(im)possible asias

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(Im)Possible Asias Sebnem Baran, Jinhee Park, Anirban Baishya, Darshana S. Mini

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Post on 15-Apr-2017

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Page 1: (Im)Possible Asias

(Im)Possible AsiasSebnem Baran, Jinhee Park, Anirban Baishya, Darshana S.

Mini

Page 2: (Im)Possible Asias

Sebnem Baran looks at the connection between Europe and Asia through Fatih Akin’s Crossing the Bridge.

Page 3: (Im)Possible Asias

The Bridge of Bosphorus in Istanbul that connects Asia with Europe

Page 4: (Im)Possible Asias

Refugee life vests at the Aegean Coast. The ongoing refugee crisis goes counter to the syncretic imagination symbolized by the bridge.

Page 5: (Im)Possible Asias

Jinhee Park’s post focuses on the film My Father’s Emails (Dir. Hong Jae-hee, 2012) and explores the filmmaker’s nostalgic desire of going back home to North Korea is expressed through the creation of an alternative dreamscape in the film.

Page 6: (Im)Possible Asias
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Page 8: (Im)Possible Asias

Anirban Baishya’s post focuses on the the documentary The Legend of Fat Mama that explores the memory and trauma of Chinese-Indians who were persecuted and expelled from India during the Indo-China border crisis.

Page 9: (Im)Possible Asias
Page 10: (Im)Possible Asias

Chinese-Indians celebrate the Chinese New Year in the city of Kolkata in India.

Page 11: (Im)Possible Asias

Darshana Sreedhar Mini’s post focuses on the film Gaddama (Dir Kamal, 2011) to focus on the experience of migrant workers in the Middle-East.

Page 12: (Im)Possible Asias

Opening scene of the film showing domestic workers waiting for their sponsors at the airport in Saudi Arabia.

Page 13: (Im)Possible Asias

A scene from the film that illustrates the precarious existence of migrant workers and the risk of dying in anonymity.