
Pascal Flammer
Maria CagnoliTiago Correira
Arnaud DespretzAndrzej Gwizdala
Stefaan JamaerFrancesco Martinazzo
Joan MassaguéJoana Matos
Laura MicheliVictor Moldoveanu
Inês OliveiraLoreto Ramon-Solans
Maria RebeloAina Soler
Hiroki TanigakiAlessandra TararaGiovanna Zuliani
Laura SattinMariana BrásJoão MonteiroJuliana RochaSimona HaliciFilipa Araújo
Lenka Milerova
José Martins Porto Academy ‘13
Pascal Flammer Studio
Porto Academy ´13
Pascal Flammer
Maria CagnoliTiago Correira
Arnaud DespretzAndrzej Gwizdala
Stefaan JamaerFrancesco Martinazzo
Joan MassaguéJoana Matos
Laura MicheliVictor Moldoveanu
Inês OliveiraLoreto Ramon-Solans
Maria RebeloAina Soler
Hiroki TanigakiAlessandra TararaGiovanna Zuliani
Laura SattinMariana BrásJoão MonteiroJuliana RochaSimona HaliciFilipa Araújo
Lenka Milerova
José Martins