kolga tbilisi photo 2011 catalogue

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Kolga Tbilisi Photo 2011 Award

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Page 1: Kolga Tbilisi Photo 2011 Catalogue

2011

Page 2: Kolga Tbilisi Photo 2011 Catalogue
Page 3: Kolga Tbilisi Photo 2011 Catalogue

katalogi gamoica Tbilisis meriis socialuri momsaxurebisa da

kulturis saqalaqo samsaxuris finansuri mxardaWeriT

THE CATALOGUE WAS PUBLISHED WITH FINANCIAL SUPPORT OF TBILISI CITY HALL, DEPARTMENT OF SOCIAL SERVICE AND CULTURAL AFFAIRS

Page 4: Kolga Tbilisi Photo 2011 Catalogue

saorganizacio jgufi Teona gogiCaiSvili

ORGANIZER GROUP TEONA GOGICHAISHVILI anka sturua

ANKA STURUA Tea miqaZe

TEA MIKADZE Tiko lefsaia

TIKO LEPSAIA goga lorTqifaniZe

GOGA LORTKIPANIDZE soso nucubiZe

SOSO NUTSUBIDZE

Jiuri Tina Selhorni

JUDGES TINA SCHELHORN volfgang curborni

WOLFGANG ZURBORN

teqsti lika mamacaSvili

TEXT LIKA MAMATSASHVILI

Targmani giga nanobaSvili

TRANSLATION GIGA NANOBASHVILI

koreqtori gaga lomiZe

COPY - EDITOR GAGA LOMIDZE

dizaini inga aladaSvili

DESIGN INGA ALADASHVILI

kompiuteruli momsaxureba fotosamyaro

COMPUTER SERVICE PHOTOWORLD

B.KH.

ISBN 978-9941-0-3341-4

Page 5: Kolga Tbilisi Photo 2011 Catalogue

aleqsandre roinaSvilis saxelobis prizi qarTuli fotoxelovnebis

ganviTarebaSi Setanili gansakuTrebuli wvlilisaTvis mieniWa

Maleqsandre saakovsMaleqsandre saakovs

Alexander Roinashvili hononary prize awarded to

Alexander Saakovfor the outstanding merits in the development of Georgian photography

13.05.2011

saqarTvelos kulturisa da ZeglTa dacvis saministro

Page 6: Kolga Tbilisi Photo 2011 Catalogue

aleqsandre saakovi guram wibaxaSvilma gamacno. es

Sexvedra arasodes damaviwydeba: 2000 wels misi gamofenis

mowyoba gadavwyvite... is yvela yofil socialistur

qveyanaSi arsebul konkursSi pirvel adgilze gadioda, misi

Seqmnilia suxiSvilebis qronika da sviatoslav rixteris

fotoportretebi... uyvarda guram TikanaZe, adamiani,

romelmac misi cxovreba mTlianad Secvala da fotografoba

daawyebina; uyvarda elene axvlediani, lado gudiaSvili; ver

warmoedgina cxovrebac da fotografobac Zveli Tbilisis

gareSe; Tvlida, rom aleqsandre roinaSvili saxeTa

ganumeorebeli ostati iyo... axlis Secnobis survili mTeli

cxovrebis manZilze SeinarCuna.

arsebobs Ziebis bunebrivi procesi, rodesac xelovani

Tavisuflad iyenebs Tavis yvela SesaZleblobas. TiTqos

ucnauri amaSi araferia, magram es Taviseburebac calke

niWs moiTxovs, swored iseTs, rogoric aleqsandre saakovs

axasiaTebda.

misma tragikulma gardacvalebam yvelas guli dawyvita.

2011 wels aleqsandre roinaSvilis prizi aleqsandre

saaakovs gadaecema.

lika mamacaSvili

gTavazobT misive personaJebis minawerebs aleqsandre

saakovis Semoqmedebaze:

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Alexander Saakov was introduced to me by Guram Tsibakhashvili. I will never forget this meeting: in 2000, I decided to organize his exhibition… He used to top every available competition in each and every former socialist country; he created the chronicle of Sukhishvili and portrait photos of Sviatoslav Richter… He loved Guram Tikanadze, the person who had entirely changed his life and helped him become a photographer; He loved Elene Akhvlediani, Lado Gudiashvili; he was not able to imagine his life and himself being a photographer without Old Tbilisi; he considered Alexandre Roinashvili to be an inimitable master of images… He had managed to keep his desire to learn the new over his +++entire lifetime.

There is a natural process of searching, when an artist freely uses all of his/her abilities. It seems like there is nothing strange about it but this peculiarity too requires a separate skill, the one that was natural to Alexander Saakov.His tragic death was painful to everyone.

In 2011, Alexandre Roinashvili Prize goes to Alexander Saakov.

Lika Mamatsashvili

Here are the notes of his own personages about Alexander Saakov’s work:

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To Alexander Saakov - Tbilisi, GeorgiaI am delighted to able to tell you how much I admire your works. It amazes me to fi nd such a sympathetic spirit so many miles apart. I hope that we’ll be able to meet in the United States, one day. Sincerely - Charlotte Brooke, USA 1.12.77

To the highly gifted person with a rare artistic taste, a brilliant expert and sorcerer of artistic photography, a creator of outstanding photographic works; to our beloved friend, a wonderful and noble person, Alik Saakov, with a feeling of big gratitude, I present this little memory. – Lado Gudiashvili, April 10, 1976

Absolutely wonderful. Bravo! – Sviatoslav Richter To Alik Saakov, who seeks to capture both falsity and naturalism using photography. September 22, 1979 – Vladimir Vysotsky

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To Alexander Saakov! With great gratitude for your talent and mastery. – Nino Ramishvili

To Alik Saakov – with goodwill and gratitude. November 7, 1982 Bella Akhmadulina

Dear Alexander Saakov! Your works are true masterpieces. Scale and amplitude of your huge artistic gift amazes Aram Khachaturian, October 22, 1977, Moscow.

It seems to me that modern photography should be exactly like the outstanding works of Al. Saakov, a talented, resourceful and clever artist. His photographs are art and not the art of photography. - Andria Balanchivadze

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ALEXANDER SAAKOV - FROM THE SERIES TBILISI MOTIVES

aleqsandre saakovi - seriidan Tbilisuri

motivebi

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ALEXANDER SAAKOV - FROM THE SERIES TBILISI MOTIVES

aleqsandre saakovi - seriidan Tbilisuri motivebi

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ALEXANDER SAAKOV - DAREJANI PALACE

aleqsandre saakovi - darejanis sasaxle

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ALEXANDER SAAKOV - THE LOOK. METEKHI ASCENT

aleqsandre saakovi - vzgliadi, metexis aRmarTi

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aleqsandre saakovi - mzera, seriidan Tbilisuri

motivebi

ALEXANDER SAAKOV - THE LOOK, FROM THE SERIES TBILISI MOTIVES

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ALEXANDER SAAKOV - DUO. ALI PAPA & GIZHO 1970

aleqsandre saakovi - dueti, ali papa da giJo 1970

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ALEXANDER SAAKOV - TBILISI MOTIVES 1988

aleqsandre saakovi - Tbilisuri motivebi 1988

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ALEXANDER SAAKOV - ABANOTUBANI. VERNISSAGE 1988

aleqsandre saakovi - abanoTubani, vernisaJi 1988

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ALEXANDER SAAKOV - MEMORIES 1971

aleqsandre saakovi - mogonebebi 1971

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ALEXANDER SAAKOV - FROM THE SERIES OLD TBILISI 1992

aleqsandre saakovi - seriidan Zveli Tbilisi 1992

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ALEXANDER SAAKOV - FROM THE SERIES BATH-HOUSE ATTENDANT

aleqsandre saakovi - seriidan meqise

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ALEXANDER SAAKOV - TIRESOME MOMENTS 1966

aleqsandre saakovi - damRleli wamebi 1966

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ALEXANDER SAAKOV - LITTLE FISHERS 1988

aleqsandre saakovi - patara meTevzeebi 1988

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ALEXANDER SAAKOV - ELENE AKHVLEDIANI 1974

aleqsandre saakovi - elene axvlediani 1974

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ALEXANDER SAAKOV - ELENE AKHVLEDIANI 1975

aleqsandre saakovi - elene axvlediani 1975

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ALEXANDER SAAKOV - SVIATOSLAV RICHTER, FROM THE SERIES PAUSE 1975

aleqsandre saakovi - sviatoslav rixteri, seriidan pauza 1975

Page 27: Kolga Tbilisi Photo 2011 Catalogue

ALEXANDER SAAKOV - GRANDMASTERS. TAIMANOV, TAL, POLUGAEVSKY 1968

aleqsandre saakovi - didostatebi, taimanovi, tali, polugaevski 1968

Page 28: Kolga Tbilisi Photo 2011 Catalogue

ALEXANDER SAAKOV - LADO GUDIASHVILI 1978

aleqsandre saakovi - lado gudiaSvili 1978

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ALEXANDER SAAKOV - NINO RAMISHVILI 1972

aleqsandre saakovi - nino ramiSvili 1972

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ALEXANDER SAAKOV - NINO RAMISHVILI 1986

aleqsandre saakovi - nino ramiSvili 1986

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ALEXANDER SAAKOV - THE VICTORY DANCE 1986

aleqsandre saakovi - cekva gamarjveba 1986

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ALEXANDER SAAKOV - KHEVSURS 1979

ALEXANDER SAAKOV - AMPUTATED SOULS8TH REGIMENT 1967

aleqsandre saakovi - xevsurebi 1979

aleqsandre saakovi - amputirebuli sulebi

me-8 polki 1967

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ALEXANDER SAAKOV - CHARDIN STREET & BAMBIS RIGI 1988

aleqsandre saakovi - Sardenis quCa da bambis rigi 1988

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fotokonkursi „qolga“ 2002 wlidan yovelwliurad tardeba TbilisSi da Cvens qveyanaSi didi

popularobiT sargeblobs.

gasul wlebSi, qarTveli fotografebisa da fotomoyvarulebis garda, konkursSi bevrma

ucxoelma miiRo monawileoba. 2006 wels saukeTeso portretis nominaciaSi amerikelma

fotografma moli korsom gaimarjva, xolo 2007 wels mTavari prizi germanel fotograf iulia

melss gadaeca.

germaniaSi fotografiis mravalwliani tradicia arsebobs. fotoxelovneba da fotodizaini

germaniis bevr umaRles saswavlebelSi maRal doneze iswavleba, imarTeba mravali gamofena,

gamoicema Sesabamisi literatura da sxva mravali.

am kuTxiT saqarTvelo ganviTarebis procesSia. ukve ramdenime welia, rac TbilisSi sxvadasxva

saintereso RonisZieba tardeba, Tanamedrove xelovnebisa da fotografiis ganxriT. cnobili

qarTveli fotografebi foto-kursebsa da gamofenebs awyoben.

qarTvel axalgazrdebs gansakuTrebulad ainteresebT fotoxelovneba. swored maT gamxnevebas

da xelSewyobas iTvaliswinebs fotokonkursi „qolga“.

bolo ramdenime welia, JiuriSi ucxoel fotografebsa da fotoxelovnebis kritikosebs viwvevT.

wels ki, „qolgis“ arsebobis manZilze pirvelad, moviwvieT cnobili germaneli fotografi

da docenti volfgang curborni (www.wolfgangzurborn.de,_ www.lichtblick-school.com) da msoflios

mraval qveyanaSi moRvawe germaneli fotoeqsperti da galeristi Tina Selhorni (h p://www.lichtblick-school.com/dozenten/ na_schelhorn.html).CvenTvis da JiurisTvis sasiamovno moulodneloba iyo bevri avtoris gamorCeuli namuSevrebi.

aseve, guldawyvetiT aRvniSnavT, rom maT Soris araerTi 100 saukeTesos miRma darCa. Semosul

fotoebs Soris reportaJis Tematika Warbobda, romelTa didi nawili namdvilad imsaxurebda

aseulSi moxvedras, Tumca radganac Tema Tavisufali iyo, Jiuri Seecada, Semosuli fotoebidan

sabolood yvela Janris saukeTeso fotoproeqti SeerCia.

amasTan, konkursSi monawileoba bevrma germanelma studentma da axalgazrda fotografma miiRo,

magaliTad kiolnis dizainis akademiis studentebma da misma kursdamTavrebulma fotografebma

(www.ecosign.net). samomavlod dagegmili gvaqvs, rom saqarTvelo ufro farTo masStabiT

daukavSirdes germanul da, zogadad, evropul fotoscenas. am miznis gansaxorcieleblad,

konkursis saukeTeso fotoebis gamofenis mowyobas vapirebT germaniis Semdeg qalaqebSi:

berlinSi, kiolnSi da liubekSi.

imeds vitovebT, rom Cveni da evropeli partniorebis mier ganxorcielebuli mravalmxrivi

erToblivi proeqtebi momavalSi ufro gaRrmavdeba da Cveni konkursisa da, zogadad,

fotografiis ganviTarebas waadgeba.

damfuZnebeli: besik xaindrava

kuratori: Teona gogiCaiSvili, xelovnebis magistri

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The Kolga photography contest is annually being held in Tbilisi since 2002 and it is very popular in our country.During previous years, in addi on to Georgian photographers and amateurs, many foreigners have also par cipated in the contest. In 2006, the winner in the Best Portrait nomina on was an American photographer Molly Corso, while in 2007 the grand prix went to a German photographer Julia Mehls.Germany has a long tradi on of photography. The art of photography and photographic design are being taught on a high level in many higher educa on ins tu ons across Germany, various exhibi ons are being held, relevant literature is being published and many others.Georgia, in this respect, is s ll developing. Over the past several years, various interes ng events dedicated to art and photography have been held. Famous Georgian photographers arrange photography courses and exhibi ons.Georgian youth is especially interested in the art of photography. For this reason, the Kolga photo contest tries to encourage and support them.Over the past several years, numerous foreign photographers and photography cri cs have been invited as judges. This year, for the fi rst me in Kolga’s history, we have invited a famous German photographer and docent Wolfgang Zurborn (www.wolfgangzurborn.de, www.lichtblick-school.com) and Tina Schelhorn (h p://www.lichtblick-school.com/dozenten/ na_schelhorn.html), German photography expert and art dealer working in several countries.Both for us and for the judges it was a pleasant surprise to see excep onal works by many authors. In addi on, we sadly note that several of them didn’t make it to the top 100. Among the photographs submi ed the reportage theme was prevalent; a great part of which truly deserved being included in the top 100. However, because of the fact that the topic was free, the judges have eventually tried to pick the best photography projects in every genre from the photographs submi ed.Furthermore, many students and young photographers from Germany have also taken part in the contest; for example, students and graduate photographers of Academy for Design in Cologne (www.ecosign.net). In the future, we plan to become even more connected with German and European photographic scene, in general. In order to achieve this aim, we plan to exhibit the best photographs in the contest in the following ci es in Germany: Berlin, Cologne and Lübeck.We hope that the versa le joint projects accomplished by us together with our European partners become even deeper, which will be benefi cial not only for our contest but also for the development of photography in general.

Founder: Besik KhaindravaCurator: Teona Gogichaishvili, M.A.

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daniel angermani

Daniel Angermann

Begehbare Skulpturen, Accessible Sculptures (ecosign/Docent: Uwe Boden)

Concept: The series Begehbare Skulpturen/Accessible Sculptures is about the dis-orientation in Erwin Herrich’s Labyrinth. We have to fi nd out by ourselves what art is about. Any human is an artist in there — everywhere. It is a social sculpture.

xelmisawvdomi skulpturebi

(ekozaini/docenti: uve bodeni)

koncefcia: seria “xelmisawvdomi skulpturebi” ervin herixiseul

labirinTSi dezorientacias exeba. Cven TviTon unda aRmovaCinoT

raSi mdgomareobs xelovnebis arsi. masSi yoveli adamiani xelova-

nia, yvelgan. es socialuri skulpturaa.

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di-jei saSobao naZvis xis qveS

Cems fotonamuSevarSi „qalaqeli da sofeli“ sakuTari Tavi ram-

denime stereotipul qalaqis macxovreblad warmovaCine, ramden-

ime stereotipul, soflisTvis niSandobliv garemoSi. rogorc

Cans, pirovneba da adgili, sadac moqmedeba xdeba, erTmaneTs ar

Seesabameba. amgvarad, soflis garemoSi mcxovreb adamianebTan

qalaqis macxovreblis Sedarebisas da piriqiT, arsebuli kliSe

da winaswar Camoyalibebuli Sexeduleba ufro zustadaa realize-

buli. erTi SexedviT, Cemma fotoebma xalisi unda aRZras; meore

SexedviT, maT mayurebeli sakuTari stereotipebisa Tu winaswar

Camoyalibebuli Sexedulebebis winaaRmdeg ganawyos.

iohanes heseli

Johannes Hessel

DJ under the Christmas treeIn my photographic work „The Townsman and the Village“, I staged myself as several stereotypical townsmen in several stereotypical countrifi ed environ-ments. It seems that the person and the place of action do not accord with each other. In this way, the cliché and prejudice about the townsmen when compared to the people living in countrifi ed environments and vice versa are realized more exactly. At a glance, my photographs should amuse. At a second look, they should also confront the viewer with his own stereotypes and prejudices.

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#403koncefcia: fotonamuSevari „#403“ mitovebul binaSi, ki-

olnSi (germania), 2009 wlis Semodgomaze Seiqmna. masSi

inscenirebuli momenti sarkeSi mzeras asaxavs. insceni-

rebis meTodi simartovisa da avadmyofurobis aspeqtebs

erwymis. plastmasisgan damzadebuli Zveli, mocimcime

sarkis rafa mkrTal sinaTleSi saerTo xedSi iZireba.

adamiani da sivrce kargavs yvela konturs da erTmaneTs

sicarielis momentis Sesaqmnelad ezaveba. rac ufro ax-

lodan davakvirdebiT, gamoyenebuli 800-iani mgrZnob-

elobis 35 mm-iani firi miT ufro inarCunebs am STabeW-

dilebas da motivis TiTqosda srul gauCinarebas iwvevs.

alu-dibondze dabeWdili saxviTi xelovnebis nimuSebi,

150 X 100 sm.

niko valfarti

Nico Wallfarth

#403Concept: The photographic work «#403» was created in an aban-doned apartment in Cologne, Germany in the fall of 2009. The mo-ment staged here is that of a glance in the mirror. The method of staging plays with the aspects of solitude and morbidity. The light of an old, fl ickering mirror cabinet made of plastic immerses the scen-ery in a pale light. Man and space lose all contours and are blended together to form a moment of emptiness. The closer one looks, the more the used 800 KB-fi lm supports this impression and creates a seemingly complete dissolution of the motive.

Fine-Art-Prints on Aludibond, 150 x 100 cm

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histera, fotofirfita #43 _ qaluri inteleqti

(ekozaini/docenti: Tomas cika)

koncefcia: aRebulia “fotofirfitebis korpusi paTologiebis di-

agnostikis normatiul SesaZleblobaze dakvirvebisTvis 1900-iani

wlebis fotoklinikebis konteqstSi”.

fototeqnika: sxvadasxva toneriT Seferadebuli Sav-TeTri firi

sul raRac 100 wlis win, swamdaT, rom fsiqikuri darRvevebis vizual-

izeba Tu klasifikacia maTi firze aRbeWdviT SeiZleboda. Cems seria-

Si “fotofirfitebis korpusi paTologiebis diagnostikis normatiul

SesaZleblobaze dakvirvebisTvis 1900-iani wlebis fotoklinikebis

konteqstSi” aRvadgine da suliT daavadebulTa suraTebi ise davax-

arisxe, rom daZabuloba SevunarCune, magram namdvilobis yovel-

gvari niSani CamovaSore

nola bunke

Nola Bunke

Hystera, Plate 43 – Feminine Intelligence (ecosign/ Docent: Thomas Zika)

Concept: Taken from the „Corpus of plates for the observation of the normative power of pathologic diagnostics in the context of photographic clinics around 1900” Photographic technique: Black and White fi lm tinted by various toners

Only some 100 years ago it was believed that mental disorders could be visualized and classifi ed by capturing them on fi lm. In my “Corpus of plates for the observa-tion of the normative power of pathologic diagnostics in the context of photograph-ic clinics around 1900”, I recaptured and classifi ed hysterical clinical pictures, leaving their intensity unchanged while divesting them of their claim for truth.

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Savi zRvis piras

On the Black Sea Shore

nata sofromaZe

Nata Sophromadze

saukeTeso konceptualuri fotoproeqtiBEST CONCEPTUAL PHOTO PROJECT

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Savi zRvis piras

On the Black Sea Shore

nata sofromaZe

Nata Sophromadze

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eSmaki atarebs pradas

The Devil Wears Prada

maka kukulava

Maka Kukulava

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momavlis moda (ekozaini/docenti: Tomas cika)

The Fashion of the Future (ecosign/Docent: Thomas Zika)

ana iaisle

Anna Jaissle

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fotoeqsperimenti (ekozaini/docenti: Tomas cika)

Photoexperiment (ecosign/Docent: Thomas Zika)

ana iaisle

Anna Jaissle

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luka CxaiZe

Luka Chkhaidzelurji

Blue

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glamuruli qali

Glamour Lady

avTandil mamulia

Avtandil Mamulia

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naTloba

Christening

avTandil mamulia

Avtandil Mamulia

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jvriswera

Wedding

avTandil mamulia

Avtandil Mamulia

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klaustrofobia

Claustrophobia

avTandil mamulia

Avtandil Mamulia

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gamravlebis tabula

Multiplication Table

oTar gordelaZe

Otar Gordeladze

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giorgi bigvava

Giorgi Bigvavaiqsi

X

saukeTeso eqsperimentuli fotoproeqtiBEST EXPERIMENTAL PHOTO PROJECT

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“Umbra Betula” with the beauty, even as the terror of the night. The pictures show a small forest, located in au-thor’s hometown, in the full moon. It shows the viewer a completely surreal world. The work was created in November, 2010

iakob kaliSevski

Jakob Kaliszewski

„umbra betula“ (aryis

Crdili) mainc mSve-

nieria, miuxedavad

imisa, rom maTze Si-

Sismomgvreli Ramea

aRbeWdili. suraTebze

naCvenebia mcire zomis

tye avtoris mSobliur

qalaqSi, savse mTvaris

dros. igi mayurebels

sruliad siurrealur

samyaros uCvenebs. na-

muSevari 2010 wlis no-

emberSi Seiqmna.

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qeno rosleri

Keno RösslerZaxili

Call

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maraike arnoldi

Mareike ArnoldSvlis nukri, axali zelandia.

Fawn, New Zealand.

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lado lomitaSvili

Lado Lomitashvili

wiTuri

Red64

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ekaterine mamamTavriSvili

Ekaterine Mamamtavrishvililurji ganTiadi

Blue Dawn65

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ekaterine mamamTavriSvili

Ekaterine Mamamtavrishviligembanze

On a Deck66

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kaxaber emiriZe

Kakhaber Emiridzemwvane

Green67

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andro eraZe

Andro Eradzeme-17 vagoni

17th Car

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andro eraZe

Andro Eradze ori mzera

Two Looks

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anka gujabiZe

Anka Gujabidze

specialuri prizi reportaJisTvis - s.jaSis dokumenturi filmis _ `baxmaros~ gadaReba. Coxatauris raionSi mdebare SenobaSPECIAL PRIZE FOR THE PHOTO REPORTAGE - SHOOTING S.JASHI’S DOCUMENTARY FILM BAKHMARO. A BUILDING LOCATED IN CHOKHATAURI REGION.

s.jaSis dokumenturi filmis _ “baxmaros” gadaReba. Coxatauris raionSi mdebare Senoba

Shooting S. Jashi’s documentary fi lm Bakhmaro. A building located in Chokhatauri Region.

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levan alfaiZe

Levan AlphaidzeTaims skveri. niu iorki. aSS

Times Square. New York City. USA

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qeTevan alixanaSvili

Ketevan Alikhanashviliarqivi

Archives

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levan maxaraZe

Levan Makharadzeitaliuri qorwili

Italian Wedding78

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levan maxaraZe

Levan Makharadzepotito – tipaJi

Potito – Character79

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levan maxaraZe

Levan MakharadzesamkuTxedi

Triangle

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gela CaCua

Gela ChachuabaTumi

Batumi

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gela CaCua

Gela Chachuacodvebis qalaqi

City of Sins

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gela CaCua

Gela Chachua

zogjer mZimea

Sometimes It’s Hard

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gela CaCua

Gela ChachuaNo Smoking!

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gela CaCua

Gela Chachuasivrce

Space85

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saukeTeso peizaJi _ seriebisTvis `mTaTuSeTis seriidan~ da `garejis mindvrebi-udabno~BEST LANDSCAPE - FOR THE SERIES “FROM THE MTA-TUSHETI SERIES“ & GAREJA FIELDS. DESERT.

gia CalaTaSvili

Gia ChalatashvilimTaTuSeTis seriidan

From the Mta-Tusheti series

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gia CalaTaSvili

Gia Chalatashviliseriidan `garejis mindvrebi. udabno “

From the series “Gareja Fields. Desert”

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izabel qrikau

Isabell Krickaumwvane laguna yureSi, lansarote, espaneTi. 2010

Laguna Verde en el Golfo, Lanzarote, Spain. 2010

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nino gaxokia

Nino GakhokiausaTauro

Untitled

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toni hanmeri

Tony Hanmerlenjeri, ormoci

Lenjeri, 40 Day Memorial

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reziume: kastori-2010

1996 wlidan radioaqtiuri narCenebi safrangeTis haagidan ger-

maniis gorlebenSi specialuri “kastoris” konteinerebiT gadaaqvT.

satransporto saSualebas, tradiciulad, masobrivi protestebi

uqmnian dabrkolebas, gansakuTrebiT mis daniSnulebis wertilTan

_ gorlebenis droebiT sacavTan, romelic adre marilovani gum-

baTi iyo. protestebis mizezi isaa, rom kiTxva saboloo sacavis

Sesaxeb jer kidev pasuxgaucemelia da arc isaa naTeli, Tu ramdeni

xniT Seinaxeba narCenebi gorlebenis sacavSi. germaniis am nawilis

macxovrebelTa 85%-ze meti fermeria, romlebic maTi miwisa Tu mo-

mavali mosavlis SesaZlo dabinZurebis gamo Relaven. 2010 wels, sa-

transporto saSualeba daaxloebiT 92 saaTiT Seyovnda, amis mizezi

ki uCveulod xalxmravali saprotesto gamosvlebi da 20 000-ze meti

policielis adgilze mobilizeba gaxda.

qave rostamxani

Kaveh Rostamkhani

Summary: Castor 2010Since 1996 the radioactive waste from the French La Hague is brought to Germa-ny’s Gorleben in special “Castor” cases. The transport is traditionally confronted with massive protests, especially near its destination, the interim storage facility of Gorleben, which used to be a salt dome. The background of the protests is that the question of fi nal storage has not been answered yet and it is not clear how long the waste is going to be stored in the Gorleben facility. More than 85% of the popula-tion in this part of Germany represents farmers who are worried about the possible contamination of their land and future harvest. In 2010, the transport was delayed for about 92 hours due to extraordinarily massive protests and the deployment of more than 20,000 police offi cers.

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reziume: cxovreba jurRmulebSi – maTare

afrikisa Tu centraluri amerikis TiTqmis yovel did qalaqSi arse-

bobs jurRmulebi, romelTac feTqebadad mzardi tendencia gaaCniaT.

gaerTianebuli erebis organizaciis dasaxlebuli punqtebis Ses-

axeb programis (gaero-habitati) mixedviT, urbanizaciis gamo, 2030

wlisTvis 2 miliardamde adamiani jurRmulebSi icxovrebs. es im

droisTvis msoflio mosaxleobis meoTxedi iqneba. maTare sididiT

meore jurRmulia keniis dedaqalaqis _ nairobis SemogarenSi. aq

daaxloebiT erTi milioni adamiani ukidures siRatakesa da sastik

pirobebSi cxovrobs. Tunuqis qoxebs miRma yoveldRiuri cxovreba

Cqefs da axalgazrdoba didi imediTaa savse, miuxedavad imisa, rom

maTi cxovreba odnavac ver amarTlebs termins “adamianuri Rirseba”.

nuTu aseTia globalizebuli samyaros mosaxleobis meoTxedis bedi?

qave rostamxani

Kaveh Rostamkhani

Summary: Slum Life - MathareNearly every big town in Africa and Central America has a slum with an explo-sively growing tendency. According to the United Nations Human Settlements Programme (UN-HABITAT) due to urbanization, up to 2 billion people will be living in slums by the year 2030. That would be a quarter of the world population then. Mathare is the second-biggest slum in the outskirts of the Kenyan Capital of Nairobi. An estimated one million people live here under very poor and severe conditions.The daily life is under way outside the tin huts and the youth display a lots of hope despite a life barely comparable with the term „human dignity“. Is this the destiny of a quarter of the population in a globalized world?

saukeTeso reportaJiBEST REPORTAGE

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ian qarveri

Ian CarvermSral da mkacr zamTarSi, avRaneTis

CrdiloeT balxis provinciaSi, uxucesi

gamoumwvari aguris kedelTan gaunZ-

revlad isvenebs, TiTqos am Soreul da

uZveles sofelSi gayinula

In the dry and bitter winter in Afghanistan's northern Balkh province, a tribal elder rests mo-tionless along a mud brick wall, as if frozen in the remote and ancient village setting

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ian qarveri

Ian Carveraxalgazrda biWi, romelic axlaxans gamoaZeves mSobliuri hilmendis provinciidan da axla qabulSi,

banakSi cxovrobs.

A young boy recently displaced from his native Helmand province now living in a camp in Kabul104

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ian qarveri

Ian CarveravRaneli jariskaci Cehel sutunis (ormoci sveti) sasaxleSi pozirebs, romelic bevri sxva jariskacis msgavsad,

mefe zahir-Sahis mflobelobaSi iyo.

An Afghan soldier poses in the Chehel Sotoun (forty pillars) palace, which was one of the many owned by King Zahir105

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ian qarveri

Ian CarverbavSvebi TamaSoben fexburTs iq, sadac odesRac darul amanis sasaxlis uzarmazari da uxvad gamwvanebuli baRebi iyo.

Children play football in what once were the vast and lavishly landscaped gardens of Darul Aman Palace

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ian qarveri

Ian CarverasobiT muSa zrunavs sasicocxlo sairigacio arxze, romelic maT sasoflo-sameurneo miwebs uerTdeba.

In the hundreds, workers maintain a vital irrigation canal leading to their agricultural lands

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noe kapanaZe

Noe Kapanadzelibiis TavisuflebisTvis

For Libya’s Freedom108

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Toma begiaSvili

Toma Begiashviliberlini _ mitingi

Berlin – Rally109

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buTeina feridi

Boutheina Féridqselis Zala

Network Power

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buTeina feridi

Boutheina Féridyvavilebis Zala

Flower power

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markus difanbaxeri

Markus Diefanbacher`me mxolod TamaSi mindoda”

“ich wollte doch nur spielen”

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markus difanbaxeri

Markus DiefanbachermeZavTa ubani

Red-light District

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paskal biuningi

Pascal BuenningCemeburad gavakeTe

I Did It My Way

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ana gugutiSvili

Ana Gugutishvilisubstancia

Substance

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demetre daTiaSvili

Demetre DatiashvilidamWknari emociebi

Dried Emotions116

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demetre daTiaSvili

Demetre Datiashviliniagaras CanCqeri

The Niagara Falls

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gogi cucunaSvili

Gogi Tsutsunashvili

H5N1

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gogi cucunaSvili

Gogi Tsutsunashvili

H1N1

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ia melaZe

Ia Meladzetaoeli mcxobeli qali

A Baker Woman From Tao120

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kaxa kaxiani

Kakha KakhianiusaTauro

Untitled121

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luka vidmeri

Luka Widmercentraluri sadguri. berlini

Central Station. Berlin

luka vidmeri

Luka Widmerraixstagi

Reichstag

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levan giorgaZe

Levan Giorgadzeusaxelo kvadratebi

Untitled Squares

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levan kinwuraSvili

Levan Kintsurashviliusko futkrebi

Bees without Hives

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qeTi RvinefaZe

Keti Gvinepadzeseria `gabzarulni~

The Cracked Series

saukeTeso dokumenturi seriaBEST DOCUMENTARY SERIES

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aleqsi afciauri

Aleqsi Aptsiauri kadri monastris cxovrebidan

Still from Life in a Monastery

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mzia lekveiSvili

Mzia Lekveishvilismitebi gadavidnen

The Smiths Have Moved Out

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dikarka

Dikarkaelena

Elena

ECOSIGN-is (kiolnis dizainis akademia) specialuri saavtoro priziSPECIAL AUTHOR PRIZE FROM ECOSIGN ACADEMY FOR DESIGN IN COLOGNE

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dikarka

DikarkaniRbebis qalaqi

City of Masks

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dikarka

Dikarkamelania

Melania

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nikoloz mameiSvili

Nikoloz Mameishvilixilis Cai

Fruit Tea

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mixeil qorqia

Mikheil Korkialedi heroini

Lady Heroin

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mariam siWinava

Mariam SichinavaSeni 15 wuTi minda

I Want Your 15 Minutes

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dito TediaSvili

Dito TediashvilifotoreportaJidan `mestieli bavSvebi~

From the photo reportage “Children from Mestia”

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olkini

OlkinkuTxeSi mimwyvdeuli bavSvoba

Childhood Driven into a Corner

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nini maisuraZe

Nini Maisuradzeqalis portreti

Portrait of a Woman

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mona deliCi

Mona Delicucxo sxeuli (ekozaini/docenti: Tomas cika)

Foreign Body (ecosign/Docent: Thomas Zika)

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giorgi jananaSvili

Giorgi Djananashvililalo

Lalo

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giorgi bendelava

Giorgi BendelavaSOS!

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mariam kalandaZe

Mariam Kalandadzemarcxniv

To the Left

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mariam kalandaZe

Mariam Kalandadzemarjvniv

To the Right

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Tomas morSi

Thomas MorschusaTauro

(ekozaini/docenti: nola bunke)

Untitled (ecosign/ Docent: Nola Bunke)

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marsel kampsi

Marcel Kampsmarkusi

Markus

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jano demetraSvili

Djano Demetrashviliparaleluri samyaro

Parallel Universe150

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xatia fsuturi

Khatia PsuturikavSiri

Connection151

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xatia fsuturi

Khatia PsuturireiCel fereli

Rachelle Ferrell152

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Tornike Sengelia

Tornike ShengeliaZveli dro

The Old Days153

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nikoloz fxakaZe

Nikoloz PkhakadzeusaTauro

Untitled154

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Tamuna canava

Tamuna TsanavaCrdili

Shadow155

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Tamuna canava

Tamuna Tsanavasami

Three

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nino leseliZe

Nino Leselidzemolodini

Anticipation

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vaxtang nemsaZe

Vakhtang NemsadzebrtyeltuCa

Pliers

158

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roman fircxalava

Roman Pirtskhalava Guess

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roman fircxalava

Roman Pirtskhalavaar dawve

Stay Up

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nino-ana samxaraZe

Nino-Ana Samkharadzesaswrafos mZRoli

Ambulance Driver

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zura qarTveliSvili

Zura KartvelishviliwarRvnis mijnaze

On the Verge of Deluge

zura qarTveliSvili

Zura KartvelishviliganaCeni

Verdict

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zura qarTveliSvili

Zura Kartvelishviliukmarisoba

Shortage

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fotokonkursi “qolga” – Jiuris gancxadeba

Zalian sasiamovno iyo fotoxedvis im farTo speqtris gacnoba, romlebic 2011 wlis “qolgis” fotokonkursSi monawile

fotografebma warmoadgines saqarTvelodan da germaniidan. Zalian sainteresoa imis naxva, rom cxovrebiseuli xedva gan-

sxvavdeba am or qveyanaSi. Cven globalizebul samyaroSi vcxovrobT, Tumca individualuri aRqma, romelic kulturuli,

politikuri Tu socialuri gavlenebis konteqstSi Camoyalibda, kvlavindeburad gansxvavebulia. amgvarad, isini Cvens

cxovrebaze mdidar pluralistur perspeqtivas gvTavazoben. es ki Zalze mniSvnelovans xdis kulturaTaSoris dialogs.

Cven Zalian gvaxarebs saqarTveloSi Seqmnili mravali foto-seriis xarisxi. maTSi kargad igrZnoba swori ganaTeba, gad-

amwyveti momenti, Zlieri eqspresia, efeqturi mizanscena da agreTve, iumoris kargi grZnoba. yovelive es fotografiis

tradiciuli Tvisebebia, Tumca maT xSirad Tanamedroved damuSavebuli saxiT gvTavazoben.

germaneli fotografebis namuSevrebi ufro metad koncefciebzea dafuZnebuli. fotografiis klasikuri Janrebis garda,

maT Tanamedrove cxovrebis Sesaxeb TxrobisTvis axali gzebis povna surs. suraTebi xSirad damRlelia, radgan isini

uaryofen standartul xedvas.

amdeni kargi fotos gacnobis Semdeg, rTuli iyo am konkursis gamarjvebulebis SerCeva. Cven avarCieT xuTi Zalze gansx-

vavebuli fotografiis stili, raTa aSkara gagvexada, rom Tanamedrove fotografiaSi calkeuli warmodgenebis xorcSesx-

mis mravali SesaZlebloba arsebobs.

CalaTaSvilis fotonamuSevrebSi yuradReba peizaJebis sididezea gamaxvilebuli. SesaniSnavi kompoziciebi da sinaTlis

zusti gamoyeneba qmnis bunebriv sivrces, romelic TiTqos usasruloa. fotografi mxolod bunebis silamazis aRbeWdvas

rodi cdilobs. misi saukeTeso suraTebi deskrifciisa da abstraqciis zRvarzea, xolo Tovlze vertmfrenis Crdili ukan,

civilizaciisken gvabrunebs.

RvinefaZes fotografiis WeSmariti Zalis Rrma rwmena aqvs. fsiqiatriul saavadmyofoSi myofi adamianebis metismetad ST-

ambeWdavi Sav-TeTri portretebi Zlier socialur dokuments qmnis. TiToeul fotoze SegiZliaT SeigrZnoT Rrma interesi

da pativiscema adamianis mimarT.

bigvavas eqperimentuli portretebi emociur mdgomareobebze axdenen fokusirebas. gamosaxulebebis da uCveulo perspeq-

tivebis wyalobiT, saxeebi yoveldRiuri konteqstidan amovardnilia. vizualuri Sreebi metismetad STambeWdav gamosax-

ulebebs qmnian, romlebic ambivalentur grZnobebs poeturad gadmoscemen.

Sav zRvasTan gatarebuli bavSvobis gasaxseneblad, sofromaZem sakuTari asociaciuri foto-istoria aago, romelmac

portretebi, peizaJebi da piraduli momentebi erTgvar foto-dRiurSi gaaerTiana. suraTebis Sexamebis zusti koncefcia

cxovrebis cocxali gancdis safuZvlad iqceva iq, sadac warsulsa da awmyos Soris mkveTri zRvaria.

rostamxanis Jurnalisturi seriebi keniis dedaqalaqis _ nairobis SemogarenSi mdebare sididiT meore jurRmulis Ses-

axeb warmodgenas iZleva. es suraTebi ar aris iqauri araadamianuri pirobebis civi da Soreuli dokumentacia. fotografi

Zalian axlosaa adamianebTan, xolo misi kompleqsuri suraTebi maT ara rogorc msxverplebs, aramed rogorc pirovne-

bebs warmoaCens.

gujabiZis fotoebze asaxulia adamianebi samuSao procesSi, magram portretebi maTi profesiis oficialur reprezenta-

cias rodi gavs. daxvewili iumoris wyalobiT, is pirovnebebs samsaxurebrivi movaleobis Sesrulebisas ar warmogvid-

gens. misi personaJebi TiTqos dakarguli arian TavianT garemocvaSi da mayurebels SeuZlia SeigrZnos sevdisa da saso-

warkveTilebis zRvarze arsebuli emocia. sinaTlisa da feris srulyofilad gamoyenebis gziT, fotografi yoveldRiur

situaciebs realuri cxovrebis Teatrad gardaqmnis. Jiuri mas am seriisTvis specialur prizs aniWebs.

yvela gamarjvebuli seriis Tavisebureba gaxlavT is, rom intuicia da Canafiqri, SegrZneba da aRqma erTmaneTs Zlieri

vizualuri gancxadebis gasakeTeblad erwymis. fotoebis damuSaveba da kombinacia am mediaSi piraduli midgomis povnis

mniSnvnelovani aspeqtia.

Tina Selhorni da volfgang curborni, kiolni, 5 aprili, 2011

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Kolga Photo Competition – Jury Statement

It was a great pleasure to look at the wide range of photographic visions presented by the photographers from Georgia and Ger-many participating in the Kolga Photo Competition 2011. It is very interesting to see, that the way of seeing life is different in the two countries. We are living in a globalized world, but the individual perceptions, developed in the context of cultural, political and social infl uences, are still varying. Thereby they are creating a richness of a pluralistic perspective on our life. That makes the dialog between the cultures so important.We are very excited about the quality of many photographic series from Georgia. There is a great feeling for the right light, the decisive moment, the strong expression, the effective mise-en-scène and also a good sense of humor. These are all traditional qualities of photography, but they are often used in a contemporary way.The works from the German photographers are more based on conceptions. Beside classical genres of photography, they want to fi nd new ways of telling stories about modern life. The images are often irritating, because they are denying a conventional view.Having looked at so many good photographs it was not easy to select the winners of this competition. We have chosen fi ve very different photographic styles to make it clear, that there are a lot of possibilities for individual imagery in contemporary photog-raphy.The photographs by Chalatashvili are celebrating the vast of the landscape. The excellent compositions and the perfect use of light are creating a natural space, which seems to be endless. The photographer is not depicting the beauty of nature only. His best imag-es are on the cut between description and abstraction and the shadow of the helicopter on the snow takes you back into civilization. Gvinepadze has a strong belief in the authentic power of photography. The very sensible black-and-white portraits of people in a psychiatric hospital are creating a strong social document. In every photograph, you can feel the deep interest and respect for the human being.The experimental portraits by Bigvava are focusing on emotional conditions. Refl ections and unusual perspectives are taking the faces out of an every-day context. The visual layers are constructing very impressive images showing ambivalent feelings in a poetic way.In memory of her childhood at the Black Sea, Sophromadze put together her associative picture story, combining portraits, land-scapes and private moments into some kind of photo diary. The precise conception for the combinations of pictures is the basis for a vivid experience of life in the area of tension between the past and the present.The journalistic series by Rostamkhani is giving an impression of the life in the second-biggest slum in the outskirts of the Kenyan Capital of Nairobi. These images are not a cold and distant documentation of the inhuman conditions there. The photographer is very close to the people and his complex pictures are not defi ning them as victims but as individuals.Gujabidze is photographing people at work places but the portraits are not looking like offi cial representations of their professions.With subtle irony she/he is showing the persons not in their function. They seem to be lost in their surroundings and the spectator can feel the emotional shape between boredom and despair. By using light and colour in a perfect way the photographer is trans-forming every day situations in a theatre of real life. The jury is giving a special prize for this series.The quality of all winning series is that intuition and conception, feeling and sense are working together for a strong visual state-ment. The editing and combination of photographs is an important aspect for fi nding a personal approach in this medium.

Tina Schelhorn and Wolfgang Zurborn, Cologne, April 5, 2011

Page 169: Kolga Tbilisi Photo 2011 Catalogue

aleqsi afciauri

ana gugutiSvili

andro eraZe

anka gujabiZe

ana iaisle

avTandil mamulia

buTeina feridi

gela CaCua

gia CalaTaSvili

giorgi bendelava

giorgi bigvava

giorgi jananaSvili

gogi cucunaSvili

daniel angermani

demetre daTiaSvili

dikarka

dito TediaSvili

ekaterine mamamTavriSvili

vaxtang nemsaZe

zura qarTveliSvili

Tamuna canava

Tomas morSi

Toma begiaSvili

Tornike Sengelia

iakob kaliSevski

iohanes heseli

ia melaZe

ian qarveri

izabel qrikau

kaxa kaxiani

kaxaber emiriZe

lado lomitaSvili

levan alfaiZe

levan giorgaZe

132115

68,6970-7552,5355-58

110,11181-8586,8714560144

118,11937

116,117134,135

14065,66158

162-164155,156

1481091531206139

103-10790,91121676476124

ALEQSI APTSIAURIANA GUGUTISHVILIANDRO ERADZEANKA GUJABIDZEANNA JAISSLEAVTANDIL MAMULIABOUTHEINA FÉRIDGELA CHACHUA GIA CHALATASHVILIGIORGI BENDELAVAGIORGI BIGVAVAGIORGI DJANANASHVILIGOGI TSUTSUNASHVILIDANIEL ANGERMANDEMETRE DATIASHVILIDIKARKADITO TEDIASHVILIEKATERINE MAMAMTAVRISHVILIVAKHTANG NEMSADZEZURA KARTVELISHVILITAMUNA TSANAVATHOMAS MORSCHTOMA BEGIASHVILITORNIKE SHENGELIAJAKOB KALISZEWSKIJOHANNES HESSELIA MELADZEIAN CARVERISABELL KRICKAUKAKHA KAKHIANIKAKHABER EMIRIDZELADO LOMITASHVILILEVAN ALPHAIDZELEVAN GIORGADZE

levan kinwuraSvili

levan maxaraZe

luka CxaiZe

luka vidmeri

maka kukulava

marsel kampsi

maraike arnoldi

mariam kalandaZe

mariam siWinava

markus difanbaxeri

mixeil qorqia

mona deliCi

mzia lekveiSvili

nata sofromaZe

niko valfarti

nikoloz mameiSvili

nikoloz fxakaZe

nini maisuraZe

nino-ana samxaraZe

nino gaxokia

nino leseliZe

noe kapanaZe

nola bunke

olkin

oTar gordelaZe

paskal biuningi

roman fircxalava

toni hanmeri

qave rostamxani

qeno rosleri

qeTevan alixanaSvili

qeTi RvinefaZe

xatia fsuturi

jano demetraSvili

12578-80

54122,12350,5116763

146,147139

112,113138143133

44-4940,41137154142161921571084314159114

159,16093

95-1026277

126-131151,152

150

LEVAN KINTSURASHVILILEVAN MAKHARADZELUKA CHKHAIDZELUKA WIDMERMAKA KUKULAVAMARCEL KAMPSMAREIKE ARNOLDMARIAM KALANDADZEMARIAM SICHINAVAMARKUS DIEFANBACHERMIKHEIL KORKIAMONA DELICMZIA LEKVEISHVILINATA SOPHROMADZENICO WALLFARTHNIKOLOZ MAMEISHVILINIKOLOZ PKHAKADZENINI MAISURADZENINO-ANA SAMKHARADZENINO GAKHOKIANINO LESELIDZE NOE KAPANADZENOLA BUNKEOLKINOTAR GORDELADZEPASCAL BUENNINGROMAN PIRTSKHALAVATONY HANMERKAVEH ROSTAMKHANIKENO RÖSSLERKETEVAN ALIKHANASHVILIKETI GVINEPADZEKHATIA PSUTURIDJANO DEMETRASHVILI

Page 170: Kolga Tbilisi Photo 2011 Catalogue

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