design and graphic arts catalogue 2016

2016Design & Graphic Arts Including Photography

Contents

Design & Graphic Arts 2016

Bloomsbury Design Library 2Graphic Design 3Visual Communication 8Typography 9Product Design 10Environmental and Sustainable Design 13Design Management 15Interactive Design and Animation 16Major Reference 20History and Culture of Design 23History and Culture of Craft 25Ceramics 26Photography 28Photographic History 30Advertising 33Index 34Representatives and Agents 35

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Bloomsbury Academic is a division of Bloomsbury Publishing Plc. Registered in England No. 01984336.

Front cover image: © Kenneth Grange, Kenneth Grange Design. Opposite page image: Courtesy of PP Møbler

In 2015 Fairchild Books updated its logo to reflect new digital projects.

Cutting-edge academic research and reference combined with a wealth of high-quality images for academics and students.

Education and Research by Design

About the resourCe FeAtures And beneFits

An unparalleled resource for anyone working across the broad field of design and craft studies, the bloomsbury design Library offers searchable access to a carefully-curated and dynamic collection of text and image content. Comprehensive, peer-reviewed reference works combine with cutting-edge academic research and a wealth of images to offer academics and students high-quality, intuitive tools for research.

About the Content

•Over10millionwordsofhigh-qualitypeer-reviewedwritingon design and crafts

•The Bloomsbury Encyclopedia of Designonline–over1800entries on key topics

•VictorMargolin’sWorld History of Design online – a magisterial history of global design from prehistoric times to the present day

•The Encyclopedia of Asian Design online – in-depth coverage of design history and practice across Greater Asia

•AnextensiveeBookcollectionwithover60originaltitlesindesign and craft studies

•Asearchablecolourimagelibrarycontainingthousandsofimages from major museums and archives

•Freelessonplansaddressingkeymodulartopics

• Illustratedtimelinesandbibliographicguideswithlinksthrough to online content

bloomsbury design Library offers a user experience that extends beyond that of a collection of ebooks and images.

•Acustomtaxonomyenablingintuitivesearchanddiscovery by genre, region, country and period within design history, theory and practice

•BiannualadditionsandupdatestotheBloomsbury Encyclopedia of Design, making this an ever-expanding resource

•Browsecontentusingillustratedtimelines

LAunchIng2017Available via Subscription

www.bloomsburydesignlibrary.com

3

Becoming a Successful Graphic DesignerNeil Leonard

UK February 2016US March 2016

192 pages175 colour illus270 x 210mm / 10.6 x 8.3 inchesPB 9781472591197£26.99 / $44.95Series: Creative CareersFairchild Books

• Practical,down-to-earthadviceforstudentsstarting a career in design, including design agency structure, how to work with clients, self-organisation and billing

• Interviewswitharangeofinternationaldesigners,design firms, freelancers and recent graduates

• Usefulchecklistsandexercises,plustipsoninterviewing, etiquette and terminology

Neil Leonard is a visiting tutor at Brighton University, the University of the Arts, London, and Southampton Solent University, UK.

Textbook

Inside Art DirectionInterviews and Case StudiesSteven Brower


232 pages260 colour illus270 x 210mm / 10.6 x 8.3 inchesPB 9781472569103£29.99 / $49.95Series: Creative CareersFairchild Books

A clear picture of what is involved in art directing across the range of industries where an art director might be employed. Through interviews with 18 art directors and illustrators plus more than 25 case studies, students learn first-hand about how directors got to where they are, what the art director’s job really entails and how to achieve results. With useful tips and projects, this book is the perfect introduction to the field.

Steven Brower is the Director of the Get Your Masters with the Masters MFA program at Marywood University, USA.

Textbook

www.bloomsburydesignlibrary.com

Graphic Design

The Graphic Design Reader brings together key texts in this dynamic field, from the 1920s to the present day, to provide an essential resource for students, researchers and practitioners. Extracts are structured into thematic sections, each with a contextual introduction outlining key ideas and debates. The reader features original visual essays from Leslie Atzmon, Dick Hebdige, Steven Heller, Victor Margolin, Rick Poynor and Adrian Shaughnessy.

• Thefirstcomprehensivegraphicdesignreader,covering all aspects of the history, theory and practice

• Includesextractsfromclassicandfoundationalwritings in the field, alongside specially-commissioned visual essays by leading practitioners

• Illustratedthroughout• Eachsectionhasanannotatedguidetofurther

reading and a comprehensive bibliography

Teal Triggs is Professor of Graphic Design and Associate Dean, School of Communication, Royal College of Art, UK.

Leslie Atzmon is Professor of Graphic Design and Design History at Eastern Michigan University, USA.

The Graphic Design Reader Edited by Teal Triggs and Leslie Atzmon

August 2016

768 pages360 bw illus246 x 189mm / 9.7 x 7.4 inchesPB 9781472526472£29.99 / $49.95HB 9781472536204£70.00 / $120.00Bloomsbury Academic

Textbook

Key Titles

4

www/Textbook


208 pages200 colour illus300 x 220mm / 11.8 x 8.7 inches PB 9781472591319£39.99 / $68.95Series: Required Reading RangeFairchild Books

Contents

4. Pre-PressResolutionScanningCreative TechniquesArtworkImposition ProofingCase Study: Clormann Design

5. ProductionPrintingPrint ProcessesOn-PressPaperCase Study: Nb Studio

6. FinishingSpecial TechniquesLaminates and VarnishesFolding and TrimmingBindingCase Study: Anagrama

AppendixStandard SizesGlossaryIndexAcknowledgements and CreditsIndex

Introduction

1. TypographyMeasurementsTypeType On-LineSpecial CharactersCase Study: Pentagram

2. ImagesImage TypesFile TypesWorking with ImagesImage ManipulationCase Study: Bob Aufuldish

3. Color Basic TerminologyColor ManagementColor CorrectionCreative ColorColor in PrintColor on ScreenCase Study: Blok

A hands-on approach to the processes involved in turning a design into a printed piece as well as the use of original and creative print-production techniques. From the basics such as using typography through to working with images and colour, and bringing a product to press, the authors present everything that the student needs to know in a clear and visually understandable way.

Gavin Ambrose currently teaches at the University of Brighton, UK, and is a practicing designer and author.

Paul Harris is a freelance writer whose work appears extensively in magazines and journals in the USA and UK.

2nd edition

The Production ManualGavin Ambrose and Paul Harris

Graphic Design

Students

• Accompanyingcompanionwebsitewithlearningobjectives,keyterms,onlineresourcesandreviewquestions

• NewcasestudiesfromleadinginternationalpractitionersdiscussingtheirworksuchasNBStudio,Pentagram, Anagrama, Blok, Bob Aufuldish, Clormann Design and others

New to this edition

• Updatedtoreflectnewpracticesindigitalproductionincludingnewtechniquesandtechnology• Moreoncolorconversion(RGBtoCMYK)• Expandedcoverageofenvironmentalandsustainabilityissues

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Textbook

3rd edition

“An amazing book: broad in scope, thorough in its explorations of the many dimensions of visual research, well organized and clear in its exposition, it is the best reference for anybody wanting to get a clear panorama of what visual research can mean.” Jorge Frascara, author and educator, USA

Visual Research explores research methods that can be used by graphic designers and visual communicators in the development of clear and purposeful design solutions. The book introduces key terms and theories that underlie design research; examining the importance of visual grammar and design literacy, audience, communication theory and semiotics.

Russell Bestley is Principal Lecturer in Graphic Design at London College of Communication, UK.

Ian Noble was a leading design researcher, educator, author and designer. He was Acting Academic Director of Communication Design at Kingston University, UK.

Visual ResearchAn Introduction to Research Methods in Graphic DesignIan Noble and Russell Bestley


228 pages200 colour illus270 x 210mm / 10.6 x 8.3 inchesPB 9781474232906£34.99 / $59.95Series: Required Reading RangeFairchild Books

Textbook

UK November 2015US December 2015


“I bought the original edition some years ago and have been recommending it to students ever since.” John Stocker, University of Lincoln, UK

“Excellent, engaging layout. This really facilitates involvement with the text, and is much more interesting and accessible than many books I’ve seen on introductory semiotics.” Kennon Smith, Indiana University Bloomington, USA

“An outstanding overview of semiotics which no student should be without … It is rich with examples of the theory and work being discussed and the points made are easily digestible.” Philip Dixon, Southampton Solent University, UK

David Crow worked as a designer in London for Assorted iMaGes and as Art Director for Island Records before running his own consultancy. He is now Dean of the School of Art at Manchester Metropolitan University, UK.

Visible SignsAn Introduction to Semiotics in the Visual ArtsDavid Crow

3rd edition

Graphic Design

Students

• Introducesthefundamentalsofsemioticsandsemiology,andexplainshowtoapplythistheoryinstudents’ownwork• Inspiringexamplesfromgraphicdesign,typography,illustrationandadvertising• Creativeexercisesattheendofthebookexemplifythesetheoriesthroughpracticalapplication

New to this edition

• Newcreativeexercisestoaccompanyeachchapter• 20%newvisualsandexpandedcommentaryonarangeofcontemporaryprojectsbyinternationaldesigners• Newdesignandlayout

New to this edition

• 12newinternationalcasestudies,showingpracticalapplicationsofthemesinthebook• Updatedend-of-chapterdesignexercises• 40%newvisuals• Newchapterondesign-ledtoolsandinformationdesignmethods,inrelationtobothprintandon-screendesign

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4th edition / www.bloomsburyfashioncentral.com

2nd edition

Visual Communication Key Titles

“I have adopted this book. It provides a great structure for this course which has a variety of students from design, advertising and illustration programs.” Rosanne Gibel, Art Institute of Fort Lauderdale, USA

“The format and design of the book is very good for getting the information across ... the diagrams and images are extremely helpful in explaining the concepts.” Rebecca Potts, Bronx River Art Center, USA

• Identifiesthemethodsandthoughtprocessesused by designers to develop and respond to a brief

• Step-by-stepguidanceforeachpartoftheprocess is highlighted by real-life case studies

• Neweditionincludescontributionsfromabroader international range of design practices and more detailed case studies

• Focusonideasandmethodsprovidesauseableapproach to design as a problem-solving activity

Design Thinking for Visual CommunicationGavin Ambrose

UK February 2015US April 2015

184 pages200 colour illus230 x 160mm / 9.1 x 6.3 inchesPB 9781472572714£23.99 / $41.95Series: Basics DesignFairchild Books

Textbook

“Explores design and art direction in a practical way that bridges the gap between in-class work and the professional world.” Eye Magazine

“This equally vivid and ambitious book features countless case studies and interviews with pioneering designers, covering complex issues ... readers will be well-prepared for the start of their professional life.” PAGE (translated)

“The definitive guide to modern branding.” Zeus Jones Consultants, USA

“Already become really valuable with my MA students, reinforcing the different trajectories of design practice they could engage with themselves.” Sadhna Jain, Course Leader, MA Graphic Design Communications, University of the Arts, London, UK

Communication DesignInsights from the Creative IndustriesDerek Yates and Jessie Price



Textbook

An interactive and experimental guidebook for understanding colour use and colour science, including visual perception, optical effects, colour trends and forecasting; how to create a colour scheme; using colour in digital design; and practical application of colour phenomena in fine and applied art practices. 11 Munsell color charts, 15 interactive charts, and 14 packets of colour chips facilitate hands-on learning.

Now includes The New Munsell Student Color Set STUDIO online resource for students: flash cards, quizzes, downloadable PowerPoints and video. Instructor’s Guide also available. Visit www.bloomsburyfashioncentral.com to find out more.

The New Munsell® Student Color SetJim Long

UK December 2015US November 2015

208 pages116 colour and 35 bw illusBook + STUDIO bundle9781501312229£56.00 / $85.00STUDIO Access Card9781501312212Fairchild Books

Textbook

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2nd edition

Typography

“Its design is dynamic, bold, attractive and enticing to read.” Safoura Rafeizadeh, Boston University, USA

“Pitched at the right level of engagement and learning for intended audience. Very well resourced and comprehensive.” Manny Ling, University of Sunderland, UK

“Beautiful examples! I like how the content is organized and presented ... This is a good book for an intro typography course.” Robert Hankin, Bellevue University, USA This introductory book sets out the basic principles of typography, with clear examples from international practitioners across a wide range of media, interviews with designers and typographers, plus exercises to reinforce the concepts covered.

Gavin Ambrose teaches at the University of Brighton, UK, and is a practicing designer and author.

Paul Harris is a freelance writer and editor whose work appears extensively in magazines and journals in the USA and UK.

TypographyGavin Ambrose and Paul Harris

UK July 2016US September 2016

192 pages200 colour illus230 x 160mm / 9.1 x 6.3 inchesPB 9781474225281£23.99 / $39.95Series: Basics DesignFairchild Books

Textbook

Summary of contents

Introduction1. A Brief History of Typography2. Looking at Type3. Type Classification4. Choosing Type5. Setting Type

6. Type Generation7. Type RealizationProjects and exercisesGlossaryAcknowledgementsIndex

2nd edition

The Fundamentals of TypographyGavin Ambrose and Paul Harris

2011

200 pages200 colour illus230 x 200mm / 9.1 x 7.9 inchesPB 9782940411764£26.50 / $38.50Series: FundamentalsAVA Publishing

“[A] very useful book...the anatomy of typography graphics were used as mandatory course material. Great list of resources in the back, extremely detailed captions and comments. All around a fantastic book.” Irina Lee, State University of New York at Farmingdale, USA

Offers detailed and comprehensive coverage of the principles of typographic theory and practice. Packed with clear explanations, expanded illustrations and historical and contemporary examples from leading practitioners around the world, this is an ideal text for typographic modules within visual arts degrees.

Textbook

Key Title

Students

• Arangeofexamplesandcasestudiestoputtheoryintoreal-worldcontext• Clearlyillustratedtoshowtheuseoftypographyacrossarangeofmedia

New to this edition

• Newcasestudies• Newstudentexercises

10

Textbook

UK September 2016US October 2016

184 pages200 colour illus230 x 200mm / 9.1 x 7.9 inchesPB 9781472578242£26.99 / $44.95Series: FundamentalsFairchild Books

Contents

3. Product DevelopmentConcept DevelopmentCase Study: Josef CadekFunctionalityCase Study: D3oDevelopmentCase Study: US StudioChapter SummaryProjects for Students

4. ProductionPrototypingCase Study: US StudioManufacturingCase Study: Assa Ashuach Operations Case Study: Salter HousewaresChapter SummaryProjects for Students

Introduction

Map of the Design Process

1. Product IdeasPeople’s NeedsCase Study: US StudioProduct RequirementsCase Study: US Studio Product BriefCase Study: Laffon de MazieresChapter SummaryProjects for Students

2. Product IdeationImagination Case Study: US StudioMeeting NeedsCase Study: DroogMarket TrendsCase Study: Luigi ColaniChapter SummaryProjects for Students

2nd edition

Providing an integrated and cohesive view of the product design process, this engaging introduction covers materials, manufacturing, idea generation, computer-aided design, engineering functions, product types and market research.

Richard Morris is the course leader for the four product design-based degree programmes at the University of Brighton, UK and leads the Brighton Creativity Centre, UK.

The Fundamentals of Product DesignRichard Morris

Product Design

Students

• Interviewswithindustryprofessionals• Examplesofworkbytalenteddesignersfromaroundtheglobe• Fullyillustratedwithinspiringvisuals

New to this edition

• 50%newimagesfromUSstudiosandinternationallyrenowneddesigners• 4newcasestudiesfromTordBoontje,ThomasHeatherwick,NaotoFukasawaandPhilips• Supportingdocumentmapthathelpstorevealthestepsinproductcreation• Newprojectsandactivitiesforeachchapter• Morereferencesandwebsources• Includesrecentdevelopmentssuchasadditivemanufactureandcrowdfunding• Moreconsumerandlifestyleorientatedproducts

5. Product LaunchProduct Roll OutCase Study: DysonMarketingCase Study: VertuChapter SummaryProjects for Students

ConclusionFurther Resources and WebsitesBibliography Index

11

www/Textbook

UK July 2016US August 2016

192 pages200 colour illus230 x 160mm / 9.1 x 6.3 inchesPB 9781472581969£26.99 / $44.95Series: Basics Product DesignFairchild Books

Chapter 4: Sensory PerceptionsAdded valuesEmotionsConflictsStudent project

Chapter 5: Adopting the ResponsibilitySustainabilityTinkering ValuesStudent project

Chapter 6: Evolving the RealityAnalysisChangeDirectionStudent project

ConclusionGlossaryFurther resourcesIndex

Introduction

Chapter 1: Just Imagine If It Were PossibleAbsorbThoughtsObservationsStudent project

Chapter 2: Thinking DifferentlyUnderstandingProfilesThemesStudent project

Chapter 3: Explore Fun MaterialsExplorationCommunicationStudent project

Contents

This book examines methods of generating and identifying ideas, and teaches students to understand what is being observed and recorded. It explores how different experiences, contexts and references are important in identifying an idea that is appropriate for a particular individual, target audience or culture. Advocating a step-by-step approach to generating ideas and brainstorming, it encourages an open mind in the development of ideas and teaches students to question convention.

David Bramston is a Principal Lecturer at the School of Architecture & Design, College of Arts, University of Lincoln, UK.

YeLi is an Associate Professor in Graphic Design at the School of Art & Design at the Chinese University of Mining & Technology, Xuzhou, P.R. China

2nd edition

Idea Searching for DesignHow to Research and Develop Design ConceptsDavid Bramston and YeLi

Product Design

Students

• Fullyillustratedtoshowinspiringworkfromsomeoftheworld’sbestcontemporaryproductdesigners• Awiderangeofinternationalcasestudiesandpracticalexamples• Endofchapterexercises

New to this edition

• Newprojectsforstudents,toencouragefurtherexplorationofideas• 25%newcasestudies• UpdatedtofeaturethebestcontemporaryproductdesignfromtheUSandChina

O B J E C T L E S S O N SThe hidden lives of ordinary things

objectsobjectsobjects.com | @objectsobjects | bloomsbury.com/series/object-lessons

Remote Control PB 9781623563110

UK November 2015 US September 2015PB 9781628924244

£9.99 | $16.95

UK March 2016US January 2016

PB 9781501303142£9.99 | $16.95

UK July 2016US July 2016

PB 9781501307447£9.99 | $16.95


PB 9781628925586£9.99 | $16.95


PB 9781628922868£9.99 | $16.95


PB 9781501307324£9.99 | $16.95


PB 9781501314872£9.99 | $16.95


PB 9781501307409£9.99 | $16.95


PB 9781501314773£9.99 | $16.95


PB 9781501307362£9.99 | $16.95


PB 9781628920512£9.99 | $16.95


£9.99 | $16.95

UK November 2015 US September 2015 PB 9781628924732

£9.99 | $16.95


£9.99 | $16.95


£9.99 | $16.95


£9.99 | $16.95

Driver’s License PB 9781628929133

Golf Ball PB 9781628921380

Drone PB 9781628926323

Series Editors:IAN BOGOST, Ivan Allen College Distinguished Chair in Media Studies at the Georgia Institute of Technology, USA

CHRISTOPHER SCHABERG, Associate Professor of English at Loyola University New Orleans, USA

Published in association with The Atlantic, these short books explore everyday objects and the lessons they hold.

ALSO AVAILABLE

Textbook

Key TitleSustainable design is the most pressing issue in design today. This book is a practical guide that integrates ethical concerns with professional practice worldwide

• Outlinesgraphicdesign’srelationshiptoproduction and consumption, demonstrating how designers can contribute solution orientated responses to consumption

• Includesstudiesofavarietyofvisualartifacts,the larger built environment and the very ordinary products of consumption

Peter Claver Fine is an Assistant Professor of Art and Graphic Design at the University of Wyoming, USA.


256 pages128 colour illus210 x 297mm / 8.3 x 11.7 inchesPB 9780857850638£24.99 / $39.95HB 9780857850621£60.00 / $99.95Bloomsbury Academic

Textbook

Sustainable Graphic DesignPrinciples and PracticesPeter Claver Fine

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Contents

ForewordIntroduction Graphic Design Education and the Challenge of Social TransformationPart 1: Designing ThinkingSection 1: Socially Responsible DesignSection 2: Design ActivismSection 3: Design Authorship

Part 2: Design MethodologySection 1: Collaborative LearningSection 2: Participatory DesignSection 3: Service DesignPart 3: Making a DifferenceSection 1: Getting InvolvedSection 2: ResourcesBibliographyIndexAcknowledgements


432 pages253 colour illus246 x 189mm / 9.7 x 7.4 inchesPB 9780857856203£29.99 / $49.95HB 9780857856562£95.00 / $164.00Bloomsbury Academic

“The urgency of the need for this book cannot be overstated. The culture of graphic design is now poised to catch up with the sea change within design already demanding holistic change. It provides clear examples of why this work matters.” Peter Fine, University of Wyoming, USA

“An accessible, insightful and ultimately usable guide on how to be a designer who can change the world. An inspirational resource for students, teachers and design professionals.” Olwen Moseley, Dean of Cardiff School of Art & Design, UK

This book enables students, educators and designers in the early stages of their careers to learn and practise design in a socially responsible manner.

Elizabeth Resnick is a professor of Graphic Design at Massachusetts College of Art and Design, USA.

Developing Citizen DesignersElizabeth Resnick

Environmental and Sustainable DesignO B J E C T L E S S O N SThe hidden lives of ordinary things

objectsobjectsobjects.com | @objectsobjects | bloomsbury.com/series/object-lessons

Remote Control PB 9781623563110


£9.99 | $16.95


PB 9781501303142£9.99 | $16.95


PB 9781501307447£9.99 | $16.95


PB 9781628925586£9.99 | $16.95


PB 9781628922868£9.99 | $16.95


PB 9781501307324£9.99 | $16.95


PB 9781501314872£9.99 | $16.95


PB 9781501307409£9.99 | $16.95


PB 9781501314773£9.99 | $16.95


PB 9781501307362£9.99 | $16.95


PB 9781628920512£9.99 | $16.95


£9.99 | $16.95

UK November 2015 US September 2015 PB 9781628924732

£9.99 | $16.95


£9.99 | $16.95


£9.99 | $16.95


£9.99 | $16.95

Driver’s License PB 9781628929133

Golf Ball PB 9781628921380

Drone PB 9781628926323

Series Editors:IAN BOGOST, Ivan Allen College Distinguished Chair in Media Studies at the Georgia Institute of Technology, USA

CHRISTOPHER SCHABERG, Associate Professor of English at Loyola University New Orleans, USA

Published in association with The Atlantic, these short books explore everyday objects and the lessons they hold.

ALSO AVAILABLE

Students

• Includesspecially-designedsocialdesignbriefswrittenbyinternationaldesigneducators• Eachchapteraddressesaparticularareaorissue• Eachchapterhasanoverviewessayandinterviewswithpractitionersandeducators• Assignmentshelpstudentstolearntheprocessbywhichabriefisset,metandcritiqued

Students

• Packedwithcasematerialandfocussedonpractical/studiowork• Studentsguidedstep-by-stepthroughcasestohelpthemengagewithecological

concerns, social justice and present systems of design• Highlyillustratedandfullcolourthroughout• Presentscutting-edgecreativeworkfrompractitioners,educatorsandstudentsfrom

across the globe

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This book introduces the idea of a category of designed graphic objects that significantly contribute to the functioning of urban systems, for example clock towers, signs, and screens, street numbers, architectural communication, outdoor publicity, and even markings on a pitch.

Robert Harland links the defining properties and configurational patterns that make up small graphic detail to larger symbolic statements by looking at the environment and design, and deconstructing form and context relationships.

This cross section through type, typographic, graphic and urban design will provide a framework for considering the design transition between alphabets, writing systems, images (in the broadest sense) and environments.

• Firstcomprehensivestudyofgraphicobjectsinthe urban environment

• Wide-rangingcoverageofcitiesincludingLondon, New York, Tokyo, San Francisco and Sao Paulo

Robert Harland is Lecturer in visual communication at Loughborough University, UK.

Graphic Design in Urban Environments Robert Harland

September 2016

208 pages64 colour illus and 36 bw illus246 x 189mm / 9.7 x 7.4 inchesPB 9781472597748£24.99 / $39.95HB 9781472597755£75.00 / $120.00Bloomsbury Academic

Contents

Introduction•1.History•2.Imageability•3.Theory•4.Practice•5.FutureDirections•Index

Contents

1. Introduction•Part One – Design•2.DesignTheory101•3.DesignasSymbolicViolence•4.Designvs. TheDesignIndustry•Part Two – Ecology•5.EcologicalTheory101•6.EpistemologicalError•7.EcologicalLiteracy• 8.EcologicalLiteracyvs.Sustainability•9.EcoliterateDesign•10.EcologicalPerception1:Theory•11.EcologicalPerception2:Practice•12.EcologicalIdentity•Part Three – Politics•13.ApoliticalDesign•14.SocialMarketing• 15.TheGreenEconomy•16.TheTechnoFix•17.Conclusion•Index

October 2016


Design, Ecology, Politics critiques the ways that the design industry – and even many sustainability discourses within the design industry – perpetuates unsustainable development regimes. When design does engage with issues of sustainability, this engagement typically remains shallow. The situation is made more severe by design cultures that claim to have no politics. Meanwhile, new ecologically informed design methods and tools (such as biomimicry, circular design and lifecycle analysis) hold promise only when incorporated into a larger project of political change.

Joanna Boehnert uses case studies of successful and unsuccessful environmental design projects to describe the ways that design functions within the economic system and how design could work beyond capitalism. Her illuminating study integrates ecological and critical positions into design theory to put forward a foundation for ecologically-informed design.

Joanna Boehnert is a Visiting Fellow at the Cooperative Institute for Research in Environmental Science at the University of Colorado, USA.

Design, Ecology, PoliticsJoanna Boehnert

Environmental and Sustainable Design

15

2nd edition

“A key text. Rich, stimulating and easy to read.” Shimon Shmueli, Elon University, USA

“I will be using as a key text... Very excited to finally have a book for my course.” Cyn Roberts, Art Institute of Portland, USA

“Clear and informative overview of the industry and well laid out with current examples and diagrams. Excellent visuals.” Louise Parkinson, Huddersfield University, UK

Design ManagementManaging Design Strategy, Process and ImplementationKathryn Best



Textbook

Design Management Key Titles

An introduction to design thinking that seeks to blur the division between creative and analytical, preparing students to become innovative thinkers for a complex world.

• Withcontributionsandcasesstudiesfroma variety of active design practitioners from different fields

• Intuitiveorganizationguidesthereaderthroughthe process of design thinking, from theory to implementation to results

• Opportunitymaps,2x2matrices,diagrams,andimages enhance readers’ understanding

Strategic Design ThinkingInnovation in Products, Services, Experiences and BeyondNatalie W. Nixon

UK October 2015US December 2015

256 pages30 bw and 20 colour illus187 x 235mm / 7.4 x 9.3 inchesPB 9781628924701£44.00 / $70.00 Fairchild Books

Textbook

Explores the potential role of design to transform the structure and practices of business and management for the greater good of society. For designing managers and managing designers, the book offers visual and conceptual models as well as theoretical concepts that connect the practice of designing with the activities of changing, organizing and managing. With a foreword by Nobel prize winner Muhammad Yunus.

Designing Business and ManagementEdited by Sabine Junginger and Jürgen Faust

January 2016

232 pages13 bw illus246 x 189mm / 9.7 x 7.4 inchesPB 9780857856241$39.95 / £22.99HB 9780857855534£70.00 / $120.00Bloomsbury Academic

Textbook

New to this edition

• Revisedcasestudiesandinterviews• Nowincludesstudentexercisesanddiscussiontopics• Includessomeofdesignmanagement’sbiggestnames,suchasChrisLuebkeman

(Arup Group UK), Fabio Issao (Mandalah Conscious Innovation), Colette Liebenberg (Colette Liebenberg Design), Mikko Koria (Aalto University), Richard Banham (Nomad)

16

Textbook

UK September 2016US October 2016

224 pages150 colour illus270 x 210mm / 10.6 x 8.3 inchesPB 9781472578280£34.99 / $59.95Fairchild Books

Contents

IntroductionExpanding Your Thinking about Animation Intended Aims and Outcomes of this BookOutline of Book Structure, Themes and Subject MatterKeeping An Online Reflective Workbook1. Language & Visual Meaning: Playing Sherlock Holmes2. Classical Metanarratives: The Hero’s Journey3. Genre: From Classical Hero to Modern Everyman4. Modernism: The End of Genre & the Metanarrative5. Representation: Fact Versus Fiction6. Animated Documentary: Objective Fact Versus Subjective ExperienceConclusionPulling it all togetherFrom Animated Short to Essay FilmCross-Disciplinary PracticeReading as Rewriting & Intertextuality

“A thoughtful and lucid guide to students at all levels … one which connects the theories, ideas and ideals which underpin animation to the work of the animator in practice. This is a fascinating, valuable and eminently readable work produced by an accomplished teacher and practitioner.” Alec Charles, Head of Media, University of Chester, UK

An illustrated introduction to contextual research and analysis, this book is designed to simplify academic language and empower animators with the confidence and enthusiasm to engage with theory as a fun, integral, and applied part of the creative process.

Mark Collington is Course Leader for BA (Hons) Animation at London Metropolitan University, UK.

Animation in ContextA Practical Guide to Theory and MakingMark Collington

Interactive Design and Animation

Students

• Focusesonacoreselectionoftheoreticalapproachesthatshapeanimation• Theoryisexplainedthroughreferencetoanimatedfilmsandprojects,fromDisneyandAnime

productions to animated documentary and independent artist-filmmakers• Researchexercisesandinterviewswithindustryprofessionalsencourageengagementandaversatile

approach to animation practice

© Mark Collington

17

Key TitlesInteractive Design and Animation

Textbook

www/Textbook

Contents summary

IntroductionThinking in 2DAnimation PlanningThe Pose TestBreakdownsRefineCartoony TechniquesConclusionFurther ReadingFurther ViewingIndex

UK August 2015US October 2015

176 pages200 illus210 x 270mm / 8.3 x 10.6 inchesPB 9781472533678£29.99 / $49.95Fairchild Books

“If you want to learn the secrets to great character animation then this book should be at the top of your list even if you don’t use Maya.” Paul Grant, City College Brighton & Hove, UK

If you want to achieve classic cartoon-style animation in computer animation, then look no further! Cartoon Character Animation with Maya will help you to incorporate multiple limbs, dry-brush effects and smears into your films. The companion website includes a short film incorporating key techniques – as well as the specially rigged model of the star of the book - Mr Buttons! - and walk-through videos demonstrating the more complex techniques.

Keith Osborn is a freelance animator and animation instructor based in Florida, USA.

Cartoon Character Animation with MayaMastering the Art of Exaggerated AnimationKeith Osborn

UK August 2016US September 2016

216 pages200 color illus230 x 200mm / 9.1 x 7.9 inchesPB 9781472575265£26.99 / $44.95Series: FundamentalsFairchild Books

“Intelligently organized and lavishly illustrated, The Fundamentals of Animation is distinguished from most how-to-animate guides for being multidimensional in approach and multivalent in function ... Wells’s book teaches its users not only to do, but to think animation.” Animation Journal

Each stage of the animation process is presented in an engaging visual style and accompanied by examples and analysis of contemporary and classic films. Paul Wells and Samantha Moore discuss in-depth the links between animation and the styles and narratives of other areas of popular culture, aligning theory and ideas to practical advice. The book ends by introducing aspiring animators to the many different career paths open to them and how to produce engaging portfolios and show reels.

Paul Wells is a professor of animation at Loughborough University, UK.

Samantha Moore teaches animation at the University of Wolverhampton, UK.

The Fundamentals of AnimationPaul Wells and Samantha Moore

New to this edition

• Newcoverageofanimateddocumentary,fineartanimation,2Ddigitalanimation,andthe role of VFX in the film industry

• Nowincludesinformationandadviceonworkingwithcomposersandintegratingsound design into original works

Interviewees include

Ken Duncan (The Lion King)Ricardo Jost (The Nut Job)Matt Williames (The Princess and the Frog)Pepe Sánchez (Jelly Jamm)T. Dan Hofstedt (Aladdin) Jason Figliozzi (Cloudy with a Chance of Meatballs)

2nd edition

18

www/Textbook

UK January 2016US March 2016


Contents

Introduction1. Designers and Code2. Drawing with Numbers 3. Growth and Form4. Dynamic Typography5: Seeing the World6. Large and Live External DataBibliography and WebographyIndexAcknowledgements

“This is an amazing work capable of addressing the most important concepts of algorithmic and process-oriented design/art. No other text I have read so comprehensively guides the reader through the visual output and the internal programming motivations for creating such beautiful data-driven work.” Wayne Madsen, Assistant Professor of New Media Art and Technology, Indiana University, Kokomo, USA

“It is rare to find a book that adeptly addresses the creative, conceptual, and technical aspects of programming. For those who work and teach in the space between the technical and the creative, this book will be a valued resource.” Joel Swanson, Director Technology, Arts & Media Program University of Colorado, Boulder, USA

Data-driven Graphic Design introduces the potential of computational data to inform and create everything from typography, print and moving graphics to interactive design and physical installations.

Andrew Richardson is a senior lecturer in interactive media at The University of Sunderland, UK.

Data-driven Graphic DesignCreative Coding for Visual CommunicationAndrew Richardson

Interactive Design and Animation

Students

• Eachchapteroutlineskeyconceptsandtechniquesillustratedwithover 200 colour images

• Casestudiesandinterviewsonarangeofinnovativeprojectsillustrate concepts in the real world

• EachchapterconcludeswithaCodesection,guidingstudentsthrough the process of each technique

• Starterprojectsandcodeexamplesdesignedspeciallyforthisbook are available on a companion website to download

• Encouragesstudentstousecodeasacreativeenvironment,beyond the boundaries of commercial software

19

Key TitlesInteractive Design and Animation

“Up to this point, the recommendation of a wide range of texts has been required to adequately introduce students to the expansive array of perspectives, processes, techniques, and considerations necessary in understanding and making strong interactive design. This book is a reliable, consolidated source for many of the most important principles and strategies to know when beginning in interactive design.” Julie Mader-Meersman, Program Coordinator, Department of Visual Arts, Northern Kentucky University, Kentucky, USA

“You’ll be hard pressed to get an equally comprehensive overview as is offered by this book. A great guide for anyone venturing into this dynamic and exciting field!” Max Ackermann, Senior Lecturer, Central Saint Martin’s and Co-Founder of Flowli.com

The Principles and Processes of Interactive DesignJamie Steane

2014


Textbook

“A rich and engaging portal for exploring the diverse and evolving world of video games.” Professor Joseph Delappe, Digital Media, University of Nevada, Reno, USA

A highly visual, example-led introduction that prepares students for their career in the industry. Filled with full-colour, illustrated interviews and case studies, students gain an insight into the creative processes involved in making games, branding and intellectual property, changing demographics, and the impact of handheld and mobile culture on the industry.

Interviewees include: Arthur Parsons, Game Director, TT Games; Chris Brunning, Technical Manager, Crytek; Karen Stanley, Environment Artist, Sony Entertainment; John McCarten, VFX Programmer, WetaFX; Will DuToit, Principle Gameplay Animator, IO Interactive.

Video GamesAn Introduction to the IndustryAndy Bossom and Ben Dunning

UK December 2015US January 2016

192 pages200 color illus270 x 210mm / 10.6 x 8.3 inchesPB 9781472567116£26.99 / $42.95Series: Creative CareersFairchild Books

Textbook

“This is the best text I have read on the subject. The author knows the subject from experience and you can tell he enjoys teaching it and knows how to do it. Like a good game it has different levels you must conquer and this is a fun trekking guide.” Arturo Sinclair, Ithaca College, USA

A visual introduction to integrating core design essentials, such as critical analysis, prototyping, level design, mechanics and aesthetics, into game design. Each chapter concludes with a workshop project to help students put what they’ve learnt into practice.

Video Game DesignPrinciples and Practices from the Ground UpMichael Salmond



Textbook

20

Major Reference


390 bw illusSet 9781472521576 Special introductory price £395 / $615 valid until up to 3 months after publication (RRP £440 / $725)Bloomsbury Academic

Dissemination Teaching and Research Periodicals Museums Organisations Awards History Styles Movements Historians Concepts and Ideologies Therories/Positions Philosophies Critics/Theorists Concepts

Practice Practice/Process Methods Tools Processes Aspects Applications Systems Environmental Visual and Symbolic Material Practitioners Designers/Studios Manufacturers Retailers Geography National Surveys

General Editor: Clive Edwards, Loughborough University, UK

Subject Editors: Harriet Atkinson, University of Brighton, UKDavid Raizman, Drexel University, USASorcha O’Brien, Kingston University, UKSarah Kettley, Nottingham Trent University, UKAnne-Marie Willis, Director, Team D/E/S, Queensland, AustraliaDipti Bhagat, London Metropolitan University, UK

Advisory editors: Cheryl Buckley, University of Brighton, UKDeana McDonagh, University of Illinois, USAJacques Giard, ASU Herberger Institute for Design and the Arts, Arizona State University, USAJeremy Aynsley, University of Brighton, UKLin Lin Chen, National Taiwan University of Science and Technology, TaiwanWolfgang Jonas, Braunschweig University of Arts, Germany

The Bloomsbury Encyclopedia of Design provides a comprehensive guide to design, with entries on key topics in the history and theory of design, addressing a range of design forms including graphic, textile, furniture, metal, ceramic, fashion, stage and film, vehicle and product design.

The Encyclopedia provides up-to-date peer reviewed coverage of the last 250 years of design history, with global coverage by leading international design scholars and design historians.

Complete with a comprehensive index and full cross referencing, The Bloomsbury Encyclopedia of Design is the definitive guide to Design.

Clive Edwards is Professor in Design History at Loughborough University, UK.

The Bloomsbury Encyclopedia of DesignEdited by Clive Edwards

The ultimate A-Z of key topics, ideas and designers

Contents Editorial team

21

Major Reference

This reference set brings together the seminal writings on the history, philosophy and practice of painting. The collected essays range across the domains of philosophy, history, aesthetics, literature, science, anthropology, critical theory, cultural studies and art practice. The volumes are arranged thematically, covering Painting’s Histories, Modern Painting, Critical Perspectives, and Processes and Strategies.

Together the volumes trace a chronology of painting from the pre-Renaissance onwards, addressing notions and techniques of the artist and the artwork before setting out the key critical perspectives, problematics and approaches that frame modern painting practice from the nineteenth century through to the contemporary period.

Beth Harland is Professor of Fine Art and Director of Insight, a research centre at the University of Lancaster, UK, and Associate Editor of the Journal of Contemporary Painting.

Sunil Manghani is Reader in Critical and Cultural Theory at Winchester School of Art, University of Southampton, UK.

PaintingCritical and Primary SourcesEdited by Beth Harland and Sunil Manghani


Set 9781472558411Special Introductory price £495.00 / $852.00 valid until up to 3 months after publication (RRP £550.00 / $945.00)Bloomsbury Academic

Summary of contents

Volume 1: Painting’s Histories•GeneralIntroduction•Introduction•PartI:EarlyAestheticTheories•PartII:EpistemologiesofPainting•PartIII:PaintingasaMedium•PartIV:Artist,ArtworkandViewerVolume 2: Modern Painting•PartI:NewWaysofSeeing•PartII:Painting’sAutonomy•PartIII:TheExpandedMediumVolume 3: Critical Perspectives•GeneralIntroduction•Introduction•PartI:CriticalTheories•PartII:PaintingandLanguage•PartIII:Phenomenology•PartIV:PaintingReframedVolume 4: Processes and Strategies•GeneralIntroduction•Introduction•PartI:Post-Medium•PartII:ProcessandProduction•PartIII:TheSiteofPainting

This reference set brings together over 75 essential texts on design from the mid-19th century to the present day, covering key thinkers, movements and issues for design.

The four volumes focus on

1) Design Reform, Modernism and Modernization2) Professional Practice and Design Theories3) Social Interactions4) Development, Globalization and Sustainability

Each volume features an editorial introduction and articles are grouped into thematic sections within the volume.

Daniel Huppatz is a Lecturer in the Faculty of Design at Swinburne University, Australia.

DesignCritical and Primary SourcesEdited by D.J. Huppatz

UK February 2016UK April 2016

Set 9781472539366Special Introductory price £495.00 / $795.00 valid until up to 3 months after publication (RRP £550.00 / $890.00)Bloomsbury Academic

Essays and texts

Albers•Amir•Appadurai•Balaram•Batchelor•Baudrillard•Behrens•Bonsiepe •Branzi•Brown•Buchanan•Buckley•Chatterjee•Cole•Cross•Dilnot•Dorwin •Dunne•Ekuan•Farr•Flusser•Forty•Frascara•Frederick•Fry•Garland•Gropius•Gropius•Huppatz•Jones•Jun•Kaufman•Kepes•Kimbell•Latour•Loos•Lorenz•Lupton•ManziniandJegou•Margolin•Martin•McDonough•Mills•Moholy•Moles•Moore•Morelli•Morris•Mort•Nelson•NelsonandStolterman•Norman•Olins•Packard•Polak•Rand•RittelandWebber•Rock•Ruskin•Salvador,BellandAnderson•SandersandStrappers•Schmitz•Schon•Semper•Simon•Sparke•Thackera•Tschichold•Walker•Warde•West•Whiteley•Winograd•Wodiczko•Woodham

Key essays

Michel Foucault, Gilles Deleuze, Roland Barthes, Michael Fried, Emile Zola, Marcel Proust, Hubert Damisch, John Berger, Arthur C Danto

22

UK September 2017US September 2017

Set 9780857853851Special introductory price: £595.00 / $950.00, valid up until 3 months after publication (RRP £650.00 / $1118.00)Bloomsbury Academic

The first comprehensive publication to focus on Asian design and its histories. Although definitions of design in Asia are multiple, fluid, and historically contingent, the disparate cultures within this vast landmass have long produced arts and crafts, interior, graphic, and design objects for domestic, regional, and global consumption. The Encyclopedia provides in-depth, critically informed coverage of these practices, products, and the interpretive issues pertaining to them.

The Encyclopedia is divided into four volumes – covering East Asia, South and Southeast Asia, the Middle East and Central Asia, and Global & Regional Themes and Issues. Volumes I-III are organized by country to reflect specific regional and national histories and geographies. Within these geographies, traditions, histories, theories and practices as well as key issues in modern and contemporary design are considered.

Haruhiko Fujita is based at Osaka University, Japan.

Volume I: Design in East AsiaVolume II: Design in South and Southeast AsiaVolume III: Design in Western and Central AsiaVolume IV: Global and Regional Themes and Issues in Asian Design

The Encyclopedia of Asian Design Edited by Haruhiko Fujita


716 bw and 161 colour illus2-Vol HB Set 9781472569288£450.00 / $695.00Bloomsbury Academic

“A resource for scholars and students of design, art history, history, anthropology and sociology, as well as a resource for professional designers.” Toni Nealie, New City

“The book is unique for its inclusivity, which reaches far beyond Western design research’s usual orbit.” Steven Heller, The Atlantic

“Margolin brings a humanistic take on design history ... At a time when Jony Ive’s creations for Apple are as much status symbol as a technological advance, Margolin believes that the discipline’s potential lies in solving big problems and the creation of culture, not just the newest products.” Patrick Sisson, Chicago Tribune

Authored by pre-eminent design scholar, Victor Margolin, World History of Design is an indispensable work, providing a comprehensive and detailed historical account of design from prehistory to the end of the 20th century, and with substantial material on Latin America, Asia, the Middle East and Africa.

Volume 1: Prehistoric Times to World War I

Volume 2: World War I to World War II

Volume 3: World War II to the present (forthcoming in 2017)

World History of DesignVictor Margolin

The definitive global history of design

Major Reference

23

History and Culture of Design

Critical design is becoming an increasingly influential discipline, affecting policy and practice in a range of fields. Matt Malpass’s book is the first textbook to introduce critical design as a field, providing a history of the discipline, outlining its key influences, theories and approaches, and explaining how critical design can work in practice.

Using a wide range of examples from contemporary practice, and drawing on interviews with key practitioners, Matt Malpass provides an introduction to critical design practice and a manifesto for how a radical and unorthodox practice might provide design answers in an age of austerity and ecological crisis.

Matt Malpass is a Senior Lecturer on MA Industrial Design and a Research Fellow in Critical Design at Central Saint Martin’s College of Arts and Design, University of the Arts London, UK.

Critical Design in Context History, Theory, and PracticesMatt Malpass

October 2016


Textbook

A John Heskett Reader brings together key writings of the pioneering design historian whose work was foundational for the study of industrial design, and the relationship between design, design policy and economic value. The reader represents the great breadth of Heskett’s contribution to the field and explores several of his key working concerns. The anthology includes previously unpublished and out-of-print material alongside extracts from classic works. Extracts are grouped into thematic sections with editorial introductions written by leading design historians.

Clive Dilnot is professor of Design Studies at Parsons The New School for Design, New York, USA.

A John Heskett ReaderDesign, History, EconomicsJohn Heskett Edited by Clive Dilnot and Pamela Heskett

July 2016


This study considers how objects – lampposts, post boxes, parking meters, litterbins and signage are designed to populate public spaces. Herring explores the context of a post-war national government, backed by design experts and bodies such as the Council of Industrial Design, keen to propagate ‘good’ modern design in post-war Britain. She traces how the struggle over the design of street furniture exposed deep-seated anxieties about class, taste and power. Herring draws upon archival material and interviews with leading figures in urban design, including the graphic designer Margaret Calvert and industrial designer Kenneth Grange.

Eleanor Herring lectures in design history at Glasgow School of Art, Scotland, in product design at Vrije Universiteit Amsterdam, the Netherlands, and in fashion and sustainability at ESMOD, Berlin, Germany.

Street Furniture DesignContesting Modernism in Post-War BritainEleanor Herring

July 2016

240 pages60 bw illus234 x 156mm / 9.2 x 6.1 inchesHB 9781474245616£60.00 / $104.00Bloomsbury Academic

24

September 2016


This illuminating book offers a detailed account of how national identity and cultural policy have shaped design, while suggesting that such simple formations of the ‘national’ are increasingly unsustainable in an age of globalisation, migration and cultural diversity.

The author addresses the key concepts of essentialism, constructivism, geography and multiculturality, and throughout relates the theoretical discussion to a wide range of examples of products, movements and exhibitions from countries including the UK, the Netherlands, Spain and Belgium.

Javier Gimeno-Martínez is assistant professor at the VU University Amsterdam, the Netherlands.

Design and National Identity Javier Gimeno-Martínez

A richly illustrated study of the development of mid-century modernist design in Denmark from historical, analytical and theoretical perspectives. Mark Mussari explores the relationship between Danish design aesthetics and the theoretical and cultural impact of Modernism, particularly between 1930 and 1960. He considers how Danish designers responded to early Modernist currents: the Stockholm Exhibition of 1930, their rejection of Bauhaus aesthetic demands, their early love of wood and materials, and the tension between cabinet-maker craft and industrial production. Mussari discusses the writings and works of such figures as Poul Henningsen, Arne Jacobsen, Hans Wegner, Nanna Ditzel, and Finn Juhl.

Mark Mussari is an independent scholar, freelance writer, translator and consultant, based in Arizona, USA.

June 2016

224 pages33 bw illus234 x 156mm / 9.2 x 6.1 inchesPB 9781474223720£19.99 / $29.95HB 9781474223706£65.00 / £112.00Bloomsbury Academic

Danish ModernBetween Art and DesignMark Mussari

History and Culture of Design

Key Titles

British DesignTradition and Modernity after 1948Edited by Christopher Breward, Fiona Fisher and Ghislaine Wood

October 2015

240 pages49 bw and 16 colour illus244 x 169mm / 9.6 x 6.7 inchesPB 9781472505378£24.99 / $42.95HB 9780857857125£75.00 / $128.00Bloomsbury Academic

Design by IKEAA Cultural HistorySara Kristoffersson

2014


25

“Knott (who is undoubtedly an important up-and-coming voice in the world of craft criticism) … proves, in this politely disruptive book, that the amateur and professional don’t exist in separate silos ... a timely reminder of craft’s breadth and everyday importance.” Grant Gibson, Crafts Magazine

“Potentially a standard reference for future social history students and researchers.” Grahame Hedges, N Gauge Society Journal

Knott’s illustrated study explores the curious and unexpected attributes of things made outside standardised models of mass production, presenting a historical and theoretical framework for understanding amateur craft in the modern era, from 19th century Sunday painters and amateur carpenters to present day railway modellers and IKEA hackers.

Stephen Knott is a writer and researcher who lecturers at Liverpool Hope University, UK. He is also Managing Editor of the Journal of Modern Craft.

Amateur CraftHistory and TheoryStephen Knott

August 2015

184 pages41 bw illus, 14 colour illus246 x 189mm / 9.7 x 7.4 inchesPB 9781472577344£22.99 / $39.95HB 9781472577351£70.00 / $120.00Bloomsbury Academic

Key Titles

“Edited with precision and wit. It is an important, of the moment, contribution to craft writing. It crosses boundaries of practice with elegance and rigour, defining Sloppy Craft in ways that are appealing as well as polemical. There is writing of the first order from some of the most significant authors in the field.” Simon Olding, Director, Crafts Study Centre, UK

“Diverse, uniformly thoughtful writings making the case that the concept of Sloppy Craft is not a contradictory one … an exciting, necessary new addition to the growing discourse on craft and contemporary art.” Maria Elena Buszek, the University of Colorado Denver, USA

Sloppy Craft Postdisciplinarity and the CraftsEdited by Elaine Cheasley Paterson and Susan Surette

September 2015


August 2016

224 pages20 bw illus and 7 line illus234 x 156mm / 9.2 x 6.1 inchesHB 9781474259415£60.00 / $104.00Bloomsbury Academic

Maris Gillette explores how state involvement has affected Jingdezhen’s porcelain production, particularly during the 20th century. She considers how the Chinese government has consumed, invested in and managed the industry, and the effects of state intervention on ceramists’ lives, their environment and their works. Gillette traces the transition from imperial rule to communist state ownership, the changing fortunes of the ceramics industry in the 21st century, the decay and decline that accompanied privatisation, and a revival brought about by the manufacturing of highly-prized ‘art porcelain’.

Maris Boyd Gillette is E. Desmond Lee Professor of Museum Studies and Community History, University of Missouri, St Louis, USA.

China’s Porcelain CapitalThe Rise, Fall and Reinvention of Ceramics in JingdezhenMaris Gillette

History and Culture of Craft

26


528 pages597 colour illus and 275 bw diagrams270 x 205mm /10.6 x 8.0 inchesHB 9781408184196£55.00 / $100.00World All Languages (excluding USA/Canada)Bloomsbury Academic

Summary of Contents

PrefaceAcknowledgementsStandard AbbreviationsA Note On NomenclatureAlphabetical EntriesPostscript By David LivingstoneAppendix Of Tables (including conversions)BibliographyAppendix of SuppliersAppendix of Addresses for Standards and SafetyGreen AddressesAppendix of Internet Resources for PottersRecipe Appendix

“A mine of information on materials, tools and techniques, The Potter’s Dictionary is the essential reference book for potters. This is the book to turn to, not only if you have trouble with firing, cracking or glaze fit, but also if you really want to understand the science of clay and glazes.” Linda Bloomfield, Ceramicist, UK

The Potters Dictionary presents a thorough guide to the tools, materials and techniques of ceramic art, structured in an easy-to-use A-Z format. Featuring sound, practical explanations and illustrated throughout with helpful diagrams and photos, this indispensable reference work is widely known as ‘the potter’s bible’. The Dictionary also includes invaluable technical and resource information.

Frank and Janet Hamer have been making, teaching and writing about ceramics for over 60 years.

They have taught hundreds of students and helped to found a pottery society that is now 50 years old.

6th edition

The Potter’s DictionaryOf Materials and TechniquesFrank and Janet Hamer

Ceramics

New to this edition

• Fullcolourforthefirsttime,with over 900 images

• Neworexpandedcoverage of developing areas such as rapid prototyping, paperclay, sustainable ceramics

• Newentriesonarangeoftopics, from aerogel to smoke crackle to 3D printing

• Intotal,32newentriesand156 revised and updated entries

Castor ware–Celadon Celestine–Ceramic change54 | C C | 55

The discolouration is due to an area of different composition and is where the slip first hit the mould. At this point, if the mould is very porous, a thin slip breaks up into clay and non-clay particles. The pressure of the slip hitting the mould should be reduced by introducing the slip through a pipe. The fluidity of the slip should be decreased by decreasing the amount of deflocculant used, especially the sodium silicate.

Castor wareRomano-British pottery made at Castor. Northamptonshire. The colour varies from a yellowish grey to a slate blue and is the finest of the Romano-British wares. It was not glazed; decoration was added in the form of freely and elaborately trailed white slip depicting figures, animals and scenes.

CatalystA substance which assists a chemical or a physical change to take place in another substance. It may speed up the rate of change or enable the change to take place more easily but after the change the catalyst itself is unchanged. The oxides of aluminium, calcium, iron, magnesium, potassium and sodium all act as catalysts assisting the conversion of the quartz phase of silica into the cristobalite phase.

Catenary curveA curve made by a chain hanging from two fixed points. If this line is used in an inverted form it gives an arch which is extremely strong when used in building. A catenary arch used over a kiln chamber directs all the thrust of its weight within the base. There is therefore no need for buttresses or angle iron bracing across the arch.

The photographs show a kiln packing inside a catenary arch by Jesse Jones and a kiln built at the International Ceramics Festival by Joe Finch.

CeladonA grey-green to grey-blue stoneware and porcelain glaze. The glaze is a feldspathic type. The colour is derived from a very small amount of red iron oxide which in the reducing firing has been changed to black iron oxide. Celadon ware originated in China, developing from dark, grey-green thickly glazed Yue ware to its artistic maturity in the Song Dynasty. The name was derived from Céladon, a shepherd in the 17th-century French play L’Astrée who wore grey-green ribbons and cloak. The classic celadon glaze is thickly applied and semi-translucent. This quality shows best where the glaze gains varying depths in deep and shallow carving thus exploiting the range of tone and colour. The close observation of the shapes, patterns and quiet colours engenders peaceful contemplation.

The glaze is very viscous when molten in the firing and prone to crawling. Sudden drops in temperature, a danger with heavy reduction, must be avoided. A more transparent, pale bluish glaze fired on porcelain, like the Chinese Yingqing, is also included as a celadon. See Iron oxide in glazes and Recipe Appendix.

The olive green glaze on the bottle illustrated is typical of Northern Song Dynasty celadons. The three bowls by Janet Hamer show the effect of light reduction in the yellow/green bowl, to medium and to heavier reduction in the bluish celadon.

CelestineCelestite. Strontium sulfate. SrSO4. The slightly soluble strontium mineral associated with clay shales and salt deposits.

CelsianBarium feldspar. BaO.Al2O3.2SiO2. One of the true feldspars. See Feldspar: types of. It is very rare and available only as hand-picked specimens.

Celsius°C. Centigrade. Degrees Celsius are units on the Centigrade scale where the freezing point and boiling point of water are 0°C and 100°C, respectively. The scale is named after Anders Celsius, the 18th-century Swedish astronomer, who intro-duced the centigrade thermometer in 1742. A century later. Lord Kelvin took the principle of the centigrade scale and extended it to an absolute scale beyond the temperatures associated with water. See Kelvin.

Ceramic changeThe change from clay to pot, upon which the whole pottery industry is founded. Clay can be dried and reconstituted to plastic state ad infinitum but once it has been subjected to 600°C (1112°F) it is no longer clay but a hard material which cannot be disintegrated and dispersed by water. The ceramic

The Potter's Dictionary.indb 54-55 20/04/2015 11:13:26

27

Ceramics

What non-traditional activities does the term ‘ceramics’ now encompass? How have these practices developed? Have they been accommodated by institutions? This is a critical overview of contemporary ceramics, identifying influential exhibitions, events and publications.

“Informative, stimulating, insightful, and intriguing, this well-illustrated book explores the innovative works of over two dozen significant ceramicists through four pivotal and theoretically well-framed themes.” Susan Surette, NSCAD University, Canada

Jo Dahn is an independent writer, researcher and curator based in the UK.

New Directions in CeramicsFrom Spectacle to TraceJo Dahn

UK October 2015US December 2015

192 pages121 colour illusHB 9781472526717£35.00 / $60.00Bloomsbury Academic

“This is a book that has been needed for a very long time. It examines the intriguing histories of how clay has been used as a medium for dissent, as a commentary on political life and to critique ideas of domesticity ... passionate, lucid, funny, beautifully illustrated and frequently surprising.” Edmund de Waal

Claudia Clare examines the relationship between ceramics, social politics, and political movements and the way both organisations and individual artists have used pots - predominantly domestic objects - to agitate among the masses or simply express their ideas. Ninety colour illustrations of various subversive, satirical and campaigning works illustrate her arguments and enliven debate. Claudia Clare explores work by artists from twenty-one different countries, from 500 BC to the present day.

Claudia Clare is a ceramicist and writer based in London, UK.

Subversive CeramicsClaudia Clare

UK January 2016US March 2016

160 pages90 colour illus276 x 219mm / 10.9 x 8.6 inchesHB 9781472528544£35.00 / $60.00Bloomsbury Academic

This step-by-step guide encourages the reader to explore the full range of ceramic surface treatment techniques and helps them give a professional finish to their work.

The book explores a variety of innovative and contemporary approaches to surface finish, including sgrafitto, resist methods, sprigging, trailing, glaze layering, lustre, transfer, impressing, incising, textural methods and more. Clear explanations of methods and techniques, and images of each step and the finished product make the book accessible to ceramic artists of all levels.

Kevin Millward has been a potter for over forty years and is currently part time lecturer in ceramics at Buckinghamshire New University, UK.

Surface Decoration Kevin Millward

UK October 2016US October 2016

128 pages120 colour illus246 x 189mm / 9.7 x 7.4 inchesPB 9781408173787£19.99 / $29.95Series: New CeramicsBloomsbury Academic

28

Textbook

Contents

Introduction1. Photography Theory2. Snapshots and Institutions3. Documentary and Storytelling4. Seeing Portraits5. The Composition Landscapes6. The Object of Still Life7. Photography and Art8. Global Photography9. The Scopic Drive10. History and Photography BibliographyIndex

“Brought entirely up to date, this new edition is an excellent first stop in any student’s quest to understand the nature of the photographic experience.” Geoffrey Batchen, Victoria University, New Zealand

“This essential book will continue to be a mainstay of photography courses worldwide.” Erina Duganne, Texas State University, USA

An indispensable guide to the field, Photography: The Key Concepts is core reading for all courses that consider the place of photography in society, within photography, visual culture, art, media and cultural studies.

David Bate is Professor of Photography at the University of Westminster, London, UK.

2nd edition

PhotographyThe Key ConceptsDavid Bate

Photography

February 2016

312 pages10 colour and 84 bw illus234 x 156mm / 9.2 x 6.1 inchesPB 9780857854933£16.99 / $27.95HB 9780857854926£50.00 / $90.00Series: The Key ConceptsBloomsbury Academic

New in paperback

September 2016

224 pages14 bw illus234 x 156mm / 9.2 x 6.1 inches PB 9781474286213£19.99 / $29.95Previously in HB 9781472533319£55.00 / $94.00Bloomsbury Academic

It is impossible to think of September 11th 2001 and not, at the same time, recall an image. The overwhelmingly visual coverage in the world’s media pictured a spectacle of terror, from images of the collapsing towers to fatigued firefighters.

Drawing on trauma theory, this book asks whether the prolonged exposure of audiences to images in the media was cathartic or damaging. Additionally it explores how individuals used images to process their feelings in photographic memorial websites, interrogating perceptions that these were an aid to recovery and providing a new understanding of how audiences see and process news photography in times of crisis.

Jennifer Good is Senior Lecturer of History and Theory of Photojournalism and Documentary Photography, London College of Communication at the University of the Arts, London, UK.

Photography and September 11thSpectacle, Memory, TraumaJennifer Good

29

Key Title

2nd edition

Photography

A clear and practical introduction for students learning to capture stunning imagery through manipulation of light, aperture and shutter speed. The theory of exposure is clearly explained through the fundamental relationship between the photographic image and the effects of light intensity and duration.

David Präkel has taught photography at all levels in the UK and USA, at the prestigious Kodak Imaging Training Centre and in his own training workshops in Northumberland, UK.

Photography Exposure David Präkel


184 pages200 color illus230 x 160mm / 9.1 x 6.3 inches PB 9781472590916£23.99 / $39.95Series: Basics PhotographyFairchild Books

Textbook

Summary of Contents

IntroductionBasicsShutter Speed and TimeAperture and Depth of fieldMeters and MeteringDynamic RangeSpecial CasesConclusionBibliography, Apps and Online Resources GlossaryIndexAcknowledgements and credits

Students

• Over200colourimagesillustratekeyprinciplesandtechniques• Adviceonparticularlychallengingenvironments,suchaswinter,darknessand

close-up shots• Outlinestheprinciplesofin-cameraandhand-heldlightmeters:theirstrengths,

limitations and correct use in a wide variety of lighting situations

New to this edition

• Newcasestudiesfromarangeofinternationalartists• Newpracticalassignmentsandexamplesofinnovativephotography• 30%newimages• Fullyupdatedtoreflecttechnicalinnovationssincethefirstedition

“A wonderful introduction to the art of ‘photographic seeing’, and follows the image-making process from inception to final display. It would be a most useful text for students who are beginning their journey into understanding photography, visual culture, and the world around themselves.” Adam DeKraker, Associate Professor of Photography, Kendall College of Art and Design, USA

Highlighting the distinction between ‘making’ and ‘taking’ photographs, this book introduces a structured way of developing creative solutions to the work students want to make, fusing personal ideas with knowledge, compositional elements and practical skills.

Making PhotographsPlanning, Developing and Creating Original PhotographyMike Simmons


176 pages200 colour illus234 x 156mm / 9.2 x 6.1 inchesPB 9781472530370£23.99 / $39.95Basics Creative PhotographyFairchild Books

Textbook

30

New in paperback

“[A] landmark group portrait of the visionary photographers.” — Booklist (starred review) The San Francisco Bay Area members of famed Group f.64 took their name from the small lens aperture they used with their large-format cameras, which allowed them to capture the greatest possible depth of field in their detailed prints, emphasizing photography’s unique capabilities as a fine art. With close to one hundred photographs, Group f.64 brilliantly captures its art and personalities. Mary Street Alinder is a scholar and curator in Northern California, specializing in twentieth-century photography. She served as chief assistant to Ansel Adams and wrote the definitive biography.

UK August 2016US June 2016

416 pagesB&W photos throughout; 16-page color insert155 x 235mm / 6.1 x 9.3PB 9781620405567£14.99 / $22.00Bloomsbury USA

Group f.64Edward Weston, Ansel Adams, Imogen Cunningham, and the Community of Artists Who Revolutionized American PhotographyMary Street Alinder

The History of Photography in 50 Cameras relates the fascinating story of this ground-breaking piece of kit by selecting 50 key camera models and investigating them in chronological order. The origin and development of each model is described in detail, along with its impact on the science, consumption and art of photography.

• Coverscamerasofallforms,fromthefirst‘mousetrap’ camera of 1835 to the Nokia Lumia

• Illustratedthroughoutwithawiderangeoficonicphotographs taken by the models described, as well as studio shots of all fifty cameras and related equipment

• Tracesthestoriesofthephotographerswhoused and popularized these cameras

Michael Pritchard FRPS was a photography specialist and Director at Christie’s, London, UK, for over twenty years and is currently Director General of the Royal Photographic Society, UK.

UK September 2015

224 pages150 colour illusPB 9781474250603£16.99Europe onlyBloomsbury Visual Arts

New in paperback

The History of Photography in 50 CamerasMichael Pritchard

Photographic History

Contents

Introduction / 1. Talbot ‘Mousetrap’ Camera (1835) / 2. Daguerreotype Camera (1839) / 3. Ottewill Collapsible Camera (1853) / 4. Sutton Panoramic Camera (1859) / 5. Enjalbert Photo-Revolver de Poche (1882) / 6. Rouch Eureka Detective/Hand Camera (1888) / 7. The Kodak Camera (1888) / 8. Stirn Vest Camera (1888) / 9. Scovill Book Camera (1892) / 10. Goerz Anschutz Camera (1894) / 11. Thornton-Pickard Royal Ruby Field Camera (1895) / 12. Brownie Camera (1900) / 13. Sanderson Hand Camera (1904) / 14. Soho Reflex Camera (1905) / 15. Ticka Camera (1906) / 16. Vest Pocket Kodak (1912) / 17. Thornton-Pickard Hythe Camera/Gun (1917) / 18. Voigtlander Prominent Camera (1932) / 19. George Washington Kodak Camera (1932) / 20. Zeiss Ikon Contax I Camera (1932) / 21. Canon Hansa Camera (1935) / 22. Leica I Camera (1935) / 23. Coronet Midget (1935) / 24. Kine Exakta Camera (1936) / 25. Minox Camera (1937) / 26. Compass Camera (1937) / 27. Kodak Super Six-20 Camera (1938) / 28. Eastman Kodak Co, Matchbox Camera (1944) / 29. Zeiss Ikon Super Ikonta 533/16 (1948) / 30. Polaroid Model 95 Camera (1948) / 31. Hasseblad Camera (1948) / 32. Speed Graphic Camera (1950) / 33. Viewmaster Personal Stereo Camera (1952) / 34. Leica M3 Camera (1954) / 35. Nikon F Camera (1959) / 36. Rolleiflex 2.8F Camera (1962) / 37. Topcon RE Super Camera (1963) / 38. Kodak Instamatic 100 (1963) / 39. Pentax Spotmatic Camera (1964) / 40. Olympus OM1 Camera (1972) / 41. Kodak 110 Instamatic (1972) / 42. Polaroid SX-70 Camera (1972) / 43. Canon A1 Camera (1978) / 44. Sharp J-SH04 Camera/Phone (1980) / 45. Sony Mavica (1981) / 46. Fuji QuickSnap Camera (1986) / 47. Canon RC701 (1986) / 48. Kodak / Nikon DCS100 (1991) / 49. Apple Quicktake Camera (1994) / 50. Camera-phone (2013) / Glossary / Bibliography / Index / Credits /

31

The first publication in the Photography, History: History, Photography series, this book examines the role of photography in shaping ideas about race and difference in Australia. Covering the period between the 1840s and the 1948 Declaration of Human Rights, the book includes a rich selection of case studies to show how photographic encounters between Aboriginals, missionaries, scientists, photographers and writers fuelled international debates about morality, law, politics and human rights. Drawing on new archival research, it uncovers a story of photography as a complex social force and is essential reading for students and scholars of photography, race and the histories of empire and human rights.

Jane Lydon is the Wesfarmers Chair of Australian History at the University of Western Australia, Australia.

Photography, Humanitarianism, EmpireJane Lydon

July 2016

224 pages60 bw illus244 x 169mm / 9.6 x 6.7 inchesHB 9781474235501£65.00 / $112.00Series: Photography, History: History, PhotographyBloomsbury Academic

Through a study of nineteenth-century literature, this book shows how Victorian photography defined the concept of memory for generations to come, including our own. Tracing the representation and significance of photography in literature until the turn of the twentieth century, it analyses a broad range of texts by inventors, cultural critics, photographers, novelists and poets, and explores how photography influenced the organization and narration of private and public experiences of the past. Invaluable for scholars working at the intersection between photography and literature, this pioneering book will also be of interest to students of Victorian studies, visual culture and intellectual history.

Jennifer Green-Lewis is Associate Professor of English at the George Washington University, USA.

Victorian Photography, Literature and the Invention of Modern MemoryAlready the PastJennifer Green-Lewis

August 2016

224 pages21 bw illus244 x 169mm / 9.6 x 6.7 inchesHB 9781474263085£65.00 / $112.00Series: Photography, History: History, PhotographyBloomsbury Academic

New Series: Photography, History: History, PhotographySeries editors:Elizabeth Edwards, De Montfort University, UKPatricia Hayes, University of Western Cape, South AfricaJennifer Tucker, Wesleyan University, USA

This field-defining series explores the inseparable relationship between photography and history. Bringing together perspectives from a broad disciplinary base it investigates what wider histories of, for example, wars, social movements, regionality or nationhood, look like when photography and its social and cultural force are brought into the centre of analysis.


32


New in paperback

March 2016

264 pages72 bw illus234 x 156mm / 9.2 x 6.1 inches PB 9781474284660£19.99 / $29.95Previously in HB 9781472591241£65.00 / $112.00Bloomsbury Academic

African photography has emerged as a focus of research over the last twenty years as a result of a growing interest in postcolonial cultures and a turn towards visual evidence across the humanities and social sciences. This volume explores the many rich photographic collections that have recently come to light and the complex theoretical and practical issues involved in their study. Based on case studies from across the continent dating from the 19th century to the present, chapters consider what constitutes an archive; the value of a critical and reflexive engagement with photographic collections; and the questions of where and what Africa is, as constituted in the archive.

Christopher Morton is Curator of Photograph and Manuscript Collections at the Pitt Rivers Museum, Oxford, UK and Lecturer in Visual and Material Anthropology at the Institute of Social and Cultural Anthropology, University of Oxford, UK.

Darren Newbury is Professor of Photographic History at the University of Brighton, UK.

The African Photographic ArchiveResearch and Curatorial StrategiesEdited by Christopher Morton and Darren Newbury

With its focus on the human condition, Italian social documentary photography offers a rich source of cultural history. This book analyses a huge range of unpublished and unknown images from the 1930s to 1960s, including the work of 30 Italian photographers and many more from the UK, USA, France and Germany. Setting Italian photography against a global backdrop of social documentary, this study considers broader social issues such as propaganda, aesthetics and religion. It challenges the long-held association of this genre with Neorealist film and literature, instead placing it in context with painting, magazine publishing, and amateur and anthropological photography.

Martina Caruso is an Associate Lecturer at the University of the Arts, London, UK.

Italian Humanist Photography from Fascism to the Cold WarMartina Caruso

August 2016

224 pages70 bw illus234 x 156mm / 9.2 x 6.1 inchesHB 9781474246934£65.00 / $112.00Bloomsbury Academic

33

Advertising

“This is the closest you’ll get to a ‘how to’ book on creative advertising.” John Pallant, Regional Creative Director, Saatchi & Saatchi, ME

Beautifully illustrated with over 1000 colour images, the 29th edition of the Epica Book showcases more than 850 creative projects honoured in the 2015 Epica Awards - including fascinating background stories on all the latest Epica d’Or winners.

Featuring work from communication agencies, film production companies, media consultancies, photographers and design studios, the Epica Book is a unique source of information and inspiration for all those interested in contemporary worldwide advertising trends.

The Epica Awards were created in 1987. Having originally focused on the Europe, Middle East and Africa region exclusively, the awards became global in 2012.

Epica Book 29Creative CommunicationsEpica Awards

UK September 2016US November 2016

400 pages1000 colour illustrations300 x 220mm / 11.8 x 8.7 inchesHB 9781474261623£45.00 / $78.00Series: EpicaBloomsbury Visual Arts

Key Title

The Fundamentals of Creative AdvertisingKen Burtenshaw, Nik Mahon and Caroline Barfoot

UK September 2011US November 2011

184 pages200 illus230 x 200mm / 9.1 x 7.9 inchesPB 9782940411566 £26.50 / $38.50Series: FundamentalsAVA Publishing

“Highly recommended to upper-division and graduate marketing and design students, faculty, and practitioners.” P. G. Kishel, Cypress College, USA, Choice Magazine

“A concise overview, extensively illustrated, which gives the novice a sound orientation and understanding of the jargon, stages and evolution of an ad campaign from idea to finished product.” Photoicon

“A great introduction to the world of creative advertising.” Digit magazine

Textbook2nd edition

34

Index

A

African Photographic Archive, The 32

Alinder, Mary Street 30

Amateur Craft 25

Ambrose, Gavin 4, 8, 9

Animation in Context 16

Atzmon, Leslie 3

B

Barfoot, Caroline 33

Bate, David 28

Becoming a Successful Graphic Designer 3

Best, Kathryn 15

Bestley, Russell 6

Bloomsbury Encyclopedia of Design, The 20

Boehnert, Joanna 14

Bossom, Andy 19

Bramston, David 11

Breward, Christopher 24

British Design 24

Brower, Steven 3

Burtenshaw, Ken 33

C

Cartoon Character Animation with Maya 17

Caruso, Martina 32

China’s Porcelain Capital 25

Clare, Claudia 27

Collington, Mark 16

Communication Design 8

Critical Design in Context 23

Crow, David 6

D

Dahn, Jo 27

Danish Modern 24

Data-driven Graphic Design 18

Design: Critical and Primary Sources 21

Design and National Identity 24

Design by IKEA 24

Design Management 15

Design Thinking for Visual Communication 8

Design, Ecology, Politics 14

Designing Business and Management 15

Developing Citizen Designers 13

Dilnot, Clive 23

Dunning, Ben 19

E

Edwards, Clive 20

Encyclopedia of Asian Design, The 22

Epica Book 29 33

F

Faust, Jürgen 15

Fine, Peter Claver 13

Fisher, Fiona 24

Fujita, Haruhiko 22

Fundamentals of Animation, The 17

Fundamentals of Creative Advertising, The 33

Fundamentals of Product Design, The 10

Fundamentals of Typography, The 9

G

Gillette, Maris 25

Gimeno-Martínez, Javier 24

Good, Jennifer 28

Graphic Design in Urban Environments 14

Graphic Design Reader, The 3

Green-Lewis, Jennifer 31

Group f.64 30

H

Hamer, Frank 26

Hamer, Janet 26

Harland, Beth 21

Harland, Robert 14

Harris, Paul 4, 9

Herring, Eleanor 23

Heskett, John 23

Heskett, Pamela 23

History of Photography in 50 Cameras, The 30

Huppatz, D.J. 21

I

Idea Searching for Design 11

Inside Art Direction 3

Italian Humanist Photography from Fascism to the Cold War 32

J

John Heskett Reader, A 23

Junginger, Sabine 15

K

Knott, Stephen 25

Kristoffersson, Sara 24

L

Leonard, Neil 3

Long, Jim 8

Lydon, Jane 31

M

Mahon, Nik 33

Making Photographs 29

Malpass, Matt 23

Manghani, Sunil 21

Margolin, Victor 22

Millward, Kevin 27

Moore, Samantha 17

Morris, Richard 10

Morton, Christopher 32

Mussari, Mark 24

N

New Directions in Ceramics 27

New Munsell® Student Color Set, The 8

Newbury, Darren 32

Nixon, Natalie W. 15

Noble, Ian 6

O

Osborn, Keith 17

P

Painting: Critical and Primary Sources 21

Paterson, Elaine Cheasley 25

Photography: The Key Concepts 28

Photography and September 11th 28

Photography Exposure 29

Photography, Humanitarianism, Empire 31

Potter’s Dictionary, The 26

Präkel, David 29

Price, Jessie 8

Principles and Processes of Interactive Design, The 19

Pritchard, Michael 30

Production Manual, The 4

R

Resnick, Elizabeth 13

Richardson, Andrew 18

S

Salmond, Michael 19

Simmons, Mike 29

Sloppy Craft 25

Steane, Jamie 19

Strategic Design Thinking 15

Street Furniture Design 23

Subversive Ceramics 27

Surette, Susan 25

Surface Decoration 27

Sustainable Graphic Design 13

T

Triggs, Teal 3

Typography 9

V

Victorian Photography, Literature and the Invention of Modern Memory 31

Video Game Design 19

Video Games 19

Visible Signs 6

Visual Research 6

W

Wells, Paul 17

Wood, Ghislaine 24

World History of Design 22

Y

Yates, Derek 8

YeLi 11

35

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2900437814749

ISBN 9781474290043

Hyper Fast vase by Cédric Ragot

design and graphic arts catalogue 2016

Documents