anthony giannini: design portfolio 2007-2009
DESCRIPTION
A collection of selected design works.TRANSCRIPT
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2007-2009
ANTHONY GIANNINI
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DESIGN WORKS
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02Interactive Literacy Center
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06
The goal of the detailing was to create clean and simple edges and transi-tions. In this case, there are no mooleans be-tween the transition from inside to the balcony outside.Likewise for the handrail-ing, since the glass is sup-ported below the surface, there is no need for mooleans that break up the cleanness of the hori-zontal transitions.
Interactive Literacy Center
Grass/Vegetation
Steel Plate
Compression Filler
Roof Soil
Steel C-Channel Cap
Double-Pane Glazing
Steel Angle
Topping Slab
Concrete
Glass Railing
Steel Reinforcement
Insulation
Drainage Pipe
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09
Slide-able panels to create public/open, semi-public and private spaces. They duo as drawing boards.
Panel can store under desk or be rotated up to create pri-vacy and a clipboard.
Bix: By Metro: Flexible furniture to create a space within a space. Provides connections to power, voice, and data.
Architectural Design
PUBLIC/OPEN
Perfect for large social gatherings& presentations.
SEMI-PUBLIC
Perfect for groupstudy, tutoring,presentations, &meeings.
PRIVATE
Perfect for privatemeetings, napping,or small group studies.
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010
ASME Lounge Re-Design Competition
ASME Lounge Re-Design Competition
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1ST PLACE ICMA CMU FIRESTATION COMPETITION
Semester
ProjectDescription
DesignSolution
Spring 2009
Course Architectural Design IV
Duration 8 weeks
This was the 39th Annual Idaho Con-crete Masonry Association CMU Fires-tation Design Competition. The basic principle behind this competition was to design a firestation out of Concrete Masonry Units. The judges were look-ing for efficient and creativite uses of the modular blocks.
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012ICMA CMU Firestation Competition
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Long-Span MOSCOW AQUATICS CENTER
Semester
ProjectDescription
DesignSolution
Spring 2009
Architectural Design IVCourse
Duration 6 weeks
Create an aquatics center that has a competition pool and leisure pools. It was to have adequate changing rooms and other supporting facilities. The site itself is located on a south-facing slope in Moscow, Idaho that looks out onto the rolling palouse hills.
The program has a definite split: competition side and leisure side. Thus, a physical split was appropri-ate. This allowed the use of both areas at any given time. The waves of the water brought inspiration and gave character to the subtle, yet strategic roof profile that forms the larger and smaller spaces below. In accordance, the roof cantilevers over the southernsouthern facade at an exact distance as to line the equinox sun with the edge of the pool at any given point. This, along with light shelves and backlighting from the north-facade, help prevent glare issues from the south. Additionally, operable facades allow for passive cross-ventilation, to keep down the humidity. The plan is simple while the structure complementscomplements its clarity and provides maximum views out to the hills.
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021
The structure is pulled up to create additional backlighting and passive air ventilation.
1st floor hallway emphasizing the long-untouched planes and the dif-fused light from above.
Emphasizing the structural elements and the roof profile.
Architectural Design
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025
Site/1st Floor Plan 2nd Floor Plan 3rd Floor Plan Roof Plan
Communal Area
Main Hotel
Art Gallery
Pool Area
Condos/Professor Apts.
Private Courtyard
Silo Walkthrough
Restaurant/Bar
Meeting Rooms
Rotatable partition walls allow professors to adapt the spaces to their own needs.
The dynamics of the site create an abundance of different spaces including: public, semi-private and private spaces. TheseThese provide the opportunity for social gatherings, meetings, relax-
Architectural Design
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026The ‘Heart of Moscow’ Boutique Hotel
To allow people to fully experience and appreci-ate the historical structure of the steel silo, the steel panels were removed to expose the 8’x11’ steel grid. Photovoltaic panels were placed in the grid to produce energy on-site. It now houses profes-sors, a fitness room and condos.
The area along the main circulation area, in front of the restaurant.
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SUSTAINABLE MOSCOW COURTYARD HOUSING
Semester
ProjectDescription
DesignSolution
Fall 2008
Course Architectural Design III
Duration 6 weeks
Providing feasible housing has been an on-going struggle since the beginning of time. The U.S. has continually failed, most notably in the 50s and 60s. The goal of this project was to create affordable and sustainable courtyard housing without compromising the quality of life of its users. The site is rela-tively small, measuring only 100’ x 100’ and is located on an old, intimate street in Moscow, Idaho.
To promote a healthy and energetic envi-ronment, flooding the courtyard with natu-ral daylight was of utmost importance. This was accomplished by placing the lower building on the south side and vertically-progressing the buildings up to the north. The courtyards and individual units work gether in providing public, semi-private, and private spaces, which allows everyone to find their comfort zones. Each unit has substantial green terraces, light/ventilation towers, and photovoltaic arrays. This pro-motes a healthy and passive environment. Shared walls, plumbing, and outdoor areas significantly bring down the cost of living. Designing a place where one feels a true sense of belonging and community is of monumental importance in providing sus-tainable housing.
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HANDS-ONPHYSICAL MODELS
The act of PHYSICALLY building models is an essential part of the design process. It allows one to make discoveries that are otherwise not possible in the 2-dimensional world. While making models, one can in-stantly have an understanding of its basicbasic implications and spatial char-acteristics 3-dimensionally. When someone limits themself to only 2-dimensional designing, they are robbed of the true spatial under-standing of spaces they are creating. Today in the design world, I see a lack of this physical connectivity in design.
It should be encouraged and fos-tered.
“Architecture starts when you care-fully put two bricks together. There it begins.”
Ludwig Mies van der Rohe
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Architecturual Design037
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Ceramics: Form & Texture Studies 040
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EXPRESSPHOTOGRAPHY
When
“A great photograph is a full expres-sion of what one feels about what is being photographed in the deepest sense, and is, thereby, a true expres-sion of what one feels about life in its entirety”
~Ansel Adam
Client
June 2009
Starbucks Ironwood Drive, Coeur d’Alene, Idaho
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The Grande Canal from the RialtoVenezia, ItalyJanuary 2009
048Venezia, Italy
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Anthony GianniniUniversity of IdahoCollege of Art & ArchitectureDepartment of Architecture & Interior Design
2501 Sherman Ave. Apt. 145Coeur d’Alene, Idaho 83814
424 W. A Street424 W. A StreetMoscow, Idaho 83843
208.691.6596