colour changes in a natural scene due to the interaction between the light and the atmosphere

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Colour changes in a natural scene due to the interaction between the light and the atmosphere Raúl Luzón González [email protected] Colour Imaging Laboratory Department of Optics, University of Granada

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Colour changes in a natural scene due to the interaction between the light and the atmosphere. Raúl Luzón González [email protected] Colour Imaging Laboratory Department of Optics, University of Granada. Members. Juan L. Nieves Associate Professor. Javier Hernández-Andrés Associate Professor. - PowerPoint PPT Presentation

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Page 1: Colour changes in a natural scene due to the interaction between the light and the atmosphere

Colour changes in a natural scene due to the interaction between the light and the

atmosphere

Raúl Luzón Gonzá[email protected]

Colour Imaging LaboratoryDepartment of Optics, University of Granada

Page 2: Colour changes in a natural scene due to the interaction between the light and the atmosphere

Members

Javier RomeroProfessor

Juan L. NievesAssociate Professor

Javier Hernández-AndrésAssociate Professor

Eva M. ValeroAssociate Professor

Clara PlataPost-graduate student

Raúl LuzónPost-graduate student

Juan OjedaPost-graduate student

Page 3: Colour changes in a natural scene due to the interaction between the light and the atmosphere

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Contents

• Introduction • Physical model• Method• Colour changes in the object with observation distance• Conclusions and future work• References

Page 4: Colour changes in a natural scene due to the interaction between the light and the atmosphere

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Contents

• Introduction • Physical model• Method• Colour changes in the object with observation distance• Conclusions and future work• References

Page 5: Colour changes in a natural scene due to the interaction between the light and the atmosphere

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Introduction

Light interaction with particles and molecules of different sizes present in the atmosphere leads to the following process:

• Absorption• Emission• Scattering

Page 6: Colour changes in a natural scene due to the interaction between the light and the atmosphere

There are two fundamentals process associated with scattering:

IntroductionScattering

• Attenuation: flux is removed from a light beam.

• Airlight: the atmosphere acts as a light source.

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Page 7: Colour changes in a natural scene due to the interaction between the light and the atmosphere

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The mixing of attenuation and airlight produces loss in saturation and a possible hue change, depending on the atmospheric particles sizes.

IntroductionScattering

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There are several works in the field of atmospheric image restoration, some of them based on statistical information of the scene (Pitas and Kiniklis1) and others on physical model (Tan and Oakley2).

IntroductionModels

Page 9: Colour changes in a natural scene due to the interaction between the light and the atmosphere

The physics based models usually need information about meteorological conditions (Yitzhaky et al.3), distances from the objects (Narasimhan and Nayar4) or some images taken under different weather conditions (Narasimhan and Nayar6).

The better physics based models are those constructed over the dichromatic model (Narasimhan and Nayar7).

IntroductionModels

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Page 10: Colour changes in a natural scene due to the interaction between the light and the atmosphere

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Contents

• Introduction • Physical model• Method• Colour changes in the object with observation distance• Conclusions and future work• References

Page 11: Colour changes in a natural scene due to the interaction between the light and the atmosphere

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Physical Model

We use the dichromatic model in with the radiance of the object at the observation plane has two terms:

• direct light coming from the object but attenuated by the atmosphere and

• airlight

Where: L is the object radiance viewed from the observer plane L0 is the object radiance β is the attenuation coefficient in the atmosphere L∞ is the radiance of the horizon d is the distance between the object and the detector

Direct light Airlight

0 (1 )d dL L e L e

(1)

Page 12: Colour changes in a natural scene due to the interaction between the light and the atmosphere

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If we suppose a lambertian object receiving an irradiance Ed, for clear skies the irradiance on the detector is:

Physical Model

(2)( ) ( )( ) ( )( ) ( )(1 )d ddt

EE e L e

Where: Ω is the solid angle subtended from the object into the detector Ed is the irradiance over the object

ρ is the spectral reflectance of the object β is the attenuation coefficient d is the distance between the object and the detector

L∞ is the horizon radiance

Page 13: Colour changes in a natural scene due to the interaction between the light and the atmosphere

And if we suppose that the horizon radiance is the same at any point on the sky and the object is lambertian, for overcast skies we use the following expression:

1d dtE L e L e

(3)

Physical Model

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Where: Ω is the solid angle subtended from the object into the detector ρ is the spectral reflectance of the object

β is the attenuation coefficient d is the distance between the object and the detector

L∞ is the horizon radiance

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Contents

• Introduction • Physical model• Method• Colour changes in the object with observation distance• Conclusions and future work• References

Page 15: Colour changes in a natural scene due to the interaction between the light and the atmosphere

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Method

At first, we have calculated the CIE 1931 (x,y,Y) and the CIELAB (L*,a*,b*) values corresponding to 23 objects of the Macbeth Color-Checker, whose spectral reflectances are known, for three clear days and for three overcast days.

Page 16: Colour changes in a natural scene due to the interaction between the light and the atmosphere

The scattering and the absorption coefficients must be known in order to apply the last equations. We know the scattering coefficient at 450, 550 and 700 nm (thanks to ours partners from Centro Andaluz del MedioAmbiente) and we can extrapolate to the rest of visible spectrum assuming that:

Method

u

1β=cte

λ

We suppose that the absorption coefficient keep constant in the visible range.

(4)

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Page 17: Colour changes in a natural scene due to the interaction between the light and the atmosphere

Method

In the following table we show the scattering coefficient at 550 nm, the absorption coefficient at 670 nm and the u value for several days.

Day βsct(550 nm) Mm-1 βabs(670 nm) Mm-1 u

1 (clear) 106.08 63.26 1.56

2 (overcast) 12.74 8.46 2.27

3 (clear) 28.05 10.42 1.63

4 (clear) 17.44 9.17 0.95

5 (overcast) 19.04 17.09 2.04

6 (overcast) 100.08 35.17 1.75

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Contents

• Introduction • Physical model• Method• Colour changes in the object with observation distance• Conclusions and future work• References

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Colour changes in the object with observation distance

Page 20: Colour changes in a natural scene due to the interaction between the light and the atmosphere

Direct light coming from the object

decrease increasing distance between the object and the

observer.

For a specific distance, the airlight

factor is more noticeable than the attenuation factor.

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Colour changes in the object with observation distance

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Colour changes in the object with observation distance

Page 22: Colour changes in a natural scene due to the interaction between the light and the atmosphere

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Colour changes in the object with observation distance

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We included the chromaticity threshold

discrimination circle for the horizon, considering

3 CIELAB units.The visibility calculated

with colorimetric criterion gives a lower

value than one calculated with the

classical form..

Colour changes in the object with observation distance

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Contents

• Introduction • Physical model• Method• Colour changes in the object with observation distance• Conclusions and future work• References

Page 25: Colour changes in a natural scene due to the interaction between the light and the atmosphere

In this work we pretend to study the influence of the atmosphere in the objects color with the distance. Making a computational work based on a physical model we see how the objects loose their chromaticity.

For future work we pretend make more measures, including more meteorological conditions and improve the theoretical model.

Conclusions and future work

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Contents

• Introduction • Physical model• Method• Colour changes in the object with observation distance• Conclusions and future work• References

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References1. I. Pitas and P. Kiniklis, “Multichannel Techniques in Color Image Enhancement and Modeling”, Image Processing, IEEE Transactions, Vol 5,No. 1, pp. 168-171, 1996.

2. K. Tan and J.P. Oakley, “Physics-Based Approach to Color Image Enhancement in Poor Visibility Conditions”, Journal of the Optical Society of America, Vol. 18, No. 10, pp. 2460-2467, 2001.

3. Y. Yitzhaky, I. Dror and N. S. Kopeika, “Restoration of atmospherically Blurred Images According to Weather-predicted Atmospheric Modulation Transfer Functions”, Optical Engineering, Vol 36, pp. 3064-3072, 1997.

4. S. G. Narasimhan and S. K. Nayar, “Chromatic Framework for Vision in Bad Weather”, Conference on Computer Vision and Pattern Recognition, IEEE Proceedings. Vol. 1, pp. 598-605, 2000.

5. S. G. Narasimhan and S. K. Nayar, “Contrast Restoration of Weather Degraded Images”, Pattern Analysis And Machine Intelligence, IEEE Transactions, Vol. 25, No. 6, pp. 713-724, 2003.

6. S. G. Narasimhan and S. K. Nayar, “Vision in Bad Weather”, Seventh IEEE International Conference in Computer Vision, IEEE Proceedings, Vol 1, pp. 820-827, 2000.7. W. E. K. Middleton, “Vision through the atmosphere”, 2nd Edition, University of Toronto Press, 1952.

7. W. E. K. Middleton, “Vision through the atmosphere”, 2nd Edition, University of Toronto Press, 1952.

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Thank you for your attention!