POSTPRODUCTION
SCRIPT
MY PLACESERIES 2 - EPISODE 15
“1868 MINNA”
© 2011 MATCHBOX PICTURES & RUSTY FIG PICTURES
Post Production Script Prepared byReezy Miller Script Services
MY PLACESERIES 2 - EPISODE 15 – “1868 MINNA”
SHOT DUR VISION DIALOGUE INPOINT
1 45.16 OPENING TITLES RUN OVER VARIOUS VIEWS OF THE BIG TREE
TITLE 1 BEGINS AT 10 00 02 09SCREEN AUSTRALIAANDTHE AUSTRALIAN CHILDREN’STELEVISION FOUNDATIONPRESENTTITLE 1 ENDS AT 10 00 05 20
TITLE 2 BEGINS AT 10 00 09 20A MATCHBOXPICTURES PRODUCTIONFORTHE AUSTRALIANBROADCASTING CORPORATIONTITLE 2 ENDS AT 10 00 13 09
TITLE 3 BEGINS AT 10 00 14 13IN ASSOCIATIONWITH SCREEN NSWANDSCREEN TASMANIATITLE 3 ENDS AT 10 00 19 09
TITLE 4 BEGINS AT 10 00 33 03BASED ON THE BOOKBY NADIA WHEATLEY&DONNA RAWLINSTITLE 4 ENDS AT 10 00 36 05
TITLE 5 BEGINS AT 10 00 36 00My Place1868 MINNATITLE 5 ENDS AT 10 00 44 22
THEN FADE TO BLACK
CHILDREN’S VOICES (VARIOUS OOS)I'm not scared. I'm coming with you to keep you safe. Are there Ghosts? That is so naughty. Let's see who's the real scaredy cat. He is gunna spiflicate you [Laughter and squeal]
MUSIC 1 BEGINS ... 48 SEC
10 00 00 00
10 00 00 12
>> SCENE 1 EXT DAY THE OWEN PROPERTY/THE BIG TREE
2 8.06 TILT DOWN OVER WMS TREE BRANCHES AND LEAVES TO MINNA STANDING IN FG AS TOBY WALKS TOW HER FROM BG
MUSIC 2 BEGINS ... 1 MIN 15 SEC
MUSIC 1 ENDS
10 00 45 16
10 00 46 16
10 00 47 23
- 2 -
MY PLACESERIES 2 - EPISODE 15 – “1868 MINNA”
SHOT DUR VISION DIALOGUE INPOINT
3 6.02 SLOW ZOOM IN ON LA TILT WMS MINNA
MINNA (VOICEOVER)My name is Minna Müller, and this is my place.
10 00 53 22
4 1.17 WMS TOBY MOVES TOW CAM AT TREE
MINNA (VOICEOVER)I'm friends with the Owens.
10 00 59 24
5 2.14 LA TILT WMS PROFILE MINNA BENDS
MINNA (VOICEOVER)We like telling each other stories about ghosts
10 01 01 16
6 3.01 LA TILT MCU TOBY IN FG AS MINNA’S LEGS DANGLE IN BG
and gruesome murders. I scare them, but they never
10 01 04 05
7 1.00 MCU MINNA DROPS INTO SHOT scare me. 10 01 07 06
8 0.24 MCU TOBY STARTLES AND TURNS TO WMS MINNA
MINNABleaghh!
10 01 08 06
9 2.02 LA TILT MCU TOBY WITH CU REV MINNA IN FG
TOBYNo, you're caught.
10 01 09 05
10 2.18 LA TILT WMS MINNA AND MCU REV TOBY LOOK AROUND
MINNANot yet.
ADELAIDE (OOS)We’ve got the mirror! Who wants to do it?
10 01 11 07
11 10.03 LA TILT WS ADELAIDE AND LEO STEP TOW MINNA AND TOBY AT TREE
MINNAYou said you'd do it.
LEOI never. I just told you the story. Why don’t you do it? I'll give you a ha’penny. What’s
10 01 14 00
12 3.00 MCU PROFILE LEO HOLDS OUT COIN TO MINNA AT RIGHT
the matter? You scared? 10 01 24 03
13 2.09 LA TILT CU REV LEO HOLDS OUT COIN TO MCU MINNA
10 01 27 03
- 3 -
MY PLACESERIES 2 - EPISODE 15 – “1868 MINNA”
SHOT DUR VISION DIALOGUE INPOINT
14 2.06 MINNA AT RIGHT TAKES COIN FROM MCU LEO
10 01 29 12
15 2.20 LA TILT MS REV LEO HOLDS OUT MIRROR TO MCU MINNA
10 01 31 18
16 1.06 MS LEO HOLDS OUT MIRROR 10 01 34 13
17 1.18 LA TILT CU REV LEO IN FG AS MCU MINNA TAKES MIRROR
10 01 35 19
18 2.05 MCU REV MINNA TAKES MIRROR FROM MCU LEO
10 01 37 12
19 2.00 LA TILT MS REV LEO AND WMS MINNA HOLDING MIRROR
MINNAWhat’s she look like?
10 01 39 17
20 3.00 MCU PROFILE LEO LEOI don’t know. Covered in blood, I expect.
10 01 41 17
21 5.11 LA TILT MS REV LEO AND MCU MINNA HOLDING MIRROR
MINNABloody Mary, Bloody
10 01 44 17
22 2.07 WS PROFILE MINNA HOLDS MIRROR AS TOBY, LEO AND ADELAIDE SLOWLY STEP BACK
Mary, Bloody Mary, 10 01 50 03
23 1.01 LA TILT MCU MINNA TALKS TO MIRROR
Bloody Mary, 10 01 52 10
24 1.21 ECU MINNA REFLECTED IN MIRROR
Bloody Mary, 10 01 53 11
25 1.19 LA TILT MCU MINNA TALKS TO MIRROR
Bloody Mary, 10 01 55 07
26 1.07 ECU MINNA REFLECTED IN 10 01 57 01
- 4 -
MY PLACESERIES 2 - EPISODE 15 – “1868 MINNA”
SHOT DUR VISION DIALOGUE INPOINT
MIRROR
27 0.11 ECU MINNA REFLECTED IN MIRROR THEN DROPS IT AS SHE SCREAMS
10 01 58 08
28 0.11 LA TILT MCU MINNA DROPS MIRROR
10 01 58 19
29 0.06 SLO-MO LA TILT WMS PROFILE MINNA DROPS MIRROR
10 01 59 05
30 1.15 LA TILT WS PROFILE MINNA DROPS MIRROR AS LEO, TOBY AND ADELAIDE REACT
10 01 59 11
>> SCENE 2 EXT DUSK TRACK HEADING TOWARDS MINNA’S HOUSE
31 7.16 WMS PROFILE MINNA WALKS TOW CAM WITH ADELAIDE, LEO AND TOBY FOLLOWING
LEOYou dropped it like it was a spider.
MUSIC 2 ENDS
MINNAIt was Mary. She broke it and then it jumped out of my hand.
LEOHow could Mary do that?
MINNAI don’t know.
10 02 01 01
10 02 01 19
32 2.11 LA TILT WS ADELAIDE, MINNA, TOBY AND LEO WALK TOW CAM ON TRACK
MINNAPerhaps she escaped through the crack.
10 02 08 17
33 9.13 WMS MINNA WALKS ALONG PATH WITH ADELAIDE, LEO AND TOBY NEARBY
MINNAPerhaps now she’s going to find us all and rip off our faces.
LEOYou're a blasted fibber and a scaredy cat.
10 02 11 03
- 5 -
MY PLACESERIES 2 - EPISODE 15 – “1868 MINNA”
SHOT DUR VISION DIALOGUE INPOINT
MINNAI'm not.
LEOScaredy cat, scaredy cat!
MUSIC 3 BEGINS ... 27 SEC 10 02 20 03
>> SCENE 3 INT NIGHT MINNA’S HOUSE
34 22.20 TILT DOWN OVER WINDOW THEN RIGHT OVER FAMILY ASLEEP THEN CONTINUE ON TO MINNA SITTING ON EDGE OF BED HOLDING MIRROR
MINNA (VOICEOVER)Toby Owen says a murderous ghost called Bloody Mary lives in mirrors and you can only see her if you say her name over and over. But be careful, she might see you.
MINNA Bloody Mary, Bloody Mary, Bloody Mary, Bloody Mary,
10 02 20 16
35 2.21 LA TILT ECU REV MINNA REFLECTED IN MIRROR THEN LOOKS AROUND SUDDENLY
Bloody Mary, Bloody – 10 02 43 11
36 6.18 LA TILT MCU MINNA LOOKS BACK TO MIRROR
MUSIC 3 ENDS
10 02 46 07
10 02 47 11
37 5.08 LA TILT CU REV MINNA REFLECTED IN MIRROR
MINNALet’s see who’s the real scaredy cat, hmm?
10 02 53 00
>> SCENE 4 EXT NIGHT OWEN PROPERTY/THE BIG TREE/OWEN HOUSE
38 24.23 MONTAGE EDITS MINNA WALKS PAST TREE THEN CLIMBS THRU HOLE IN FOOTINGS MUSIC 4 BEGINS ... 30 SEC
10 02 58 08
10 02 58 19
>> SCENE 5 INT NIGHT THE OWEN HOUSE
39 5.03 LA TILT MCU PROFILE TOBY SITS UP ON BED
TOBYWhere’s the mirror?
10 03 23 06
- 6 -
MY PLACESERIES 2 - EPISODE 15 – “1868 MINNA”
SHOT DUR VISION DIALOGUE INPOINT
40 6.17 WS LEO CLOSES DOOR AND WALKS TO BED OPPOSITE TOBY
LEOI put it back in their room. On the floor by the dresser. We can say the cat knocked it down.
MUSIC 4 ENDS
10 03 28 07
10 03 28 09
41 3.05 LA TILT MCU PROFILE TOBY TOBYBut what if it was Bloody Mary?
10 03 35 01
>> SCENE 6 INT NIGHT THE OWEN HOUSE/FLOOR CAVITY - INTERCUT
42 2.06 WMS PROFILE MINNA ROLLS ONTO HER BACK IN FLOOR CAVITY
LEO (OOS)That broke it?
TOBY (OOS)Yeah.
MUSIC 5 BEGINS ... 40 SEC
10 03 38 06
10 03 40 03
43 4.16 VIEW THRU FLOORBOARDS TO LEO ABOVE
TOBY (OOS)And she’s really out there looking for us.
LEODon’t be dull.
10 03 40 12
44 2.02 LA TILT WMS PROFILE MINNA SCRATCHES ON FLOORBOARD
LEO (OOS)Minna was only shamming.
10 03 45 03
45 2.00 MCU PROFILE TOBY LOOKS DOWN
10 03 47 05
46 1.11 WMS PROFILE LEO LOOKS DOWN 10 03 49 05
47 1.17 HA WMS FLOORBOARDS 10 03 50 16
48 1.23 LA TILT WS SPOON SCRATCHES ON FLOORBOARD
10 03 52 08
49 2.16 MHA WMS PROFILE MINNA SITS UP SLIGHTLY
10 03 54 06
- 7 -
MY PLACESERIES 2 - EPISODE 15 – “1868 MINNA”
SHOT DUR VISION DIALOGUE INPOINT
50 2.07 VIEW THRU FLOORBOARDS TO LEO ABOVE
LEOWhat’s that?
10 03 56 22
51 1.19 LA TILT WS SPOON SCRATCHES AT FLOORBOARD
10 03 59 04
52 3.13 LA TILT WMS PROFILE LEO LOOKS UP
LEODo you hear that?
10 04 00 23
53 1.15 MCU PROFILE TOBY TOBYWhat is it?
10 04 04 11
54 2.04 WMS PROFILE MINNA SITS UP SLIGHTLY
10 04 06 01
55 0.21 HA CU MINNA’S EYE MINNAI ...
10 04 08 05
56 0.22 LA TILT WMS PROFILE TOBY SITS BACK
want ... 10 04 09 01
57 1.20 WMS PROFILE MINNA your ... face! 10 04 09 23
58 1.05 VIEW THRU GAP IN FLOORBOARDS TO LEO EXITING SHOT
10 04 11 18
59 3.23 WS LEO AND TOBY LEAP FROM BEDS AND RUN TO DOOR
LEOMother!
10 04 12 23
60 2.03 WMS PROFILE MINNA COVERS HER MOUTH AND GIGGLES
10 04 16 21
>> SCENE 7 INT DAY MY PLACE HOUSE
61 12.16 WMS MINNA ENTERS HOUSE FOLLOWED BY LEO, ADELAIDE AND TOBY
LEOI could see right through the floor. She was lying
10 04 18 24
- 8 -
MY PLACESERIES 2 - EPISODE 15 – “1868 MINNA”
SHOT DUR VISION DIALOGUE INPOINT
MINNA WALKS TO FG WITH BOOK AND OPENS
MUSIC 5 ENDS
in the dirt, with evil eyes and long black finger-nails. I want your face, over and over again.
MINNAI think there’s only one thing we can do.
10 04 20 10
62 3.19 LA TILT WMS MINNA LOOKS AROUND
MINNAWe must make ... a golem.
10 04 31 15
63 2.18 LA TILT WMS LEO, TOBY AND ADELAIDE WALK TO MINNA
TOBYWhat’s
10 04 35 09
64 5.05 HA WS IMAGE OF GOLEM IN BOOK
a golem?
MUSIC 6 BEGINS ... 27 SEC
MINNA (OOS)It’s a clay man, and when you write a word on his forehead, it comes to life and does whatever you say.
10 04 38 02
10 04 38 15
65 1.19 LA TILT WMS TOBY, MINNA, LEO AND ADELAIDE
LEOCould he find a ghost?
10 04 43 07
66 3.12 LA TILT MCU MINNA MINNAHe could do anything. Could even put her back in the mirror.
10 04 45 01
67 2.16 HA WMS IMAGE OF GOLEM IN BOOK
MINNA (OOS)I think making a golem is our only hope.
10 04 48 13
68 1.14 LA TILT MCU PROFILE MINNA, LEO AND ADELAIDE
10 04 51 04
69 1.22 LA TILT MCU MINNA SMILES AS TOBY AND LEO LEAN TOW CAM
10 04 52 18
>> SCENE 8 EXT AFTERNOON THE CREEK
- 9 -
MY PLACESERIES 2 - EPISODE 15 – “1868 MINNA”
SHOT DUR VISION DIALOGUE INPOINT
70 1.18 HA MCU PROFILE MINNA CARVES WORD IN GOLEM’S HEAD
LEO (OOS)Do we need the mirror?
10 04 54 15
71 4.01 LA TILT MCU MINNA CARVES AT GOLEM
TOBY (OOS)He’s not as big as the one in the book.
MINNAHe can grow if he wants to.
10 04 56 08
72 3.02 HA WS WORD CARVED IN TOP OF GOLEM’S HEAD
LEO (OOS)What’s that?
MINNA (OOS)It means ‘truth’ in some old language. It makes him alive.
10 05 00 09
73 3.07 LA TILT WS MINNA AND OTHERS STAND FROM GOLEM
MINNAGolem,
MUSIC 6 ENDS
10 05 03 11
10 05 06 03
74 3.21 LA TILT MCU MINNA we need you to find the spirit of Bloody Mary and put her back into the mirror.
10 05 06 18
75 1.22 LA TILT WMS GOLEM LEO (OOS)Or
10 05 10 14
76 1.15 LA TILT MS LEO AND ADELAIDE just get rid of her. 10 05 12 11
77 4.07 LA TILT MCU MINNA BENDS FORWARD
MINNAOr you could just get rid of her. But we don’t want her ripping off any of our faces.
10 05 14 01
78 1.06 WMS GOLEM 10 05 18 08
79 2.21 LA TILT MCU MINNA STRAIGHTENS
TOBY (OOS)Is it meant to
10 05 19 14
80 1.22 LA TILT MCU LEO LOOKS UP move or something? 10 05 22 10
- 10 -
MY PLACESERIES 2 - EPISODE 15 – “1868 MINNA”
SHOT DUR VISION DIALOGUE INPOINT
MINNA (OOS)It takes a little
81 2.05 LA TILT WMS MINNA AND TOBY while. 10 05 24 07
82 2.12 LA TILT MCU LEO LEOThis isn’t working.
10 05 26 12
83 1.21 LA TILT MCU MINNA MINNAHe’ll move. It’s in the book.
10 05 28 24
84 2.10 LA TILT WMS LEO AND ADELAIDE LEOOh, blast the book!
ADELAIDELeo,
10 05 30 20
85 4.03 LA TILT WMS LEO AND TOBY MOVE LEFT FROM ADELAIDE AND MINNA
stop swearing!
LEOLet’s go. This is cracked.
10 05 33 05
86 1.05 HA WS HAND HITS TOP OF GOLEM
10 05 37 08
87 2.07 LA TILT MS REV TOBY LOOKS OVER SHOULDER AS HE WALKS AWAY
TOBYNot too quick on his feet, is he?
10 05 38 13
88 2.23 LA TILT MCU PROFILE MINNA MINNAYou'll see! He’ll come alive and then you’ll
10 05 40 20
89 2.05 LA TILT WIDE MLS ADELAIDE AND MINNA AT GOLEM AS TOBY AND LEO WALK TOW BG
be cracked! 10 05 43 18
90 3.10 LA TILT WMS ADELAIDE AND MINNA KNEEL
10 05 45 23
- 11 -
MY PLACESERIES 2 - EPISODE 15 – “1868 MINNA”
SHOT DUR VISION DIALOGUE INPOINT
91 4.16 LA TILT WS ADELAIDE AND MINNA AT GOLEM
ADELAIDEAre we
10 05 49 08
92 1.21 LA TILT MCU ADELAIDE AND CU PROFILE MINNA
going to die? 10 05 53 24
93 2.04 LA TILT MCU MINNA MINNANo, of course not.
10 05 55 20
94 1.22 LA TILT MCU ADELAIDE AND MCU PROFILE MINNA
ADELAIDEBut what about Mary?
10 05 57 24
95 2.24 LA TILT MCU MINNA MINNAShe’s not real. I was just trying to frighten the boys.
10 05 59 21
96 3.04 MCU PROFILE ADELAIDE ADELAIDEBut she was under the house.
MINNA (OOS)No, that was me.
10 06 02 20
97 2.03 LA TILT MCU MINNA WITH ADELAIDE AT LEFT
MINNAI crawled under the house and made all the noises.
10 06 05 24
98 2.01 LA TILT MCU PROFILE ADELAIDE ADELAIDEThat is so naughty!
10 06 08 02
99 3.13 LA TILT MCU MINNA WITH MCU PROFILE ADELAIDE AT LEFT
MINNAIt’s a deadly secret. You promise? We have to keep the boys
10 06 10 03
100 1.14 LA TILT MCU ADELAIDE hocussed.
ADELAIDEAlright.
10 06 13 16
101 3.10 LA TILT WMS MINNA WITH MINNA 10 06 15 05
- 12 -
MY PLACESERIES 2 - EPISODE 15 – “1868 MINNA”
SHOT DUR VISION DIALOGUE INPOINT
ADELAIDE STANDING THRU LEFT Do you want to come and see my chicks?
ADELAIDEI'll tell the boys I'm going to your place.
102 1.18 LA TILT WS ADELAIDE STANDS AND EXITS FROM MINNA
ADELAIDEWait there.
10 06 18 15
103 1.16 HA WS PROFILE MINNA STANDS FROM GOLEM
10 06 20 08
104 2.24 WMS GOLEM AS MINNA CROSSES IN FG
10 06 21 24
>> SCENE 9 EXT AFTERNOON MÜLLER SADDLERY
105 1.15 WMS PROFILE MINNA AND ADELAIDE MOVE RIGHT THEN TURN
VATI (OOS)Minna.
10 06 24 23
106 7.06 WMS REV MINNA AND ADELAIDE WALK TO VATI HOLDING NEWSPAPER
VATICome. I want you to take this to Mr. Wong. Ah, show him this article.
10 06 26 13
107 4.20 TILT UP FROM NEWSPAPER TO WMS MINNA AND ADELAIDE
VATII think it will take his interest.
MINNAPlease, Vati. I want to show Adelaide the new chicks.
10 06 33 19
108 2.15 LA TILT WS PROFILE VATI, ADELAIDE AND MINNA IN MS AS WOMEN CROSS IN FG
VATIPlease, now, before it is too dark.
ADELAIDEMay I go?
10 06 38 14
109 2.18 WMS MINNA AND MS PROFILE ADELAIDE
ADELAIDEPlease? I've never been to a Chinaman’s house.
10 06 41 04
110 8.02 WMS PROFILE VATI HANDS VATI 10 06 43 22
- 13 -
MY PLACESERIES 2 - EPISODE 15 – “1868 MINNA”
SHOT DUR VISION DIALOGUE INPOINT
NEWSPAPER TO MINNA THEN SHE AND ADELAIDE EXIT SHOT
See? Bring it back when he has read it. I want to post it onto Uncle Hans.
>> SCENE 10 EXT AFTERNOON CREEK
111 2.22 LA TILT WS TREES OVERHANG PRETTY CREEK
10 06 51 24
112 4.07 LA TILT WMS GOLEM IN FG WITH LEAF ON HEAD AS ADELAIDE AND MINNA APPROACH FROM BG
ADELAIDEMinna, look.
MUSIC 7 BEGINS ... 41 SEC
10 06 54 21
10 06 59 00
113 2.08 LA TILT WMS GOLEM ADELAIDE (OOS)Someone’s fixed his head.
10 06 59 03
114 4.19 LA TILT MCU MINNA MINNAPerhaps it was Leo or Toby.
10 07 01 11
115 4.05 LA TILT MCU PROFILE ADELAIDE THEN PAN RIGHT TO MCU MINNA AS SHE STEPS TOW CAM
10 07 06 05
116 2.10 LA TILT WMS ADELAIDE AND MINNA WALK TOW GOLEM IN FG
10 07 10 10
117 3.03 LA TILT WMS GOLEM IN MS AS MINNA AND ADELAIDE CROSS IN FG
10 07 12 20
>> SCENE 11 EXT DAY/INT LECK’S JOSS HOUSE/MARKET GARDEN
118 2.01 LA TILT WS EXT VIEW HOUSE 10 07 15 23
119 5.06 WMS PROFILE MINNA AND ADELAIDE WALK LEFT TO FRONT DOOR
10 07 17 24
120 1.14 VIEW THROUGH DOOR TO CU MINNA
10 07 23 05
- 14 -
MY PLACESERIES 2 - EPISODE 15 – “1868 MINNA”
SHOT DUR VISION DIALOGUE INPOINT
121 4.12 VIEW THROUGH DOOR TO WMS REV LECK BOWING
MINNA (OOS)It’s Mr. Wong. He’s praying.
ADELAIDE (OOS)Oh.
10 07 24 19
122 5.08 ECU ADELAIDE AT DOOR THEN PAN LEFT TO MINNA
ADELAIDEShall we wait?
MINNA (OOS)No, it’s getting dark.
ADELAIDE I'll knock.
10 07 29 06
123 4.19 WMS PROFILE ADELAIDE AND MINNA AT DOOR
ADELAIDEMr. Wong! Mr. –
MINNANo, softly!
ADELAIDE (WHISPERS)Mr. Wong!
10 07 34 14
124 8.14 LA TILT WMS REV ADELAIDE AND MINNA STEP BACK AS LECK OPENS DOOR
MINNA HOLDS UP NEWSPAPER TO LECK
MINNAMy father said this article might take your
MUSIC 7 ENDS
interest. He said to read this here.
10 07 39 08
10 07 39 23
>> SCENE 12 INT AFTERNOON LECK’S JOSS HOUSE
125 6.18 LA TILT WMS ADELAIDE AND MINNA AT TABLE WITH NEWSPAPER
MINNAIt is ant – ... anticipated
10 07 47 22
126 6.24 LA TILT WMS LECK LISTENS AT RIGHT
that many Chinese will take advantage of the 10 07 54 15
127 4.13 WMS ADELAIDE AND MCU PROFILE MINNA THEN MINNA
situation. 10 08 01 14
- 15 -
MY PLACESERIES 2 - EPISODE 15 – “1868 MINNA”
SHOT DUR VISION DIALOGUE INPOINT
LOOKS AROUND
128 3.17 LA TILT WMS LECK LOOKS UP LECKYou know what that means?
10 08 06 02
129 2.21 WMS ADELAIDE AND MINNA WITH LECK AT RIGHT
LECK (OOS)They’ve changed the law.
10 08 09 19
130 1.18 LA TILT WMS LECK LECKI can bring my wife to Australia.
10 08 12 15
131 3.01 LA TILT MCU ADELAIDE AND MCU PROFILE MINNA
ADELAIDEAre you married?
LECK (OOS)Not yet, but I will be.
10 08 14 08
132 5.16 LA TILT WMS LECK LECKAnd then when we have a few kids, there’ll be someone to pray for us in our afterlife.
MUSIC 8 BEGINS ... 27 SEC
10 08 17 09
10 08 22 22
133 1.07 MCU PROFILE MINNA FROWNS AND LOOKS AROUND
10 08 23 00
134 4.02 MCU ADELAIDE AND MCU PROFILE MINNA LOOK AT EACH OTHER
10 08 24 07
135 2.08 LA TILT WMS LECK TURNS TO SHRINE IN BG
LECKI pray to my ancestors every day
10 08 28 09
136 3.00 LA TILT MCU PROFILE MINNA just so they’re well set up in the afterlife. 10 08 30 17
137 3.10 LA TILT WMS LECK LECKGive them a bit of food. Nothing worse than a
10 08 33 17
138 1.11 LA TILT MCU ADELAIDE hungry ghost, I can tell you that. 10 08 37 02
- 16 -
MY PLACESERIES 2 - EPISODE 15 – “1868 MINNA”
SHOT DUR VISION DIALOGUE INPOINT
139 3.22 LA TILT WMS ADELAIDE AND MINNA AT TABLE
MINNAAre there ghosts here?
LECK (OOS)Oh, not just
10 08 38 13
140 1.14 LA TILT WMS LECK here, everywhere. 10 08 42 10
141 2.21 LA TILT WMS ADELAIDE AND MINNA AT TABLE
10 08 43 24
142 1.08 LA TILT WMS LECK CLAPS HANDS LECKYou want to see my parents?
10 08 46 20
143 1.14 LA TILT MCU PROFILE MINNA FROWNS AND LOOKS AROUND
10 08 48 03
144 1.22 LA TILT MCU ADELAIDE AND MCU PROFILE MINNA
MUSIC 8 ENDS
10 08 49 17
10 08 49 21
145 3.08 LA TILT MS CURTAIN DRAWN LEFT THRU SHOT
10 08 51 14
146 4.06 LA TILT WMS PROFILE LECK TURNS WITH LONG LIT MATCH
MUSIC 9 BEGINS ... 58 SEC
10 08 54 22
10 08 58 03
147 2.11 LA TILT MCU PROFILE ADELAIDE WITH MINNA IN BG
10 08 59 03
148 1.17 LA TILT MS LECK LOOKS UP FROM PROJECTOR
10 09 01 14
149 4.19 WMS LECK, MINNA AND ADELAIDE AT PROJECTOR
10 09 03 06
- 17 -
MY PLACESERIES 2 - EPISODE 15 – “1868 MINNA”
SHOT DUR VISION DIALOGUE INPOINT
150 2.00 LA TILT MCU MINNA WITH ADELAIDE AT RIGHT
10 09 08 00
151 2.09 LA TILT MS SLIDE PUSHED INTO PROJECTOR THEN TILT UP TO MCU LECK
10 09 10 00
152 3.13 IMAGE OF THREE ADULTS APPEARS ON CURTAIN
10 09 12 09
153 2.24 LA TILT MCU MINNA STARES WITH ADELAIDE AT RIGHT
LECK (OOS)My mother and father.
10 09 15 22
154 5.18 B&W STILL SHOT PAN LEFT OVER TWO WOMEN AND MAN
LECK (OOS)Before they came to Australia.
10 09 18 21
155 2.07 LA TILT MCU LECK LOOKS DOWN LECKAnd my grandmother.
10 09 24 14
156 2.10 LA TILT MCU ADELAIDE LOOKS UP
ADELAIDEAre they ghosts?
LECK (OOS)No.
10 09 26 21
157 4.10 LA TILT MCU MINNA FROWNS LECK (OOS)Oh, it’s a trick, with light and shadow.
10 09 29 06
158 3.09 LA TILT MS LECK WITH MINNA AT RIGHT
LECKSee? It’s called a magic lantern.
10 09 33 16
159 5.16 WS B&W STILL SHOT PROJECTED ON WALL THEN IMAGE OF BEAUTIFUL WOMAN APPEARS
10 09 37 00
160 1.23 LA TILT MCU LECK LECKMy promised wife.
10 09 42 16
161 4.10 LA TILT MCU MINNA LEANS LEFT LECK (OOS) 10 09 44 14
- 18 -
MY PLACESERIES 2 - EPISODE 15 – “1868 MINNA”
SHOT DUR VISION DIALOGUE INPOINT
Isn’t she a peach?
162 2.14 ECU B&W STILL SHOT BEAUTIFUL WOMAN
10 09 48 24
>> SCENE 13 EXT EVENING THE CREEK
163 2.19 LA TILT WMS LEAVES MOVE IN BREEZE
10 09 51 13
164 2.09 LA TILT MS LEAVES MOVE IN BREEZE
ADELAIDE (OOS)Do you think
MUSIC 9 ENDS
10 09 54 07
10 09 55 15
165 2.22 WMS PROFILE ADELAIDE AND MINNA WALK RIGHT
we should leave some food out for Bloody Mary?
MINNAI told you, she’s not real.
10 09 56 16
166 7.19 WMS PROFILE MINNA AND ADELAIDE WALK RIGHT NEAR CREEK THEN STOP AS CAM TILTS DOWN TO SAND
ADELAIDE (OOS)Where’s the golem?
MUSIC 10 BEGINS ... 03 SEC
10 09 59 13
10 10 05 08
167 6.23 WMS ADELAIDE AND MINNA EXIT RIGHT
MINNAWe should go.
MUSIC 10 ENDS
MUSIC 11 BEGINS ... 38 SEC
10 10 07 07
10 10 07 21
10 10 09 19
>> SCENE 14 EXT NIGHT THE CREEK
168 2.18 LA TILT WIDE MLS FULL MOON IN DARK NIGHT SKY
10 10 14 05
>> SCENE 15 INT NIGHT MY PLACE HOUSE
169 4.00 LA TILT WIDE MLS PROFILE MINNA LAYS IN BED
10 10 16 23
- 19 -
MY PLACESERIES 2 - EPISODE 15 – “1868 MINNA”
SHOT DUR VISION DIALOGUE INPOINT
170 3.22 MHA WMS MINNA IN BED THEN FADE TO BLACK
10 10 20 23
>> SCENE 16 DREAM SEQUENCE - INTERCUT
171 10.19 FADE UP FROM BLACK TO CGI GOLEM WALKING TOW CAM AMID FLAMES
10 10 24 20
172 5.23 WMS MINNA SITS UP SUDDENLY AND LOOKS AROUND
10 10 35 14
>> SCENE 17 INT MORNING MY PLACE HOUSE
173 25.01 SLOW TRACK LEFT OVER MS REV MUTTI AS SHE WALKS TO EVA AND MINNA AT TABLE THEN MOVES TO BG
MUTTI OPENS DOOR TO ADELAIDE
KARL (OOS)I want to move that stump today.
MUSIC 11 ENDS
VATI (IN GERMAN)I need you to help me finish that bridle. They want to go to town tomorrow.
KARL (IN GERMAN)Yes.
ADELAIDEGood morning, Mrs. Müller. May I speak with Minna, please?
MUTTIHi, Adie. I'm afraid she hasn’t yet finished her breakfast.
MINNAYes I have, Mutti. May I go, please?
10 10 41 12
10 10 47 06
174 2.05 MCU PROFILE VATI VATIJa, off with you.
10 11 06 13
>> SCENE 18 EXT MORNING MY PLACE HOUSE
175 1.23 LA TILT WS LEO WAITS OUTSIDE HOUSE AS ADELAIDE AND MINNA
MINNAWhat’s wrong?
10 11 08 18
- 20 -
MY PLACESERIES 2 - EPISODE 15 – “1868 MINNA”
SHOT DUR VISION DIALOGUE INPOINT
EXIT TO HIMMUSIC 12 BEGINS ... 29 SEC 10 11 10 06
176 4.06 LA TILT WMS ADELAIDE AND MINNA TURN TO LEO
LEOWe can’t find Toby. We know where
10 11 10 16
177 3.15 LA TILT WMS MINNA AND CU REV LEO
he is. And there are footprints, all around our house.
10 11 14 22
178 2.12 LA TILT MS REV MINNA AND WMS LEO
LEOMuddy ones.
10 11 18 12
179 2.07 WMS MINNA FROWNS THEN MOVES RIGHT
10 11 20 24
180 4.23 WMS REV MINNA, LEO AND ADELAIDE RUN AND EXIT IN BG
10 11 23 06
>> SCENE 19 EXT MORNING THE CREEK
181 2.11 WS CREEK WITH TREES NEARBY 10 11 28 04
182 1.11 HA WS HAND MOVES FROM STONE
10 11 30 15
183 5.12 LA TILT WMS PROFILE MINNA AND ADELAIDE STRAIGHTEN TO LEO
MINNAWhy would the golem want Toby?
LEOBecause he bashed his head out of shape.
10 11 32 01
184 2.05 LA TILT MCU MINNA LEO (OOS)He might have gone wild.
MUSIC 12 ENDS
10 11 37 13
10 11 39 08
185 1.18 TIGHT MCU PROFILE LEO LEOCould that happen?
MINNA (OOS)
10 11 39 18
- 21 -
MY PLACESERIES 2 - EPISODE 15 – “1868 MINNA”
SHOT DUR VISION DIALOGUE INPOINT
I think so.
186 2.11 LA TILT MCU MINNA LOOKS AROUND
MINNAIt was in the book. He
MUSIC 13 BEGINS ... 20 SEC
10 11 41 11
10 11 42 21
187 1.16 LA TILT MCU ADELAIDE LOOKS AROUND
moved yesterday. 10 11 43 22
188 3.18 LA TILT MCU MINNA LEO (OOS)Why didn’t you warn us?
10 11 45 13
189 1.04 LA TILT MCU PROFILE LEO MOVES RIGHT
10 11 49 06
190 1.05 LA TILT MCU MINNA EXITS LEFT LEO (OOS)Come and help us look for him.
10 11 50 10
>> SCENE 20 EXT/INT MORNING THE OWEN STABLES
191 7.10 LA TILT WS REV MINNA, LEO AND ADELAIDE RUN TO STABLES AND LOOK INSIDE
10 11 51 15
192 6.09 LA TILT WMS MINNA, LEO AND ADELAIDE ENTER STABLES
MINNAWe should tell your mother.
LEONo.
MUSIC 13 ENDS
10 11 59 00
10 12 03 02
193 2.05 ELEVATED WIDE MLS MINNA, LEO AND ADELAIDE AT STABLE DOORS
LEOWe’ll get a thrashing.
MUSIC 14 BEGINS ... 19 SEC
10 12 05 09
10 12 05 17
194 1.14 LA TILT WMS MINNA, LEO AND ADELAIDE
LEOLook.
10 12 07 14
- 22 -
MY PLACESERIES 2 - EPISODE 15 – “1868 MINNA”
SHOT DUR VISION DIALOGUE INPOINT
195 2.03 WIDE MLS MIRROR HANGS IN STABLE
10 12 09 03
196 2.21 WMS PROFILE LEO SHOVES MINNA LEFT
10 12 11 06
197 2.19 WS PROFILE MINNA AND LEO STEP LEFT IN STABLES
10 12 14 02
198 1.10 MHA MCU MINNA STEPS TOW CAM WITH LEO BEHIND
10 12 16 21
199 3.04 ELEVATED WMS REV MINNA AND LEO WALK TO STABLE WITH MIRROR IN BG
10 12 18 06
200 5.04 MHA WMS ADELAIDE, MINNA AND LEO
LEOSay the words.
MINNAWhat?
MUSIC 14 ENDS
LEOYou know,
MUSIC 15 BEGINS ... 50 SEC
10 12 21 10
10 12 24 05
10 12 25 07
201 3.24 LA TILT MCU MINNA AND LEO about her. He ... he might have put 10 12 26 14
202 5.07 ZOOM IN ON WS MIRROR HANGING
Toby in there. With Bloody Mary. She might be tearing his face off right now.
10 12 30 13
203 2.14 LA TILT MCU MINNA WITH ADELAIDE BEHIND
MINNAI never saw Bloody Mary.
10 12 35 20
204 2.17 LA TILT MCU MINNA AND LEO LEOJust say the words anyway. You might see them both.
10 12 38 09
- 23 -
MY PLACESERIES 2 - EPISODE 15 – “1868 MINNA”
SHOT DUR VISION DIALOGUE INPOINT
205 3.01 LA TILT MCU MINNA WITH ADELAIDE BEHIND
MINNANo, you say 'em.
10 12 41 01
206 3.20 MHA WMS REV LEO, MINNA AND ADELAIDE AT STABLE
LEOThe golem was your idea. You have to.
10 12 44 02
207 2.12 LA TILT MCU MINNA WITH LEO BEHIND
LEOPlease, Minna?
10 12 47 22
208 1.20 LA TILT MCU MINNA STEPS TOW CAM WITH ADELAIDE BEHIND
10 12 50 09
208 4.13 LA TILT WS PROFILE MINNA STEPS LEFT INTO STABLE WITH ADELAIDE AND LEO AT RIGHT
10 12 52 04
210 2.24 LA TILT WMS MINNA EXITS IN FG LEAVING ADELAIDE AND LEO IN MS
10 12 56 17
211 2.01 LA TILT MCU PROFILE MINNA WALKS LEFT AND REACHES OUT
10 12 59 16
212 2.08 WS REV MINNA TAKES MIRROR AS LEO AND ADELAIDE STAND IN FG
10 13 01 17
213 6.20 HA WMS MIRROR SHOWS MINNA’S REFLECTION
MINNABloody Mary, Bloody Mary, Bloody Mary –
10 13 04 00
214 1.04 WMS PROFILE TOBY APPEARS FROM UNDER STRAW AS MINNA SCREAMS
10 13 10 20
215 0.15 WMS MINNA SCREAMS 10 13 11 24
216 0.18 WMS ADELAIDE SCREAMS 10 13 12 14
- 24 -
MY PLACESERIES 2 - EPISODE 15 – “1868 MINNA”
SHOT DUR VISION DIALOGUE INPOINT
217 0.23 WMS MINNA SWINGS ARM 10 13 13 07
218 0.05 MS REV MINNA PUNCHES TOBY 10 13 14 05
219 0.18 MCU TOBY DROPS AS MINNA PUNCHES HIM
10 13 14 10
220 0.24 LA TILT MCU LEO LAUGHS AND COVERS MOUTH
MUSIC 15 ENDS
10 13 15 03
10 13 15 17
221 1.04 WMS REV MINNA AS TOBY DROPS ONTO STRAW
10 13 16 02
222 2.05 WMS PROFILE MINNA FROWNS 10 13 17 06
223 0.17 MHA WMS TOBY HOLDS FACE 10 13 19 11
224 1.09 WMS ADELAIDE AND LEO LAUGH AS THEY COVER MOUTHS
10 13 20 03
225 1.07 WMS PROFILE MINNA AT LEFT AS TOBY STANDS HOLDING NOSE
TOBYYou're not meant to hit me!
10 13 21 12
226 1.15 ELEVATED WS TOBY RUNS FROM STABLES PAST ADELAIDE AND LEO
10 13 22 19
227 2.22 WMS ADELAIDE ADELAIDEYou were scared.
MINNA (OOS)You liars!
10 13 24 09
228 3.05 LA TILT WMS MINNA WITH MS REV LEO AND ADELAIDE IN FG
MINNAYou're all jolly liars and humbugs.
10 13 27 06
- 25 -
MY PLACESERIES 2 - EPISODE 15 – “1868 MINNA”
SHOT DUR VISION DIALOGUE INPOINT
229 1.12 LA TILT WMS LEO LEOSaid the pot to the kettle,
10 13 30 11
230 1.09 WMS PROFILE ADELAIDE AND LEO
I want your face! 10 13 31 23
231 2.23 WMS MINNA STORMS PAST SMILING ADELAIDE
10 13 33 07
>> SCENE 21 INT DAY THE OWEN HOUSE/THE PARLOUR
232 2.20 ELEVATED WS FAMILY SITS SILENTLY IN PARLOUR
10 13 36 05
233 2.18 LA TILT TIGHT MCU TOBY WITH BRUISED EYE
10 13 39 00
234 2.04 LA TILT MS MINNA 10 13 41 18
235 6.18 TILT UP FROM MCU PROFILE TOBY TO HAROLD AND BEATRICE
10 13 43 22
236 3.04 MS REV TOBY AND WMS MINNA AND VATI
MINNAI'm very sorry, Toby. I'm very sorry,
10 13 50 15
237 5.14 LA TILT WS PROFILE FAMILIES SITTING IN PARLOUR
Mr. and Mrs. Owen.
HAROLDGlad to hear, Minna. It’s
10 13 53 19
238 4.12 LA TILT MCU MINNA hardly ladylike behaviour.
MINNANo, Mr. Owen.
10 13 59 08
239 2.10 LA TILT WMS ADELAIDE AND MS LEO IN CHAIR
HAROLD (OOS)You're free to come here, Minna,
10 14 03 20
- 26 -
MY PLACESERIES 2 - EPISODE 15 – “1868 MINNA”
SHOT DUR VISION DIALOGUE INPOINT
240 5.17 MS REV ADELAIDE IN FG WITH FAMILIES SITTING IN BG
as long as I judge that you're a suitable companion for my children. Is that clear?
MINNAYes,
10 14 06 05
241 1.22 LA TILT MCU PROFILE HAROLD WITH BEATRICE AT RIGHT
Mr. Owen.
HAROLDMmm.
10 14 11 22
242 5.15 MCU REV TOBY AND WMS MINNA AND VATI
HAROLD (OOS)I trust you'll be more careful next time?
10 14 13 19
243 1.18 LA TILT WMS MINNA 10 14 19 09
244 3.08 LA TILT WMS VATI STANDS FOLLOWED BY MINNA
10 14 21 02
245 2.24 LA TILT WMS PROFILE FAMILIES STAND AS LEO SITS IN BG
VATIThank you,
10 14 24 10
246 2.15 LA TILT WMS MUTTI, MINNA AND VATI
Mr. Owen. You are very 10 14 27 09
247 1.19 LA TILT MCU MINNA generous to overlook this. 10 14 29 24
248 1.06 LA TILT MCU HAROLD WITH TOBY AT LEFT
10 14 31 18
249 1.17 LA TILT WMS VATI EXITS FROM MINNA AND MUTTI
10 14 32 24
250 2.02 LA TILT WMS MINNA AND OTHERS EXIT FROM OWEN FAMILY
10 14 34 16
>> SCENE 22 EXT DAY THE BIG TREE
- 27 -
MY PLACESERIES 2 - EPISODE 15 – “1868 MINNA”
SHOT DUR VISION DIALOGUE INPOINT
251 4.20 ZOOM IN ON LA TILT WS MINNA READING IN TREE
10 14 36 18
252 4.15 TILT UP OVER HA MS REV MINNA READING IN TREE AS ADELAIDE APPROACHES BELOW
10 14 41 13
253 3.21 LA TILT WMS MINNA HOLDING BOOK
MINNATurncoat.
ADELAIDE (OOS)I'm not!
10 14 46 03
254 2.14 LA TILT WMS PROFILE ADELAIDE ADELAIDEWhat’s a turncoat?
10 14 49 24
255 3.01 LA TILT WMS MINNA HOLDING BOOK
MINNANever mind.
ADELAIDE (OOS)I'm sorry.
10 14 52 13
256 9.02 LA TILT WMS PROFILE ADELAIDE WITH FEET DANGLING AT RIGHT
ADELAIDEI'm not very good at secrets. Papa won’t let me have any other friends. Please, Minna.
10 14 55 14
257 11.09 LA TILT WMS MINNA HOLDING BOOK
MINNAWhere are the boys?
ADELAIDE (OOS)Preparing for a bush adventure.
MINNAWhat’s that?
ADELAIDE (OOS)They want to sleep in the tent on the cow paddock.
10 15 04 16
258 1.16 LA TILT WMS PROFILE ADELAIDE WITH FEET DANGLING AT RIGHT
ADELAIDEBoys are silly.
10 15 16 00
- 28 -
MY PLACESERIES 2 - EPISODE 15 – “1868 MINNA”
SHOT DUR VISION DIALOGUE INPOINT
259 3.18 LA TILT MCU MINNA HOLDING BOOK
MINNAAre they camping alone?
10 15 17 16
260 1.08 HA WMS ADELAIDE NODS AT CU REV MINNA IN FG
10 15 21 09
261 6.02 LA TILT MCU MINNA HOLDING BOOK
MINNAReally? Aren’t they frightened of Bloody Mary?
ADELAIDE (OOS)Not anymore.
MUSIC 16 BEGINS ... 2 MIN 40 SEC
MINNAAdie,
10 15 22 17
10 15 27 02
262 1.15 HA WS ADELAIDE WITH MS PROFILE MINNA IN FG
I'll give you one more chance. 10 15 28 19
263 1.24 LA TILT WMS PROFILE ADELAIDE SMILES
10 15 30 09
>> SCENE 23 EXT DUSK LEO’S JOSS HOUSE/MARKET GARDEN
264 4.13 LA TILT WS LECK CARRIES BUCKETS TOW CAM
10 15 32 08
265 2.02 WMS PROFILE ADELAIDE AND MINNA
10 15 36 21
266 1.15 WMS ADELAIDE AND MINNA AT FENCE IN FG AS LECK WALKS AT RIGHT
10 15 38 23
267 2.15 WMS ADELAIDE AND MINNA WATCH AS LECK CROSSES IN FG
10 15 40 13
- 29 -
MY PLACESERIES 2 - EPISODE 15 – “1868 MINNA”
SHOT DUR VISION DIALOGUE INPOINT
268 4.14 WMS MINNA AND ADELAIDE STAND AND MOVE TOW LECK’S HOUSE IN BG
10 15 43 03
>> SCENE 24 INT DUSK LECK’S JOSS HOUSE
269 10.10 TILT UP FROM CHEST AS MINNA AND ADELAIDE ENTER SHOT AND OPEN
10 15 47 17
270 3.02 WMS PROFILE PROJECTOR REMOVED FROM CHEST
10 15 58 02
271 6.13 MS PROFILE MINNA REMOVES SLIDES AND HANDS TO ADELAIDE THEN PICKS UP PROJECTOR
10 16 01 04
272 9.06 LA TILT WMS PROFILE ADELAIDE SMILES AND PICKS UP GONG
ADELAIDELook, a fighting shield!
10 16 07 17
273 3.01 WS REV FEET EXIT FROM CHEST 10 16 16 23
>> SCENE 25 EXT NIGHT THE OWEN PADDOCK/INT TENT
274 3.05 LA TILT WS FULL MOON IN CLOUDY NIGHT SKY
10 16 19 24
275 3.15 WMS MINNA AT PROJECTOR 10 16 23 04
276 1.21 WMS REV ADELAIDE AND MINNA IN FG WITH TENT IN BG
10 16 26 19
277 2.14 LA TILT WS EXT VIEW TENT 10 16 28 15
278 2.19 MHA WMS BOYS ASLEEP 10 16 31 04
279 4.11 LA TILT WMS MINNA AND ADELAIDE AT PROJECTOR AS
10 16 33 23
- 30 -
MY PLACESERIES 2 - EPISODE 15 – “1868 MINNA”
SHOT DUR VISION DIALOGUE INPOINT
LIGHT SHINES OUT
280 2.04 MS REV ADELAIDE AND MINNA IN FG WITH IMAGE OF WOMAN ONTO TENT IN BG
10 16 38 09
281 3.08 WMS MINNA SMILES 10 16 40 13
282 2.18 LA TILT WS IMAGE OF BEAUTIFUL WOMAN ON INSIDE OF TENT
10 16 43 21
283 3.01 LA TILT WMS MINNA AT PROJECTOR
10 16 46 14
284 1.02 WMS REV MINNA THROWS ROCK AT TENT
10 16 49 15
285 1.24 WMS BOYS SLEEP IN TENT WITH IMAGE OF EYES IN BG
10 16 50 17
286 3.03 WMS ADELAIDE STANDS AND BANGS GONG
10 16 52 16
287 4.21 WMS PROFILE LEO LOOKS AROUND AT EYES AT LEFT
LEO Toby!
10 16 55 19
288 1.13 LA TILT WMS PROFILE TOBY SCREAMS
10 17 00 15
289 1.19 LA TILT WMS PROFILE LEO SCREAMS
10 17 02 03
290 3.02 LA TILT WS REV TOBY AND LEO STAND AND PULL TENT FLAPS OPEN
10 17 03 22
291 14.09 MS REV ADELAIDE AND MINNA IN 10 17 06 24
- 31 -
MY PLACESERIES 2 - EPISODE 15 – “1868 MINNA”
SHOT DUR VISION DIALOGUE INPOINT
FG AS TOBY AND LEO RUN FROM TENT OUT OF SHOT
ADELAIDE AND MINNA LAY BACK ON GRASS LAUGHING
292 6.10 WS ADELAIDE AND MINNA STAND WITH PROJECTOR AND GONG AND RUN LEFT
10 17 21 08
293 1.20 LA TILT WS MINNA AND ADELAIDE RUN TOW CAM
10 17 27 18
294 2.21 WS PROFILE MINNA AND ADELAIDE RUN LEFT PAST TREES
10 17 29 13
295 4.17 LA TILT WS FULL MOON IN CLOUDY NIGHT SKY THEN TILT DOWN TO MINNA AND ADELAIDE RUNNING TOW CAM THEN STOPPING
MINNAWait, wait. Something
10 17 32 09
296 2.18 MHA WMS MINNA AND ADELAIDE IN LONG GRASS
something fell out.
ADELAIDEWhat?
MINNAI don’t know. I think it was the plate.
10 17 37 01
297 2.12 WMS PROFILE ADELAIDE AND MINNA MOVE RIGHT
10 17 39 19
298 1.21 HA WMS MINNA SEARCHES ON GROUND
10 17 42 06
299 2.01 MHA WS ADELAIDE AND MINNA SEARCH GROUND
10 17 44 02
300 4.16 WMS ADELAIDE AND MINNA SEARCH GROUND
HAROLD (OOS)Over there! I can see someone over
10 17 46 03
- 32 -
MY PLACESERIES 2 - EPISODE 15 – “1868 MINNA”
SHOT DUR VISION DIALOGUE INPOINT
301 3.01 WMS MINNA RUNS THRU SHOT WITH ADELAIDE FOLLOWING
there! 10 17 50 19
302 2.01 LA TILT WS REV MINNA AND ADELAIDE EXIT IN BG
10 17 53 20
>> SCENE 26 INT NIGHT MY PLACE HOUSE
303 7.14 LA TILT WS REV MINNA RUNS TO BED AND CLIMBS IN
10 17 55 21
>> SCENE 27 EXT DAY MÜLLER SADDLERY/MINNA’S HOUSE
304 5.21 WS MINNA SITS IN BG AS VATI AND MEN ATTEND TO HORSE IN FG MUSIC 16 ENDS
10 18 03 10
10 18 06 15
305 5.23 LA TILT WMS PROFILE VATI PATS HORSE
10 18 09 06
306 4.11 LA TILT WMS PROFILE MINNA IN FG THEN TILT UP TO ADELAIDE AS SHE RUNS TO HER
10 18 15 04
307 1.13 WMS ADELAIDE TAKES MINNA’S HAND AND PULLS HER RIGHT
10 18 19 15
308 1.23 WMS VATI AND OTHER MEN AT HORSE IN FG AS ADELAIDE AND MINNA EXIT RIGHT
10 18 21 03
>> SCENE 28 EXT DAY LECK’S MARKET GARDEN
308 4.13 WMS MAN WORKS IN FG AS ADELAIDE AND MINNA RUN LEFT THEN TOW CAM
10 18 23 01
310 2.17 MCU REV LECK AND WMS HAROLD WITH OTHER MAN
HAROLDPerhaps you should have considered that before
10 18 27 14
- 33 -
MY PLACESERIES 2 - EPISODE 15 – “1868 MINNA”
SHOT DUR VISION DIALOGUE INPOINT
BEHIND you abandoned them
311 4.11 LA TILT WMS LECK AND MCU REV HAROLD
on my land.
LECKThey were taken from my house.
HAROLDOh, indeed?
LECKYou'd best return
10 18 30 06
312 2.22 LA TILT WMS MINNA RUNS TOW CAM
my property Mr. Owen, or I'm off to the constable.
10 18 34 17
313 5.13 MCU REV LECK AND WMS HAROLD WITH MAN BEHIND
HAROLDOh, indeed. And who do you think the police will believe in this situation, hmm? My word against yours?
10 18 37 14
314 1.17 LA TILT WMS LECK AND MCU REV HAROLD
HAROLDI wish you
10 18 43 02
315 0.24 MCU HAROLD TURNS FRO MCU REV LECK
good fortune, sir. 10 18 44 19
316 1.02 WMS LECK AS HAROLD EXITS SHOT
LECKMr. Owen,
10 18 45 18
317 3.13 WS PROFILE LECK AND HAROLD WITH MINNA AND ADELAIDE IN BG AND MAN AT RIGHT
that little box has in it the only 10 18 46 20
318 2.03 LA TILT WMS LECK AND MCU REV HAROLD
likeness of my ... 10 18 50 08
319 4.09 LA TILT MCU MINNA LECK (OOS)... my family and home. It’s all I know of Shanghai.
10 18 52 11
- 34 -
MY PLACESERIES 2 - EPISODE 15 – “1868 MINNA”
SHOT DUR VISION DIALOGUE INPOINT
320 2.14 LA TILT WMS LECK AND MCU REV HAROLD
LECKPlease, sir,
10 18 56 20
321 3.22 LA TILT MCU MINNA TURNS TO PROFILE
return them to me.
HAROLD (OOS)Don’t be ridiculous.
MINNANo,
10 18 59 09
322 1.08 MCU REV LECK AND WMS HAROLD WITH MAN BEHIND
Mr. Owen, please. 10 19 03 06
323 4.17 WMS MINNA WITH HAROLD AT RIGHT
MINNAI did it. I'm very sorry. I took the lantern
MUSIC 17 BEGINS ... 1 MIN 03 SEC
10 19 04 14
10 19 06 13
324 2.09 LA TILT WMS LECK LOOKS UP and the box from his house. 10 19 09 06
325 1.10 CU REV LECK AND MCU HAROLD WITH MEN BEHIND
ADELAIDE (OOS)I did too, Papa.
10 19 11 15
326 5.09 WMS PROFILE MINNA AND WMS ADELAIDE
ADELAIDEI helped her do everything. I wanted the boys to be frightened. I'm sorry, Papa.
10 19 13 00
327 2.16 MCU REV LECK AND WMS HAROLD WITH MEN BEHIND
HAROLDGo to the house, Adelaide.
10 19 18 09
328 2.14 WMS PROFILE MINNA AS ADELAIDE TURNS
ADELAIDEYes, Papa.
10 19 21 00
329 1.18 MCU REV LECK AND WMS HAROLD WITH MAN BEHIND
HAROLDConvey to your father that I will be
10 19 23 14
330 3.19 WMS MINNA pleased to see him at his earliest convenience. 10 19 25 07
- 35 -
MY PLACESERIES 2 - EPISODE 15 – “1868 MINNA”
SHOT DUR VISION DIALOGUE INPOINT
331 3.10 MCU REV LECK AND WMS HAROLD WITH MEN IN BG
HAROLDMy man will be over shortly with
10 19 29 01
332 3.02 WMS PROFILE LECK AS HAROLD TURNS AND EXITS
your property. Good day, sir. 10 19 32 11
333 2.12 WS REV HAROLD AND MEN WALK FROM LECK AND MINNA IN FG
10 19 35 13
334 2.21 WMS PROFILE LECK 10 19 38 00
335 2.21 LA TILT MCU MINNA AS OOF HAROLD AND MEN WALK IN BG
LECK (OOS)You're a bit careless with other people,
10 19 40 21
336 2.22 LA TILT WMS PROFILE LECK STEPS RIGHT
aren't you? 10 19 43 17
337 6.07 LA TILT MCU MINNA LOOKS AROUND AND WIPES EYE AS OOF HAROLD AND MEN WALK IN BG
10 19 46 14
338 3.06 WMS PROFILE LECK ENTERS HOUSE
10 19 52 21
>> SCENE 29 INT DAY THE OWEN HOUSE/THE HALLWAY
339 5.17 LA SLOW TRACK TOW ADELAIDE AND MINNA WAITING AT LARGE DOOR
HAROLD (OOS)She stole, she lied, she caused all manner of trouble.
VATI (OOS)She is a spirited girl,
10 19 56 02
340 9.05 LA TILT WMS ADELAIDE AND MINNA
but no more than normal.
HAROLD (OOS)She is a spirited girl ...
ADELAIDEWhat happened to you?
10 20 01 19
- 36 -
MY PLACESERIES 2 - EPISODE 15 – “1868 MINNA”
SHOT DUR VISION DIALOGUE INPOINT
MINNADon’t know yet. What happened to you?
ADELAIDEPapa said I shouldn’t have embarrassed him
MUSIC 17 ENDS 10 20 10 10
341 2.06 MS REV ADELAIDE AND WMS PROFILE MINNA
and sent me to my room.
MINNAThat’s all?
10 20 10 24
342 4.16 LA TILT MS ADELAIDE SHRUGS AT MCU PROFILE MINNA
MINNAWish I had your Dad.
ADELAIDEWish I had yours.
10 20 13 05
343 2.17 MS REV ADELAIDE AND WMS PROFILE MINNA
HAROLD (OOS)What are you trying to imply by that, sir?
10 20 17 21
344 2.05 LA TILT WMS ADELAIDE SMILES AT MCU PROFILE MINNA
ADELAIDEOur trick was the
10 20 20 13
345 1.00 MS REV ADELAIDE AND WMS PROFILE MINNA
best. 10 20 22 18
346 1.11 LA TILT MS ADELAIDE EXITS FROM CU PROFILE MINNA
10 20 23 18
347 4.15 WS ADELAIDE RUNS FROM MINNA AS DOOR OPENS REVEALING HAROLD AND VATI
10 20 25 04
348 3.17 WMS PROFILE MINNA HAROLD (OOS)I don’t think
10 20 29 19
349 2.20 WMS HAROLD AND MCU PROFILE VATI
my children are to blame. 10 20 33 11
- 37 -
MY PLACESERIES 2 - EPISODE 15 – “1868 MINNA”
SHOT DUR VISION DIALOGUE INPOINT
VATIThey were all involved,
350 3.21 LA TILT MCU PROFILE MINNA AND WMS VATI
setting each other on. For her part, I have decided
10 20 36 06
351 5.17 LA TILT WMS PROFILE MINNA that Minna will work for Mr. Wong until she has paid her debt to him.
HAROLD (OOS)Working for a Chinaman?
10 20 40 02
352 2.22 LA TILT WMS HAROLD AND MCU PROFILE VATI
HAROLDI don’t think that’s appropriate.
10 20 45 19
353 3.10 LA TILT MCU VATI VATII think it is ideal.
10 20 48 16
354 3.12 LA TILT WMS HAROLD AND MCU PROFILE VATI
HAROLDI trust under the circumstances your daughter will
10 20 52 01
355 4.10 LA TILT MCU PROFILE MINNA not enter my property again. I don’t find her a suitable play fellow
10 20 55 13
356 1.09 LA TILT WMS HAROLD AND MCU PROFILE VATI
for my children. 10 20 59 23
357 3.18 LA TILT MCU VATI TURNS VATIOf course.
10 21 01 07
358 3.05 LA TILT WMS MINNA TAKES VATI’S HAND
VATI (OOS)I feel the same of your boys.
10 21 05 00
359 1.21 LA TILT WMS HAROLD WITH MCU VATI IN FG
10 21 08 05
360 1.04 LA TILT MCU PROFILE VATI TURNS
VATIGood day.
10 21 10 01
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MY PLACESERIES 2 - EPISODE 15 – “1868 MINNA”
SHOT DUR VISION DIALOGUE INPOINT
361 4.19 WMS HAROLD ENTERS ROOM AS VATI EXITS SHOT
10 21 11 05
>> SCENE 30 INT MORNING MY PLACE HOUSE
362 3.02 LA TILT MS NEEDLE AND THREAD THRU BOTTOM OF APRON
MUTTI (OOS)I don’t this is
10 21 15 24
363 11.02 WMS PROFILE MUTTI SEWS MINNA’S APRON AS VATI SITS IN BG
VATI STANDS AND WALKS TO MUTTI AND MINNA IN FG
at all proper.
VATINo, it is very proper.
MUTTIPeople will see.
VATIPeople will see our daughter makes amends.
10 21 19 01
364 4.07 LA TILT MCU PROFILE MINNA SMILES AND BRUSHES DOWN APRON
10 21 30 03
>> SCENE 31 EXT DAY LECK’S MARKET GARDEN
365 5.11 WS MINNA WORKS IN GARDEN STUFFING WEEDS INTO BUCKET
10 21 34 10
366 16.06 WMS LECK WORKS IN GARDEN IN FG AS ADELAIDE WALKS LEFT IN BG TO MINNA
ADELAIDEHello.
MINNAHello.
ADELAIDEHow long do you have to do this?
MINNATwo
10 21 39 21
367 3.06 LA TILT WMS ADELAIDE WALKS weeks. 10 21 56 02
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MY PLACESERIES 2 - EPISODE 15 – “1868 MINNA”
SHOT DUR VISION DIALOGUE INPOINT
LEFT
368 2.14 WS ADELAIDE ENTERS GARDEN TO MINNA
10 21 59 08
369 6.16 WMS ADELAIDE JOINS MINNA IN GARDEN
MINNAWon’t you
10 22 01 22
370 4.11 WMS PROFILE ADELAIDE STRAIGHTENS
get in trouble for being here?
ADELAIDEPapa says things and
10 22 08 13
371 2.08 WMS MINNA PULLS WEED then he forgets. 10 22 12 24
372 2.15 WMS PROFILE ADELAIDE HOLDS SLIDE OUT
ADELAIDEI found it.
10 22 15 07
373 3.20 WMS MINNA LOOKS AROUND AT SLIDE
MUSIC 18 BEGINS ... 47 SEC
10 22 17 22
10 22 18 08
374 1.21 HA WS SLIDE OF BEAUTIFUL WOMAN
10 22 21 17
375 1.10 WMS MINNA LOOKS UP MINNAYou'd best
10 22 23 13
376 1.10 LA TILT WMS PROFILE MINNA LOOKS AROUND
give it to him. 10 22 24 23
377 2.05 WMS PROFILE LECK DIGS IN GARDEN AT LEFT
10 22 26 08
378 1.13 LA TILT WMS PROFILE ADELAIDE LOOKS AROUND
ADELAIDEWill you come with me?
10 22 28 13
379 2.17 LA TILT WMS MINNA NODS AND 10 22 30 01
- 40 -
MY PLACESERIES 2 - EPISODE 15 – “1868 MINNA”
SHOT DUR VISION DIALOGUE INPOINT
STANDS
380 6.22 WS MINNA AND ADELAIDE WALK TOW CAM IN GARDEN
ADELAIDERobert, who’s a rouseabout, he told me there’s a convict buried in this garden. And he was
10 22 32 18
381 6.16 WMS ADELAIDE STEPS TOW CAM hanged on a dead tree, here. But afterwards, he came back to life and that’s why everything that grows here is always green.
10 22 39 15
382 2.24 LA TILT WMS MINNA STEPS TOW CAM
MINNAYou should tell Mr. Leck, and leave some food out for the convict ghost.
10 22 46 06
383 2.14 LA TILT WMS ADELAIDE STEPS TOW CAM
ADELAIDEHe might be hungry.
10 22 49 05
384 2.20 MCU PROFILE MINNA SMILES AND EXITS RIGHT
MINNANothing worse than a hungry ghost.
10 22 51 19
385 5.13 WIDE MLS LECK MOVES RIGHT IN GARDEN THEN FADE TO BLACK
ADELAIDEMr. Wong. Mr. Wong!
10 22 54 14
386 45.20 END CREDITS RUN OVER BLACK BG
Directed byMICHAEL JAMES ROWLAND
MUSIC 19 BEGINS ... 59 SEC
Written byNICK PARSONS
Produced byPENNY CHAPMAN
MUSIC 18 ENDS
Co-ProducerHELEN PANCKHURST
Executive ProducersBERNADETTE O'MAHONYSIMON HOPKINSON
10 23 00 02
10 23 01 00
10 23 05 18
- 41 -
MY PLACESERIES 2 - EPISODE 15 – “1868 MINNA”
SHOT DUR VISION DIALOGUE INPOINT
Script ProducerJOHN ALSOP
Line ProducerMICHELLE RUSSELL
Casting DirectorsGREG APPSDANNY LONG
Director Of PhotographyMARTIN McGRATH ACS
Film EditorCHRISTOPHER SPURR
ComposerROGER MASON
Production DesignerFELICITY ABBOTT
Costume DesignerXANTHE HEUBEL
Hair & Make-Up DesignersLESLEY VANDERWALTREBECCA TAYLOR
History & Story ConsultantNADIA WHEATLEY
MinnaCHARLIE ROSE MacLENNAN
AdelaideABBEY McPHERSON
LeoJARIN TOWNEY
TobyOSCAR VERTES
LeckPAUL W. HE
Harold OwenANDREW RYAN
- 42 -
MY PLACESERIES 2 - EPISODE 15 – “1868 MINNA”
SHOT DUR VISION DIALOGUE INPOINT
BeatriceMERRAN WINCHESTER
VatiJULIAN PULVERMACHER
MuttiANJA RAITH
WolfBEN PURSER
Eva MEEGAN WARNER
KarlBRYCE YOUNGMAN
Mrs StocktonALICE ANSARA
Harold's Man # 1PAUL HOOPER
Harold's Man # 2ALEX NICHOLAS
Production CoordinatorCASSANDRA SIMPSON
Assistant Prod.. CoordinatorJONATHAN KENNERLY
Production SecretaryMICHAEL HORVATH
Production RunnersHENRY DOWNESTOM JACKSON
Extras CastingALANNA PERRY
DramaturgMELISSA BRUDER
Casting/Producer's AssistantKATHLEEN TAN
Production Accountant
- 43 -
MY PLACESERIES 2 - EPISODE 15 – “1868 MINNA”
SHOT DUR VISION DIALOGUE INPOINT
JAMES BRAMLEY
Assistant AccountantTU NHI LAM
Locations PETER LAWLESS
Location CoordinatorADAM JESSER
1st Assistant DirectorJOHN CLABBURN
2nd Assistant DirectorEMMA JAMVOLD
3rd Assistant DirectorCHRIS EVANS
Script SupervisorMELINA BURNS
Camera Operator/ SteadicamSIMON HARDING
Focus PullersWEI-CHING CHONGANTHONY POLKINGHORNE
Clapper LoaderPATRICK SHORT
Video Split OperatorKYLE MATHIS
GafferBEN DUGARD
Best Boy Electrics RICHARD MASON
Third ElectricsCHRIS FOLLETT
Key GripCRAIG '"JACKO'" JACKSON
Best Boy GripAARON RAPIRA
- 44 -
MY PLACESERIES 2 - EPISODE 15 – “1868 MINNA”
SHOT DUR VISION DIALOGUE INPOINT
Sound RecordistMARK BLACKWELL
Boom OperatorMANEL LOPEZ
Sound AssistantMARTIN COX
Art DirectorSOPHIE NASH
Art Dept CoordinatorCOLETTE BIRRELL
Set DecoratorTANIA EINBERG
Property MasterPETER MALATESTA
Props Buyer/Set DresserELOISE STUART
Set DresserFOSTER
On Set DresserMARK HARMAN
Standby PropsANTHONY McNEIL
DraughtsmanSIMON ELSLEY
Art Dept RunnerARCHER COX
Art Dept AttachmentsCARLY GLOVERCATHERINE SIMMONS
Construction ManagerSEAN AHERN
Head Scenic ArtistMATT CONNORS
- 45 -
MY PLACESERIES 2 - EPISODE 15 – “1868 MINNA”
SHOT DUR VISION DIALOGUE INPOINT
Head GreensmanJACK ELLIOTT
Costume SupervisorALISON PARKER
Assistant Costume DesignerMARK CAMPBELL
Costume BuyerKATE ABERCROMBY
Costume StandbyBERNADETTE CROFT
Costume AssistantLEAH GIBLIN
Art FinisherNATALIE BRACHER
Hair & Make-up ArtistsCATHERINE BIGGSALEXANDRA SCOTT
Unit ManagerTIC CARROLL
Unit Assistant ManagerAYA GERAHTY
Unit AssistantsANDREW PLAYFORDTIM DICKSON
Safety SupervisorsRICHARD BOUEJONNY HALLYDAYDEAN GOULD
Unit NurseJULIE DEAKIN
Head Horse/Animal WranglerGRAHAME WARE JNR
Horse WranglersGRAHAME WARE SNRTREVOR NIASSOWEN BUICK
- 46 -
MY PLACESERIES 2 - EPISODE 15 – “1868 MINNA”
SHOT DUR VISION DIALOGUE INPOINT
CLIVE KINKADE
CatererREZA MOKHTAR
Camera EquipmentLEMAC
Production LawyersTRESSCOX LAWYERS CLARE MIRABELLO
Business Affairs CoordinatorCECILIA RITCHIE
Production InsuranceH.W. WOOD
Completion BondFACB
Post SupervisorDAVID BIRRELL
1st Assistant EditorJOHN COLE
2nd Assistant EditorHANNAH CARROLL CHAPMAN
Titles DesignROCHELLE OSHLACK CATHIE BROUGHTONSTUART CADZOW FSMN
Edited atSPECTRUM FILMS
HD Post ProductionFSM
FSM ProducerPAULINE PIPER
Conform EditorsDAVID BIRRELLBEN BROAD
ColouristTRISTAN LA FONTAINE
- 47 -
MY PLACESERIES 2 - EPISODE 15 – “1868 MINNA”
SHOT DUR VISION DIALOGUE INPOINT
Online EditorDAVID TINDALE
Sound FacilityABC
Dialogue EditorPETER HALL
Sound Effects EditorLYNNE BUTLER
ADR & Foley RecordistIAN DONATO
Foley ArtistNATALIE CHOO
MixerMICHOL MARSH
Music Orchestrated & Arranged byROGER MASON
ViolinMARCUS HOLDEN
CelloMIRANDA KLEIN
FlutesPAUL JARMAN
Music Recorded & Mixed atCOLLYWOOD STUDIOS
Stills PhotographerMARK ROGERS
EPK DirectorALEX SERAFINI
Timescape Stills Photographer LUKE STAMBOULIAH
My Place TimescapeBLUE ROCKET PRODUCTIONS
- 48 -
MY PLACESERIES 2 - EPISODE 15 – “1868 MINNA”
SHOT DUR VISION DIALOGUE INPOINT
Produced with the assistance of the City of Sydney
Special thanks toHero Frock Hire, Old Sydney Town Historic Houses Trust, AFTRSPowerhouse Museum Research LibraryCarla de Jong, Tim Brooke-Hunt, Jenny Buckland
387 2.07 FADE UP FROM BLACK TO LOGO BOARD OVER BLACK BG
Developed and produced in association with the Australian Broadcasting Corporation
[LOGO]ABC 3
10 23 45 22
388 2.07 FADE UP FROM BLACK TO LOGO BOARD OVER BLACK BG
Developed with the assistance ofand distributed by theAustralian Children’s Television Foundation
[LOGO]AUSTRALIAN CHILDREN’STELEVISION FOUNDATION
10 23 48 04
389 2.07 FADE UP FROM BLACK TO LOGO BOARD OVER BLACK BG
Produced with assistance fromScreen Tasmania
[LOGO]TasmaniaExplore the possibilities
[LOGO]screenTasmania
10 23 50 11
390 2.07 FADE UP FROM BLACK TO LOGO BOARD OVER BLACK BG
Developed and produced with assistance from
[LOGO]NSWGOVERNMENT
[LOGO]SCREENNSW
10 23 52 18
- 49 -
MY PLACESERIES 2 - EPISODE 15 – “1868 MINNA”
SHOT DUR VISION DIALOGUE INPOINT
391 2.07 FADE UP FROM BLACK TO LOGO BOARD OVER BLACK BG
Principal Investor
[LOGO]Australian Government
[LOGO]SCREEN AUSTRALIA
10 23 55 00
392 2.18 FADE UP FROM BLACK TO COPYRIGHT AND ISAN BOARD
© 2011 Screen Australia, Matchbox Pictures Pty Ltd, Screen NSW and Tasmania Development and Resources
ISAN 0000-0002-291F-0010-Y-0000-0000-9
10 23 57 07
393 THEN FADE TO BLACK MUSIC 19 ENDS 10 24 00 00
- 50 -