d.maps: lab 4 musique
TRANSCRIPT
d.Maps: Design Cultural Maps Lab [email protected]
d.Maps: Design Cultural MapsFall 2009
Agenda
d.Maps: Design Cultural MapsFall 2009
Project 2 Results
• I tried…
• I learned…
• I felt
d.Maps: Design Cultural MapsFall 2009
Testing
• Ask: What are you thinking? Why?• Reflect: What is their first impression? What’s working?• Ask: How would you do [x] task…? (repeat)• Reflect: What new errors, problems, questions have
emerged?• Ask: How would you change [x] task…?(repeat)• Reflect: What unexpected things are happening?
Musique concrète
Mapping the Sound of Space
d.Maps: Design Cultural MapsFall 2009
Musique concrète - beginnings
• Pierre Schaeffer (1910-1995)
• Forbidden from studying music, got a job at a radio station as an engineer.
• The phonogene – variable speed playback…
d.Maps: Design Cultural MapsFall 2009
Studio d’essai – Experimental Studio
• Tape manipulation, electronic music controllers, spacialized playback…
•Étude aux Chemains de Fer (1942)
d.Maps: Design Cultural MapsFall 2009
1942 & Étude aux Chemins de Fer
• Study with Railroads (lit. Study with the Ways of Iron)
• Deconstructivism, Derrida. Taken out of physical/spatial context, sound can be read as “text,” and new meaning (or no meaning) can be ascribed to it.
d.Maps: Design Cultural MapsFall 2009
Music in Modernity / Inspiration• Where does inspiration come from?
• Romantic – from the divine, from nature. Artist as conduit.
• Modern – from the world, the intellect. Artist as navigator.
• Post-Modern – from art. Artist as synthesizer.
d.Maps: Design Cultural MapsFall 2009
How does this relate to mapping?
Layers : Routing : Time
d.Maps: Design Cultural MapsFall 2009
Layers
• Alvin Lucier –
I Am Sitting In A Room
• Sitting in a room, Lucier records his speaking voice.
• This recording is played back in the room and recorded again and again…
• …the resonant frequencies and reverb profile of the room render the sounds unrecognizable.
• Recursion!
• Layering filters – layering sounds is widespread in contemporary music.
d.Maps: Design Cultural MapsFall 2009
Routing
• Christina Kubisch
Electronic Walks (2003)
• Created special headphones which convert ambient electromagnetic fields to sound.
• Designed walks through electromagnetically active areas.
• “The perception of everyday reality changes when one listens to the electrical fields; what is accustomed appears in a different context. Nothing looks the way it sounds. And nothing sounds the way it looks.”
d.Maps: Design Cultural MapsFall 2009
Time
• William Basinski -Disintigration Loops (2003)
• Old magnetic tape degrades over time.
• Playing tape back scrapes off information encoded in ferrite…
• He recorded the sounds of the tape being played on a continuous loop, as it disintegrated into white noise.
• PS: this happened during 9/11…musique concrète as soundtrack to disaster?
d.Maps: Design Cultural MapsFall 2009
Aleatoric music
• Music composed using elements of chance…
• John Cage – used I Ching, coin toss (Music of Changes)
• 4’33”…
d.Maps: Design Cultural MapsFall 2009
“I have nothing to sayand I am saying itand that is poetryas I needed it”
-John Cage
d.Maps: Design Cultural MapsFall 2009
… so where does inspiration come from?
d.Maps: Design Cultural MapsFall 2009
Some more contemporary musique
concrète • Stephen Wilkinson (Bibio) -
London Planes (2004) - compare to Etude aux Chemins de Fer…
• Nick Zammuto + Paul de Jong (The Books) -Enjoy Your Worries, You May Never Have Them Again...Read, Eat, Sleep (2002)
d.Maps: Design Cultural MapsFall 2009
Reeling it in…
• How can layering change the qualities of component layers? How do overlapping entities interact?
• How can we combine temporal events with spatial entities?
• How can we reveal hidden information? (electronic walks, etc)
• Can we utilize aleatoric techniques in our design process?
d.Maps: Design Cultural MapsFall 2009
References• Slide 2:
(Photo: Serge Lido): home.swipnet.se/sonoloco19/grm/schaefferop.jpg
P.Schaeffer~childhood: "Pierre Schaeffer & Pierre Henry: Pioneers in Sampling". Unknown author (reproduction via Diliberto, John 2005: Electronic Musician) 1986: Electronic Musician. http://emusician.com/em_spotlight/Pioneers_Sampling/. Retrieved September 30 2009.
• Slide 3:
http://turbulence.org/networked_music_review/wp-content/uploads/2007/05/schaeffer_260x257.jpg• Slide 4:
battle of midway: http://www.history.navy.mil/photos/images/g410000/g414423.jpg (Official U.S. Navy Photograph, now in the collections of the National Archives.)
train: http://www.modia.org/poeme/auschwitz/train.jpg• Slide 7:
Alivin Lucier : http://www.diapasongallery.org/jpeg/lucier.jpg• Slide 8:
Christina Kubisch : http://www.christinakubisch.de/english/klangundlicht_frs.htm
http://www.digicult.it/digimag/article.asp?id=1492• sllde 9:
William Basinski : http://i40.tinypic.com/1jn9te.jpg
http://pitchfork.com/reviews/albums/577-the-disintegration-loops-i-iv/• Slide 10:
John Cage: http://interglacial.com/~sburke/stuff/cage_433.html
d.Maps: Design Cultural MapsFall 2009
d.Maps: Design Cultural MapsFall 2009
Challenge
Design a EMF sound map in 1 hour
d.Maps: Design Cultural MapsFall 2009
POV
Tess La is a first year physics student learning about electromagnetic fields. She wants to explore EMF disturbances in her neighborhood
d.Maps: Design Cultural MapsFall 2009
d.Maps: Design Cultural MapsFall 2009
d.Maps: Design Cultural MapsFall 2009
d.Maps: Design Cultural MapsFall 2009
d.Maps: Design Cultural MapsFall 2009
Transition
d.Maps: Design Cultural MapsFall 2009
Debrief
• I like
• I wish
• How to
d.Maps: Design Cultural MapsFall 2009
Credits
• Material adapted from dschool.stanford.edu
• Special thanks to Geoff Morris for adaptation of Christina Kubisch’s Electrical Walk project