josie draft 003aws

8/9/2019 Josie Draft 003aWS

1/23

JOSIE ESCAPES

by

Patrick Dowling

Revision #3 for WorkshopPages 1-22


2/23

INT. CHILDRENS HOSPITAL/CANCER WARD - MORNING

A handful of CHILDREN are playing on a large, rectangular rugfeaturing Sesame Street characters. A little girl, HANNAH,who is bald plays with a Barbie Doll between Big Bird andOscar the Grouch. She, like every child in this part of the

hospital is terminally ill.

JOSIE MIDEA, 30, appears in the doorway, arms outstretched.She is angular, tan, and an investigative news reporter forWSUN-TV. She is making her weekly visit to the cancer ward.

JOSIEHey!

HANNAHJosie!

Josie kneels down, her eyes level with four children as they

rush up to her. Along with Hannah, this mornings group ismade up of three boys: SAM, a precocious 6 year old,CHRISTOPHER, also 6, but very quiet, and STEVE, a 5 year oldwho is also shy, but has a habit of blurting out a certaincurse word when he gets excited.

STEVEShit!

A nurse comes over to greet Josie. A black woman of 38, VERABERRY runs a tight ship, but dotes on the children.

VERA

Steve! Im sorry Josie, you knowhow he gets when you visit.

Pitifully, Steve aims his eyes at the floor.

STEVESorry.

Josie lifts his chin and smiles at him.

JOSIEIts okay honey. Hug?

Through their embrace Steve looks up at the nurse and stickshis tongue out at her. Vera CHUCKLES and returns the favor.

JOSIE (CONTD)So whos ready to visit Magic Land?

The kids SCREECH with glee.


3/23

HANNAHMeeee!

Josie slings a brightly colored beach bag down from hershoulder, leading the kids to the rug.

JOSIESo I forget, where did we leaveoff?

Josie sits on the rug and the kids immediately plop in frontof her.

SAMThe prince killed the dragon andwas looking for the princess.

HANNAHUnh-unh! The princess was being

held prisoner in the castle by themean, old, ugly ogre.

Sam shakes his head defiantly.

SAMIts the same thing!

JOSIEOkay, okay. Take it easy.

Sensing hes being left out, Josie looks at Christopher.

JOSIE (CONTD)Christopher why dont you tell uswhere to pick up the story?

Christopher adjusts his glasses and wipes his nose with theback of his hand.

CHRISTOPHERMaybe the princess tries to escape?

JOSIEOkay, the princess tries to escape.

Josie reaches for her bag and pulls out two PUPPETS, puttingone behind her back, unseen by the children. She slips theother on her right hand. The homemade puppet is a woman in along, satin white dress. The puppets name is PRINCESSVICTORIA. Josie changes the pitch of her voice to that of anoverly dramatic young woman.

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4/23

JOSIE (AS PRINCESS VICTORIA) (CONTD)Oh dear, I fear I shall never berescued. If only my prince wouldsave me!

Josie moves the OGRE puppet out from behind her in a flash

and deepens her voice.

JOSIE (AS OGRE) (CONTD)NEVER!

The children SCREECH with delight. Steve cant help himself.

STEVEShit!

Hannah lightly slaps his shoulder.

JOSIE (AS OGRE)

Your prince is a fool. Hell neversolve the riddle to open the castlegate. In time you will see that wewere meant to be together.

The children are grossed out by this proposition, squirmingin their spots.

CHILDRENEwwww!

JOSIE (AS PRINCESS VICTORIA)You are the most evil ogre on the

face of the earth. I will never beyours. While you slept I took adeadly potion from which I willnever awaken - unless my belovedprince rescues me by nightfall.Only his magic kiss will reverseits effects and save me!

HANNAHOh no, shes going to die!

SAM

Not if the prince gets to herfirst!

Josie starts to say something, but Vera walks over, standingbehind the kids.

3.


5/23

VERAIm sorry, but the kids need to getover to treatment. I forgot to tellyou that we changed the schedule.

CHILDREN

Ohhh nooo!

After hugging the kids Vera leads Josie out, handing her adozen ampules. Josie puts them in her bag.

THE AMPULES. One label reads: DIAMORPHINE HYDROCHLORIDE BP(Medical Heroin) for injection. 30 mg. CAUTION - High dose.

VERAListen, I cant keep doing this.

JOSIEI only need half as much next time.

VERAAllright - but only six, okay?

JOSIEYou got it.

Josie turns and waves goodbye to the children.

EXT. TV STATION - DAY

We see a cream colored two-story building fronted by dozens

of palm trees, fronds swaying in the breeze. Three satellitedishes sit off to the side surrounded by a rusty chain linkfence. Painted on the largest is a faded replica of thestations logo, a flamingo dipping one foot in a sunset-reflected pool of water.

INT. TV STATION/NEWS DESK - DAY - CONTINUOUS

Josie, wearing khakis, a white spaghetti strap blouse, and apale pink blazer is standing in front of the news deskcounter looking at a composite of mugshots. A man in his

twenties is sitting on the other side of the counter busy onthe phone. Next to him a woman of the same age has just hungup a different phone.

WOMAN(to Josie)

That was Reuters. They just pickedup your story about the beachstrangler.

4.


6/23

WSUN-TVS NEWS DIRECTOR SOL GRECO walks up next to Josie.Thick and tan, with a silver comb over, this 61-year oldformer Queens native is known to his fishing buddies as theItalian Hillbilly.

SOL

(to Josie)Thats my girl! Have you seen thenew ratings book?

JOSIEDont tell me.

SOLWere up two points. Two points!

She puts down the mugshot and looks at Sol.

JOSIE

Youre kidding.

SOLNope. That series the wire justpicked up gave us a nice bump.Thanks to you we might just savethis heap of a station.

Just then CYNTHIA RAWLINGS, 36, who is both a husky, chinlesswoman and WSUN-TVS EVENING NEWS EXECUTIVE PRODUCER walks by.

SOL (CONTD)(to Cynthia)

Hey, sunshine. Guess who just gaveus a two point bump in the ratings?

Cynthia stops and turns around, stunned. Not conscious of it,Josie scratches her arm, up and down, as if she has aterrible rash. This isnt lost on Cynthia.

SOL (CONTD)(to Cynthia)

Hello? Anybody in there?

JOSIE

Sol, take it easy, okay?Cynthia looks angrily at Josie.

CYNTHIAThanks, but I can take care ofmyself.

Cynthia switches focus from Josie to Sol.

5.


7/23

SOL(to Cynthia)

Now that I have your attention -that dumbass idea of yours to do anexpose on the Mayor of Sarasotanearly sank us. The guys a boy

scout for Christs sake! Either youneed to start pulling your weightlike Josie here or come the end ofyour contract you can say sayonarato W-S-U-N, baby!

Sol walks away HUMMING a tune, leaving Cynthia to resume herinterest in Josies itch, which has now moved to her shoulderblade. Cynthia walks away, but looks back at Josie, who isstill unaware she is being watched.

The woman behind the new desk counter motions to Josie.

WOMANPsst.

She points over Josies shoulder. Josie turns and sees atall, black man in a brown linen suit standing behind her.Hes FBI SPECIAL AGENT ISAAC BERRY, 53, tall, good-looking,with short hair, graying at the temples.

AGENT BERRYMs. Midea?

Josie sets the mugshot composite down on the counter.

JOSIEJosie.

AGENT BERRYSorry. Josie.

JOSIECan I help you?

He flashes his FBI badge - she reads it.

JOSIE (CONTD)

What can I do for you ... SpecialAgent Berry?

AGENT BERRYAgent Berry is fine. Look, is therea place where we can talk inprivate?

She looks him up and down.

6.


8/23

JOSIEUh, sure. I think theres an editbooth free down here.

She gestures with her hand and leads Agent Berry into anempty edit room.

INT. TV STATION/EDITING ROOM - CONTINUOUS

Agent Berry closes the sliding glass door behind him, itmakes a SWOOSH sound and then SLAMS shut. Josie wheelsaround, a sudden look of panic comes over her face.

JOSIEUm, Im sorry. Do you mind if weleave this open?

She moves to open the door.

JOSIE (CONTD)I terribly agraphobic.

AGENT BERRYI thought that was a fear of openspaces?

JOSIENo, thats agoraphobia. This isclosed spaces - just the opposite.

AGENT BERRY

No problem. Im sorry. I justdidnt want anyone to hear us.

Josie opens the sliding glass door about halfway.

JOSIEWell keep our voices low, okay?Besides, no one will bother us.

A look of relief comes over her, but she stays near the opendoorway anyway. Detective Berry studies all of thiscarefully. He looks down and notices a brightly colored beach

bag near her feet.AGENT BERRY

Yours?

Josie looks down.

JOSIEYep.

7.


9/23

He notices the princess puppet and leans over to get a betterlook.

AGENT BERRYWell, how about that?

JOSIEYeah, its just a hobby of mine. Ido a puppet show for the kids overat the Childrens Cancer Cliniconce a week. They seem to get akick out of it. I was there justthis morning.

He looks up at Josie and smiles.

AGENT BERRYHowd you get started with puppets?

Josie forces a smile.

JOSIEMy Mom. Look Agent Berry, whatexactly was it you wanted to talkabout?

AGENT BERRYRight. Im sure you know about therecord drug bust yesterday.

Josie nods.

JOSIESure. I did our live shot after thepress conference at the SheriffsOffice.

AGENT BERRYSo you know about the milliondollars worth of medical gradeheroin that was seized.

Josie nods again.

AGENT BERRY (CONTD)Well, what you may not know is theFBI has reason to believe there ismore ...

Detective Berry leans in whispering.

AGENT BERRY (CONTD)... substantially more drugsinvolved.

8.

(MORE)


10/23

Perhaps another ten million dollarsworth of both medical heroin andcocaine.

Josie looks out into the hallway and back at Agent Berry.

JOSIETwo questions.

AGENT BERRYShoot.

JOSIEOne, why tell me?

She waits for an answer, but he doesnt budge.

AGENT BERRYWhats the second?

JOSIEThere was no mention of cocaine.How does that figure into all ofthis?

Agent Berry goes to close the door again, still seeking moreprivacy, but Josie puts her hand out stopping it.

JOSIE (CONTD)Agent Berry, I dont think youunderstand. I do not like to be ina closed off room with someone I

dont know and trust. If you insiston trying to shut this door, Imafraid this conversation is over.You came here me asking for help.All Im asking from you is to keepthe door open.

AGENT BERRYIm sorry. Its just that what Imabout to tell you could get me in alot of trouble. And could put youin danger if someone - the wrong

someone knew.Josie takes her hand down from the door and gestures forAgent Berry to close the door.

JOSIE(reluctantly)

Go ahead.

9.

AGENT BERRY (CONTD)


11/23

AGENT BERRYAre you sure?

Josie nods, hesitantly.

The door slams shut, the aluminum wheels stop and the door

makes the same metallic WHACK as before.

SMASH CUT:

INT. MASTER BATHROOM JOSIES HOUSE - DAY (FLASHBACK 20 YEARSAGO)

Josie is ten years old. Her Dad, 54, tall, and skinny walksinto the bathroom wearing an old mustard colored bathrobe.Josie is sitting in a bubble bath waiting for him. Thebathtub has a sliding glass door with a dull, blurred finish.Dad gets into the tub, leaving his side of the sliding glass

door open.

DADIs my girl ready to play?

JOSIEMmm hmm.

CUT TO:

INT. MASTER BEDROOM JOSIES HOUSE - DAY (FLASHBACK CONTD)

The bedroom is empty, but we can hear Josie and Dad talkingin the adjacent bathroom. Josie SQUEALS with laughter. Dad isSPLASHING water.

JOSIEDad, I cant reach.

CUT TO:

INT. MASTER BATHROOM BATHROOM - DAY (FLASHBACK CONTD)

We see Dad leaning back in the tub, his side of the slidingglass door still open, but we cannot see Josie. She isblocked from view by the blurred, closed sliding glass door.

DADMove a little closer, punkin.

We hear the water splash a bit as she moves closer, but westill cant see her. He looks down at the water, where hisgenitals are hidden by the thick bubbles.

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12/23

DAD (CONTD)Oh, Josie, dont stop.

He leans back in ecstasy.

JOSIE

Dad?

He looks up at the ceiling, his eyes roll back.

DADWhat punkin?

JOSIEDo you love me best?

DADKeep going, punkin.

He reaches over and closes his portion of the sliding glassdoor shut, the aluminum and glass RATTLING.

FLASHBACK ENDS

SMASH CUT:

INT. TV STATION/EDITING ROOM - CONTINUOUS

Agent Berry is standing over Josie who has passed out in theediting room. He helps her up, gently propping her backagainst the wall.

JOSIEWhat ... what happened?

Agent Berry looks around, but no one is in the hallwayadjacent to the editing room.

AGENT BERRYYou blacked out as soon as I shutthe door. I guess you werentkidding.

JOSIENo, Im sorry. Im such an idiot.Really, Im fine. Can you give me ahand?

She holds out her hand and he helps her up, slowly. She looksover at the still closed door.

AGENT BERRYHere, let me get this.

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13/23

Quickly, he move to open the door. She looks over at him.

AGENT BERRY (CONTD)Look Im really sorry. Maybe nowisnt a good time.

JOSIENo no. Im fine. Just give me aminute.

At that moment Sol walks by.

SOLWhats going on here? Josie are youallright?

Sol looks at Agent Berry.

AGENT BERRY

Special Agent Berry, sir. FBI.

SOLPleased to meet you Special AgentBerry. Im Sol Greco, the stationsnews director.

JOSIEYou can call him Agent Berry, Sol.

Sol looks back and forth at both of them.

SOL

So am I right to assume you twoknow each other?

JOSIEJust met. Agent Berry and I weretalking about the drug bustyesterday.

SOLAhh. Excellent. Agent Berry, didyou know this is our topinvestigative reporter? Shes won

three Emmys including one for thatmajor pot bust you boys made twoyears ago, remember?

JOSIE(embarrassed)

Sol!

12.


14/23

AGENT BERRYNo, I wasnt aware of that. I wasworking out of the Atlanta fieldoffice a couple of years ago. Buther reputation for gettinginformation is the reason Im here.

In fact, I was hoping to work withMs. Midea, umm ... Josie - on thisparticular case.

SOLIm sorry, I thought the case wassolved.

AGENT BERRYWell, thats why I was hoping Josiemight be able to lend a hand. Imafraid theres a bit more work todo.

Sol looks at both of them again, like a proud papa.

SOLWell! Ill let you two get back toit.

Sol walks away, happier than ever.

SOL (CONTD)(back to Josie)

Just keep getting me those ratings!

AGENT BERRY(chuckling)

Oh boy, hes something.

JOSIEBorn and raised in Queens. ImagineArchie Bunker without all theracism. Come on, lets get out ofhere.

Agent Berry looks at his wristwatch.

AGENT BERRYIm sorry, I cant. Im afraid Ineed to be somewhere. In fact, Imlate as it is.

JOSIEWell, can it wait until tomorrow?

13.


15/23

AGENT BERRYIm afraid not. Can we meet later,say around ten oclock?

JOSIEHmmm. Thats going to be tough. Im

working the eleven oclock news.

Agent Berry looks back at his watch, exasperated.

JOSIE (CONTD)Okay, I tell you what. Meet me atthe corner of Manatee and 10th atten tonight. Ill have a little bitof time to talk before thenewscast. Okay?

Agent Berry brightens.

AGENT BERRYGreat. Thanks a lot. Here, let megive you my cell phone number justin case something comes up.

He writes down his number in a small black notebook and ripsout the page.

JOSIESee you at ten.

They shake hands and Agent Berry leaves the editing room.Josie puts her hand to her head, still a bit woozy.

EXT. CONVENIENCE STORE - EVENING (10:55 P.M.)

A WSUN-TV LIVE TRUCK is parked along a street next to a 7-11.A handful of cop cars form a semi-circle in the store parkinglot. We hear a bullhorn emit a TWANG OF FEEDBACK amid thecommotion. Other news trucks and reporters are prepping forlive shots beyond the police perimeter.

Josie and her cameraman, ANDY, too old and out of shape forhis job, are preparing for a live report which will be the

lead on the eleven oclock news. Josie looks around,searching.

JOSIEWhere is this guy?!?

Andy looks over at her, continuing to prep his camera.

ANDYWho?

14.


16/23

JOSIESome FBI agent. I called his celland left a message. He was supposedto meet me over at our originallive shot, but I havent heard fromhim.

ANDYGot something cooking?

JOSIEMaybe.

Andy has a two-way headset on and motions to Josie to put herearpiece in her ear.

ANDYCynthia wants a word.

INT. TV STATION/TV CONTROL ROOM - CONTINUOUS

Sitting in the back row of the control room, alone, Cynthiais producing the newscast. She leans in, her lips nearlytouching a long, SNAKE-LIKE MICROPHONE, toggling a callbackswitch.

CYNTHIAYou guys all set?

JOSIEYeah, were ready. Im just waiting

for someone to show up -

SUDDENLY Agent Berry appears from behind the live truck.

JOSIE (CONTD)Sorry Cynthia - gotta go.

CYNTHIAJosie, wait I need to go over a fewthings -

Josie pulls out her earpiece before Cynthia can get in

another word and walks briskly over to Agent Berry.JOSIE

You get my message?

AGENT BERRYSorry - I was checking somethingout. How much time do you have?

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17/23

JOSIENot much. Lets go in here.

Josie gestures toward the live truck. They walk up a fourstep ladder to get inside.

INT. LIVE TRUCK - CONTINUOUS

The inside of the truck is filled with small TV monitors,lots of technical controls, and tape decks. Andy is finishingup some last minute details at a cramped work station. Josieand Agent Berry enter.

JOSIEAndy, can you give us a minute.

Andy looks over at them, seeing Agent Berry makes him movefaster.

ANDYOh, sure.

Agent Berry defers to Josie as he reaches for the door to thetruck.

JOSIEBetter leave it open.

He nods and smiles.

JOSIE (CONTD)

Okay, youve got about one minute.

AGENT BERRYHeres the thing -

He stops and looks over at her shoulder at all of theequipment, worried.

AGENT BERRY (CONTD)None of this stuff is on - I mean,no one can hear us, right?

She looks behind her at the wall of machinery.JOSIE

Dont worry, detective. Big brotherisnt listening.

Agent Berry takes one last look behind him, out the livetruck doorway.

16.


18/23

AGENT BERRYToday, I found out for sure theSheriffs Office is involved insome sort of cover-up. The milliondollars in heroin is just the tipof the iceberg. Im still not sure

how long the Sheriffs NarcoticsUnit has been bad, but this bustisnt the first time theyveskimmed off the top. What they dois they seize the drugs, usuallytake ninety percent of what theyconfiscate, and resell it on theopen market. Its just that simple.

JOSIEBut why tell me? Why not just bustthem?

AGENT BERRYUnfortunately, its not thatsimple.

Andy sticks his head in the live truck doorway, interrupting.

ANDYJosie, weve got two minutes.Cynthias bitching up a storm.

AGENT BERRY(to Josie)

Whos that?

JOSIEMy producer.

(to Andy)Tell her Ill be there in a minute.

Andy leaves. Agent Berry leans over closer to Josie.

AGENT BERRYThe agent in charge of our fieldoffice is the father of the guywhos running the corrupt narcotics

operation within the SheriffsOffice.

Josie WHISTLES.

JOSIEWhoa. Do you think theyre in ittogether?

Agent Berry shakes his head.

17.


19/23

AGENT BERRYNo, hes a good man, but I thinktheyre relationship is going tocompromise the hell out of anyinvestigation I might try andconduct.

JOSIESo go above his head.

AGENT BERRYI cant. His boss XXXX.

(beat)Look I know about you. I know youhave connections ... sources insidethe Sheriffs Office that I donthave. If you can find out whoshelping him and get me some solidproof, a photograph, a recording,

anything that I can take back to myboss, he wont have any choice butto bust them.

JOSIEI dont know. Seems like this is ajob for I-A.

AGENT BERRYYeah, but remember, the legislatureallowed sheriffs to dispand theirinternal affairs last year. Onlycities have to have I-A, now.

JOSIEBut they cover the sheriff.

AGENT BERRYNot in Manatee County they dont.You know that.

Josie rubs her chin. Andy reappears.

ANDYJosie, come on! Weve got thirty

seconds.Agent Berry looks at her pleadingly.

JOSIEOkay, Ill see what I can find out.BUT ... when this all goes down, Iget the exclusive, right?

18.


20/23

AGENT BERRYYou have my word.

They exit the truck and Agent Berry leaves the same way hecame, disappearing around the corner of the live truck. Josiegets in position and puts her earpiece in. Andy flips a

switch and Josies face is engulfed in BRIGHT LIGHT, makingeverything behind her disappear.

CYNTHIAJosie, you there? Where the hellhave you been?

JOSIEHow much time do we have?

CYNTHIAYoure on in ten seconds.

Josie holds up her microphone and Andy double checks somestuff on the camera and asks Josie for an audio check.

JOSIEOne - two, check, one - two.

ANDYAudios good.

INT. TV STUDIO - EVENING - MOMENTS LATER

Sitting at the anchor desk inside the TV STUDIO WSUN-TV

ANCHORWOMAN BECKY GILES, a perky, short-haired blonde of 40wearing a magenta colored jacket readies to open thenewscast.

Co-anchoring the news and sitting next to her is TOM WATERS,WSUN-TVS LEAD ANCHORMAN. He is 35, handsome and athleticwith blonde hair, and blue eyes. He is the quintessentiallocal boy who made good.

BECKY(to Tom)

Congratulations.

Becky is busy studying her script, not looking at him.

TOMWhat?

BECKYI heard Josie finally agreed to goout with you.

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21/23

Tom shakes his head, laughing.

TOMI dont know why I thought we couldkeep it a secret.

Becky smiles. Tom starts to say something, but a floordirector counts down with his hand in a swinging motion.

FLOOR DIRECTORThree ... two ...

The floor director pitches an invisible softball at Becky andTom.

BECKYGood evening. Tonight more blood onthe streets of Bradenton.

Becky turns to a second camera.

INT. TV CONTROL ROOM - EVENING - CONTINUOUS

Inside the control room we see rows of TV MONITORS, somesmall, some large. On one of the two biggest screens we seeBecky in the studio and on the other we see Josie at thecrime scene.

BECKYTwo men are dead after a localconvenience store robbery goes from

bad to worse. Reporting live at thescene is Josie Midea. Josie whatcan you tell us?

JOSIEBecky, A 23-year old Bradenton manwas shot dead while working behindthe counter of this 7-11 around tentonight. The gunman, 27-year oldBrady Benson fled the scene,however a Bradenton police cruiserhappened to be passing by and

tracked him down. After Bensonfired shots at them they returnedfire, ending in more bloodshed.

TV DIRECTORRoll tape.

While the pre-taped story airs, Cynthia notice Josiescratching her arm again.

20.


22/23

TV DIRECTOR (CONTD)Were back in three ... two ...

EXT. CONVENIENCE STORE - CONTINUOUS

POV Andys camera viewfinder. Josie is back on the air live.

JOSIENow, police have informed us thereis another person wanted inconnection with these robberies. Heis described as a Hispanic male inhis early twenties, medium build,last seen wearing a Chicago WhiteSox baseball cap. If you have anyinformation please call -

SUDDENLY GUNSHOTS ring out, people SCREAM, and most of the

press dives to the ground. Josie crouches down for cover, butcontinues her report.

INT. TV CONTROL ROOM - CONTINUOUS

We see the chaos on the TV monitor in the control room.

JOSIEBecky, someone has just fired intothe crowd - are you still gettingus?

More GUNSHOTS. A POLICE LOUDSPEAKER rings out.

POLICE LOUDSPEAKER (O.S.)Turn those cameras off! Get down -NOW!

BECKYJosie, can you hear me?

JOSIEYes - Im sorry Becky - police aretelling us its not safe right now,

well try and get you a report assoon as possible.

GUNSHOTS ring out again. The live shot feed goes to static.

TV DIRECTORTake Becky. Take Beckys camera.Wake up people! Lets beprofessional.

21.


23/23

Becky looks shaken, but remains calm.

BECKYIf youre just joining us that wasJosie Midea reporting live from thescene of a robbery that happened

earlier tonight and where just nowgunshots have been fired ...

POV: Behind back row in TV CONTROL ROOM.

Beckys voice fades out as Sol walks into the control roomand sits next to Cynthia in the back row. He flips themicrophone switch. Static is still on the live feed beingsent to the TV monitor in the control room.

SOLJosie, this is Sol. Are you guysallright?

JOSIE (O.S.)Were fine - although I think Andyshit his pants.

A few people in the control room laugh.

JOSIE (CONTD)The police just told me they arentgoing to let us go live again fromthis location. Were going to movethe truck and see if we can getanother feed going.

SOLThats my girl.

He turns to Cynthia.

SOL (CONTD)Why cant you be more like Josie? Idont see you on the phone makinganything happen. Josies gettingshot at and yet shes out theremaking it happen. Whats the matter

with you?Sol keeps looking straight ahead at the TV monitors, watchingthe newscast. Cynthia fumes.

22.

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