It’s sort of like my life is an unfinished painting and as the artist of that painting, I must fill in all the ugly holes and make it

beautiful again.- Lady Gaga

“ “

ArtIst BIo

ArtIst stAtement

GrAphIc DesIGn

typoGrAphy

pAckAGInG DesIGn

photoGrAphy

DrAwInG / pAIntInG

currIculum VItAe

Rawdha Alajmani is an Emirati Graphic Design student born in Abu Dhabi in 1991. She has taken courses in arts and design that include drawing, painting, photography (both digital and manual), typography, and packaging design. Rawdha worked on the branding of the International Symposium on Electronic Art that will be held in Zayed University is 2014, as part of her Graphic Design course. She has several artworks exhibited in Zayed University, such as her 2011 drawing series of “Something Ugly made Beautiful”, her digital self portrait, and her 2012 painting series, “Toxic”, which demonstrates the process of the damage in the lungs caused by smoking. Rawdha won phase 1 of the Art For All competition for her painting series “Toxic” and it was exhib-ited in Khalifa Park where the public were invited to vote for their favorite artwork in October 2012.

AR

TIS

T B

IO2

My love for art is rooted in my art-loving family. I have grown seeing and loving art. I always found pleasure visiting art exhibitions with my family and thinking in my mind of reasons why the artists have created the artworks. Since then, not only so I find joy in drawing and designing, but I also find comfort and relaxation in the pro-cess, where it allows me to clear my mind, express my creative side, and just let all my ideas flow on the piece of paper.

Art is a universal visual language. It can communicate ideas, beliefs, stories, and even feelings. As a graphic designer I translate my ideas through my designs by exploring colors, typography, pattern and page layout to communicate a certain mood or mes-sage. Furthermore, being a person that enjoys volunteer work, I genuinely enjoy de-signing for a social cause. That includes sending awareness and pointing out problems and suggesting solutions all through design, because I think it is our responsibility as designers to use our talents to save the world.

Even though we can find inspiration literally everywhere around us, I think my biggest sources of inspiration are artists and designers who have a unique and clear goal in their careers, artists who have so much passion and dedication towards their work and what they do.

Just like most of the designers, I face challenges and difficulties everyday in my life, however I try my hardest to overcome them by believing that I have the capability of achieving great standards of design. Just like I seek inspiration from great artists like Stefan Sagmeister and Bruce Mau, I aim to inspire people to love designing and art, whether it was by artwork of just the person I am.

AR

TIS

T S

TATE

ME

NT

3

ISEA Branding

The goal of this project was to develop the branding for a conference that is going to take place in Dubai in 2014 called the International Symposium in Electronic Art (ISEA). It is the world’s most important media arts event for the interdisciplinary discussion and showcase of creative productions applying new technologies in interactive and digital media. This event annually brings together artists, academics, scientists, and new media practitioners. The main theme for the 2014 symposium is Locations. So keeping that in mind I was able to brainstorm, sketch, and design a logo for the symposium.

I used the theme of the conference, “Locations”, and the subtheme, “Nomadic Shifts”, for inspiration for the conference branding. The curved line in the logo represents Dubai’s landscape, where we can see sea and beaches, and sand dunes and mountains. So, I used the idea of the sea and sand for all the pieces I design for this brand. I also introduced vector based images of waves and sand dunes in the pieces.

GR

APH

IC D

ES

IGN

I S E A2 0 1 4D u b a i

I S E A2 0 1 4D u b a i

2 0 1 4D U B A I

2 0 1 4D U B A I

i s e a i s e a

I S E A2 0 1 4D u b a i

I S E A2 0 1 4D u b a i

2 0 1 4D U B A I

2 0 1 4D U B A I

i s e a i s e a

I S E A2 0 1 4

ISEA2 0 1 4

ISEA2 0 1 4

ISEA2 0 1 4

I S E A2 0 1 4

I S E A2 0 1 4

I S E A2 0 1 4

I S E A2 0 1 4

I S E A2 0 1 4

I S E A2 0 1 4

I S E A2 0 1 4

I S E A2 0 1 4

2 0 1 4D U B A I

2 0 1 4D U B A I

I S E A2 0 1 4

ISEA2 0 1 4

ISEA2 0 1 4

ISEA2 0 1 4

I S E A2 0 1 4

I S E A2 0 1 4

I S E A2 0 1 4

I S E A2 0 1 4

I S E A2 0 1 4

I S E A2 0 1 4

I S E A2 0 1 4

I S E A2 0 1 4

2 0 1 4D U B A I

2 0 1 4D U B A I

2 0 1 4D U B A I

2 0 1 4D U B A I

2 0 1 4D U B A I

2 0 1 4D U B A I

2 0 1 4D U B A I

2 0 1 4D U B A I

2 0 1 4D U B A I

2 0 1 4D U B A I

2 0 1 4D U B A I

2 0 1 4D U B A I

2 0 1 4D U B A I

2 0 1 4D U B A I

2 0 1 4D U B A I

2 0 1 4D U B A I

2 0 1 4D U B A I

2 0 1 4D U B A I

2 0 1 4D U B A I

2 0 1 4D U B A I

2 0 1 4D U B A I

2 0 1 4D U B A I

2 0 1 4D U B A I

2 0 1 4D U B A I

2 0 1 4D U B A I

2 0 1 4D U B A I

2 0 1 4D U B A I

2 0 1 4D U B A I

2 0 1 4D U B A I

2 0 1 4D U B A I

2 0 1 4D U B A I

2 0 1 4D U B A I

2 0 1 4D U B A I

2 0 1 4D U B A I

2 0 1 4D U B A I

2 0 1 4D U B A I

2 0 1 4D U B A I

2 0 1 4D U B A I

2 0 1 4D U B A I

2 0 1 4D U B A I

2 0 1 4D U B A I

2 0 1 4D U B A I

2 0 1 4D U B A I

2 0 1 4D U B A I

2 0 1 4D U B A I

2 0 1 4D U B A I

2 0 1 4D U B A I

2 0 1 4D U B A I

2 0 1 4D U B A I

2 0 1 4D U B A I

2 0 1 4D U B A I

2 0 1 4D U B A I

2 0 1 4D U B A I

2 0 1 4D U B A I

2 0 1 4D U B A I

2 0 1 4D U B A I

2 0 1 4D U B A I

2 0 1 4D U B A I

2 0 1 4D U B A I

2 0 1 4D U B A I

2 0 1 4D U B A I

2 0 1 4D U B A I

2 0 1 4D U B A I

2 0 1 4D U B A I

2 0 1 4D U B A I

2 0 1 4D U B A I

2 0 1 4D U B A I

2 0 1 4D U B A I

2 0 1 4D U B A I

2 0 1 4D U B A I

2 0 1 4D U B A I

2 0 1 4D U B A I

2 0 1 4D U B A I

2 0 1 4D U B A I

2 0 1 4D U B A I

2 0 1 4D U B A I

2 0 1 4D U B A I

2 0 1 4D U B A I

2 0 1 4D U B A I

2 0 1 4D U B A I

2 0 1 4D U B A I

2 0 1 4D U B A I

2 0 1 4D U B A I

2 0 1 4D U B A I

2 0 1 4D U B A I

2 0 1 4D U B A I

2 0 1 4D U B A I

2 0 1 4D U B A I

2 0 1 4D U B A I

2 0 1 4D U B A I

2 0 1 4D U B A I

2 0 1 4D U B A I

2 0 1 4D U B A I

2 0 1 4D U B A I

2 0 1 4D U B A I

logo Variationsproject overview

process Description color Variations

4

S P E C U L A T I V E M E D I A T I O N SFrom Monday, 05 November, 2014to Sunday, 09 November, 2014Tashkeel, Bastakiya, Dubai

The media plays a primary role in our perceptions of the world around us. It can be argued that in some ways the media helps to create the world around us. What is our role as media artists and manipulators? How do we engage in the world around us through media? How do we move beyond speculations and get to truth? Should we disclaim our personal bias within our work? If so, how?

TECHNOLOGY, SCIENCE & ART: EAST MEETS WEST

From Wednesday, 14 November, 2014to Wednesday, 21 November, 2014DIFC, Dubai

From the very zero that makes possible the binary data that the information age is built upon to the recursive geometries of Arabesque patterns, the long history of mathematical, scientific, and artistic contributions from the Arab world is well known. Within the context of the current state of geopolitical flux, speculation is solicited with regard to the contemporary and future balance of technological progress between East and West and the prospects for trans-global cooperation and project collaboration.

EMERGING ECONOMIES / EMERGING IDENTITIES

On 14 November, 2014, 17:00–20:00& 19 November, 2014, 20:30–23:30Cultural Center, Al Khor, Dubai

Dubai has been the emerging economy to watch over the past 15 years. Both the unprecedented triumphs and dramatic overreaches have played a role in shaping identity, and in many ways the reverse is also true. How has the course of emerging economies like Dubai’s at the turn of the 21st century played into the identity of the developed world and in the world that has yet to emerge? In what way has this influenced the work of artists?

INTERLACING WORLDS: FIBRES & SENSORY MEDIATION

From Wednesday, 14 November, 2014to Wednesday, 21 November, 2014Ara Gallery, Dubai

Trading states along the Silk Road, by their nature as wealthy cross-cultural meeting points, played a catalytic role in advancing the evolution of luxury or exotic goods. In Nomadic societies, fabrics—whether for clothing or housing—were developed from products in their surrounding environments. Today, technology has advanced to allow fibers and fabrics to engage upon our senses through optics and feedback response. This theme explores the rich history of, and the future possibilities for the influence of textile and related media by digital technology.

NOMADIC HIGHWAY / BRIDGING MEDIAFrom Wednesday, 14 November, 2014to Wednesday, 21 November, 2014Zayed University, Dubai Campus, Auditorium

Social networks have played a pivotal role in the success of the Arab Spring. The Internet and other digital media are indispensable in the effort to illuminate and advance the public discourse on complex social themes and political systems (take for example Ahmed Basiony’s “30 Days of Running in the Place” documenting his demonstration of running alongside his footage of the Egyptian revolution prior to his murder). This theme aims to provide a forum for the exploration of the future of social media in art and its potential influence on the evolution of social ecologies.

NOMADIC SHIFTSOn 21 November, 2014, 18:30–19:30Zayed University, Dubai Campus, Conference Center

The rich history and cultural identity of the Emirati people is closely tied to nomadic lifestyle. Microclimate, geography, and biology of the region are the generative cause of the nomadic life of the Bedouin. Today, the idea of the nomad has taken on a multitude of diverse connotations with new generative causes. How do these new notions of nomadic existence effect the practice of media art?

DIGITAL ARCHAEOLOGY & COLLABORATIVE SPACESOn 21 November, 2014World Trade Center, Dubai

Digital tools and applications are being used to recreate lost communities and to better understand spatial and cultural histories. In architecture and planning, virtual worlds create the opportunity to push the boundaries of materials and concepts (chaos, uncertainty, responsive environments)—that may or may not be realized. How does this practice impact the evolution of social systems? How has this practice influenced education and collaborations across disciplines?

KEYNOTE ADDRESS:CONNECTING WORLDS / LINKING IDEAS

On 22 November, 2014Zayed University, Dubai Campus, Conference Center

As professors try to provide a better learning platform for students, to diversify their subject matter and engage interdisciplinary platforms, this theme focuses on the connection between art and science in the classroom.

Conference & Exhibitions ProgramN o v e m b e r 2 0 1 4

Hosted by Zayed University in collaboration with the Dubai Convention Bureau

Daily EvEnts

Welcome to the 20th International Symposium on Electronic Art (ISEA2014) staged

for the first time in the Middle East. ISEA, the International Symposium of Electronic Art, is the world’s most important new media arts event for the interdisciplinary discussion and showcase of creative productions applying new technologies in interactive and digital media. The overarching theme of ISEA2014 of ‘Location’ will explore strands such as Technology; Science & Art East Meets West; Emerging Economies/Emerging Identities; Nomadic Shifts and Digital Archaeology and Collaborative Spaces.

Dubai is a location with exquisite contradictions. Its location not only provides a place with world renowned architecture, but also boasts its development along the waters, its original trading ground. For presenters and attendees of ISEA, it will be an experience like no other. Dubai is in a location, where everything around it is going through massive change—socially and politically.

Dubai offers a platform for its neighbours to come and share not only their research, but to have access to the plethora of ideas that ISEA brings with its symposium. Holding ISEA2014 in Dubai offers participants from the broad scope of the Middle East and South Asia an accessible opportunity to participate in ISEA events. It is highly likely that this particular audience would not otherwise have this possibility to engage with this group of international practitioners and thinkers of electronic art. Likewise ISEA participants from beyond the MENASA region will have the opportunity to engage with an audience outside of their usual practice.

Our program has a unique focus on the burgeoning field of art and technology in the Arab World and will provide unique opportunity for ISEA to connect audiences and artists from the Middle East with the international electronic art community. Teamed with Zayed University we are committed to ensuring that young Arab generations have a presence and voice on the global stage.

intErnational symposium on ElEctronic art

www.isea2014.com

2 0 1 4D U B A I

Nomadic Shifts

LOCATIONS

2 0 1 4D U B A I

LOCATIONS

SpeculativeMediations

2 0 1 4D U B A I

Interlacing Worlds: Fibres

& Sensory Mediation

LOCATIONS

2 0 1 4D U B A I

Connecting Worlds /

Linking Ideas

LOCATIONS

2 0 1 4D U B A I

Nomadic Highway /

Bridging Media

LOCATIONS

2 0 1 4D U B A I

Emerging Economies /

Emerging Identities

LOCATIONS

2 0 1 4D U B A I

Digital Archaelogy & Collaborative

Spaces

LOCATIONS

2 0 1 4D U B A I

Technology, Science & Art: East Meets

West

LOCATIONS

GR

APH

IC D

ES

IGN

I S E A2 0 1 4

ISEA2 0 1 4

ISEA2 0 1 4

ISEA2 0 1 4

I S E A2 0 1 4

I S E A2 0 1 4

I S E A2 0 1 4

I S E A2 0 1 4

I S E A2 0 1 4

I S E A2 0 1 4

I S E A2 0 1 4

I S E A2 0 1 4

2 0 1 4D U B A I

2 0 1 4D U B A I

I S E A2 0 1 4

ISEA2 0 1 4

ISEA2 0 1 4

ISEA2 0 1 4

I S E A2 0 1 4

I S E A2 0 1 4

I S E A2 0 1 4

I S E A2 0 1 4

I S E A2 0 1 4

I S E A2 0 1 4

I S E A2 0 1 4

I S E A2 0 1 4

2 0 1 4D U B A I

2 0 1 4D U B A I

2 0 1 4D U B A I

Final logos

poster

Final promotional kit

name Badge

letterhead

ticket

Banners

program publication 5

DUBAI’S HIDDEN TREASURES ON THE

GOLDSOUK

FOODSOUK

SP

ICES

OU

K

TEXTILE

SO

UK

NAIFSOUK

MEENABAZAAR

This market runs along the creek opposite the Deira Souk. Souvenirs and knick-knacks are on sale but the

area is best know for its stunning array of fabrics from the Indian subcontinent and the Far East.

Visitors and tourists can find everything that comes to one's mind in this market, this traditional market combines various types of goods, including food, games, fabrics, Abayas, children wear, bags,

shoes, perfumes, and many other things that meets the needs of the consumers

who are looking for cheap prices.

One of Dubai's best kept secrets. Satwa Souk is essentially a shopping square

but should not be overlooked for those in search of tailor-made clothes or

high quality fabrics.

Dubai's largest and oldest souk. A wonderfully different experience,the spice souk has narrow streets and an aroma so unique,it's like walking into

another era. Although spices are available, a Far eastern influence seems to be setting

in, with integrated shops of cheep electronic goods and wholesale shoes.

The largest and busiest of Dubai’s fish markets is well worth a visit if only to see the incredible array of

local fish on offer. Blue lobster from Fujairah, baby sharks and metre long kingfish are just some of the treats in

store for the shopper that doesn’t mind getting their shoes dirty.

The gold souk is a truely dazzling sight to behold. It has earned Dubai a reputation for being the 'City of Gold'.

The market offers earrings, rings, necklaces, bracelets and pendants, and

you can choose from modern to traditional items.

TEXTILE SOUK NAIF SOUK MEENA BAZAAR

GOLD SOUK FOOD SOUK SPICE SOUK

Infographics420 x 594 mmAdobe Illustrator CS42012

Street Vendors in Dubai

GR

APH

IC D

ES

IGN

6

Digital Illustration150 x 150 mm

Adobe Illustrator CS42011

GR

APH

IC D

ES

IGN

Object Study7

TYPO

GR

APH

Y

We were asked to create a full bilingual typeface, and associate is with one of the type classifications given to us. After lots of thinking about what the typeface I will create could look like, I finally decided to make it a handwritten typeface.People always told my I have a very legible, clear, and neat handwriting. So, I always imagined it being a full functioning typeface for people to use. I finally got the opportunity to make it happen. Even though the typeface will look like my font, I still made some changes and adjusted the thicknesses, sizes…etc. Handwritten typefaces usually look very scribbly and scratchy, however, I mine is more settled, clean, and not very scribbly. It is quite curvy (but not too curvy), sans serif, and casual.I imagine my typeface to be used in fun and more informal occasions. It will probably be used by the younger generations. One special aspect about handwritten typefaces is that they almost always look very friendly. So, I don’t think it will be used in a poster for a horror movie.Even though we don’t usually pay attention to the characteristics of our handwritings, it is very important to think about them when transforming them into a font. All letters should have same proportions, thicknesses, and overall feeling.

Creating a New Typefacetypographic narrative typographic poster

8

Designed by: Rawdha AlajmaniDesigned in Year: 2012Font Classification: HandwritingFont type: Bold

املصممة: روضة العجما�صمم � سنة: 2012

العائلة: خط يدنوع اخلط: سميك

TYPO

GR

APH

Y

Full Bilingual typeface

9

TYPO

GR

APH

Y

8,092-Mile Collaboration10

We were asked to develop a series of posters to visually express our opinions and persepective of both Dubai and San Francisco. We had to consider the relationship between the two posters, and find a common thread to unify them together either stylistically or conceptually. I chose two tag-lines that are used for each of the cities and illustated their skylines.

San Francisco Poster297 x 420 mmAdobe Illustrator CS42012

Dubai Poster297 x 420 mm

Adobe Illustrator CS42012

FIRSTTHINGS

FIRSTConsumerism must be challenged by other

perspectives expressed, in part, through the visual languages and resources of design.

The scope of debate is shrinking; it must e x p a n d .

WHAT: Adbusters’ UK launch party for the renewal and re-examination of the “First Things First” 1964 Manifesto to be featured in Adbusters, Emigre, Eye, Blueprint, Items, and AIGA Journal of Graphic Design.

WHEN: Friday, May 26, 19:00-22:00

WHERE: Haunch of Vension Gallery, London W1S 1st.

TYPO

GR

APH

Y

11

For this project, each student was gven a topic where they had to come up with an event related to it, and then create posters and remix them using the help of our partners in San Francisco. The poster on the left is the poster my partner created, and that I remixed by fixing the layout and add-ing color. The poster on the right is the one I created and my partner helped my remix it.

Remixed Poster297 x 420 mmAdobe Illustrator CS42012

Re-remixed Poster297 x 420 mm

Adobe Illustrator CS42012

TYPO

GR

APH

Y

Word-Pairs12

subtraction - تنقيص

scream - رصاخ

Word Pairs150 x 150 mm boxesAdobe Illustrator CS42012

TYPO

GR

APH

Y

13

less/more - أكرث/أقل

outside/inside - خارج/داخل

Word Pairs150 x 150 mm

Adobe Illustrator CS42012

For this project, we were asked to design a promotional package that would also act like an invitation for The First International Date Palm Festival. This package will hold a bottle of date honey that will be a giveaway with the invites. Our main aim for this project was to create an engaging package that would not only attract local but also international crowds. The package must be clear, attractive, and unique.Before actually designing the package, we were supposed to come up with a brand story for our product, then do some quick sketches and refine them.

Our date honey is made using traditionalmethods. After thorough and gentle cleaning, the fresh soft dates are placed in a compressor where they are pressed in high heat until the vitaminrich honey starts dripping. The quality of the honey extracted very high, and it has excellent color and flavor.

Save The Date

PAC

KA

GIN

G D

ES

IGN

project overview sketch

process Description

package Dieline

14

PAC

KA

GIN

G D

ES

IGN

Final promotional package

15

For this project, we were assigned in groups of four, where each group had to choose a theme that has 4 different components. Each student had to produce a full suit using on of those components. This project helped us understand that design can be used in objects such as simple games in order to express and showcase are indi-vidual styles and ideas.

As a group, out theme was different eras in the 20th century. Because the 20th century had extremely different styles and movement, each member in our group chose a decade (20s, 50s, 60s, 80s) to design her suit. I chose the 1960s because I believe it had very great events that will always be remembered in history. So, for my cards, I decided to show different major and sig-nificant events in that decade. I did that because I thought it would be really interesting if my cards can be used both as playing cards, and historical and educational cards.

PAC

KA

GIN

G D

ES

IGN

Deck of Cards

project overview Final Deck

suites: heartcomponent: 1960s

16

AA 2

233

44

6

6

55

7

7

8

8

J

J

Q

Q

9

9

10

10

K

K

Sound Of Music released in 1965

President John F. Kennedy was assassinated in 1963

Oil discovered in the UAE in 1966 Martin Luther King gave the “I Havea Dream” speech in 1963

England won FIFA World Cup in 1966 The Vietnam war occured in Vietnamthroughout the 1960s

Women started revolting against the restrictive roles that they had been

given by society in the 1960s

Apollo 11 landed on the moon in 1969

Civil Rights March in Washington wasled by Martin Luther King in 1963

Che Guevara was the figure in Latin America revolution in 1960

PAC

KA

GIN

G D

ES

IGN

Back of the cards

Deck of cards

Box Dieline

17

Self portraits

PHO

TOG

RA

PHY

Ideas210 x 297 mmManual PhotographyManual Photo Developing2011

18

PHO

TOG

RA

PHY

A Dedicated Fan297 x 420 mm

Digital Photography2011

19

Postcards

PHO

TOG

RA

PHY

Abu Dhabi Series210 x 297 mmDigital Photography2011

20

PHO

TOG

RA

PHY

Abu Dhabi Series297 x 420 mm

Digital Photography2011

21

DR

AW

ING

/ P

AIN

TIN

G

Master’s Drawing

Untitled420 x 297 mmGraphite, charcoal, and pen on paper2011

22

DR

AW

ING

/ P

AIN

TIN

G

Something Ugly Drawn Beautiful

Flies10 x 100 x 100 mm

Graphit on paper2012

23

DR

AW

ING

/ P

AIN

TIN

G

Object Study

Remote Control3 x 420 x 297 mmPen and illustration markers on paper2012

24

DR

AW

ING

/ P

AIN

TIN

G

Now and Then

Toxic6 x 410x 330 mmOil color on canvas

2012

25

CU

RR

ICU

LUM

VIT

AE

26Job Objective Certificates

Professional Skills

Education

Work History

Volunteer

To be successful in a job that allows me to express my creativity.

2009 Certificate of Academic Excellence - Fall Semester2010 Certificate of Academic Excellence - Fall and Spring Semesters.2011 Certificate of Academic Excellence - Fall Semester

SocialStrong leadership and teamwork skills.LanguageArabic: Mother languageEnglish: Fluent in written and spoken EnglishFrench: Basic

Computer SkillsMac and Windows Platforms• Adobe CS4: Photoshop, Illustrator, InDesign, Dream Weaver.• Microsoft Office• Using the Computer and managing files

B.A. in Art and Design, Graphic Design concentration, College of Art and Creative Enterprises, Zayed University, Dubai Campus.

Sharjah American International School, Sharjah (2005-2009)High School Diploma, Graduated with an average of 95%

UAE Down Syndrome Association, Dubai, March 2010• Helped organize World Down Syndrome Day Walk-A-thon - Dubai Mall

UAE Down Syndrome Association, Dubai, March 2012• Helped organize World Down Syndrome Day Walk-A-thon - Dubai Mall

International Association of Teachers of English as a Foreign Language (IATEFL), Zayed University, 2010• Helped welcome and introduce teachers at the event.

cu

rr

icu

lum

vit

ae

27Activities References

Interests

Paintings chosen for exhibitionArt For All Competition, 2012• Submitted paintings and won phase 1 of the competition.• Paintings to be exhibited in Khalifa Park in October, 2013.

Vice PresidentStudent Council, Sharjah American International School, 2007-2008• Planned and organized school activities.

1st Place winnerSharjah American International School, 2008-2009• Conducted a Bacterial Resistance Experiment.

Soccer team memberSharjah American International School, 2005-2009• Won 3rd place in the UAE Interschool Sports Association Football League, 2006, 2007, 2008.

Mrs. Denielle EmansAssistant Professor of Graphic DesignZayed University, Dubai, UAEOffice: +971 4 402 1645Mobile” +971 50 397 6298

Mrs. Sonia Al-HashemiHead of UAE Down Syndrome Association UAE Down Syndrome Association+971 50 444 4320

• Drawing / Painting• Designing• Traveling• Watching movies/ tv series

change your thoughts and you change your world.

- Norman Vincent Peale “ “