micro.local.social.circular: service ecosystems for the sustainable future of textile artisans'...
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micro.local.social.circularservice ecosystems for thesustainable future of textileartisans’ communities
Francesco Mazzarella, PhD researchersupervisors: Dr MC Escobar-Tello, Dr VA Mitchell@FraMazzarella #clOthing sustainRCA 01/03/16
the global crisis is leading to theend of a linear economy, whilesetting the ground for redistributedmicroproductions, based on new ethics of sustainability
research problem
the craft discourse is mainlybased on individual makingpractices, overlooking theirhuman and social dimension
it is missing a strategicagenda, which could createsustainable interconnectionswithin this pacthy landscape
scope
material
by handsmachinerydigital tools
bottom-upskills, quality
human controlmaterial culture
local, naturaldiscarded fibrestextiles & fashion
artisancommunity
local businesssmall batchesflexiblelocal market
tool making
focus
our artisans’ communitycan contribute to local
sustainable developmentto explore how service designcan contribute to encouragetextile artisans’ communitiestowards a sustainable future
aim
delocalisation of manufacturing dwindling of natural fibres water and carbon footprints increasing purchase of clothes
fast fashion(quick, high quantity, low quality and price)
=fast landfill
(producers, heritage, environment are no taken into account)
artisans are living a precariouscondition, experiencing agenerational divide andthreatening of traditional crafts
due to ine�ective top-downpolicies, some artisans arejoining an informal economy,and are even more endangeredin the developing world
designers can potentiallyreduce environmental impactsby 80%, through... synergies designers & artisans long-term visions hard & soft design decisions
environmental sustainability
local natural fibres no chemical dyestu� dematerialisation design for disassembly design for disposal rich environmental info traceability & transparency cradle2cradle
economic sustainability
micro-economies sustainable business models target market niches relocalise production glocal markets (tourism)
social sustainability
happiness & wellbeing profitability & social capital entrepreneurship grassroots innovation enabling ecosystem sharing (time, space, relations)
cultural sustainability
cultural heritage & diversity environmental education collaborative consumption (services for mending, sharing, leasing, collecting, reselling, upcycling)
participatory action research
2A
actsustainablefuture trends for TAC
reflectbarriers,enablers,sustainablemanifesto
planmap TAC &future trends
plansampling strategy,study protocol,pilot
reflectimpactof service designmodel
2Cto developtheoretical
framework forsustainablefuture for
TAC
conclusions& discussion
to developflexible service designmodel of co-designingcollaborative servicesfor sustainable TAC
to empowerTAC
to co-designa collaborative
serviceto scale upinnovations
within enablingecosystem
1B
1C
1A main studies evaluation
scop
ing st
udy
2B actsustainablefuture trends for TAC
TAC:textile artisans’ communities
discover define
develop deliver
focus groupinterviews
shadowing
contextualinterviewsbrainstorming
participatorydesign
workshop
stakeholders mapecosystem canvasservive blueprint
user centred, relational, systemic process of co-creation oftangible and intangible values to encourage holistic sustainability
service designprocess
challenging sustainable futures
discover
focus groupinterviews
shadowing
experts’ focus group shadowing
semi-structured interviews
theoretical framework
a sustainable manifestofor textile artisans’ communities
Shift the focus from aesthetics to ethics, from style to quality meanings;
Ethical labour and rights must be set: less bad is not good;
Textile artisanship stands as a slow reaction to fast fashion;
Textiles are interconnected to their wholeness: materials, processes,
people, places;
Being vs. having, learning from nature and acknowledging the unpredictable;
Manage connectivity within local communities, as collective wisdom and
social act of collaboration;
Design as political agent, embracing diversity as resource, weaving
synergies among di�erent assets;
Scale up open initiatives within peer-to-peer networks at a glocal scale;
Understand the root system and trigger holistic and systemic change,
from micro to macro scales;
Build an enabling ecosystem: complex, adaptive infrastructure supported
by polycentric governance.
barriers enablers
Dominance of financial structures based
on profits;
Lack of time & e�orts to develop
alternative models;
Lack of skills;
Export of machinery and outsource of
production;
Lack of interest for young people in craft
production;
Endangered craft heritage;
Consumers’ misperception of quality;
Over-consumption;
Lack of information on textiles, artisans
and sustainability challenges;
Lack of sustainability uptake;
Lack of training in strategies/management/
entrepreneurship in design curricula.
Change of mindset (systemic thinking);
Interconnected
design-artisanship-academia
-policy-consumers;
Cultural empathy with artisans;
Metatools, flexible, collaborative, reflective;
Storytelling to elicit and convey engaging
meanings;
Empowerment models: access to
information, awareness, ability,
independency;
Development of sustainable business
models;
Technological advancements.
PAR strategy
participatoryaction
research
to develop a flexibleservice design modelof co-designingcollaborative services,encouraging textileartisans’ communitiestowards a sustainable future
new york
cape town
nottinghamto empowera heritage artisans’ community
to scale upa cutting-edge artisans’ ecosystem
to co-designwith contemporary artisans
storytelling withnottingham lace artisans
G.H.Hurt & Son Ltd
shawlsknitting lace
lace fabricsleavers lace
jewelleryembroidered lace
JC Middlebrook
Cluny Lace Co Ltd
define
contextualinterviewsbrainstorming
storytelling photo-diaries
what does ‘being a nottingham lace artisan’ mean for you today ?
https://goo.gl/Z25Xpn https://goo.gl/aCH6v0 https://goo.gl/LMZQLI
�nding peopleskilled to teachand learn howto handle andupdate ourmachinery
for mea sustainable future means...
developingour business
for moderntimes while
keeping ourtradition and
quality
being economicallyself-sustainable
while runningmy own business
full time
barriers enablerslack of skilled workersyoung people disinterestedin working in factorieshigh human control involvedonerous bespoke productionlack of knowledge and availabilityof sustainable raw materialsdi�culty for upcycled productsto meet consumers’ tasteslack of skills and time for marketingoverseas competitionshortage of knowledge about userslow sales due to product longevitylong time needed for experimentationdi�culty in marketing hybrid productslack of consumers’ understanding of the whole artisanal processdi�cult cross collaborationse�ort and time for networkingdecreasing top-down support
skills transfersharing of knowledge and resources
technological advancementsincreased customers’ interest
in natural raw materialswaste minimisation within small production
closed loop of resources(e.g. waste collection, mending, upcycling...)traceable and transparent supply chain
collective trade showsimproved (digital) communication
shift from craft to high-end fashion marketcommunication of stories behind products
close consumer relationship & feedbackheritage & contemporary aesthetic
collaborations with other craft mediaopenness to understand the otherpost-sale services (e.g. alterations)
more active and supportive organisationspeer-to-peer support
org
an
isations
des
igner
s
consumers
participatory design workshop
develop deliver
participatorydesign
workshop
stakeholders mapservice blueprintmanifesto
enable lace making businessesto be viable in nottingham
peer consumers
peer producers
partners
on
lin
eo
�in
e
collaborativeindividual
co-designerin residence
shared values:
trustco-creationqualitymodernityawarenessprovenancesustainabilitypride
textile artisans’ communitiescan contribute to a sustainable
development
rescue cultural heritage provide social engagement
encourage economic development enhance environmental stewardship