renaissance art in northern europe, separate movement from italian renaissance art; though, italian...
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Renaissance Art in Renaissance Art in Northern EuropeNorthern Europe
Renaissance Art in Renaissance Art in Northern EuropeNorthern Europe
, Separate movement from Italian Renaissance art; though, Italian influence was strong. Painting in OIL, developed in Flanders, was
widely adopted in Italy.
, The differences between the two cultures: Italy change was inspired by humanism
with its emphasis on the revival of the values of classical antiquity.
No. Europe change was driven by religious reform, the return to Christian values, and the revolt against the authority of the Church.
Characteristics of Northern Characteristics of Northern Renaissance ArtRenaissance Art
Characteristics of Northern Characteristics of Northern Renaissance ArtRenaissance Art
, The continuation of late medieval attention to details.
, Tendency toward realism & naturalism [less emphasis on the “classical ideal”].
, Interest in landscapes., More emphasis on middle-class
and peasant life., Details of domestic interiors., Great skill in portraiture.
Jan van Eyck (1395 – 1441)Jan van Eyck (1395 – 1441)Jan van Eyck (1395 – 1441)Jan van Eyck (1395 – 1441)
, The Virgin and Chancellor Rolin, 1435.
Van Eyck -Van Eyck -Adoration of the Adoration of the LambLamb, , Ghent Altarpiece, 1432Ghent Altarpiece, 1432Van Eyck -Van Eyck -Adoration of the Adoration of the
LambLamb, , Ghent Altarpiece, 1432Ghent Altarpiece, 1432
Van Eyck:Van Eyck:
The The CrucifixionCrucifixion
&&
The Last The Last JudgmentJudgment 1420-14251420-1425
Van Eyck:Van Eyck:
The The CrucifixionCrucifixion
&&
The Last The Last JudgmentJudgment 1420-14251420-1425
Giovanni Giovanni Arnolfini Arnolfini and His and His
WifeWife
(Wedding (Wedding Portrait)Portrait)
Jan Van Jan Van
EyckEyck
14341434
Jan van EyckJan van Eyck - Giovanni - Giovanni Arnolfini & His WifeArnolfini & His Wife
(details)(details)
Jan van EyckJan van Eyck - Giovanni - Giovanni Arnolfini & His WifeArnolfini & His Wife
(details)(details)
Massys’ Massys’ The Moneylender & The Moneylender & His WifeHis Wife, 1514, 1514
Massys’ Massys’ The Moneylender & The Moneylender & His WifeHis Wife, 1514, 1514
Albrecht Dürer (1471-1528)Albrecht Dürer (1471-1528)Albrecht Dürer (1471-1528)Albrecht Dürer (1471-1528), The greatest of
German artists., A scholar as well as
an artist., His patron was the
Emperor Maximilian I., Also a scientist
Wrote books on geometry, fortifications, and human proportions.
, Self-conscious individualism of the Renaissance is seen in his portraits.
, Self-Portrait at 26, 1498.
Dürer – Dürer – Self-Portrait inSelf-Portrait inFur-Collared RobeFur-Collared Robe,,15001500
Dürer – Dürer – Self-Portrait inSelf-Portrait inFur-Collared RobeFur-Collared Robe,,15001500
Dürer Dürer
The Last The Last SupperSupper
woodcut, woodcut, 15101510
Dürer Dürer
The Last The Last SupperSupper
woodcut, woodcut, 15101510
Durer – Durer – The Triumphal ArchThe Triumphal Arch, , 1515-15171515-1517
Durer – Durer – The Triumphal ArchThe Triumphal Arch, , 1515-15171515-1517
The Triumphal ArchThe Triumphal Arch, , detailsdetails
The Triumphal ArchThe Triumphal Arch, , detailsdetails
The Triumphal ArchThe Triumphal Arch, , detailsdetails
The Triumphal ArchThe Triumphal Arch, , detailsdetails
Dürer Dürer
FourFourHorsemenHorsemen
of theof theApocalypsApocalyps
ee
woodcut, woodcut, 14981498
Dürer Dürer
FourFourHorsemenHorsemen
of theof theApocalypsApocalyps
ee
woodcut, woodcut, 14981498
Adapted from PowerPoint Adapted from PowerPoint PaloozaPalooza
Adapted from PowerPoint Adapted from PowerPoint PaloozaPalooza
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