conceptual and last lecture right side
TRANSCRIPT
Conceptual and
Activist Artright side
Joseph Kosuth
One and Three Chairs
1965
Wooden folding chair, photographic copy of a
chair, and photographic
enlargement of a dictionary definition of
a chair
Museum of Modern Art New York [Fig. 22-01]
Marcel Broodthaers
La Tour visuelle
1966
Glass, wood, and magazine reproductions, 33-1⁄2 × 31-1⁄2”
Scottish National Gallery of Modern Art
Edinburgh
[Fig. 22-06]
Hans Haacke
Shapolsky et al Manhattan Real Estate Holdings
a Real-Time Social System as of May 1, 1971 (detail)
1971
142 photographs 2 maps6 charts
Edition of two
[Fig. 22-12]
Michael Asher
Situational Work
Fred Wilson
Mining the Museum
1992
Installation detail
“Metalwork.”
Contemporary Museum Baltimore
[Fig. 22-14]
Nam June Paik
TV Bra for Living Sculpture
(worn by Charlotte Moorman)
1969
Television sets and cello.Photo by Peter Moore
[Fig. 22-15]
Bruce Nauman
Violins Violence Silence
1981–82
Neon tubing with clear glass tubing suspension frame
62-3⁄16 × 65-3⁄8 × 6”
Oliver-Hoffman Family Collection, Chicago
[Fig. 22-18]
Peter Campus
Three Transitions
1973
Two-inch videotape in color with sound,
five minutes
[Fig. 22-19]
Marina Abramovic and Ulay
Rest Energy
1980
[Fig. 22-20]
Vito Acconci
Instant House
1980
Flags, wood, springs, ropes, & pulleys
open 8’ × 21’ × 21’ closed 8’ × 5’ × 5’
Museum of Contemporary Art San Diego
[Fig. 22-24]
Gilbert and George 4 minute film on Living Sculpture
https://www.youtube.com/watch?v=-Hfg7qlGd-A
Feminist Art Program
Womanhouse (detail of linen closet)
by Sandra Org
1971
Mixed media
[Fig. 22-31]
Sylvia Sleigh Imperial Nude: Paul Rosano 1977 Oil on canvas 42 × 60” Private collection, New York [Fig. 22-33]
Judy Baca
Great Wall of Los
Angeles
1976–83 Length
1 ½mile
Judy Baca
Great Wall of
Los Angeles
1976–83
Robert Colescott
George Washington Carver Crossing the
Delaware: Page from an American History Textbook
1975
Acrylic on canvas
4’ 6” × 9’
Post MinimalismEarth Art
New Imagists
Frank Stella
The Pequod Meets the Jeroboam: Her Story, Moby Dick
Deckle Edges
1993
Lithograph, etching, aquatint, relief, and mezzotint
70 × 65-1⁄4”
Magdalena Abakanowicz
Backs
1976–80
Burlap and resin, eighty pieces
each approx. 25-3⁄4 × 21-3⁄4 × 23-
3⁄4” Installed near Calgary,
Canada
[Fig. 23-14]
Robert Smithson
Spiral Jetty
1969–70
Black rock, salt crystal, & earth diameter 160’
coil length 1,500’ width
15’ Great Salt Lake, Utah
[Fig. 23-22]
Maya Ying Lin Vietnam Veterans Memorial
1982 Black granite
length 500’ The Mall, Washington, D.C. [Fig. 23-34]
Post Modernism
Philip Johnson and John Burgee
Façade, AT&T Headquarters building
1978–83
New York
[Fig. 24-14]
Norman Foster
30 St. Mary Axe
2002
London
[Fig. 24-20]
I. M. Pei
Grand Louvre
Pyramid
1988
Paris
[Fig. 24-21]
Frank O. Gehry, Chiat/Day Building, and Claes Oldenburg and Coosje van Bruggen
Binoculars, steel frame, concrete, and cement plaster painted with elastomeric paint
45 × 44 × 18’ 1991 Venice, California [Fig. 24-31]
Chuck Close
Self-Portrait
1991
Oil on canvas
8’ 4” × 7’
Museum of Modern Art New York
[Fig. 23-38]
Marcus Harvey
Myra
1995
Acrylic on canvas
12’ 8” × 10’ 6”
Saatchi Gallery London
[Fig. 23-39]
Alice Neel
Andy Warhol
1970
Oil on canvas
60 × 40”
Whitney Museum of American ArtNew York
[Fig. 23-45]
Barbara Kruger
Untitled (Your Gaze Hits the Side of My Face)
1981
Photograph
60 × 40”
[Fig. 24-40]
Cindy Sherman
Untitled Film Still #35
1979
Photograph
10 × 8”
Courtesy of the artist and Metro Pictures
New York [Fig. 24-45]
Jenny Holzer
1989
Guggenheim Museum
New York
Gerhard Richter
Uncle Rudi
1965
Oil on canvas
34-1⁄4 × 19-2⁄3”
Lidice Gallery
Czech Republic
[Fig. 25-08]
Anselm Kiefer
Departure from Egypt
1984
Oil, straw, lacquer & lead on canvas
12’ 5” × 18’ 5”[Fig. 25-10]
Eric Fischl
The Old Man’s Boat and the Old Man’s
Dog
1982Oil on canvas
7 × 7’
Private Collection
[Fig. 25-18]
Jeff Koons
Michael Jackson and Bubbles
1988 Porcelain
3’ 6” × 5’ 10-
1⁄2” × 2’ 8-1⁄2”
[Fig. 26-03]
Donald Lipski
The Starry Night
Razor blades on wallInstallation at the
Capp Street Project
San Francisco 1994
[Fig. 26-19]
Matthew Barney
“The Apprentice,”
Cremaster 3
2002
Video to film transfer 182 mins.
[Fig. 26-25]
Adbusters Corporate Flag 2011 [Fig. 27-29]
