Grand Palais, 7 - 10 Nov 2019

Daniel BlaufuksBorn 1963, Lisbon, Portugal. Daniel Blaufuks uses mainly photography and video, presenting his work through books, installations and films. He has a predilection for issues such as the connection between time and space and the intersection between private and public memory. The artist has exhibited widely in group and solo shows throughout Portugal and internationally, including Spain, UK, France, USA, Germany, Italy and Brazil—namely at the Museu Nacional de Arte Contemporânea, Lisbon, 2014, Museu de Arte Moderna, Rio de Janeiro, 2011, Centro de Arte Moderna, F. Calouste Gulbenkian, Lisbon, 2003, Museu Coleção Berardo, Lisbon, 2013, Photoespaña, Madrid, 2010, Chelsea Art Museum, NY, 2004, Pallazzo delle Libertà, Palazzo delle Papesse, Siena, 2003, and Centro de Arte Reina Sofia, Madrid, 1997. Blaufuks’ work is held in many public collections, including those of the Byrd Hoffman Foundation, New York, Centro de Arte Moderna da F. Calouste Gulbenkian, Lisbon, Centro Galego de Arte Contemporânea, Santiago de Compostela, Novo Banco Photo, Lisbon, MEIAC, Badajoz, Berardo Collection, Lisbon. Among other awards, he was nominated for the Deutsche Börse Photography Prize (2007, 2015), shortlisted for the Pilar Citoller Award, 2007 and the European Photography Award, 1996. In 1990 he won the Kodak National Award, in 2007 the BES Photo Award and in 2017 the AICA award. Carla CabanasBorn 1979, Lisbon, Portugal. Carla Cabanas’ artistic work is permeated by her wonderings about how we come to build our own identity; how experiences, even the more prosaic ones, are inscribed in the fabric of our existence and how memory consolidates our personal narratives. This series of work presented in Paris Photo intends to give visibility to private memories that are kept apart from an institutionalized view of history and follows some of the artist’s main key concerns: the instability of perception and the imprecision of memory that she conveys by juxtaposing images of different times, altering or erasing the content using techniques of scratching in her works. The artist has exhibited widely in group and solo exhibitions throughout Portugal and internationally in Spain, Brazil, Argentina, SãoTomé e Príncipe and China. Her works are held in numerous public and private collections including those of the PS Collection (Stanislas y Leticia Poniatowski), Novo Banco Photo, Lisbon, P.L.M.J. Collection, Lisbon, Fernando Ribeiro Collection, Abrantes, Banque Privée Edmond de Rothschild Europe Collection, Lisbon and Marín Gaspar Collection, Alvito.

Stand: C31

Paris Photo 2019Carlos Carvalho Arte Contemporânea, Lisboa, Portugal

Cuba | 2019

I Don't Trust Myself When I'm Sleeping | 2018

Grand Palais, 7 - 10 Nov 2019

José Maçãs de CarvalhoBorn 1960, Anadia, Portugal. Since 2011 the artist has been developing a series of exhibitions around the subject of the archive and about some challenging and fundamental concerns regarding the use of photography and video in its links to excess, memory and oblivion, as well as the notion and importance of the devices used to create and watch images. He was both curator and participant in the exhibition My own private pictures (Plataforma Revólver, LisbonPhoto Biennial, 2005), which lay at the origin of his nomination for the BES Photo award. Also shortlisted for the Pictet Prix. Between 2011 and 2017 set up several exhibitions as a practical project for his doctoral programme around the subject of archive and memory at CAV, Coimbra; Ateliers Concorde, Lisbon and Colégio das Artes, Coimbra; VPF gallery, Lisbon; The City Hall Photographic Archive, Lisbon, VF Xira Photo Bienal,  Museu do Chiado (National Museum of Contemporary Art), Lisbon and MAAT, Lisbon. He exhibits regularly since 1990. Represented in many art collections such as Círculo de Artes Plásticas de Coimbra, Encontros de Fotografia de Coimbra, Fundação PLMJ, Fundação EDP, Colecção BES Art (Novo Banco), António Cachola collection, MNAC among others.

Tatiana MacedoBorn 1981, Lisbon, Portugal. Macedo grew up and studied in Lisbon and London. She works across mediums such as installation, photography, cinema, sound and their expanded forms and of great critical, conceptual and technical accuracy in an exploratory and enquiry way. Her work is represented in many private and public collections such as MNAC - Museu Nacional de Arte Contemporânea, Museu do Chiado, MAAT - Museum of Art Architecture and Technology Fernando Figueiredo Ribeiro Collection. Her debut film was entirely shot at Tate Britain and Tate Modern and in 2015 she was the first winner of the Sonae Media Art Award. During 2016 she was an artist in Residence at Künstlerhaus Bethanien, Berlin, supported by the Calouste Gulbenkian Foundation. Recent shows include  Natural Beauty (Lisbon Architecture Trienniale 2019),  Fiction and Fabrication curated by Pedro Gadanho and Sérgio Fazenda Rodrigues, (MAAT, 2019), Afri-Cola (Carlos Carvalho Arte Contemporânea , 2019), Esgotaram-se os Nomes para as Tempestades, curated by Delfim Sardo (Culturgest Porto, 2018), Orientalism and Reverse (Carlos Carvalho Arte Contemporânea, 2017), Orientalism and Reverse, Jeju Bienial of Contemporary Art (Coreia do Sul, 2017), XXIII Rohkunstbau curated by Mark Gisbourne (Brandenburg 2017), Bela (Künstlerhaus Bethanien, Berlin 2016), Orientalism and Reverse, Kunstraumbotschaft (Berlin, 2016), 1989 (Sonae Media Art Award - MNAC, Lisbon, 2015 / 16), Seems so long ago, Nancy (Ano Zero - Coimbra Biennial of Contemporary Art, 2015), Foreign Grey (Solar - Galeria de Arte Cinemática, Vila do Conde, 2014), Seems so long ago, Nancy, Tegenboschvanvreden Gallery (Amsterdam, 2014), Staff Only (MNAC, Lisbon, 2013 / 14) and  Visões do Desterro (Caixa Cultural do Rio de Janeiro, Brazil, 2013), among others.

André PríncipeBorn 1976, Porto, Portugal. André Príncipe lives and works in Lisbon, Portugal. Has studied Psychology at the Oporto University and also Advanced Film Directing at the London Film School/ Fundação Calouste Gulbenkian and Escola Superior de Teatro e Cinema in Lisbon, 2001. He is a photographer, editor, Film Director and also founder and co-editor of Pierre von Kleist worldwide distributed publishing house, specialised in photo books. André Príncipe captures a world that is universally human and highly personal, using a diaristic approach in photography and exploring its capacity to think about life. Recent solo shows include Elefante (MAAT, Lisbon, Portugal, 2018), Non-Fiction (Centro Cultural Vila-Flor, Guimarães, Portugal, 2018), Smell of Tiger and Things Still to Come (CAV, Coimbra, Portugal, 2014) and Please don’t reproach me for how empty my life has become (Museu da Imagem, Braga, Portugal 2011).

Untitled (HK #10) | 2017

Medusa Tank Casino Girl | 2018 (detail)

Carlos Carvalho Arte Contemporânea Rua Joly Braga Santos, Lote F R/C | 1600 – 123 Lisboa PortugalTel.+(351) 217 261 831 | carloscarvalho-ac@carloscarvalho-ac.comwww.carloscarvalho-ac.com

Untitled | 2014