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Ben Coutouvidis 2017 johans borman F I N E A R T GROUNDS

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Page 1: GROUNDS - withtank.commedia.withtank.com/d48fb1548c/ben_coutouvidis_2016...then emerges from this becomes a product of its selective remembering and forgetting of its experience of

Ben Coutouv id is

2 0 1 7

johans bormanF I N E A R T

G R O U N D S

Page 2: GROUNDS - withtank.commedia.withtank.com/d48fb1548c/ben_coutouvidis_2016...then emerges from this becomes a product of its selective remembering and forgetting of its experience of

Introduction

This exhibition is the result of having access to a

beautiful garden and walking a fantastic dog twice

a day on Table Mountain. For this I am thankful. The

continuous fluid movement through studio, garden

and landscape has helped me move away from some

of my more linear preconceived methods of working.

It has also meant that I have had to change the way I

think, look at, and work with the materials that I use.

The challenge that has arisen from this is to find where

the limits of needing to control the creative/work

experience lie.

The event of finishing a painting now is like suddenly

having an insight into a matter that has been held in

consciousness for a while. The act of painting now

is about continuously laying down paint that may or

may not become the grounds for a painting to emerge.

The painting of the shooting star illustrates this. The

canvas had orbited my studio for years accumulating

various painted experiences until it had become a little

world with its own atmosphere. When I loaded the

brush with white paint I was not thinking consciously

of a shooting star, but more of being aware of an event

that was now about to happen between myself, the

paintbrush and canvas.

The painting is the recording of this event, it shows

the point of impact and the trajectory of the brush in

relation to the canvas. If there is one realistic detail in

the painting it is the fact that to make the white mark

on the surface took about the same amount of time as

shooting stars do when they appear in the sky.

The drawings in this exhibition have been done on the

pages of a book "The Moon as Shoe". The book has

prints of drawings that Bushman children did under the

guidance of the Bleeks to describe their landscape.

I have used this source as if it represents an original

underlying landscape onto which so many subsequent

layers of experience and history have been laid. One

of the drawings is the result of setting up a tripod in

the garden. On a piece of string suspended from the

tripod I attached a page from "The Moon as Shoe" to

act as a sail and underneath this a green pencil crayon

whose point touched another page lying flat on the

ground. Wind would now blow the suspended page

around moving the pencil tip across the surface below.

I then left this drawing machine all night to record one

of the first cold fronts of the winter moving through the

garden. The drawing appeals to me on various levels,

firstly it looks like a beautiful depiction of some algae

like plant, secondly it raises the question of authorship

and pays homage to Herman de Vries who explored

ways of working with nature that tried to liberate

himself from the strictures of the artist's ego.

One of my primary interests is how we internalize

landscape. A simple form of this is how the landscape

can be brought into the studio to work with. Wood as

a material is great in this way. The wooden figurative

sculptures provide a locus onto which I can draw

and paint landscapes, this creates the basis for the

development of narrative and identity. I can then carve

back into the figure through the surface landscape-

erasing or leaving parts of the surface, the figure that

then emerges from this becomes a product of its

selective remembering and forgetting of its experience

of landscape.

I have made sculptures of two of the boys from the

"The Moon as Shoe"- !Nanni and Tamme. I imagine

that this exhibition is a representation of their journey

to find their way back home.

Ben Coutouvidis 2017

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View from a train crossing a river at

dusk, in the Transvaal

2016

Oil on canvas

56 x 70 cm

Signed bottom right

R18 000

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Evening walk

Oil on canvas

45,5 x 60,5 cm

Signed bottom left

R18 000

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Karoo landscape outside Prince Albert

2011

Oil on canvas

75 x 90 cm

Signed bottom right

R40 000

Page 6: GROUNDS - withtank.commedia.withtank.com/d48fb1548c/ben_coutouvidis_2016...then emerges from this becomes a product of its selective remembering and forgetting of its experience of

Namibian scene

2016

Oil on canvas

60 x 75 cm

Signed bottom right

R24 000

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Diaz point, Luderitz

2006

Oil on canvas

52 x 65 cm

Signed bottom right

R20 000

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In the f l ight path

2012

Oil on canvas

60 x 75 cm

Signed bottom left

R28 000

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End of the l ine

2016

Acrylic on canvas

50 x 65 cm

Signed bottom right

R18 000

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Kalahari Landscape

2016

Acrylic on canvas

60 x 74,5 cm

Signed bottom left

R20 000

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Terrain

2016

Acrylic on canvas

34 x 38,5 cm

Signed bottom right

R5 500

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Woodland

2017

Acrylic on canvas

50 x 65 cm

Signed bottom right

R32 000

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Grounds

2016

Acrylic on canvas

50 x 65 cm

Signed bottom right

R15 000

Page 14: GROUNDS - withtank.commedia.withtank.com/d48fb1548c/ben_coutouvidis_2016...then emerges from this becomes a product of its selective remembering and forgetting of its experience of

Beech forest

2016

Acrylic on canvas

56 x 70 cm

Signed bottom left

R20 000

Page 15: GROUNDS - withtank.commedia.withtank.com/d48fb1548c/ben_coutouvidis_2016...then emerges from this becomes a product of its selective remembering and forgetting of its experience of

Beech forest ( indigo version)

2016

Acrylic on canvas

56 x 70 cm

Signed bottom right

R20 000

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Lined blue landscape

2016

Acrylic on canvas

40 x 50 cm

Signed bottom right

R9 500

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The sea

2016

Acrylic on canvas

56 x 70 cm

Signed bottom right

R18 000

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Formwork wire tree

2017

Wood and wire

Height 78 cm

Signed underneath

R7 500

Page 19: GROUNDS - withtank.commedia.withtank.com/d48fb1548c/ben_coutouvidis_2016...then emerges from this becomes a product of its selective remembering and forgetting of its experience of

Striped landscape

2017

Acrylic on canvas

56 x 70 cm

Signed bottom right

R20 000

Page 20: GROUNDS - withtank.commedia.withtank.com/d48fb1548c/ben_coutouvidis_2016...then emerges from this becomes a product of its selective remembering and forgetting of its experience of

Rain on water version

2016

Acrylic on canvas

56 x 70 cm

Signed bottom right

R18 000

Page 21: GROUNDS - withtank.commedia.withtank.com/d48fb1548c/ben_coutouvidis_2016...then emerges from this becomes a product of its selective remembering and forgetting of its experience of

Rain on water

2016

Oil on canvas

56 x 70 cm

Signed bottom right

R18 000

Page 22: GROUNDS - withtank.commedia.withtank.com/d48fb1548c/ben_coutouvidis_2016...then emerges from this becomes a product of its selective remembering and forgetting of its experience of

Purple clouds sail ing

2016

Acrylic on canvas

40 x 50 cm

Signed bottom left

R9 500

Page 23: GROUNDS - withtank.commedia.withtank.com/d48fb1548c/ben_coutouvidis_2016...then emerges from this becomes a product of its selective remembering and forgetting of its experience of

Table Mountain shadows

2016

Acrylic on canvas

56 x 70 cm

Signed bottom right

R18 000

Page 24: GROUNDS - withtank.commedia.withtank.com/d48fb1548c/ben_coutouvidis_2016...then emerges from this becomes a product of its selective remembering and forgetting of its experience of

Tree on a cl iff

2016

Wood and wire

Height 60 cm

Signed underneath

R7 500

Page 25: GROUNDS - withtank.commedia.withtank.com/d48fb1548c/ben_coutouvidis_2016...then emerges from this becomes a product of its selective remembering and forgetting of its experience of

Fire and cloud

2016

Acrylic on canvas

30 x 38 cm

Signed bottom right

R4 500

Page 26: GROUNDS - withtank.commedia.withtank.com/d48fb1548c/ben_coutouvidis_2016...then emerges from this becomes a product of its selective remembering and forgetting of its experience of

Shooting star

2016

Acrylic on canvas

28 x 35 cm

Signed bottom middle

R4 000

Page 27: GROUNDS - withtank.commedia.withtank.com/d48fb1548c/ben_coutouvidis_2016...then emerges from this becomes a product of its selective remembering and forgetting of its experience of

The Garden I

2016

Acrylic on canvas

40 x 50 cm

Signed bottom right

R9 500

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The Garden II

2016

Acrylic on canvas

40 x 50 cm

Signed bottom right

R9 500

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The Garden II I

2016

Acrylic on canvas

40 x 50 cm

Signed bottom right

R9 500

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The Garden IV

2016

Acrylic on canvas

40 x 50 cm

Signed bottom right

R9 500

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Ir ises in enamel jug

2004

Oil on canvas

60 x 50 cm

Signed bottom right

R20 000

Page 32: GROUNDS - withtank.commedia.withtank.com/d48fb1548c/ben_coutouvidis_2016...then emerges from this becomes a product of its selective remembering and forgetting of its experience of

Mealies and snakeskin

Oil on canvas

48 x 60 cm

Signed bottom right

R16 500

Page 33: GROUNDS - withtank.commedia.withtank.com/d48fb1548c/ben_coutouvidis_2016...then emerges from this becomes a product of its selective remembering and forgetting of its experience of

Leaves from the Camissa river

2015

Embroidered leaves

24 x 24,5 cm

R6 500

Page 34: GROUNDS - withtank.commedia.withtank.com/d48fb1548c/ben_coutouvidis_2016...then emerges from this becomes a product of its selective remembering and forgetting of its experience of

The Camissa river,

Red embroidered Protea leaves

2015

Embroidered Protea leaves

27 x 100 cm

R12 000

Page 35: GROUNDS - withtank.commedia.withtank.com/d48fb1548c/ben_coutouvidis_2016...then emerges from this becomes a product of its selective remembering and forgetting of its experience of

Tamme

2016

Mixed media on wood

Height 40,5 cm

Signed, titled and dated on the back

R12 000

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!Nanni

2016

Mixed media on wood

Height 44 cm

Signed, titled and dated on the back

R12 000

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Running in the family

2016

Mixed media on wood

Height 60,5 cm

Signed, titled and dated on the back

R15 000

Page 38: GROUNDS - withtank.commedia.withtank.com/d48fb1548c/ben_coutouvidis_2016...then emerges from this becomes a product of its selective remembering and forgetting of its experience of

Cape Flats gangster

2015

Mixed media on wood

Height 39 cm

Signed, titled and dated on the back

R7 000

Page 39: GROUNDS - withtank.commedia.withtank.com/d48fb1548c/ben_coutouvidis_2016...then emerges from this becomes a product of its selective remembering and forgetting of its experience of

The geologist

2017

Mixed media on wood

Height 40,5 cm

Signed and titled on the back

R10 000

Page 40: GROUNDS - withtank.commedia.withtank.com/d48fb1548c/ben_coutouvidis_2016...then emerges from this becomes a product of its selective remembering and forgetting of its experience of

The sailor

2017

Mixed media on wood

Height 25 cm

Signed on the back

R4 000

Page 41: GROUNDS - withtank.commedia.withtank.com/d48fb1548c/ben_coutouvidis_2016...then emerges from this becomes a product of its selective remembering and forgetting of its experience of

Evolving man

2017

Mixed media on wood

Height 66,5 cm

Signed on the back

Work in progress

Page 42: GROUNDS - withtank.commedia.withtank.com/d48fb1548c/ben_coutouvidis_2016...then emerges from this becomes a product of its selective remembering and forgetting of its experience of

Crossing over

2016

Mixed media on wood

Height 34,5 cm

Signed, titled and dated underneath

R9 000

Page 43: GROUNDS - withtank.commedia.withtank.com/d48fb1548c/ben_coutouvidis_2016...then emerges from this becomes a product of its selective remembering and forgetting of its experience of

Wooden figure, Cypress, Scarborough

2016

Mixed media on wood

Height 32 cm

Signed on the back

R5 000

Page 44: GROUNDS - withtank.commedia.withtank.com/d48fb1548c/ben_coutouvidis_2016...then emerges from this becomes a product of its selective remembering and forgetting of its experience of

Woman with knots

2016

Mixed media on wood

Height 30,5 cm

Signed and titled on the back

R5 000

Page 45: GROUNDS - withtank.commedia.withtank.com/d48fb1548c/ben_coutouvidis_2016...then emerges from this becomes a product of its selective remembering and forgetting of its experience of

Man from Kenya

2016

Mixed media on wood

Height 32,5 cm

Signed on the side

R4 500

Page 46: GROUNDS - withtank.commedia.withtank.com/d48fb1548c/ben_coutouvidis_2016...then emerges from this becomes a product of its selective remembering and forgetting of its experience of

Figure dipicting abdominal cavity, wood and blood

2016

Mixed media on wood

Height 30,5 cm

Signed on the back

R5 000

Page 47: GROUNDS - withtank.commedia.withtank.com/d48fb1548c/ben_coutouvidis_2016...then emerges from this becomes a product of its selective remembering and forgetting of its experience of

Silver on gesso X-ray

2016

Mixed media on wood

Height 43 cm

Signed on the back

R7 000

Page 48: GROUNDS - withtank.commedia.withtank.com/d48fb1548c/ben_coutouvidis_2016...then emerges from this becomes a product of its selective remembering and forgetting of its experience of

Doll

2017

Mixed media on wood

Height 49,5 cm

Signed on the back

Work in progress

Page 49: GROUNDS - withtank.commedia.withtank.com/d48fb1548c/ben_coutouvidis_2016...then emerges from this becomes a product of its selective remembering and forgetting of its experience of

Sea power

2016

Mixed media on wood

Height 34 cm

Signed, titled and dated underneath

R9 000

Page 50: GROUNDS - withtank.commedia.withtank.com/d48fb1548c/ben_coutouvidis_2016...then emerges from this becomes a product of its selective remembering and forgetting of its experience of

Mishka

2017

Mixed media on wood

40,5 x 31,5 x 9 cm

Signed on the back

R7 000

Page 51: GROUNDS - withtank.commedia.withtank.com/d48fb1548c/ben_coutouvidis_2016...then emerges from this becomes a product of its selective remembering and forgetting of its experience of

Friend

2016

Mixed media on wood

Height 41,5 cm

Signed and titled on the back

R9 500

Page 52: GROUNDS - withtank.commedia.withtank.com/d48fb1548c/ben_coutouvidis_2016...then emerges from this becomes a product of its selective remembering and forgetting of its experience of

Doll with ebony head

2017

Mixed media on wood

Height 21,5 cm

Signed on the back

R4 000

Page 53: GROUNDS - withtank.commedia.withtank.com/d48fb1548c/ben_coutouvidis_2016...then emerges from this becomes a product of its selective remembering and forgetting of its experience of

Alien with drip of marble dust on inner thigh

2016

Mixed media on wood

Height: 21,5 cm

Signed on the back

R4 000

Page 54: GROUNDS - withtank.commedia.withtank.com/d48fb1548c/ben_coutouvidis_2016...then emerges from this becomes a product of its selective remembering and forgetting of its experience of

The trans couple, Morné

2016

Mixed media on wood

Height: 21,5 cm

Signed on the back

R4 500

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The trans couple, Philoctete

2016

Mixed media on wood

Height: 27 cm

Signed on the back

R4 500

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//Kabbo

2016

Mixed media on paper

27 x 20,5 cm

Signed bottom right

R950

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Map

2016

Mixed media on paper

27 x 20,5 cm

Signed bottom right

R950

Page 58: GROUNDS - withtank.commedia.withtank.com/d48fb1548c/ben_coutouvidis_2016...then emerges from this becomes a product of its selective remembering and forgetting of its experience of

Bird overlay

2016

Mixed media on paper

27 x 20,5 cm

Signed bottom right

R950

Page 59: GROUNDS - withtank.commedia.withtank.com/d48fb1548c/ben_coutouvidis_2016...then emerges from this becomes a product of its selective remembering and forgetting of its experience of

Bird

2016

Mixed media on paper

27 x 20,5 cm

Signed bottom right

R950

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Baby Cape Robin

2017

Mixed media on paper

27 x 20,5 cm

Signed bottom left

R950

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Familiar ground

2016

Mixed media on paper

27 x 20,5 cm

Signed bottom left

R950

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Ox drawn cart

2016

Mixed media on paper

27 x 20,5 cm

Signed bottom right

R950

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Artefacts from a Boer War concentration camp

2017

Mixed media on paper

27 x 20,5 cm

Signed bottom right

R950

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House in Atlantis

2017

Mixed media on paper

27 x 20,5 cm

Signed bottom right

R950

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Mine dump between Potchefstroom and Johannesburg

2016

Mixed media on paper

27 x 20,5 cm

Signed bottom right

R950

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Context

2016

Mixed media on paper

27 x 20,5 cm

Signed bottom right

R950

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Between Braamfontein and Newtown

2016

Mixed media on paper

27 x 20,5 cm

Signed right middle

R950

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Jack and Jil l

2016

Mixed media on paper

27 x 20,5 cm

Signed bottom right

R950

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Morandi sti l l l i fe on an envelope and a cutting from a newspaper

depicting Emily Dickenson's dress

2016

Mixed media on paper

27 x 20,5 cm

Signed bottom right

R950

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Lily

2016

Mixed media on paper

20,5 x 27 cm

Signed top right

R950

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In the woods

2017

Mixed media on paper

20,5 x 27 cm

Signed bottom right

R950

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Wood from the trees

2017

Mixed media on paper

20,5 x 27 cm

Signed top left

R950

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Immersion

2017

Mixed media on paper

27 x 20,5 cm

Signed bottom right

R950

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Carbon footprint

2017

Mixed media on paper

27 x 20,5 cm

Signed bottom right

R950

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Famous image of moon landing

2017

Mixed media on paper

27 x 20,5 cm

Signed bottom left

R950

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Oxide

2017

Mixed media on paper

27 x 20,5 cm

Signed bottom left

R950

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Layering

2017

Mixed media on paper

27 x 20,5 cm

Signed bottom right

R950

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Printing I

2017

Mixed media on paper

27 x 20,5 cm

Signed bottom left

R950

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Printing II

2017

Mixed media on paper

27 x 20,5 cm

Signed bottom right

R950

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Gum from a f lowering gum

2016

Mixed media on paper

27 x 20,5 cm

Signed bottom left

R950

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Flowering gum

2016

Mixed media on paper

27 x 20,5 cm

Signed right middle

R950

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Fire

2016

Mixed media on paper

27 x 20,5 cm

Signed bottom right

R950

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Fire and ash

2016

Mixed media on paper

27 x 20,5 cm

Signed bottom right

R950

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Blood fingered onto paper to make alimentary canal

2016

Mixed media on paper

27 x 20,5 cm

Signed bottom right

R950

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Cut

2016

Mixed media on paper

27 x 20,5 cm

Signed bottom right

R950

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Indigo and si lver

2017

Mixed media on paper

27 x 20,5 cm

Signed bottom right

R950

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Indigo

2017

Mixed media on paper

27 x 20,5 cm

Signed bottom right

R950

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Indigo on gesso

2016

Mixed media on paper

27 x 20,5 cm

Signed bottom right

R950

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Watery indigo shapes

2016

Mixed media on paper

27 x 20,5 cm

Signed bottom right

R950

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Rain in indigo

2016

Mixed media on paper

20,5 x 27 cm

Signed bottom right

R950

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Indigo and clay grounds

2016

Mixed media on paper

27 x 20,5 cm

Signed bottom right

R950

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Splash

2016

Mixed media on paper

27 x 20,5 cm

Signed bottom right

R950

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Wood with some kind of layer over it

2016

Mixed media on paper

27 x 20,5 cm

Signed bottom right

R950

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Radar

2016

Mixed media on paper

27 x 20,5 cm

Signed bottom right

R950

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Indigo, marble, iron, si lver and menstrual blood

2016

Mixed media on paper

27 x 20,5 cm

Signed bottom right

R950

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A recording of the f irst cold front of the year

2016

Mixed media on paper

27 x 20,5 cm

Signed bottom left

R950

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The fineness of feather in si lver

2016

Mixed media on paper

27 x 20,5 cm

Signed bottom left

R950

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Overturned cabinets in museum, Iraq

2016

Mixed media on paper

27 x 20,5 cm

Signed bottom left

R950

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Logs

2016

Mixed media on paper

27 x 20,5 cm

Signed bottom right

R950

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Railway tracks passing small settlement

2016

Mixed media on paper

27 x 20,5 cm

Signed bottom right

R950

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Indigo on substrate

2016

Mixed media on paper

27 x 20,5 cm

Signed bottom right

R950

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Purposing wood

2016

Mixed media on paper

27 x 20,5 cm

Signed bottom right

R950

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Untit led

2017

Mixed media on paper

27 x 20,5 cm

Signed bottom right

R950

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Curriculum Vitae

Ben Coutouvidis studied Fine Arts at Rhodes

University, graduating in 1993 with distinction in Fine

Art Practical (Sculpture). He registered for a Masters

Degree in Fine Arts in 1994, and was awarded the

Raymond Pullen Scholarship for painting in 1996.

Exhibitions

1993

Group exhibition ‘The Savage Garden’ with Jan

Nell, Leanette Botha and Alex Murphy – Grahamstown

National Arts Festival.

1994

Landscape exhibition with Herman Niebuhr –

Grahamstown National Arts Festival.

1995

Three-man-show with Sarah Ballam and Herman

Niebuhr, Grahamstown.

1996

Masters Submission Exhibition with Herman Niebuhr,

Grahamstown.

1996

Group show, Primart, Cape Town.

1997

Two man show with Herman Niebuhr, ABSA Gallery,

Johannesburg.

1998

Group show, Cape Gallery, Cape Town.

2000

Group show, Penny Dobbie Gallery, Cape Town.

2001

‘Karoo’, Two-man show with Herman Niebuhr, Albertyn

Stables Art Gallery, Cape Town.

2001

‘Things’, Group exhibition with Carol Lee Fine Art,

Johannesburg.

2001

‘Journeys’ Group exhibition with Carol Lee Fine Art,

Johannesburg.

2002

‘Inside/Outside’ Group exhibition with Carol Lee Fine

Art, Johannesburg.

2004

‘Great Karoo’ Solo exhibition with Johans Borman Fine

Art Gallery, Cape Town.

2005

‘Kalk Bay to Karibib’ Solo exhibition with Johans

Borman Fine Art Gallery, Cape Town.

2005

Exhibition of drawings, Kalk Bay Modern, Cape Town.

2007

‘Encounters’ Solo exhibition with Johans Borman Fine

Art Gallery, Cape Town.

2009

‘Art that inspires’ Anniversary exhibition at Johans

Borman Fine Art Gallery, Cape Town.

2010

‘Play’ Solo exhibition with Johans Borman Fine Art

Gallery, Cape Town.

2012

‘-scape’ group exhibition at Johans Borman Fine Art,

Cape Town.

2012

'Sti l l Life', group show at Kalk Bay Modern with Walter

Meyer and Hanneke Benade.

2013

Sculpture and ceramics exhibition, group show at Kalk

Bay Modern

2013

'Allusions of Abstraction', curated exhibition Johans

Borman Fine Art.

Ben Coutouvid is

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2013

'Muse', group show at the Casa Labia Gallery,

Muizenberg.

2013

'Art on Paper', group show Kalk Bay Modern Gallery.

2014

'Sti l l', curated exhibition Johans Borman Fine Art.

2014

'From the Heart', group show curated by Carol Hodes

At The Christopher Moller Art Gallery.

2014

'Big Sky- African Landscapes', curated show, Johans

Borman Fine Art.

2014

'Seeing Things', a solo exhibition at Knysna Fine Art.

2015

'Spectra' – a curated exhibition at Johans Borman

Fine Art.

2015

Residency at The Forge, Kalk Bay.

2015

'East/West', exhibition with Lisa Strachan at Everard

Read Gallery, Cape Town.

2015

'The Crossing' – a multimedia installation at the

Everard Read Gallery, Cape Town.

2016

'Masterpiece' – a curated exhibition at Johans Borman

Fine Art.

Collections:

Spier

ABSA Bank

Rhodes University Collection

Collection of the Institute of English Education in SA,

Rhodes University

Barclays International

General Cologne

Webber Wentzel Bowens

Gerling Insurance

© Johans Borman Fine Art


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