burned

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Burned ___________________________________________ __________________________ Outro, beach, day; A single dead body lays on the sand, for a moment all is still, then two people walk in to shot and stop at the body. Detective A: so what do you think happened? Detective B: Hell knows, probably some phyco getting his kicks. Makes me damn sick! Detective A: We’re gunna have to call this in… get the chief. Detective B: it’s happened again. Cut to chief for quick scene then him as non-diegetic phone voice over next scene _________________________________________________________ ___________________________________ Into, day, bedroom; sleeping, hangs half out of his duvet begins to moan as his phone rings, tired, he falls out of bed sighs and answers the phone. James white: (indecisive mumbling) Richard Pascal: (on phone) Get your ass out a bed; we got a scene at west court beachfront. James white: hold on... I’ll be one minute Then we implement jump cuts of him getting dressed and grabbing clothing from the wardrobe, reminiscent of a montage. White gets out of car at the scene where all the by- standers on looking

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Page 1: Burned

Burned_____________________________________________________________________Outro, beach, day; A single dead body lays on the sand, for a moment all is still, then two people walk in to shot and stop at the body.

Detective A: so what do you think happened?

Detective B: Hell knows, probably some phyco getting his kicks. Makes me damn sick!

Detective A: We’re gunna have to call this in… get the chief.

Detective B: it’s happened again.

Cut to chief for quick scene then him as non-diegetic phone voice over next scene

____________________________________________________________________________________________Into, day, bedroom; sleeping, hangs half out of his duvet begins to moan as his phone rings, tired, he falls out of bed sighs and answers the phone.

James white: (indecisive mumbling)

Richard Pascal: (on phone) Get your ass out a bed; we got a scene at west court beachfront.

James white: hold on... I’ll be one minute

Then we implement jump cuts of him getting dressed and grabbing clothing from the wardrobe, reminiscent of a montage.

White gets out of car at the scene where all the by-standers on looking

_____________________________________________________________________________________________Walking from the car and treads on a lighter, picks it up and looks seriously at it

Richard Pascal: White, what took you so long, its been the fourth one this month for Christ-sake.

James white: fourth?

Lifts the lighter up to the camera and shows the notches in the lighter.