dissolve - ryebuck€¦ · web viewwe like telling each other stories about ghosts . 10 01 01 16...

POSTPRODUCTION

SCRIPT

MY PLACESERIES 2 - EPISODE 15

“1868 MINNA”

© 2011 MATCHBOX PICTURES & RUSTY FIG PICTURES

Post Production Script Prepared byReezy Miller Script Services

[email protected]

MY PLACESERIES 2 - EPISODE 15 – “1868 MINNA”

SHOT DUR VISION DIALOGUE INPOINT

1 45.16 OPENING TITLES RUN OVER VARIOUS VIEWS OF THE BIG TREE

TITLE 1 BEGINS AT 10 00 02 09SCREEN AUSTRALIAANDTHE AUSTRALIAN CHILDREN’STELEVISION FOUNDATIONPRESENTTITLE 1 ENDS AT 10 00 05 20

TITLE 2 BEGINS AT 10 00 09 20A MATCHBOXPICTURES PRODUCTIONFORTHE AUSTRALIANBROADCASTING CORPORATIONTITLE 2 ENDS AT 10 00 13 09

TITLE 3 BEGINS AT 10 00 14 13IN ASSOCIATIONWITH SCREEN NSWANDSCREEN TASMANIATITLE 3 ENDS AT 10 00 19 09

TITLE 4 BEGINS AT 10 00 33 03BASED ON THE BOOKBY NADIA WHEATLEY&DONNA RAWLINSTITLE 4 ENDS AT 10 00 36 05

TITLE 5 BEGINS AT 10 00 36 00My Place1868 MINNATITLE 5 ENDS AT 10 00 44 22

THEN FADE TO BLACK

CHILDREN’S VOICES (VARIOUS OOS)I'm not scared. I'm coming with you to keep you safe. Are there Ghosts? That is so naughty. Let's see who's the real scaredy cat. He is gunna spiflicate you [Laughter and squeal]

MUSIC 1 BEGINS ... 48 SEC

10 00 00 00

10 00 00 12

>> SCENE 1 EXT DAY THE OWEN PROPERTY/THE BIG TREE

2 8.06 TILT DOWN OVER WMS TREE BRANCHES AND LEAVES TO MINNA STANDING IN FG AS TOBY WALKS TOW HER FROM BG

MUSIC 2 BEGINS ... 1 MIN 15 SEC

MUSIC 1 ENDS

10 00 45 16

10 00 46 16

10 00 47 23

- 2 -



3 6.02 SLOW ZOOM IN ON LA TILT WMS MINNA

MINNA (VOICEOVER)My name is Minna Müller, and this is my place.

10 00 53 22

4 1.17 WMS TOBY MOVES TOW CAM AT TREE

MINNA (VOICEOVER)I'm friends with the Owens.

10 00 59 24

5 2.14 LA TILT WMS PROFILE MINNA BENDS

MINNA (VOICEOVER)We like telling each other stories about ghosts

10 01 01 16

6 3.01 LA TILT MCU TOBY IN FG AS MINNA’S LEGS DANGLE IN BG

and gruesome murders. I scare them, but they never

10 01 04 05

7 1.00 MCU MINNA DROPS INTO SHOT scare me. 10 01 07 06

8 0.24 MCU TOBY STARTLES AND TURNS TO WMS MINNA

MINNABleaghh!

10 01 08 06

9 2.02 LA TILT MCU TOBY WITH CU REV MINNA IN FG

TOBYNo, you're caught.

10 01 09 05

10 2.18 LA TILT WMS MINNA AND MCU REV TOBY LOOK AROUND

MINNANot yet.

ADELAIDE (OOS)We’ve got the mirror! Who wants to do it?

10 01 11 07

11 10.03 LA TILT WS ADELAIDE AND LEO STEP TOW MINNA AND TOBY AT TREE

MINNAYou said you'd do it.

LEOI never. I just told you the story. Why don’t you do it? I'll give you a ha’penny. What’s

10 01 14 00

12 3.00 MCU PROFILE LEO HOLDS OUT COIN TO MINNA AT RIGHT

the matter? You scared? 10 01 24 03

13 2.09 LA TILT CU REV LEO HOLDS OUT COIN TO MCU MINNA

10 01 27 03

- 3 -



14 2.06 MINNA AT RIGHT TAKES COIN FROM MCU LEO

10 01 29 12

15 2.20 LA TILT MS REV LEO HOLDS OUT MIRROR TO MCU MINNA

10 01 31 18

16 1.06 MS LEO HOLDS OUT MIRROR 10 01 34 13

17 1.18 LA TILT CU REV LEO IN FG AS MCU MINNA TAKES MIRROR

10 01 35 19

18 2.05 MCU REV MINNA TAKES MIRROR FROM MCU LEO

10 01 37 12

19 2.00 LA TILT MS REV LEO AND WMS MINNA HOLDING MIRROR

MINNAWhat’s she look like?

10 01 39 17

20 3.00 MCU PROFILE LEO LEOI don’t know. Covered in blood, I expect.

10 01 41 17

21 5.11 LA TILT MS REV LEO AND MCU MINNA HOLDING MIRROR

MINNABloody Mary, Bloody

10 01 44 17

22 2.07 WS PROFILE MINNA HOLDS MIRROR AS TOBY, LEO AND ADELAIDE SLOWLY STEP BACK

Mary, Bloody Mary, 10 01 50 03

23 1.01 LA TILT MCU MINNA TALKS TO MIRROR

Bloody Mary, 10 01 52 10

24 1.21 ECU MINNA REFLECTED IN MIRROR


25 1.19 LA TILT MCU MINNA TALKS TO MIRROR


26 1.07 ECU MINNA REFLECTED IN 10 01 57 01

- 4 -



MIRROR

27 0.11 ECU MINNA REFLECTED IN MIRROR THEN DROPS IT AS SHE SCREAMS

10 01 58 08

28 0.11 LA TILT MCU MINNA DROPS MIRROR

10 01 58 19

29 0.06 SLO-MO LA TILT WMS PROFILE MINNA DROPS MIRROR

10 01 59 05

30 1.15 LA TILT WS PROFILE MINNA DROPS MIRROR AS LEO, TOBY AND ADELAIDE REACT

10 01 59 11

>> SCENE 2 EXT DUSK TRACK HEADING TOWARDS MINNA’S HOUSE

31 7.16 WMS PROFILE MINNA WALKS TOW CAM WITH ADELAIDE, LEO AND TOBY FOLLOWING

LEOYou dropped it like it was a spider.

MUSIC 2 ENDS

MINNAIt was Mary. She broke it and then it jumped out of my hand.

LEOHow could Mary do that?

MINNAI don’t know.

10 02 01 01

10 02 01 19

32 2.11 LA TILT WS ADELAIDE, MINNA, TOBY AND LEO WALK TOW CAM ON TRACK

MINNAPerhaps she escaped through the crack.

10 02 08 17

33 9.13 WMS MINNA WALKS ALONG PATH WITH ADELAIDE, LEO AND TOBY NEARBY

MINNAPerhaps now she’s going to find us all and rip off our faces.

LEOYou're a blasted fibber and a scaredy cat.

10 02 11 03

- 5 -



MINNAI'm not.

LEOScaredy cat, scaredy cat!

MUSIC 3 BEGINS ... 27 SEC 10 02 20 03

>> SCENE 3 INT NIGHT MINNA’S HOUSE

34 22.20 TILT DOWN OVER WINDOW THEN RIGHT OVER FAMILY ASLEEP THEN CONTINUE ON TO MINNA SITTING ON EDGE OF BED HOLDING MIRROR

MINNA (VOICEOVER)Toby Owen says a murderous ghost called Bloody Mary lives in mirrors and you can only see her if you say her name over and over. But be careful, she might see you.

MINNA Bloody Mary, Bloody Mary, Bloody Mary, Bloody Mary,

10 02 20 16

35 2.21 LA TILT ECU REV MINNA REFLECTED IN MIRROR THEN LOOKS AROUND SUDDENLY

Bloody Mary, Bloody – 10 02 43 11

36 6.18 LA TILT MCU MINNA LOOKS BACK TO MIRROR

MUSIC 3 ENDS

10 02 46 07

10 02 47 11

37 5.08 LA TILT CU REV MINNA REFLECTED IN MIRROR

MINNALet’s see who’s the real scaredy cat, hmm?

10 02 53 00

>> SCENE 4 EXT NIGHT OWEN PROPERTY/THE BIG TREE/OWEN HOUSE

38 24.23 MONTAGE EDITS MINNA WALKS PAST TREE THEN CLIMBS THRU HOLE IN FOOTINGS MUSIC 4 BEGINS ... 30 SEC

10 02 58 08

10 02 58 19

>> SCENE 5 INT NIGHT THE OWEN HOUSE

39 5.03 LA TILT MCU PROFILE TOBY SITS UP ON BED

TOBYWhere’s the mirror?

10 03 23 06

- 6 -



40 6.17 WS LEO CLOSES DOOR AND WALKS TO BED OPPOSITE TOBY

LEOI put it back in their room. On the floor by the dresser. We can say the cat knocked it down.

MUSIC 4 ENDS

10 03 28 07

10 03 28 09

41 3.05 LA TILT MCU PROFILE TOBY TOBYBut what if it was Bloody Mary?

10 03 35 01

>> SCENE 6 INT NIGHT THE OWEN HOUSE/FLOOR CAVITY - INTERCUT

42 2.06 WMS PROFILE MINNA ROLLS ONTO HER BACK IN FLOOR CAVITY

LEO (OOS)That broke it?

TOBY (OOS)Yeah.


10 03 38 06

10 03 40 03

43 4.16 VIEW THRU FLOORBOARDS TO LEO ABOVE

TOBY (OOS)And she’s really out there looking for us.

LEODon’t be dull.

10 03 40 12

44 2.02 LA TILT WMS PROFILE MINNA SCRATCHES ON FLOORBOARD

LEO (OOS)Minna was only shamming.

10 03 45 03

45 2.00 MCU PROFILE TOBY LOOKS DOWN

10 03 47 05

46 1.11 WMS PROFILE LEO LOOKS DOWN 10 03 49 05

47 1.17 HA WMS FLOORBOARDS 10 03 50 16

48 1.23 LA TILT WS SPOON SCRATCHES ON FLOORBOARD

10 03 52 08

49 2.16 MHA WMS PROFILE MINNA SITS UP SLIGHTLY

10 03 54 06

- 7 -



50 2.07 VIEW THRU FLOORBOARDS TO LEO ABOVE

LEOWhat’s that?

10 03 56 22

51 1.19 LA TILT WS SPOON SCRATCHES AT FLOORBOARD

10 03 59 04

52 3.13 LA TILT WMS PROFILE LEO LOOKS UP

LEODo you hear that?

10 04 00 23

53 1.15 MCU PROFILE TOBY TOBYWhat is it?

10 04 04 11

54 2.04 WMS PROFILE MINNA SITS UP SLIGHTLY

10 04 06 01

55 0.21 HA CU MINNA’S EYE MINNAI ...

10 04 08 05

56 0.22 LA TILT WMS PROFILE TOBY SITS BACK

want ... 10 04 09 01

57 1.20 WMS PROFILE MINNA your ... face! 10 04 09 23

58 1.05 VIEW THRU GAP IN FLOORBOARDS TO LEO EXITING SHOT

10 04 11 18

59 3.23 WS LEO AND TOBY LEAP FROM BEDS AND RUN TO DOOR

LEOMother!

10 04 12 23

60 2.03 WMS PROFILE MINNA COVERS HER MOUTH AND GIGGLES

10 04 16 21

>> SCENE 7 INT DAY MY PLACE HOUSE

61 12.16 WMS MINNA ENTERS HOUSE FOLLOWED BY LEO, ADELAIDE AND TOBY

LEOI could see right through the floor. She was lying

10 04 18 24

- 8 -



MINNA WALKS TO FG WITH BOOK AND OPENS

MUSIC 5 ENDS

in the dirt, with evil eyes and long black finger-nails. I want your face, over and over again.

MINNAI think there’s only one thing we can do.

10 04 20 10

62 3.19 LA TILT WMS MINNA LOOKS AROUND

MINNAWe must make ... a golem.

10 04 31 15

63 2.18 LA TILT WMS LEO, TOBY AND ADELAIDE WALK TO MINNA

TOBYWhat’s

10 04 35 09

64 5.05 HA WS IMAGE OF GOLEM IN BOOK

a golem?


MINNA (OOS)It’s a clay man, and when you write a word on his forehead, it comes to life and does whatever you say.

10 04 38 02

10 04 38 15

65 1.19 LA TILT WMS TOBY, MINNA, LEO AND ADELAIDE

LEOCould he find a ghost?

10 04 43 07

66 3.12 LA TILT MCU MINNA MINNAHe could do anything. Could even put her back in the mirror.

10 04 45 01

67 2.16 HA WMS IMAGE OF GOLEM IN BOOK

MINNA (OOS)I think making a golem is our only hope.

10 04 48 13

68 1.14 LA TILT MCU PROFILE MINNA, LEO AND ADELAIDE

10 04 51 04

69 1.22 LA TILT MCU MINNA SMILES AS TOBY AND LEO LEAN TOW CAM

10 04 52 18

>> SCENE 8 EXT AFTERNOON THE CREEK

- 9 -



70 1.18 HA MCU PROFILE MINNA CARVES WORD IN GOLEM’S HEAD

LEO (OOS)Do we need the mirror?

10 04 54 15

71 4.01 LA TILT MCU MINNA CARVES AT GOLEM

TOBY (OOS)He’s not as big as the one in the book.

MINNAHe can grow if he wants to.

10 04 56 08

72 3.02 HA WS WORD CARVED IN TOP OF GOLEM’S HEAD

LEO (OOS)What’s that?

MINNA (OOS)It means ‘truth’ in some old language. It makes him alive.

10 05 00 09

73 3.07 LA TILT WS MINNA AND OTHERS STAND FROM GOLEM

MINNAGolem,

MUSIC 6 ENDS

10 05 03 11

10 05 06 03

74 3.21 LA TILT MCU MINNA we need you to find the spirit of Bloody Mary and put her back into the mirror.

10 05 06 18

75 1.22 LA TILT WMS GOLEM LEO (OOS)Or

10 05 10 14

76 1.15 LA TILT MS LEO AND ADELAIDE just get rid of her. 10 05 12 11

77 4.07 LA TILT MCU MINNA BENDS FORWARD

MINNAOr you could just get rid of her. But we don’t want her ripping off any of our faces.

10 05 14 01

78 1.06 WMS GOLEM 10 05 18 08

79 2.21 LA TILT MCU MINNA STRAIGHTENS

TOBY (OOS)Is it meant to

10 05 19 14

80 1.22 LA TILT MCU LEO LOOKS UP move or something? 10 05 22 10

- 10 -



MINNA (OOS)It takes a little

81 2.05 LA TILT WMS MINNA AND TOBY while. 10 05 24 07

82 2.12 LA TILT MCU LEO LEOThis isn’t working.

10 05 26 12

83 1.21 LA TILT MCU MINNA MINNAHe’ll move. It’s in the book.

10 05 28 24

84 2.10 LA TILT WMS LEO AND ADELAIDE LEOOh, blast the book!

ADELAIDELeo,

10 05 30 20

85 4.03 LA TILT WMS LEO AND TOBY MOVE LEFT FROM ADELAIDE AND MINNA

stop swearing!

LEOLet’s go. This is cracked.

10 05 33 05

86 1.05 HA WS HAND HITS TOP OF GOLEM

10 05 37 08

87 2.07 LA TILT MS REV TOBY LOOKS OVER SHOULDER AS HE WALKS AWAY

TOBYNot too quick on his feet, is he?

10 05 38 13

88 2.23 LA TILT MCU PROFILE MINNA MINNAYou'll see! He’ll come alive and then you’ll

10 05 40 20

89 2.05 LA TILT WIDE MLS ADELAIDE AND MINNA AT GOLEM AS TOBY AND LEO WALK TOW BG

be cracked! 10 05 43 18

90 3.10 LA TILT WMS ADELAIDE AND MINNA KNEEL

10 05 45 23

- 11 -



91 4.16 LA TILT WS ADELAIDE AND MINNA AT GOLEM

ADELAIDEAre we

10 05 49 08

92 1.21 LA TILT MCU ADELAIDE AND CU PROFILE MINNA

going to die? 10 05 53 24

93 2.04 LA TILT MCU MINNA MINNANo, of course not.

10 05 55 20

94 1.22 LA TILT MCU ADELAIDE AND MCU PROFILE MINNA

ADELAIDEBut what about Mary?

10 05 57 24

95 2.24 LA TILT MCU MINNA MINNAShe’s not real. I was just trying to frighten the boys.

10 05 59 21

96 3.04 MCU PROFILE ADELAIDE ADELAIDEBut she was under the house.

MINNA (OOS)No, that was me.

10 06 02 20

97 2.03 LA TILT MCU MINNA WITH ADELAIDE AT LEFT

MINNAI crawled under the house and made all the noises.

10 06 05 24

98 2.01 LA TILT MCU PROFILE ADELAIDE ADELAIDEThat is so naughty!

10 06 08 02

99 3.13 LA TILT MCU MINNA WITH MCU PROFILE ADELAIDE AT LEFT

MINNAIt’s a deadly secret. You promise? We have to keep the boys

10 06 10 03

100 1.14 LA TILT MCU ADELAIDE hocussed.

ADELAIDEAlright.

10 06 13 16

101 3.10 LA TILT WMS MINNA WITH MINNA 10 06 15 05

- 12 -



ADELAIDE STANDING THRU LEFT Do you want to come and see my chicks?

ADELAIDEI'll tell the boys I'm going to your place.

102 1.18 LA TILT WS ADELAIDE STANDS AND EXITS FROM MINNA

ADELAIDEWait there.

10 06 18 15

103 1.16 HA WS PROFILE MINNA STANDS FROM GOLEM

10 06 20 08

104 2.24 WMS GOLEM AS MINNA CROSSES IN FG

10 06 21 24

>> SCENE 9 EXT AFTERNOON MÜLLER SADDLERY

105 1.15 WMS PROFILE MINNA AND ADELAIDE MOVE RIGHT THEN TURN

VATI (OOS)Minna.

10 06 24 23

106 7.06 WMS REV MINNA AND ADELAIDE WALK TO VATI HOLDING NEWSPAPER

VATICome. I want you to take this to Mr. Wong. Ah, show him this article.

10 06 26 13

107 4.20 TILT UP FROM NEWSPAPER TO WMS MINNA AND ADELAIDE

VATII think it will take his interest.

MINNAPlease, Vati. I want to show Adelaide the new chicks.

10 06 33 19

108 2.15 LA TILT WS PROFILE VATI, ADELAIDE AND MINNA IN MS AS WOMEN CROSS IN FG

VATIPlease, now, before it is too dark.

ADELAIDEMay I go?

10 06 38 14

109 2.18 WMS MINNA AND MS PROFILE ADELAIDE

ADELAIDEPlease? I've never been to a Chinaman’s house.

10 06 41 04

110 8.02 WMS PROFILE VATI HANDS VATI 10 06 43 22

- 13 -



NEWSPAPER TO MINNA THEN SHE AND ADELAIDE EXIT SHOT

See? Bring it back when he has read it. I want to post it onto Uncle Hans.

>> SCENE 10 EXT AFTERNOON CREEK

111 2.22 LA TILT WS TREES OVERHANG PRETTY CREEK

10 06 51 24

112 4.07 LA TILT WMS GOLEM IN FG WITH LEAF ON HEAD AS ADELAIDE AND MINNA APPROACH FROM BG

ADELAIDEMinna, look.


10 06 54 21

10 06 59 00

113 2.08 LA TILT WMS GOLEM ADELAIDE (OOS)Someone’s fixed his head.

10 06 59 03

114 4.19 LA TILT MCU MINNA MINNAPerhaps it was Leo or Toby.

10 07 01 11

115 4.05 LA TILT MCU PROFILE ADELAIDE THEN PAN RIGHT TO MCU MINNA AS SHE STEPS TOW CAM

10 07 06 05

116 2.10 LA TILT WMS ADELAIDE AND MINNA WALK TOW GOLEM IN FG

10 07 10 10

117 3.03 LA TILT WMS GOLEM IN MS AS MINNA AND ADELAIDE CROSS IN FG

10 07 12 20

>> SCENE 11 EXT DAY/INT LECK’S JOSS HOUSE/MARKET GARDEN

118 2.01 LA TILT WS EXT VIEW HOUSE 10 07 15 23

119 5.06 WMS PROFILE MINNA AND ADELAIDE WALK LEFT TO FRONT DOOR

10 07 17 24

120 1.14 VIEW THROUGH DOOR TO CU MINNA

10 07 23 05

- 14 -



121 4.12 VIEW THROUGH DOOR TO WMS REV LECK BOWING

MINNA (OOS)It’s Mr. Wong. He’s praying.

ADELAIDE (OOS)Oh.

10 07 24 19

122 5.08 ECU ADELAIDE AT DOOR THEN PAN LEFT TO MINNA

ADELAIDEShall we wait?

MINNA (OOS)No, it’s getting dark.

ADELAIDE I'll knock.

10 07 29 06

123 4.19 WMS PROFILE ADELAIDE AND MINNA AT DOOR

ADELAIDEMr. Wong! Mr. –

MINNANo, softly!

ADELAIDE (WHISPERS)Mr. Wong!

10 07 34 14

124 8.14 LA TILT WMS REV ADELAIDE AND MINNA STEP BACK AS LECK OPENS DOOR

MINNA HOLDS UP NEWSPAPER TO LECK

MINNAMy father said this article might take your

MUSIC 7 ENDS

interest. He said to read this here.

10 07 39 08

10 07 39 23

>> SCENE 12 INT AFTERNOON LECK’S JOSS HOUSE

125 6.18 LA TILT WMS ADELAIDE AND MINNA AT TABLE WITH NEWSPAPER

MINNAIt is ant – ... anticipated

10 07 47 22

126 6.24 LA TILT WMS LECK LISTENS AT RIGHT

that many Chinese will take advantage of the 10 07 54 15

127 4.13 WMS ADELAIDE AND MCU PROFILE MINNA THEN MINNA

situation. 10 08 01 14

- 15 -



LOOKS AROUND

128 3.17 LA TILT WMS LECK LOOKS UP LECKYou know what that means?

10 08 06 02

129 2.21 WMS ADELAIDE AND MINNA WITH LECK AT RIGHT

LECK (OOS)They’ve changed the law.

10 08 09 19

130 1.18 LA TILT WMS LECK LECKI can bring my wife to Australia.

10 08 12 15


ADELAIDEAre you married?

LECK (OOS)Not yet, but I will be.

10 08 14 08

132 5.16 LA TILT WMS LECK LECKAnd then when we have a few kids, there’ll be someone to pray for us in our afterlife.


10 08 17 09

10 08 22 22

133 1.07 MCU PROFILE MINNA FROWNS AND LOOKS AROUND

10 08 23 00

134 4.02 MCU ADELAIDE AND MCU PROFILE MINNA LOOK AT EACH OTHER

10 08 24 07

135 2.08 LA TILT WMS LECK TURNS TO SHRINE IN BG

LECKI pray to my ancestors every day

10 08 28 09

136 3.00 LA TILT MCU PROFILE MINNA just so they’re well set up in the afterlife. 10 08 30 17

137 3.10 LA TILT WMS LECK LECKGive them a bit of food. Nothing worse than a

10 08 33 17

138 1.11 LA TILT MCU ADELAIDE hungry ghost, I can tell you that. 10 08 37 02

- 16 -



139 3.22 LA TILT WMS ADELAIDE AND MINNA AT TABLE

MINNAAre there ghosts here?

LECK (OOS)Oh, not just

10 08 38 13

140 1.14 LA TILT WMS LECK here, everywhere. 10 08 42 10

141 2.21 LA TILT WMS ADELAIDE AND MINNA AT TABLE

10 08 43 24

142 1.08 LA TILT WMS LECK CLAPS HANDS LECKYou want to see my parents?

10 08 46 20

143 1.14 LA TILT MCU PROFILE MINNA FROWNS AND LOOKS AROUND

10 08 48 03


MUSIC 8 ENDS

10 08 49 17

10 08 49 21

145 3.08 LA TILT MS CURTAIN DRAWN LEFT THRU SHOT

10 08 51 14

146 4.06 LA TILT WMS PROFILE LECK TURNS WITH LONG LIT MATCH


10 08 54 22

10 08 58 03

147 2.11 LA TILT MCU PROFILE ADELAIDE WITH MINNA IN BG

10 08 59 03

148 1.17 LA TILT MS LECK LOOKS UP FROM PROJECTOR

10 09 01 14

149 4.19 WMS LECK, MINNA AND ADELAIDE AT PROJECTOR

10 09 03 06

- 17 -



150 2.00 LA TILT MCU MINNA WITH ADELAIDE AT RIGHT

10 09 08 00

151 2.09 LA TILT MS SLIDE PUSHED INTO PROJECTOR THEN TILT UP TO MCU LECK

10 09 10 00

152 3.13 IMAGE OF THREE ADULTS APPEARS ON CURTAIN

10 09 12 09

153 2.24 LA TILT MCU MINNA STARES WITH ADELAIDE AT RIGHT

LECK (OOS)My mother and father.

10 09 15 22

154 5.18 B&W STILL SHOT PAN LEFT OVER TWO WOMEN AND MAN

LECK (OOS)Before they came to Australia.

10 09 18 21

155 2.07 LA TILT MCU LECK LOOKS DOWN LECKAnd my grandmother.

10 09 24 14

156 2.10 LA TILT MCU ADELAIDE LOOKS UP

ADELAIDEAre they ghosts?

LECK (OOS)No.

10 09 26 21

157 4.10 LA TILT MCU MINNA FROWNS LECK (OOS)Oh, it’s a trick, with light and shadow.

10 09 29 06

158 3.09 LA TILT MS LECK WITH MINNA AT RIGHT

LECKSee? It’s called a magic lantern.

10 09 33 16

159 5.16 WS B&W STILL SHOT PROJECTED ON WALL THEN IMAGE OF BEAUTIFUL WOMAN APPEARS

10 09 37 00

160 1.23 LA TILT MCU LECK LECKMy promised wife.

10 09 42 16

161 4.10 LA TILT MCU MINNA LEANS LEFT LECK (OOS) 10 09 44 14

- 18 -



Isn’t she a peach?

162 2.14 ECU B&W STILL SHOT BEAUTIFUL WOMAN

10 09 48 24

>> SCENE 13 EXT EVENING THE CREEK

163 2.19 LA TILT WMS LEAVES MOVE IN BREEZE

10 09 51 13

164 2.09 LA TILT MS LEAVES MOVE IN BREEZE

ADELAIDE (OOS)Do you think

MUSIC 9 ENDS

10 09 54 07

10 09 55 15

165 2.22 WMS PROFILE ADELAIDE AND MINNA WALK RIGHT

we should leave some food out for Bloody Mary?

MINNAI told you, she’s not real.

10 09 56 16

166 7.19 WMS PROFILE MINNA AND ADELAIDE WALK RIGHT NEAR CREEK THEN STOP AS CAM TILTS DOWN TO SAND

ADELAIDE (OOS)Where’s the golem?


10 09 59 13

10 10 05 08

167 6.23 WMS ADELAIDE AND MINNA EXIT RIGHT

MINNAWe should go.

MUSIC 10 ENDS


10 10 07 07

10 10 07 21

10 10 09 19

>> SCENE 14 EXT NIGHT THE CREEK

168 2.18 LA TILT WIDE MLS FULL MOON IN DARK NIGHT SKY

10 10 14 05

>> SCENE 15 INT NIGHT MY PLACE HOUSE

169 4.00 LA TILT WIDE MLS PROFILE MINNA LAYS IN BED

10 10 16 23

- 19 -



170 3.22 MHA WMS MINNA IN BED THEN FADE TO BLACK

10 10 20 23

>> SCENE 16 DREAM SEQUENCE - INTERCUT

171 10.19 FADE UP FROM BLACK TO CGI GOLEM WALKING TOW CAM AMID FLAMES

10 10 24 20

172 5.23 WMS MINNA SITS UP SUDDENLY AND LOOKS AROUND

10 10 35 14

>> SCENE 17 INT MORNING MY PLACE HOUSE

173 25.01 SLOW TRACK LEFT OVER MS REV MUTTI AS SHE WALKS TO EVA AND MINNA AT TABLE THEN MOVES TO BG

MUTTI OPENS DOOR TO ADELAIDE

KARL (OOS)I want to move that stump today.

MUSIC 11 ENDS

VATI (IN GERMAN)I need you to help me finish that bridle. They want to go to town tomorrow.

KARL (IN GERMAN)Yes.

ADELAIDEGood morning, Mrs. Müller. May I speak with Minna, please?

MUTTIHi, Adie. I'm afraid she hasn’t yet finished her breakfast.

MINNAYes I have, Mutti. May I go, please?

10 10 41 12

10 10 47 06

174 2.05 MCU PROFILE VATI VATIJa, off with you.

10 11 06 13

>> SCENE 18 EXT MORNING MY PLACE HOUSE

175 1.23 LA TILT WS LEO WAITS OUTSIDE HOUSE AS ADELAIDE AND MINNA

MINNAWhat’s wrong?

10 11 08 18

- 20 -



EXIT TO HIMMUSIC 12 BEGINS ... 29 SEC 10 11 10 06

176 4.06 LA TILT WMS ADELAIDE AND MINNA TURN TO LEO

LEOWe can’t find Toby. We know where

10 11 10 16

177 3.15 LA TILT WMS MINNA AND CU REV LEO

he is. And there are footprints, all around our house.

10 11 14 22

178 2.12 LA TILT MS REV MINNA AND WMS LEO

LEOMuddy ones.

10 11 18 12

179 2.07 WMS MINNA FROWNS THEN MOVES RIGHT

10 11 20 24

180 4.23 WMS REV MINNA, LEO AND ADELAIDE RUN AND EXIT IN BG

10 11 23 06

>> SCENE 19 EXT MORNING THE CREEK

181 2.11 WS CREEK WITH TREES NEARBY 10 11 28 04

182 1.11 HA WS HAND MOVES FROM STONE

10 11 30 15

183 5.12 LA TILT WMS PROFILE MINNA AND ADELAIDE STRAIGHTEN TO LEO

MINNAWhy would the golem want Toby?

LEOBecause he bashed his head out of shape.

10 11 32 01

184 2.05 LA TILT MCU MINNA LEO (OOS)He might have gone wild.

MUSIC 12 ENDS

10 11 37 13

10 11 39 08

185 1.18 TIGHT MCU PROFILE LEO LEOCould that happen?

MINNA (OOS)

10 11 39 18

- 21 -



I think so.

186 2.11 LA TILT MCU MINNA LOOKS AROUND

MINNAIt was in the book. He


10 11 41 11

10 11 42 21

187 1.16 LA TILT MCU ADELAIDE LOOKS AROUND

moved yesterday. 10 11 43 22

188 3.18 LA TILT MCU MINNA LEO (OOS)Why didn’t you warn us?

10 11 45 13

189 1.04 LA TILT MCU PROFILE LEO MOVES RIGHT

10 11 49 06

190 1.05 LA TILT MCU MINNA EXITS LEFT LEO (OOS)Come and help us look for him.

10 11 50 10

>> SCENE 20 EXT/INT MORNING THE OWEN STABLES

191 7.10 LA TILT WS REV MINNA, LEO AND ADELAIDE RUN TO STABLES AND LOOK INSIDE

10 11 51 15

192 6.09 LA TILT WMS MINNA, LEO AND ADELAIDE ENTER STABLES

MINNAWe should tell your mother.

LEONo.

MUSIC 13 ENDS

10 11 59 00

10 12 03 02

193 2.05 ELEVATED WIDE MLS MINNA, LEO AND ADELAIDE AT STABLE DOORS

LEOWe’ll get a thrashing.


10 12 05 09

10 12 05 17

194 1.14 LA TILT WMS MINNA, LEO AND ADELAIDE

LEOLook.

10 12 07 14

- 22 -



195 2.03 WIDE MLS MIRROR HANGS IN STABLE

10 12 09 03

196 2.21 WMS PROFILE LEO SHOVES MINNA LEFT

10 12 11 06

197 2.19 WS PROFILE MINNA AND LEO STEP LEFT IN STABLES

10 12 14 02

198 1.10 MHA MCU MINNA STEPS TOW CAM WITH LEO BEHIND

10 12 16 21

199 3.04 ELEVATED WMS REV MINNA AND LEO WALK TO STABLE WITH MIRROR IN BG

10 12 18 06

200 5.04 MHA WMS ADELAIDE, MINNA AND LEO

LEOSay the words.

MINNAWhat?

MUSIC 14 ENDS

LEOYou know,


10 12 21 10

10 12 24 05

10 12 25 07

201 3.24 LA TILT MCU MINNA AND LEO about her. He ... he might have put 10 12 26 14

202 5.07 ZOOM IN ON WS MIRROR HANGING

Toby in there. With Bloody Mary. She might be tearing his face off right now.

10 12 30 13

203 2.14 LA TILT MCU MINNA WITH ADELAIDE BEHIND

MINNAI never saw Bloody Mary.

10 12 35 20

204 2.17 LA TILT MCU MINNA AND LEO LEOJust say the words anyway. You might see them both.

10 12 38 09

- 23 -



205 3.01 LA TILT MCU MINNA WITH ADELAIDE BEHIND

MINNANo, you say 'em.

10 12 41 01

206 3.20 MHA WMS REV LEO, MINNA AND ADELAIDE AT STABLE

LEOThe golem was your idea. You have to.

10 12 44 02

207 2.12 LA TILT MCU MINNA WITH LEO BEHIND

LEOPlease, Minna?

10 12 47 22

208 1.20 LA TILT MCU MINNA STEPS TOW CAM WITH ADELAIDE BEHIND

10 12 50 09

208 4.13 LA TILT WS PROFILE MINNA STEPS LEFT INTO STABLE WITH ADELAIDE AND LEO AT RIGHT

10 12 52 04

210 2.24 LA TILT WMS MINNA EXITS IN FG LEAVING ADELAIDE AND LEO IN MS

10 12 56 17

211 2.01 LA TILT MCU PROFILE MINNA WALKS LEFT AND REACHES OUT

10 12 59 16

212 2.08 WS REV MINNA TAKES MIRROR AS LEO AND ADELAIDE STAND IN FG

10 13 01 17

213 6.20 HA WMS MIRROR SHOWS MINNA’S REFLECTION

MINNABloody Mary, Bloody Mary, Bloody Mary –

10 13 04 00

214 1.04 WMS PROFILE TOBY APPEARS FROM UNDER STRAW AS MINNA SCREAMS

10 13 10 20

215 0.15 WMS MINNA SCREAMS 10 13 11 24

216 0.18 WMS ADELAIDE SCREAMS 10 13 12 14

- 24 -



217 0.23 WMS MINNA SWINGS ARM 10 13 13 07

218 0.05 MS REV MINNA PUNCHES TOBY 10 13 14 05

219 0.18 MCU TOBY DROPS AS MINNA PUNCHES HIM

10 13 14 10

220 0.24 LA TILT MCU LEO LAUGHS AND COVERS MOUTH

MUSIC 15 ENDS

10 13 15 03

10 13 15 17

221 1.04 WMS REV MINNA AS TOBY DROPS ONTO STRAW

10 13 16 02

222 2.05 WMS PROFILE MINNA FROWNS 10 13 17 06

223 0.17 MHA WMS TOBY HOLDS FACE 10 13 19 11

224 1.09 WMS ADELAIDE AND LEO LAUGH AS THEY COVER MOUTHS

10 13 20 03

225 1.07 WMS PROFILE MINNA AT LEFT AS TOBY STANDS HOLDING NOSE

TOBYYou're not meant to hit me!

10 13 21 12

226 1.15 ELEVATED WS TOBY RUNS FROM STABLES PAST ADELAIDE AND LEO

10 13 22 19

227 2.22 WMS ADELAIDE ADELAIDEYou were scared.

MINNA (OOS)You liars!

10 13 24 09

228 3.05 LA TILT WMS MINNA WITH MS REV LEO AND ADELAIDE IN FG

MINNAYou're all jolly liars and humbugs.

10 13 27 06

- 25 -



229 1.12 LA TILT WMS LEO LEOSaid the pot to the kettle,

10 13 30 11

230 1.09 WMS PROFILE ADELAIDE AND LEO

I want your face! 10 13 31 23

231 2.23 WMS MINNA STORMS PAST SMILING ADELAIDE

10 13 33 07

>> SCENE 21 INT DAY THE OWEN HOUSE/THE PARLOUR

232 2.20 ELEVATED WS FAMILY SITS SILENTLY IN PARLOUR

10 13 36 05

233 2.18 LA TILT TIGHT MCU TOBY WITH BRUISED EYE

10 13 39 00

234 2.04 LA TILT MS MINNA 10 13 41 18

235 6.18 TILT UP FROM MCU PROFILE TOBY TO HAROLD AND BEATRICE

10 13 43 22

236 3.04 MS REV TOBY AND WMS MINNA AND VATI

MINNAI'm very sorry, Toby. I'm very sorry,

10 13 50 15

237 5.14 LA TILT WS PROFILE FAMILIES SITTING IN PARLOUR

Mr. and Mrs. Owen.

HAROLDGlad to hear, Minna. It’s

10 13 53 19

238 4.12 LA TILT MCU MINNA hardly ladylike behaviour.

MINNANo, Mr. Owen.

10 13 59 08

239 2.10 LA TILT WMS ADELAIDE AND MS LEO IN CHAIR

HAROLD (OOS)You're free to come here, Minna,

10 14 03 20

- 26 -



240 5.17 MS REV ADELAIDE IN FG WITH FAMILIES SITTING IN BG

as long as I judge that you're a suitable companion for my children. Is that clear?

MINNAYes,

10 14 06 05

241 1.22 LA TILT MCU PROFILE HAROLD WITH BEATRICE AT RIGHT

Mr. Owen.

HAROLDMmm.

10 14 11 22

242 5.15 MCU REV TOBY AND WMS MINNA AND VATI

HAROLD (OOS)I trust you'll be more careful next time?

10 14 13 19

243 1.18 LA TILT WMS MINNA 10 14 19 09

244 3.08 LA TILT WMS VATI STANDS FOLLOWED BY MINNA

10 14 21 02

245 2.24 LA TILT WMS PROFILE FAMILIES STAND AS LEO SITS IN BG

VATIThank you,

10 14 24 10

246 2.15 LA TILT WMS MUTTI, MINNA AND VATI

Mr. Owen. You are very 10 14 27 09

247 1.19 LA TILT MCU MINNA generous to overlook this. 10 14 29 24

248 1.06 LA TILT MCU HAROLD WITH TOBY AT LEFT

10 14 31 18

249 1.17 LA TILT WMS VATI EXITS FROM MINNA AND MUTTI

10 14 32 24

250 2.02 LA TILT WMS MINNA AND OTHERS EXIT FROM OWEN FAMILY

10 14 34 16

>> SCENE 22 EXT DAY THE BIG TREE

- 27 -



251 4.20 ZOOM IN ON LA TILT WS MINNA READING IN TREE

10 14 36 18

252 4.15 TILT UP OVER HA MS REV MINNA READING IN TREE AS ADELAIDE APPROACHES BELOW

10 14 41 13

253 3.21 LA TILT WMS MINNA HOLDING BOOK

MINNATurncoat.

ADELAIDE (OOS)I'm not!

10 14 46 03

254 2.14 LA TILT WMS PROFILE ADELAIDE ADELAIDEWhat’s a turncoat?

10 14 49 24


MINNANever mind.

ADELAIDE (OOS)I'm sorry.

10 14 52 13

256 9.02 LA TILT WMS PROFILE ADELAIDE WITH FEET DANGLING AT RIGHT

ADELAIDEI'm not very good at secrets. Papa won’t let me have any other friends. Please, Minna.

10 14 55 14


MINNAWhere are the boys?

ADELAIDE (OOS)Preparing for a bush adventure.

MINNAWhat’s that?

ADELAIDE (OOS)They want to sleep in the tent on the cow paddock.

10 15 04 16

258 1.16 LA TILT WMS PROFILE ADELAIDE WITH FEET DANGLING AT RIGHT

ADELAIDEBoys are silly.

10 15 16 00

- 28 -



259 3.18 LA TILT MCU MINNA HOLDING BOOK

MINNAAre they camping alone?

10 15 17 16

260 1.08 HA WMS ADELAIDE NODS AT CU REV MINNA IN FG

10 15 21 09

261 6.02 LA TILT MCU MINNA HOLDING BOOK

MINNAReally? Aren’t they frightened of Bloody Mary?

ADELAIDE (OOS)Not anymore.


MINNAAdie,

10 15 22 17

10 15 27 02

262 1.15 HA WS ADELAIDE WITH MS PROFILE MINNA IN FG

I'll give you one more chance. 10 15 28 19

263 1.24 LA TILT WMS PROFILE ADELAIDE SMILES

10 15 30 09

>> SCENE 23 EXT DUSK LEO’S JOSS HOUSE/MARKET GARDEN

264 4.13 LA TILT WS LECK CARRIES BUCKETS TOW CAM

10 15 32 08

265 2.02 WMS PROFILE ADELAIDE AND MINNA

10 15 36 21

266 1.15 WMS ADELAIDE AND MINNA AT FENCE IN FG AS LECK WALKS AT RIGHT

10 15 38 23

267 2.15 WMS ADELAIDE AND MINNA WATCH AS LECK CROSSES IN FG

10 15 40 13

- 29 -



268 4.14 WMS MINNA AND ADELAIDE STAND AND MOVE TOW LECK’S HOUSE IN BG

10 15 43 03

>> SCENE 24 INT DUSK LECK’S JOSS HOUSE

269 10.10 TILT UP FROM CHEST AS MINNA AND ADELAIDE ENTER SHOT AND OPEN

10 15 47 17

270 3.02 WMS PROFILE PROJECTOR REMOVED FROM CHEST

10 15 58 02

271 6.13 MS PROFILE MINNA REMOVES SLIDES AND HANDS TO ADELAIDE THEN PICKS UP PROJECTOR

10 16 01 04

272 9.06 LA TILT WMS PROFILE ADELAIDE SMILES AND PICKS UP GONG

ADELAIDELook, a fighting shield!

10 16 07 17

273 3.01 WS REV FEET EXIT FROM CHEST 10 16 16 23

>> SCENE 25 EXT NIGHT THE OWEN PADDOCK/INT TENT

274 3.05 LA TILT WS FULL MOON IN CLOUDY NIGHT SKY

10 16 19 24

275 3.15 WMS MINNA AT PROJECTOR 10 16 23 04

276 1.21 WMS REV ADELAIDE AND MINNA IN FG WITH TENT IN BG

10 16 26 19

277 2.14 LA TILT WS EXT VIEW TENT 10 16 28 15

278 2.19 MHA WMS BOYS ASLEEP 10 16 31 04

279 4.11 LA TILT WMS MINNA AND ADELAIDE AT PROJECTOR AS

10 16 33 23

- 30 -



LIGHT SHINES OUT

280 2.04 MS REV ADELAIDE AND MINNA IN FG WITH IMAGE OF WOMAN ONTO TENT IN BG

10 16 38 09

281 3.08 WMS MINNA SMILES 10 16 40 13

282 2.18 LA TILT WS IMAGE OF BEAUTIFUL WOMAN ON INSIDE OF TENT

10 16 43 21

283 3.01 LA TILT WMS MINNA AT PROJECTOR

10 16 46 14

284 1.02 WMS REV MINNA THROWS ROCK AT TENT

10 16 49 15

285 1.24 WMS BOYS SLEEP IN TENT WITH IMAGE OF EYES IN BG

10 16 50 17

286 3.03 WMS ADELAIDE STANDS AND BANGS GONG

10 16 52 16

287 4.21 WMS PROFILE LEO LOOKS AROUND AT EYES AT LEFT

LEO Toby!

10 16 55 19

288 1.13 LA TILT WMS PROFILE TOBY SCREAMS

10 17 00 15

289 1.19 LA TILT WMS PROFILE LEO SCREAMS

10 17 02 03

290 3.02 LA TILT WS REV TOBY AND LEO STAND AND PULL TENT FLAPS OPEN

10 17 03 22

291 14.09 MS REV ADELAIDE AND MINNA IN 10 17 06 24

- 31 -



FG AS TOBY AND LEO RUN FROM TENT OUT OF SHOT

ADELAIDE AND MINNA LAY BACK ON GRASS LAUGHING

292 6.10 WS ADELAIDE AND MINNA STAND WITH PROJECTOR AND GONG AND RUN LEFT

10 17 21 08

293 1.20 LA TILT WS MINNA AND ADELAIDE RUN TOW CAM

10 17 27 18

294 2.21 WS PROFILE MINNA AND ADELAIDE RUN LEFT PAST TREES

10 17 29 13

295 4.17 LA TILT WS FULL MOON IN CLOUDY NIGHT SKY THEN TILT DOWN TO MINNA AND ADELAIDE RUNNING TOW CAM THEN STOPPING

MINNAWait, wait. Something

10 17 32 09

296 2.18 MHA WMS MINNA AND ADELAIDE IN LONG GRASS

something fell out.

ADELAIDEWhat?

MINNAI don’t know. I think it was the plate.

10 17 37 01

297 2.12 WMS PROFILE ADELAIDE AND MINNA MOVE RIGHT

10 17 39 19

298 1.21 HA WMS MINNA SEARCHES ON GROUND

10 17 42 06

299 2.01 MHA WS ADELAIDE AND MINNA SEARCH GROUND

10 17 44 02

300 4.16 WMS ADELAIDE AND MINNA SEARCH GROUND

HAROLD (OOS)Over there! I can see someone over

10 17 46 03

- 32 -



301 3.01 WMS MINNA RUNS THRU SHOT WITH ADELAIDE FOLLOWING

there! 10 17 50 19

302 2.01 LA TILT WS REV MINNA AND ADELAIDE EXIT IN BG

10 17 53 20

>> SCENE 26 INT NIGHT MY PLACE HOUSE

303 7.14 LA TILT WS REV MINNA RUNS TO BED AND CLIMBS IN

10 17 55 21

>> SCENE 27 EXT DAY MÜLLER SADDLERY/MINNA’S HOUSE

304 5.21 WS MINNA SITS IN BG AS VATI AND MEN ATTEND TO HORSE IN FG MUSIC 16 ENDS

10 18 03 10

10 18 06 15

305 5.23 LA TILT WMS PROFILE VATI PATS HORSE

10 18 09 06

306 4.11 LA TILT WMS PROFILE MINNA IN FG THEN TILT UP TO ADELAIDE AS SHE RUNS TO HER

10 18 15 04

307 1.13 WMS ADELAIDE TAKES MINNA’S HAND AND PULLS HER RIGHT

10 18 19 15

308 1.23 WMS VATI AND OTHER MEN AT HORSE IN FG AS ADELAIDE AND MINNA EXIT RIGHT

10 18 21 03

>> SCENE 28 EXT DAY LECK’S MARKET GARDEN

308 4.13 WMS MAN WORKS IN FG AS ADELAIDE AND MINNA RUN LEFT THEN TOW CAM

10 18 23 01

310 2.17 MCU REV LECK AND WMS HAROLD WITH OTHER MAN

HAROLDPerhaps you should have considered that before

10 18 27 14

- 33 -



BEHIND you abandoned them

311 4.11 LA TILT WMS LECK AND MCU REV HAROLD

on my land.

LECKThey were taken from my house.

HAROLDOh, indeed?

LECKYou'd best return

10 18 30 06

312 2.22 LA TILT WMS MINNA RUNS TOW CAM

my property Mr. Owen, or I'm off to the constable.

10 18 34 17

313 5.13 MCU REV LECK AND WMS HAROLD WITH MAN BEHIND

HAROLDOh, indeed. And who do you think the police will believe in this situation, hmm? My word against yours?

10 18 37 14


HAROLDI wish you

10 18 43 02

315 0.24 MCU HAROLD TURNS FRO MCU REV LECK

good fortune, sir. 10 18 44 19

316 1.02 WMS LECK AS HAROLD EXITS SHOT

LECKMr. Owen,

10 18 45 18

317 3.13 WS PROFILE LECK AND HAROLD WITH MINNA AND ADELAIDE IN BG AND MAN AT RIGHT

that little box has in it the only 10 18 46 20


likeness of my ... 10 18 50 08

319 4.09 LA TILT MCU MINNA LECK (OOS)... my family and home. It’s all I know of Shanghai.

10 18 52 11

- 34 -




LECKPlease, sir,

10 18 56 20

321 3.22 LA TILT MCU MINNA TURNS TO PROFILE

return them to me.

HAROLD (OOS)Don’t be ridiculous.

MINNANo,

10 18 59 09


Mr. Owen, please. 10 19 03 06

323 4.17 WMS MINNA WITH HAROLD AT RIGHT

MINNAI did it. I'm very sorry. I took the lantern


10 19 04 14

10 19 06 13

324 2.09 LA TILT WMS LECK LOOKS UP and the box from his house. 10 19 09 06

325 1.10 CU REV LECK AND MCU HAROLD WITH MEN BEHIND

ADELAIDE (OOS)I did too, Papa.

10 19 11 15

326 5.09 WMS PROFILE MINNA AND WMS ADELAIDE

ADELAIDEI helped her do everything. I wanted the boys to be frightened. I'm sorry, Papa.

10 19 13 00

327 2.16 MCU REV LECK AND WMS HAROLD WITH MEN BEHIND

HAROLDGo to the house, Adelaide.

10 19 18 09

328 2.14 WMS PROFILE MINNA AS ADELAIDE TURNS

ADELAIDEYes, Papa.

10 19 21 00


HAROLDConvey to your father that I will be

10 19 23 14

330 3.19 WMS MINNA pleased to see him at his earliest convenience. 10 19 25 07

- 35 -



331 3.10 MCU REV LECK AND WMS HAROLD WITH MEN IN BG

HAROLDMy man will be over shortly with

10 19 29 01

332 3.02 WMS PROFILE LECK AS HAROLD TURNS AND EXITS

your property. Good day, sir. 10 19 32 11

333 2.12 WS REV HAROLD AND MEN WALK FROM LECK AND MINNA IN FG

10 19 35 13

334 2.21 WMS PROFILE LECK 10 19 38 00

335 2.21 LA TILT MCU MINNA AS OOF HAROLD AND MEN WALK IN BG

LECK (OOS)You're a bit careless with other people,

10 19 40 21

336 2.22 LA TILT WMS PROFILE LECK STEPS RIGHT

aren't you? 10 19 43 17

337 6.07 LA TILT MCU MINNA LOOKS AROUND AND WIPES EYE AS OOF HAROLD AND MEN WALK IN BG

10 19 46 14

338 3.06 WMS PROFILE LECK ENTERS HOUSE

10 19 52 21

>> SCENE 29 INT DAY THE OWEN HOUSE/THE HALLWAY

339 5.17 LA SLOW TRACK TOW ADELAIDE AND MINNA WAITING AT LARGE DOOR

HAROLD (OOS)She stole, she lied, she caused all manner of trouble.

VATI (OOS)She is a spirited girl,

10 19 56 02

340 9.05 LA TILT WMS ADELAIDE AND MINNA

but no more than normal.

HAROLD (OOS)She is a spirited girl ...

ADELAIDEWhat happened to you?

10 20 01 19

- 36 -



MINNADon’t know yet. What happened to you?

ADELAIDEPapa said I shouldn’t have embarrassed him

MUSIC 17 ENDS 10 20 10 10

341 2.06 MS REV ADELAIDE AND WMS PROFILE MINNA

and sent me to my room.

MINNAThat’s all?

10 20 10 24

342 4.16 LA TILT MS ADELAIDE SHRUGS AT MCU PROFILE MINNA

MINNAWish I had your Dad.

ADELAIDEWish I had yours.

10 20 13 05


HAROLD (OOS)What are you trying to imply by that, sir?

10 20 17 21

344 2.05 LA TILT WMS ADELAIDE SMILES AT MCU PROFILE MINNA

ADELAIDEOur trick was the

10 20 20 13


best. 10 20 22 18

346 1.11 LA TILT MS ADELAIDE EXITS FROM CU PROFILE MINNA

10 20 23 18

347 4.15 WS ADELAIDE RUNS FROM MINNA AS DOOR OPENS REVEALING HAROLD AND VATI

10 20 25 04

348 3.17 WMS PROFILE MINNA HAROLD (OOS)I don’t think

10 20 29 19

349 2.20 WMS HAROLD AND MCU PROFILE VATI

my children are to blame. 10 20 33 11

- 37 -



VATIThey were all involved,

350 3.21 LA TILT MCU PROFILE MINNA AND WMS VATI

setting each other on. For her part, I have decided

10 20 36 06

351 5.17 LA TILT WMS PROFILE MINNA that Minna will work for Mr. Wong until she has paid her debt to him.

HAROLD (OOS)Working for a Chinaman?

10 20 40 02

352 2.22 LA TILT WMS HAROLD AND MCU PROFILE VATI

HAROLDI don’t think that’s appropriate.

10 20 45 19

353 3.10 LA TILT MCU VATI VATII think it is ideal.

10 20 48 16


HAROLDI trust under the circumstances your daughter will

10 20 52 01

355 4.10 LA TILT MCU PROFILE MINNA not enter my property again. I don’t find her a suitable play fellow

10 20 55 13


for my children. 10 20 59 23

357 3.18 LA TILT MCU VATI TURNS VATIOf course.

10 21 01 07

358 3.05 LA TILT WMS MINNA TAKES VATI’S HAND

VATI (OOS)I feel the same of your boys.

10 21 05 00

359 1.21 LA TILT WMS HAROLD WITH MCU VATI IN FG

10 21 08 05

360 1.04 LA TILT MCU PROFILE VATI TURNS

VATIGood day.

10 21 10 01

- 38 -



361 4.19 WMS HAROLD ENTERS ROOM AS VATI EXITS SHOT

10 21 11 05

>> SCENE 30 INT MORNING MY PLACE HOUSE

362 3.02 LA TILT MS NEEDLE AND THREAD THRU BOTTOM OF APRON

MUTTI (OOS)I don’t this is

10 21 15 24

363 11.02 WMS PROFILE MUTTI SEWS MINNA’S APRON AS VATI SITS IN BG

VATI STANDS AND WALKS TO MUTTI AND MINNA IN FG

at all proper.

VATINo, it is very proper.

MUTTIPeople will see.

VATIPeople will see our daughter makes amends.

10 21 19 01

364 4.07 LA TILT MCU PROFILE MINNA SMILES AND BRUSHES DOWN APRON

10 21 30 03

>> SCENE 31 EXT DAY LECK’S MARKET GARDEN

365 5.11 WS MINNA WORKS IN GARDEN STUFFING WEEDS INTO BUCKET

10 21 34 10

366 16.06 WMS LECK WORKS IN GARDEN IN FG AS ADELAIDE WALKS LEFT IN BG TO MINNA

ADELAIDEHello.

MINNAHello.

ADELAIDEHow long do you have to do this?

MINNATwo

10 21 39 21

367 3.06 LA TILT WMS ADELAIDE WALKS weeks. 10 21 56 02

- 39 -



LEFT

368 2.14 WS ADELAIDE ENTERS GARDEN TO MINNA

10 21 59 08

369 6.16 WMS ADELAIDE JOINS MINNA IN GARDEN

MINNAWon’t you

10 22 01 22

370 4.11 WMS PROFILE ADELAIDE STRAIGHTENS

get in trouble for being here?

ADELAIDEPapa says things and

10 22 08 13

371 2.08 WMS MINNA PULLS WEED then he forgets. 10 22 12 24

372 2.15 WMS PROFILE ADELAIDE HOLDS SLIDE OUT

ADELAIDEI found it.

10 22 15 07

373 3.20 WMS MINNA LOOKS AROUND AT SLIDE


10 22 17 22

10 22 18 08

374 1.21 HA WS SLIDE OF BEAUTIFUL WOMAN

10 22 21 17

375 1.10 WMS MINNA LOOKS UP MINNAYou'd best

10 22 23 13

376 1.10 LA TILT WMS PROFILE MINNA LOOKS AROUND

give it to him. 10 22 24 23

377 2.05 WMS PROFILE LECK DIGS IN GARDEN AT LEFT

10 22 26 08

378 1.13 LA TILT WMS PROFILE ADELAIDE LOOKS AROUND

ADELAIDEWill you come with me?

10 22 28 13

379 2.17 LA TILT WMS MINNA NODS AND 10 22 30 01

- 40 -



STANDS

380 6.22 WS MINNA AND ADELAIDE WALK TOW CAM IN GARDEN

ADELAIDERobert, who’s a rouseabout, he told me there’s a convict buried in this garden. And he was

10 22 32 18

381 6.16 WMS ADELAIDE STEPS TOW CAM hanged on a dead tree, here. But afterwards, he came back to life and that’s why everything that grows here is always green.

10 22 39 15

382 2.24 LA TILT WMS MINNA STEPS TOW CAM

MINNAYou should tell Mr. Leck, and leave some food out for the convict ghost.

10 22 46 06

383 2.14 LA TILT WMS ADELAIDE STEPS TOW CAM

ADELAIDEHe might be hungry.

10 22 49 05

384 2.20 MCU PROFILE MINNA SMILES AND EXITS RIGHT

MINNANothing worse than a hungry ghost.

10 22 51 19

385 5.13 WIDE MLS LECK MOVES RIGHT IN GARDEN THEN FADE TO BLACK

ADELAIDEMr. Wong. Mr. Wong!

10 22 54 14

386 45.20 END CREDITS RUN OVER BLACK BG

Directed byMICHAEL JAMES ROWLAND


Written byNICK PARSONS

Produced byPENNY CHAPMAN

MUSIC 18 ENDS

Co-ProducerHELEN PANCKHURST

Executive ProducersBERNADETTE O'MAHONYSIMON HOPKINSON

10 23 00 02

10 23 01 00

10 23 05 18

- 41 -



Script ProducerJOHN ALSOP

Line ProducerMICHELLE RUSSELL

Casting DirectorsGREG APPSDANNY LONG

Director Of PhotographyMARTIN McGRATH ACS

Film EditorCHRISTOPHER SPURR

ComposerROGER MASON

Production DesignerFELICITY ABBOTT

Costume DesignerXANTHE HEUBEL

Hair & Make-Up DesignersLESLEY VANDERWALTREBECCA TAYLOR

History & Story ConsultantNADIA WHEATLEY

MinnaCHARLIE ROSE MacLENNAN

AdelaideABBEY McPHERSON

LeoJARIN TOWNEY

TobyOSCAR VERTES

LeckPAUL W. HE

Harold OwenANDREW RYAN

- 42 -



BeatriceMERRAN WINCHESTER

VatiJULIAN PULVERMACHER

MuttiANJA RAITH

WolfBEN PURSER

Eva MEEGAN WARNER

KarlBRYCE YOUNGMAN

Mrs StocktonALICE ANSARA

Harold's Man # 1PAUL HOOPER

Harold's Man # 2ALEX NICHOLAS

Production CoordinatorCASSANDRA SIMPSON

Assistant Prod.. CoordinatorJONATHAN KENNERLY

Production SecretaryMICHAEL HORVATH

Production RunnersHENRY DOWNESTOM JACKSON

Extras CastingALANNA PERRY

DramaturgMELISSA BRUDER

Casting/Producer's AssistantKATHLEEN TAN

Production Accountant

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JAMES BRAMLEY

Assistant AccountantTU NHI LAM

Locations PETER LAWLESS

Location CoordinatorADAM JESSER

1st Assistant DirectorJOHN CLABBURN

2nd Assistant DirectorEMMA JAMVOLD

3rd Assistant DirectorCHRIS EVANS

Script SupervisorMELINA BURNS

Camera Operator/ SteadicamSIMON HARDING

Focus PullersWEI-CHING CHONGANTHONY POLKINGHORNE

Clapper LoaderPATRICK SHORT

Video Split OperatorKYLE MATHIS

GafferBEN DUGARD

Best Boy Electrics RICHARD MASON

Third ElectricsCHRIS FOLLETT

Key GripCRAIG '"JACKO'" JACKSON

Best Boy GripAARON RAPIRA

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Sound RecordistMARK BLACKWELL

Boom OperatorMANEL LOPEZ

Sound AssistantMARTIN COX

Art DirectorSOPHIE NASH

Art Dept CoordinatorCOLETTE BIRRELL

Set DecoratorTANIA EINBERG

Property MasterPETER MALATESTA

Props Buyer/Set DresserELOISE STUART

Set DresserFOSTER

On Set DresserMARK HARMAN

Standby PropsANTHONY McNEIL

DraughtsmanSIMON ELSLEY

Art Dept RunnerARCHER COX

Art Dept AttachmentsCARLY GLOVERCATHERINE SIMMONS

Construction ManagerSEAN AHERN

Head Scenic ArtistMATT CONNORS

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Head GreensmanJACK ELLIOTT

Costume SupervisorALISON PARKER

Assistant Costume DesignerMARK CAMPBELL

Costume BuyerKATE ABERCROMBY

Costume StandbyBERNADETTE CROFT

Costume AssistantLEAH GIBLIN

Art FinisherNATALIE BRACHER

Hair & Make-up ArtistsCATHERINE BIGGSALEXANDRA SCOTT

Unit ManagerTIC CARROLL

Unit Assistant ManagerAYA GERAHTY

Unit AssistantsANDREW PLAYFORDTIM DICKSON

Safety SupervisorsRICHARD BOUEJONNY HALLYDAYDEAN GOULD

Unit NurseJULIE DEAKIN

Head Horse/Animal WranglerGRAHAME WARE JNR

Horse WranglersGRAHAME WARE SNRTREVOR NIASSOWEN BUICK

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CLIVE KINKADE

CatererREZA MOKHTAR

Camera EquipmentLEMAC

Production LawyersTRESSCOX LAWYERS CLARE MIRABELLO

Business Affairs CoordinatorCECILIA RITCHIE

Production InsuranceH.W. WOOD

Completion BondFACB

Post SupervisorDAVID BIRRELL

1st Assistant EditorJOHN COLE

2nd Assistant EditorHANNAH CARROLL CHAPMAN

Titles DesignROCHELLE OSHLACK CATHIE BROUGHTONSTUART CADZOW FSMN

Edited atSPECTRUM FILMS

HD Post ProductionFSM

FSM ProducerPAULINE PIPER

Conform EditorsDAVID BIRRELLBEN BROAD

ColouristTRISTAN LA FONTAINE

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Online EditorDAVID TINDALE

Sound FacilityABC

Dialogue EditorPETER HALL

Sound Effects EditorLYNNE BUTLER

ADR & Foley RecordistIAN DONATO

Foley ArtistNATALIE CHOO

MixerMICHOL MARSH

Music Orchestrated & Arranged byROGER MASON

ViolinMARCUS HOLDEN

CelloMIRANDA KLEIN

FlutesPAUL JARMAN

Music Recorded & Mixed atCOLLYWOOD STUDIOS

Stills PhotographerMARK ROGERS

EPK DirectorALEX SERAFINI

Timescape Stills Photographer LUKE STAMBOULIAH

My Place TimescapeBLUE ROCKET PRODUCTIONS

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Produced with the assistance of the City of Sydney

Special thanks toHero Frock Hire, Old Sydney Town Historic Houses Trust, AFTRSPowerhouse Museum Research LibraryCarla de Jong, Tim Brooke-Hunt, Jenny Buckland

387 2.07 FADE UP FROM BLACK TO LOGO BOARD OVER BLACK BG

Developed and produced in association with the Australian Broadcasting Corporation

[LOGO]ABC 3

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Developed with the assistance ofand distributed by theAustralian Children’s Television Foundation

[LOGO]AUSTRALIAN CHILDREN’STELEVISION FOUNDATION

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Produced with assistance fromScreen Tasmania

[LOGO]TasmaniaExplore the possibilities

[LOGO]screenTasmania

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Developed and produced with assistance from

[LOGO]NSWGOVERNMENT

[LOGO]SCREENNSW

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Principal Investor

[LOGO]Australian Government

[LOGO]SCREEN AUSTRALIA

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392 2.18 FADE UP FROM BLACK TO COPYRIGHT AND ISAN BOARD

© 2011 Screen Australia, Matchbox Pictures Pty Ltd, Screen NSW and Tasmania Development and Resources

ISAN 0000-0002-291F-0010-Y-0000-0000-9

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393 THEN FADE TO BLACK MUSIC 19 ENDS 10 24 00 00

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dissolve - ryebuck€¦ · web viewwe like telling each other stories about ghosts . 10 01 01 16...

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