color in art
DESCRIPTION
color in art historyTRANSCRIPT
COLOR IN ART HISTORY
José Luis CAIVANO [email protected]
University of Buenos Airesand National Council for Research
Argentine Color Group
circa 20 000 BC - Bison, Altamira cave, Spain
2660 BC - Ur, Mesopotamian memorial plate
Egypt - glazed brick lion from the wall of Nebuchadnezzar’s palace
Egyptone of the first major civilizations to codify design elements in art. The wall paintings followed a rigid code of visual rules and meanings.
circa 2500 BC - Egypthippopotamus hunt, Tomb of Ti, Saqqarah
Egypt
circa 1300 BCbust of Nephertiti
polychrome sculpture
Greece
red and black pottery
500 BC
chryselephantinesculptures
Greece, 5th century BC
polychromy with the use of different
materials
chryselephantinesculptures
Greece
Athena ParthenosPhidias, circa 440 BC
polychromy with the use of different
materials
circa 500 BC
Greece, polychrome painted
sculpture(reconstruction)
circa 80 BC
Pompeii,wall
painting in a villa
1st century
Rome, polychrome painted
sculpture
1st century
Rome, polychrome
sculpture
medieval polychrome sculpture
12th century
Byzantinmosaic
circa 1100
medieval stained
glass windows
circa 1140
Cathedral of St. Denis
medieval stained
glass windows
circa 1285
Cimabue
Madonna and child
image and color codified representation
Medieval painting
1340
Pietro Lorenzetti
Madonna and child
codified blue on the Virgin
Medieval painting
circa 1300
miniature painting,
manuscript
circa 1400
illuminated manuscripts
1325
Giotto
Last suppererrors in
perspective (parallel
lines do not met in a
vanishing point)
before 1470 - Botticelli, Madonna and child
Renaissance
codified blue on the
Virgin
correct perspective
with central
vanishing point for parallel
lines
circa 1439
Jan van Eyck
Madonna and child
early stages of aerial
perspective
Renaissance
circa 1474 Piero della Francesca
Federico da Montefeltro
aerial perspective
Renaissance
circa 1490
Jean Hay
Margaret of Austria
aerial perspective
Renaissance
circa 1495
Lorenzo di Credi
Annunciation
aerial perspective
Renaissance
circa 1510
Raphael
Madonna
HighRenaissance
1510
Leonardo
Virgin and child with St. Anne
developed stage of aerial perspective
HighRenaissance
circa 1530
Parmigianino
Madonna and child
developed stage of aerial perspective;
starting of chiaroscuro
Manierism
1598 - Federico Barocci, Aeneas flees burning Troy
1606 - Caravaggio, St. Jerome - chiaroscuroBaroque
Baroque
circa1609
Rubens, Samson and Delilah - chiaroscuro
1640
Georges de la Tour
St. Joseph, thecarpenter
chiaroscuro
Baroque
Baroque
17th century
trompe l’oeilin mural painting
perspective and illussions of
3D space
1767
Tiepolo
ceiling in Villa Pisani
1648 - Nicolas Poussin, Holy family - 3 primary colors
1784 - Jacques-L. David, Oath of the HoratiiNeoclassicism
1822 - Delacroix, The barque of DanteRomanticism
1835 - William Turner, The burning of the Houses of Lords…
circa 1835 - William Turner, Surge of sea in a storm
circa 1845 - William Turner, Europe and the bull
ChevreulThe principles of harmony and contrast of colors“Two adjacent colours, when seen by the eye, will appear as dissimilar as possible.”
influence on impressionist painters
1886 - Georges Seurat, La grande jatte - pointillism
1887 - Georges Seurat, Sitting model - pointillism
1888 - Georges Seurat, The dock of Port-en-Bessin with hight tide – pointillism, divisionism, partitive color mixture
1887Vincent Van Gogh, Interior of a restaurant - pointillism
1887
Vincent Van Gogh
Self portrait
1892-1894
Monet, Cathedral of Rouen
Impressionism
1904Henri Matisse, Light, calm and voluptuous
1905
Henri Matisse,
Portrait of Madame Matisse
arbitrary use of color
Fauvism
1906
AndréDerian
pure colors without mixing, painting withouth shades or nuances, subjective representation
Fauvism
1913 - Kandisnky, Composition Nr. 4Abstraction
1915
Malevich
Black square
Abstraction
suprematism
Malevitch
White on white
Abstraction
suprematism
Ostwald, Harmonie der Farben (Harmony of colors)
influences on Paul Klee and the neoplasticist painters (De Stijl), including Mondrian
1929
Paul Klee
Fire in the evening
Abstraction
1921
Piet Mondrian
Composition
Abstraction
neoplasticismDe Stijl
1942
Piet Mondrian
Brodway boogie boogie
Abstraction
neoplasticismDe Stijl
1926
Josef Albers
Structure in blue
sandblasted glass
Abstraction
1950
Henri Matisse, Zulma
gouache on paper cut-out
use of plane color
1950-1960 - Yves Klein – monochrome paintings
1950-1960
Yves Klein
monochrome paintings
IKB (International Klein Blue)
reminiscent of the lapis lazuli used to paint the Madonna'srobes in medieval paintings
conceptual art
Yves Klein – anthropometries – using the human body to paint
Keneth Noland1958
color field paintingabstract expressionism
Clyfford Still1957
1960
Mark Rothko
Red over black on
red
abstract expressionism
1960’s - Jackson Pollock
1965
Roy Lichtenstein
Head with black shadow
Pop art
reminiscent of comics
cinetic art
1960-1990
Jesus Soto
light, color, space, moires, interferences
cinetic art
1960-2000
Carlos Cruz Diez
light, color, space, moires, interferences
Association Internationale de la CouleurInternational Color AssociationInternationale Vereinigung für die Farbe
www.aic-color.org