abstract expressionism right side
TRANSCRIPT
Abstract Expressionism
Right side
Arshile Gorky
The Liver is the
Cock’s Comb
1944Oil on canvas
6’ 1-1⁄4” × 8’ 2”
Albright-Knox Art GalleryBuffalo, New
York
[Fig. 16-04]
Willem de Kooning
Woman I
1950–52
Oil on canvas
6’ 3-7⁄8” × 4’ 10”
The Museum of Modern Art New York
[Fig. 16-06]
Jackson Pollock
Number 1A 1948
1948
Oil and enamel paint
on canvas 5’ 8” × 8’ 8”
Museum of Modern Art, New York
[Fig. 16-08]
Andrew Wyeth
Christina’s World
1948
Tempera on gessoed panel
Museum of Modern ArtNew York
Lee Krasner
Untitled
1949
Oil on composition board
48 × 37”
The Museum of Modern ArtNew York
[Fig. 16-10]
Franz Kline
Nijinsky
1950
Enamel on canvas
46 × 35-1⁄4”
CollectionMuriel Kallis Newman
Chicago
[Fig. 16-12]
Philip Guston
Zone
1953–54
Oil on canvas
46 × 48”
The Edward R. BroidaTrust, Los Angeles
[Fig. 16-15]
Mark Rothko
Untitled (Rothko number 5068.49)
1949
Oil on canvas
6’ 9-3⁄8” × 5’ 6-3⁄8”National Gallery of Art
Washington, D.C.
[Fig. 16-19]
Barnett Newman
Onement, I,
1948
Oil on canvas and oil on masking tape on canvas
27-1⁄4 × 16-1⁄4”
The Museum of Modern ArtNew York
[Fig. 16-22]
Clyfford Still
Number 2, 1949
Oil on canvas
7’ 8” × 5’ 7”
Collection June Lang DavisMedina, Washington
[Fig. 16-24]
Adolph Gottlieb
Orb from the Bursts series
1964
Oil on canvas
7’ 6” × 5’
Dallas Museum of Art
[Fig. 16-27]
Robert Motherwell
Elegy to the Spanish Republic,
No. 34
1953–54 Oil on canvas
6’ 8” × 8’ 4”
Albright-Knox Art Gallery, Buffalo,
New York [Fig. 16-29]
New American Sculpture
David Smith
left: Cubi XVIII 1964 Stainless steel, height 9’ 8” Museum of
Fine Arts, Boston
Center: CubiXVII 1963
Stainless steel, height 9’ Dallas Museum of Art
Right: Cubi XIX1964 Stainless steel, height 9’
5” Tate, London Art
[Fig. 16-33]
Louise Bourgeois
French American Artist
1911-2010
Louise Bourgeois
Spider
Bronze, stainless steel,
marble
30’ x 33’
Tate Modern London
2007
Joseph Cornell
Medici Slot Machine
1942
Construction
13-1⁄2 × 12 × 4-1⁄4”
Private collectionThe Joseph and Robert Cornell
Memorial Foundation
[Fig. 16-39]
Minor White
Sun in Rock
Devil’s Slide
1947
Gelatin-silver print7-3⁄8 × 9-5⁄8”
The Museum of Modern ArtNew York
[Fig. 16-44]
Postwar European Art
Pablo Picasso
The Charnel House
Paris 1944–45dated 1945
Oil and charcoal on canvas
6’ 6-5⁄8” × 8’ 2-1⁄2”
Museum of Modern Art
New York
[Fig. 17-01]
Alberto Giacometti
The Forest (Composition with Seven Figures and One
Head)
1950Painted bronze
22 × 24 × 19-1⁄4”
The Metropolitan Museum of Art
New York
[Fig. 17-04]
Balthus
Les Beaux Jours(The Golden
Days)
1944–46
Oil on canvas
4’ 10-1⁄4” × 6’ 6-3⁄4”
Smithsonian Institution,
Washington, D.C. [Fig. 17-07]
Bram van Velde
Painting
1955 Oil on canvas
4’ 3” × 6’ 5”
StedelijkMuseum
Amsterdam
[Fig. 17-13]
Wols
Bird
1949
Oil on canvas
36-1⁄4 × 25-3⁄8”
Menil CollectionHouston, Texas
[Fig. 17-16]
Max Bill
Endless Ribbon from a Ring I
1947–49executed 1960
Gilded copper on crystalline base
14-1⁄2 × 27 × 7-1⁄2”
Smithsonian Institution,
Washington, D.C.
[Fig. 17-22]
Giorgio Morandi Still Life1951 Oil on canvas 8-7⁄8 × 19-5⁄8”
Kunstsammlung Nordrhein-Westfalen, Düsseldorf [Fig. 17-25]
Giacomo Manzù
Death by Violence
1952–64
Bronze
from “Doors of Death” at St. Peter’sVatican City
[Fig. 17-28]
Lucio Fontana
Spatial Concept #2
1960
Oil on canvas
19-7⁄8 × 28-3⁄4”
Albright-Knox Art Gallery [Fig. 17-31]
Asger Jorn
The Enigma of Frozen Water
1970
Oil on canvas
63-3⁄4 × 51-1⁄8”
Stedelijk MuseumAmsterdam
[Fig. 17-35]
Barbara Hepworth Group III (Evocation)1952 Marble 11 × 26-1⁄2 × 9” base: 2 × 30 × 13”
Piers Arts Centre, Orkney [Fig. 17-41]
Henry Moore
King and Queen
1952–53
Bronze
height 63-1⁄2”
Smithsonian Institution Washington, D.C.
[Fig. 17-43]
Francis Bacon
Head VI
1949
Oil on canvas
36-5⁄8 × 30-1⁄8”
Arts Council CollectionLondon
[Fig. 17-46]
Still from Sergei Eisenstein’s film
The Battleship Potemkin
1925
[Fig. 17-47]
Francis Bacon Triptych—May–June 19731973 Oil on canvas each panel 6’ 6” × 4’ 10”
Private collection [Fig. 17-48]
Lucian Freud
Naked Man, Back View
1991–92
Oil on canvas
72-1⁄4 × 54-1⁄8”
Metropolitan Museum of Art
New York
[Fig. 17-51]
Robert Doisneau
From the seriesThe Sideways Glance
1949
Gelatin-silver print
[Fig. 17-54]