betty carter's jazz ahead: a concert performance

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BETTY CARTER’S JAZZ AHEAD Performances for Young Audiences is made possible by A CONCERT PERFORMANCE Tune in to hear the next generation of jazz greats—this year’s graduating class of the international jazz residency program Betty Carter’s Jazz Ahead. These young men and women were selected through a competitive audition process for their exceptional jazz performance and composition skills. Catch these rising “jazz stars of the future” in concert at the Kennedy Center. Cuesheet Performance Guide

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Meet the next generation of jazz greats—this year’s graduating class of the international jazz residency, Betty Carter’s Jazz Ahead, a two-week program for emerging jazz musicians. Betty Carter’s Jazz Ahead was originally developed by legendary jazz vocalist Betty Carter in 1993 as a vehicle to bring new life into jazz music by identifying and coaching promising young artists.

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Page 1: Betty Carter's Jazz Ahead: A Concert Performance

Betty carter’s Jazz ahead

Performances for Young Audiences is made possible by

A C o n C e rt P e r f o r mAn C e

Tune in to hear the next generation of jazz greats—this year’s graduating class of the international jazz residency program Betty Carter’s Jazz Ahead. These young men and women were selected through a competitive audition process for their exceptional jazz performance and composition skills. Catch these rising “jazz stars of the future” in concert at the Kennedy Center.

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Page 2: Betty Carter's Jazz Ahead: A Concert Performance

Betty Carter’s Jazz ahead: What you should KnoWThis concert marks the final day of this year’s Betty Carter’s Jazz Ahead, a two-week residency for emerging jazz musicians. The program was originally developed by legendary jazz vocalist Betty Carter in 1993 in Brooklyn, New York. She founded Jazz Ahead as a vehicle to bring new life into jazz music by identifying and coaching promising young artists.

In 1997, the program found its new home at the Kennedy Center thanks to an invitation by the late Dr. Billy Taylor, the Kennedy Center’s Artistic Advisor for Jazz

(1994–2010). After Ms. Carter’s death the following year, Dr. Taylor and the Kennedy Center decided to continue her legacy by making Jazz Ahead an annual event.

aBout Betty carter (1929–1998)Known for her signature vocal style—a combination of improvisational technique, intense scatting, and imaginative interpretations of classic melodies—Carter was more than just an impressive voice. As an artist fiercely devoted to jazz education, Carter is regarded as “the Godmother of Jazz” due to her extensive work in mentoring young musical talent.

About the Program

Jazz Ahead identifies students who are fearless and driven to breaking new musical ground while staying connected to history. The program seeks to mentor these passionate young people to grow as they work together.

Page 3: Betty Carter's Jazz Ahead: A Concert Performance

Jazz: an evolving art ForMJazz is truly an American musical form—and many people consider it one of America’s best contributions to the world of music. Jazz first emerged about 100 years ago in the American South, most distinctly in New Orleans, Louisiana. This seaport city served as home to people of African, French, English, Caribbean, and other backgrounds. It became a melting pot for music from these many traditions. African American musicians fused elements of ragtime, blues, classical, and big brass band sounds to create this distinct new type of music.

After the first jazz recordings were made in 1917, jazz spread across the nation. It evolved over decades, helped along by many influential musicians. In the 1920s, trumpeter Louis Armstrong introduced improvised solos and Duke Ellington popularized big band jazz; the 1930s is when people began dancing to jazz music, thanks to the upbeat sounds of Benny Goodman’s and Count Basie’s swing music. Charlie Parker’s groundbreaking bebop of the 1940s led to Miles Davis’ complex “cool” style in the 1950s. Jazz moved into the 1960s with pioneers like John Coltrane and his modal jazz; the next decades brought more change—from fusion, which brought together multiple styles, to the neo-classical leanings of Wynton Marsalis and other “young lions.” Jazz continues to evolve today—building on its vast legacy of innovation and experimentation.

arrangement an adaptation of a piece of music for performance in a different way, especially on different instruments than for which it was originally composed

improvisation creating music or song spontaneously, a technique that requires great musical skill and creativity

jazz standard a popular musical composition that is widely known and performed, most of these songs were created between the 1920s and 60s for Broadway musicals and films

melody the tune you hum or sing along with when listening to a favorite song

scatting a singing style where wordless syllables are used instead of actual words, and the voice is used much like a musical instrument

Musical LanguageHere are some terms you should know…

Page 4: Betty Carter's Jazz Ahead: A Concert Performance

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“Betty Carter represents more than just a turning point in musical history. She stands as a testament to the strength of musical dedication, holding on to fight for your dreams and never giving up on the things you love.”

—Carmen McRae, jazz singer, pianist, and composer

Meet Jason Moran, residency directorDescribed by Rolling Stone as “the most provocative thinker in current jazz,” this jazz pianist and composer is an alumnus of Jazz Ahead. Today, Moran is both a successful solo artist and bandleader for his jazz trio The Bandwagon. He is also on the piano faculty at the New England Conservatory in Boston, Massachusetts and serves as the Kennedy Center’s Artistic Advisor for Jazz.

the inside scoopGo online and get more on the history and techniques of Jazz, as well as some personal recollections of Betty Carter, at: http://goo.gl/jFQZH

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David M. Rubenstein Chairman

Michael M. Kaiser President

Jason Moran Artistic Advisor for Jazz

Darrell M. Ayers Vice President, Education

Betty Carter’s Jazz Ahead, part of the Rubenstein Arts Access Program, is generously funded by David and Alice Rubenstein.

Betty Carter’s Jazz Ahead is made possible through the generous support of the King-White Family Foundation and Dr. J. Douglas White.

Additional support is provided by Carolyn and Bill Powers and the U.S. Department of Education.

Additional support for Performances for Young Audiences is provided in part by Adobe Foundation; The Clark Charitable Foundation; Mr. James V. Kimsey; The Macy*s Foundation; The Max and Victoria Dreyfus Foundation, Inc.; The Morris and Gwendolyn Cafritz Foundation; Park Foundation, Inc.; Paul M. Angell Family Foundation; an endowment from the Ryna and Melvin Cohen Family Foundation; U.S. Department of Education; Washington Gas; and by generous contributors to the Abe Fortas Memorial Fund, and by a major gift to the fund from the late Carolyn E. Agger, widow of Abe Fortas.

www.kennedy-center.org/artsedge

Cuesheets are produced by ArtsEdgE, an education program of the Kennedy Center.

Learn more about Education at The Kennedy Center at www.kennedy-center.org/education

The contents of this Cuesheet do not necessarily represent the policy of the U.S. Department of Education, and you should not assume endorsement by the Federal Government.

© 2013 The John F. Kennedy Center for the Performing Arts

Listen Up!Check out more on the history of jazz at Jazz in Time http://artsedge.kennedy-center.org/multimedia/series/AEMicrosites/jazz-in-time