baroque style of art & architecture ► 1600-1750 ► dramatic, emotional. ► colors were...

13

Upload: erica-brooks

Post on 05-Jan-2016

221 views

Category:

Documents


1 download

TRANSCRIPT

Page 1: Baroque Style of Art & Architecture ► 1600-1750 ► Dramatic, emotional. ► Colors were brighter than bright; darks were darker than dark. ► Brought together
Page 2: Baroque Style of Art & Architecture ► 1600-1750 ► Dramatic, emotional. ► Colors were brighter than bright; darks were darker than dark. ► Brought together

Baroque Style of Art & Architecture

Baroque Style of Art & Architecture► 1600-1750

►Dramatic, emotional.

► Colors were brighter than bright; darks were darker than dark.

►Brought together classical ideals w/ spiritual feelings of 16th c. religious revival

►Used by absolute monarchs to enchant & impress visitors

► Counter-Reformation Art

►Paintings & sculptures in church contexts should speak to the illiterate rather than to the well-informed.

Page 3: Baroque Style of Art & Architecture ► 1600-1750 ► Dramatic, emotional. ► Colors were brighter than bright; darks were darker than dark. ► Brought together

Caravaggio, “Supper at Emmaus” (1601)

Caravaggio, “Supper at Emmaus” (1601)

Page 4: Baroque Style of Art & Architecture ► 1600-1750 ► Dramatic, emotional. ► Colors were brighter than bright; darks were darker than dark. ► Brought together

“Judith Slaying

Holofornes”

Artemisia Gentileschi

(1614-20)

“Judith Slaying

Holofornes”

Artemisia Gentileschi

(1614-20)

Page 5: Baroque Style of Art & Architecture ► 1600-1750 ► Dramatic, emotional. ► Colors were brighter than bright; darks were darker than dark. ► Brought together

“Las Meninas”

Diego Velazquez

1656

“Las Meninas”

Diego Velazquez

1656

Page 6: Baroque Style of Art & Architecture ► 1600-1750 ► Dramatic, emotional. ► Colors were brighter than bright; darks were darker than dark. ► Brought together

“Marie arrives

at Marseille

s”

by Peter Paul

Reubens

1622-25

“Marie arrives

at Marseille

s”

by Peter Paul

Reubens

1622-25

Page 7: Baroque Style of Art & Architecture ► 1600-1750 ► Dramatic, emotional. ► Colors were brighter than bright; darks were darker than dark. ► Brought together

“The Ecstasy of

St. Theresa of

Avila”

by Gianlorenzo Bernini

1647-52

“The Ecstasy of

St. Theresa of

Avila”

by Gianlorenzo Bernini

1647-52

Page 8: Baroque Style of Art & Architecture ► 1600-1750 ► Dramatic, emotional. ► Colors were brighter than bright; darks were darker than dark. ► Brought together

“David”

by Gianlorenzo Bernini

1623

“David”

by Gianlorenzo Bernini

1623

Page 9: Baroque Style of Art & Architecture ► 1600-1750 ► Dramatic, emotional. ► Colors were brighter than bright; darks were darker than dark. ► Brought together

French Classicism = French Baroque

French Classicism = French Baroque

► established as official artistic style of France by Royal Academy of Painting & Sculpture 1648

►Committed to values of High Renaissance – clarity, simplicity, balance & harmony

►Continued Baroque’s conception of grandeur in portrayal of noble & classical subjects

►Used by Louis XIV as propaganda

Page 10: Baroque Style of Art & Architecture ► 1600-1750 ► Dramatic, emotional. ► Colors were brighter than bright; darks were darker than dark. ► Brought together

“A Dance to the Music of Time”

Nicholas Poussin, 1638

“A Dance to the Music of Time”

Nicholas Poussin, 1638

Page 11: Baroque Style of Art & Architecture ► 1600-1750 ► Dramatic, emotional. ► Colors were brighter than bright; darks were darker than dark. ► Brought together

“Marriage of Isaac and Rebekah”

Claude Lorraine, 1648

“Marriage of Isaac and Rebekah”

Claude Lorraine, 1648

Page 12: Baroque Style of Art & Architecture ► 1600-1750 ► Dramatic, emotional. ► Colors were brighter than bright; darks were darker than dark. ► Brought together

“Portrait of Louis

XIV”

by Hyacinthe

Rigaud

1701

“Portrait of Louis

XIV”

by Hyacinthe

Rigaud

1701

Page 13: Baroque Style of Art & Architecture ► 1600-1750 ► Dramatic, emotional. ► Colors were brighter than bright; darks were darker than dark. ► Brought together

“Appollo Attended by Nymphs”Francois Girardon & Thomas

Regnaudin, 1666-1672

“Appollo Attended by Nymphs”Francois Girardon & Thomas

Regnaudin, 1666-1672