a ___ thing happened on the way to the theatre

7/27/2019 A ___ Thing Happened on the Way to the Theatre

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A Thing

HAPPENEDOn The Way To The

THEATRE


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UNDERSTAN DING THE THEATR E AUDIENCE

BY

John Howrey

A Thing

HAPPENEDOn The Way To The

THEATRE


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WATCHER

WATCHED

THE

WATCHERAND THE

WATCHED

Creating an

ECOLOGY OF COMMUNICATION25

SPEAKEASY STAGEwith

WHAT IS THIS THESIS ABOUT?Hint: It's About Audience

vii

WHY

DYNAMIC MEDIA?A Sermon in Five Parts

xxi

TEXAS INSTRUMENTS,

EMMA THOMPSON&ALEXANDER TECHNIQUE

A Media Journey

xxxi

TAKING WALKS WITH

SWEETPEAor, How My Dog Inspires Me

xxxix

TOM STOPPARDSTEWARDSHIP IN

HAPGOOD&ARCADIARelationship With Audiencexli

INTRODUCTIONINTRODUCTION

Shakespeare DoesntHave To Be Boring!

11

A History othe TheatreAudience

1

SPECIAL

PULL-OUT

SECTION!

INCLUDINGALOOKATBROADWAYTHEATRE

MARKETING!

Where the Author Gets To Say, What I?! For Hours On End

199

EXPERIENCE SKETCHBOOK

EXPERIENCEENHANCERS

INTRODUCTION 5

24:GENES@CO-OP 7

STEPPENWOLFTHEATRE 23

HISTORYOFTHEVAULT 55

SIGNATURETHEATRE 77

HUNTINGTONTHEATRE 101

Lets Put On a Show!

81

COMMEDIA

TOY THEATRE

An Absurdist Touchpoint

57

KILLING GAMERADIO

CONCLUSION 229

LOBBY DISPLAYS AT THE ART

SETTING E XPECTATIONSKind O A Big Deal

i

Introducing a New Play

105

MARIE ANTOINETTE

Classic Work In a New Light

149

THE GLASS MENAGERIE

THE BARD BEAT DOWN


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Oe: eato Alla Scala, View of the Inteio Looking towad the Boxe. 2006.Phgh. Scl Achve, Flence .artstor. Web. www.e.cm/c/

hm/Hme..


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WHEN DOES A PERFORMANCE BEGIN?Fr , xr w

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TOUCHPOINTS y xr, r, r

r r.


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INTRODUCTION

i

It was an innocent gag.My sister and I would

grab an empty can o

Diet Coke rom the trash,wash it, fll it with water,

and distract our mother

while we replaced herreshly opened cola with

water. As she raised the

ake can to her mouth wewould stare intently to

catch her reaction.


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this Diet Coketastes like shit.

it tastes

like water.


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INTRODUCTION

iii

W y k yr , ,

ry r, yr r k jr

q. My , x w r, w kr r

y y wr. I w k D

Ck w , r . S r

ry qky w .

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r yy r xr ky

r y r w D Ck

wr. T x w y r xr r

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w . Try yr r r q

x I y w, w .

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rw rr rr r w yr r.

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w yr . A r

w r y wrk. y wrk, I r

y rr r rr w r r-

r . Dy r x r r

r y w r - r r

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wrk r .

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y r r r

r. I rw w rr,

rk r, rr rr.

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rr. Or r y r r r

r xr r. S

r k r r.

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y y wr r rr. I y

rr y rz w ,

r r r r.

Br I rr, , I'

y. T w r y r , y

r, I.


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v

INTRODUCTION

v

There is an art to watching and being

watched, and that is one o the ew arts

on which all human living depends. I

we are unwatched we diminish, and

we cannot be entirely as we wish to be.

I we never stop to watch, we will know

only how it eels to be us, never how it

might eel to be another. Watched too

much, or in the wrong way, we becomerightened. Watching too much, we

lose the capacity or action in our own

lives. Watching well, together, and

being watched well, with limits on both

sides, we grow, and grow together.

Paul Woodruff, The Necessity of Theatre: The Art of

Watching and Being Watched


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vi

A THING HAPPENED

vi


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vii

INTRODUCTION

vii

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r . C r

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r q r.

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y r r

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r w.

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rr, r, r, r- . I y wy,

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viii

A THING HAPPENED

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r r y r

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r k w. Dr

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ix

INTRODUCTION

ix

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xi

INTRODUCTION

xi

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xii

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xii

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xiii

INTRODUCTION

xiii

rr . T r r-

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Sy E W , Teatre as Sa

Prate: La Ethngraphes Audene

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xiv

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xv

INTRODUCTION

xv

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xvi

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WHYDYNAMICMEDIA?

A SER MON IN FI VE PA RTS

Is an iPhone app always the

most appropriate way to engage in

a conversation with an audience?

O course not. Is a book?

Emphatically: no. Are each

o them viable options or

storytelling and conversation?Hell yes! Its about matching the

criteria or the experience with the

appropriate method.


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PART 1

A REALLY CUTE

STORY ABOUT AREALLY NERDY KIDI w w r r r. Ar I r, y

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y k. Sy, y kw Ar


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xxii

A THING HAPPENED

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Smewhee n hee I becme muc ned. And

hey k cue evey ngle ye.


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INTRODUCTION

xxiii

PART 2

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xxiv

A THING HAPPENED

, w w k xy

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- // .

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r x . Or y

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y rr. W k rz

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r.

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r : y, //, , rry,

, ry/r. T r

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r k k w r r.

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IN WHICH OURHERO COMPLAINSABOUT MEDIAU wr r wr k y y. Kw

ID k y P R. A r

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y w y w r.

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w wy w k

html? My yry wr , r y r

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I . I k I r r:

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wrk w ? D r


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INTRODUCTION

xxv

w r wr wr wr? I

j ? I . W ?

Dy. Sry. Cr. W ? Px.

dvd. R.

I P wy rr wy

r w ? O r . I k? Ey,

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rr .

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r y y. W r r r w

w wr. H r w w r r w

? Ay . I r kw w

y w y y. I r

kw w r wrk . I r r

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w r ry

w?

r, y r. Dr kw w

r wr r . B

wy r r

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r y r, r r y.

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I kw , r , dmi w

rr r.

PART 4

A FEW THOUGHTSON EXPERIENCEExr w k . Tr

xr w y wk w r. Tr xr w

y r r. Tr xr My, rk,

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xxvi

A THING HAPPENED

Ery xr r x. T k-jw rk

rry r w r k y r r

r. Cr wy- wy y k

r r jy . P

r r r yr ry yr y.

W r MAr Dy M I? I w

xr . I w k r I

r y rr j r w w.

PART 5

A BOOK IS A SIGNI w kw r w r

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, , , r r, r, r.

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x. I w , r r kr w

r y r - y. W

k jry r k

rr r r xr. W r

k w r r r?

r w w r k

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r rr. Ty r r , , r .

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r r z r . Ty r x

r rr. Ty r r r j .Ty r . Ty r r r y, rk

, q, , w, r.

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k, y wr y r r wr k. Ty

y wr w r y . Ty r , gps,

r , r rkr.


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INTRODUCTION

xxvii

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w r w . Prr y r r

yry w w . Hw ?

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I r . B I r

w r y w wrk. B I

r r r r wrk r.

B I r w w y

w r k k. B I kw x

r r wr y r

k r.


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TEXAS INSTRUMENTS,EMMA THOMPSON &

ALEXANDER

TECHNIQUE

A JOUR NEY THROUGH MEDI A

It is possible, too, that in writing

these very simple early programs

I was already thinking aboutstory, pace, imagery and text;

laying the groundwork or my

uture work as a designer.


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Pevu: Sll m Howad End. D. Jme Ivy. Pd. Iml Mechn. By Ruh

Pwe Jhbvl . Pe. Anhny Hkn , Vne Redgve, Helen Bnhm Ce,

nd Emm Tmn. Sny Pcue Clc, 1992.

Rgh: Ph I-99/4A. Dgl mge . I-99/4A. 99e.ne, n .d. Web. .


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O y I r 8 r 9 yr y

r r. I w I r .

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r w kyr x. I

r w y D f. H w r r xU y wrk cad. H w w

y r rw Mky M

w y r r rr. T

r r , , w . I r

, k r x w y :

10 PRINT Hi! Im John. Im using a computer.

20 PRINT: Hi, John. Thanks for using me.

30 END

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wrk. S, w , wy r

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y k r r r .

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rq r.

Sr w y r x Ir 99/4a, ,

y r. I w y r w

r ry. I kw r rr y

r r basic rr-

. I, j r y w . H w


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xxxii

A THING HAPPENED

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ry r w wr x y .

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w ry k ry, , ry x; y

rwrk r y r wrk r.

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wr w. I ry r w wr wr

r w k y r

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k wr r .

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y. My r r y y

r I r . I w j

w r k .

M 1990s r N y r. Py

w Mr Brr, Lk Z k y

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w r r . I y

j w wr w r y, w yr .

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rr r I y

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r r I w r k- r.

I y r yr I r y, Nses O.

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. My E r w y r

w Hwards End I w r I

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INTRODUCTION

xxxiii

x, w ry rr I r

r. I y ry rr I w k r.

I w y w r jr

r w wr ry r

y w. I j ry , w y

wy r w I , w I w.

W I wr y - y rrr

y r wy. I w wrr w I k k,

k r y r r j r y

Howad' End Pe. Dgl

mge. Wked. N.., 16

Aug. 2008. Web.

12 A. 2013.


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xxxiv

A THING HAPPENED

r. Hw I? I w y Ly, J Ly

r w y r . I w y

.

R ry r y ry

w y w . I w r

w Hr C, r N H S

Tr Dr: D I Ly. I w

r w D k r r xr

rr, Ly. W rr. I , ry rr. I w

r k r Hr wy

r, , I w r q wy I r -

. I w ry r x I r w

ry k I w r . I kw

y r , I

w k jr rw w. Or

r r w (w r

ry) I y w y k

. W k w I wk r r,

ry wr w I j . I r

y r y r.

I -1990, x y rqr r r

r y r basic rr . I

rr ry x r wkwr Ww

3.1. S ry wk I rz w wr r

y y r y yr r.

Fr y rj, I ww ry y y r

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w k r. Tr w x ,

ry, . S I w r r

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k -y-r k . T w ry

y r r xr r r. W r

w I kw w I w . I w

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w wrr y, wr, r y r. I

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INTRODUCTION

xxxv

w Axr q w r

ry r ry rr r,

r r r r .

M r w r r.

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ry w r k, r, k r;

r , r . J Hk, r r,

r y w r w

rr: wy r r, ry,

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x w , y. A r

, r w, y ry r

, y r k. Ty w ry k r w w r r

k. T r k y .

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w .

T ry r w y r y

xr, x Ir 99/4a, r. I w

wrr r. I w j . Py

N wr r ry r

k w r rr. T

r r : I w

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wy r. Hw r w rr

k rr wr? My w r

r .


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TAKING WALKS WITH

SWEETPEAor, how my dog inspires me

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. Hr. Rr . P .

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ry . My w. I r

r w w

r . Er rk. Ey w .

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r w r r

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w y r y r y , w k . Tr

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rz, P Pr P. Iw r w r

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LEARNING FROM A

PLAYWRIGHT'S

MISTAKES

TOM STOPPARD A ND HAPGOOD AND ARCA RDIA

Subsequently, theAhmansons season ticket

holders, making up much

oHapgoods L.A.

audience, were not there

or Stoppard but weresimply buying time until

they could see Phantom.


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xl

A THING HAPPENED

P m Sd. Dgl mge. Bneu/Byn-Bwn, Inc . N.., n.d . Web.12 A. 2013. .


51/308

INTRODUCTION

xli

A Ur, 1982, r

r k (Cr

389). I , r , w

j //

. S

rr y

r rr

r y x,

rr, rr -

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r w y r r

? I k r wy

r xr r

, w r

rr r-

r r k

w rk .

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ywr jry r r-rw r w .

Sr w-kw rr

.

H r y,Rsenrantz & Gudenstern

Are Dead, w r w

y


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xlii

A THING HAPPENED

rry r. H w

Ay Awr r wr Shakespeare

n Lve r y Awr, r

Rsenrantz, ravestes, Te Rea Tng,

Te Cast Utpa.

D , Sr wy r

w . M wrk r r

k wry f. Mr

, , r w w jy

y .Rsenrantz and Gudenstern Are Dead, r

x, r ry jy y

rr r Hametrr. Shakespeare n Lve

rqr r Rme and Juet,

kw ry w r jy .

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y wr .

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r r r w r.

SrHapgdrr L 1988, x yrr w y, Te Rea Tng, rr 1982. I w

r . Tr r w y w

, y, r . Sr

wrk y r .I xry y

r r y, y w r ry

(R). H r, r J W, , H

xr r r

(Sr Dy, 221). I w r yr r

y r wArada 1993. T r y r r. Tr .Arada

Sr r, r y , y w,

, , r , w r , . I k r

: yr y , r, k, -

- , w y k yr r,

w w y r w

rrw (Cy).


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INTRODUCTION

xliii

Bdwy evvl Acadia. Dgl mge. Bneu Byn Bwn. N.., 14

June 2011. Web. 15 A. 2013. .

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r. I r y ry r r.

Hapgdr r wr, I w y w

A- y r w w (N

378). Ar r r ywr r y

k y kw r y (N 433).

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. Lk r y r r

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y w x -

r .


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xliv

A THING HAPPENED

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r r? T r

w r rr wr

. T y r r r w r rr r k Sr,

w w .

OHapgd, Sr wr, N- w j

r r wr r y. T w j

rr y - r

r. Krr y r . Ry

r. T r -

y w rr ry r y

Rr Fy Te Charater Physa Law.Arada, wr,

Sr, w y, rr r Byr,

ry, w rr r ry w

jk (Pennsyvana Gazette). T rr w -

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. T ry (Sr,Arada 131).

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rk wHapgd. Y yr

w rk, y k -

w. Y , wr Ry. T y

wr ry r Ry k,

. B qy rr w r

r r . Ty w ,

wr (Sr Gw 81). T jr-

y w wk y ,

Sr w ry r r

r . H w y

w y

r w/r y (Dy 180).

T r r Sr .Hapgd

r r k r: w w

w/r y r q ry

r r r. T w w -

Ir Pyy mit w

ry ry r. Sr, wr, w

ry x ry : I q

q r wr


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xlvi

A THING HAPPENED

Ry r y R r, I r Ry.

T ry r . Hwr ry

jr r w rr y.

Y r r r

y rr r wy y(N 374). Sr ry r r w

r r rr. Nrr w

wy .

T r r w r rr

r y rr y r Rsenrantz and Gudenstern are

Dead ry k r r r

r . T rwr q r

: I w y w A- y

r w w ( Dy 193). Rw

k wr y wk- r Sr, y,

w w

r . Cr wr qk Sr

w x . Py r

w r r . A x

w wr w SrHapgd. Tr

r r r x-r r q

r y J Crr r w y

L D (K).

I w r Hapgdw y

. Rr r Brwy, Ar

rr A Tr L A w w

w rr. Sr w r r rr

rwr r-r. H r x f

r , w r r w r y

r ry rwr x r. Oky, I

W y w kw w r. W

x, r r , w w

. Sr r r. T ,

y r, r L A r, w

r U.S. r S Fr (N 382).

I r A w r-

ry r Sr y. T

w L.A. rr Arw Ly Wr zy -

Te Phantm the Opera wr r-

. By r k, w rr


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INTRODUCTION

xlvii

r r Brwy . Sqy,

A k r, k Hapgds

L A , wr r r Sr rHapgds

r, wr y y y Phantm. Ty

wr , r k rwr yr (N 382).

I Sr w ry . B I r

wrk k ryr, y. I

ry k y f, G . Ny

k w j, y kw, r rr

ry k r r . I j r

y y x y

(Dy 228). A r -r

y Sr r, wr,Hapgdrqr x

y . I r

yy r y ,

r , y wr- wy

(Dy 228).

P Wr, Te Neessty Teatre: Te Art Wathng and

Beng Wathed, k r w

. H r w

kw w r , kw w

r . T w r r

w w. W r k

r rk (Wr 168). I wards a

Pr Teatre, Jrry Grwk y r w k

w r r. T ry w wy

w r r r y w r

y xr r r x r. H

, , r

kr w (Frwr 128). Rr

j , Grwk y

r w r rr.

Sr, , ry wr r-

w . H y, T y

wrk. I r. T (Dy

183). H k y w

w w y r r. A r

r k y r r r

A Cmedy Errrs. W wr r,

(Dy 180). W H, Sr w wr


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xlviii

A THING HAPPENED

r r rrr r: I I

r w r r-w

r rr (Dy 186). (H y k

r rr wy Grwk .) Mrr,

w wr r . Lk k y y wr r

jy r (Dy 179). H wr

y w .

T , , w r y-rr. A q

k r r r rr

Sr y zz, y

. Ar r y y-rr,

r, , . W w , , r

y r w Sr r wr yry

r . Sr r

kw r rr. I , r

- y k w r

Krr. H y r rr wrk jry

ry, r w wy r r

. Lk w/r y r,

ry r xr . (Wr S) I

Krr r ky

r Hapgd, y w . Ty r k

r yry, r r. I y rz y

y Krr, w r . T r

r ry Tr x y.

Sw w r. T xrr k

. Y w y rr r (SrHapgd501).

A, Sr kw r y rr y

r r

(Dy 181). IArada, y rrr yry(N

433), w r r wy. A

r : Sr k r rr

r. B r r r y r

y, rry rr r r . Sr

kw , r (Mryk).

T r Hapgd r q

. Cry y r,

jy w, r y(TrM). I r


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INTRODUCTION

xlix

y , , r jry ? Cry

rr w w. I w

y rr wy rr x. I

Sr w yry

y, k y r rr-w rr rk r. P-w

y rr ry. Ly y

r w r r rqr r. T y

r w r xr,

r-, r Py 101. Ar

rr wy ry r y

/r r.

T r Arada w Hapgd .

Hry H, Te Evenng Standard, Sr

Ar rr , r r

w z r r .T y

y y r, ky y.

M W Te New Yrk mes y, Lk rz r

rr w ry w r r r

r-r xr xry Rr Gr-L

Te Independentr I y w ry ry w-

, k rr SrArada(T C

Rw). Rr , Sr w r-

r. Dr r r L N Tr,

r - rr. T w r

r r , w y r

r y. T w y wr

r y r k r r,

y w r y r (W).

S r y

w y r. Sr rr k -

w r w r

w r . A w ky-

wr wr , I ry r rr,

rr, r (Ky D). H

r rw y rr.

I , Sr r y

r y y T Cry w y w

r r, S H. I r ,


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EXPERIENCE ENHANCERS

5

EXPERIENCE

ENHANCERSMy rr k ---r r ry.

Ory, I wrk r

wr w xr

, y r

y wrk y w r. I

wrk r r

Exr Er , w

y r r w,

y r r rr .

Tr k y' x

r wrk.


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6

A THING HAPPENED


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7

GENES@CO-OP

24

A r r C- 8 r r

r, Bry' wrk w 24 q w r (24 w). A ,

r, w 28 r -

y r.

r, r r rr w w .

T r r Bry , r,

ry r, w r wy rw

Bry r. Y

x ry y r, r, z r. RY

r y ry r y. A r Bry , w y rr r.

W y rw w rk

r- rk r. I

: r' r r ry! B

y-y xr Skr , r r

Bry-. I r, k

r y rr r Bry Nw Yrk.

T r r r . T F

S r y r r

(Fr). g , T r r, ' r

nc' rz r rk (Hk).Inventng

Interatve r rrky rr ,

' y r xr,

w r y r r

r (Y).

T y r r. W y

r x xr kw wr . T Bry. I k

r r r r . T ,

y, r xr.

Ph (e) Chng, Ec .

N.d. Phgh . Ph

Gene@c- ble. Habedahe

Standad.June 2012. Web.

.

(ne ge) Sll m ouch

Sceen Banquet able fo

Gene@co-op Cafe Baney New

Yok. Vme. N.., Jn. 2013.

Web. 12 A. 2013. .


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9


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10

A THING HAPPENED


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Pevu: Photogaphy of the 2nd folio of Shakepeae. Te Bibliophile' Lai. TeBblhle Lrss. N.p., 3 May 2012. Web. 14 Ap. 2013. .


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THE BARD BEAT DOWN

13

INTRODUCTION

Ar r r w Skr

y ? E

r wrk y

, w

wr

w Skr . H y

jr r r r, w r

q r y r r

r . W

y I

.


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THE BARD BEAT DOWN

15

SURPRISINGLY

SHAKESPEAREANHy, A By ! D y kw r r Skr' weth Nght? Ck wr yr r r.

KISS ME, KATEf

THE TAMING OF

THE SHREW

FORBIDDEN PLANET f THE TEMPESTWEST SIDE

STORYf ROMEO & JULIET

STRANGE BREWf

HAMLETRAN f

THE LION KING f HAMLETf THE TAMING OF

THE SHREW

SCOTLAND, PA f

O f OTHELLO

SHE'S THE MAN f TWELFTH NIGHT


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16

A THING HAPPENED

ou totter ngughhewn harpy!

3

ou memmer ngclaybrained strumpet!

3

swagbellie

deathtoken

3

Tou churless

kidneyed vassal!

3

Tou beslubbering

dreadbolted lout!

3

Tou yeasty

toadspotted va

3

Tou ruttish

ttypated clotpole!

3

Tou venomed

tardygaited dewberry!

3

Tou warpe

clapperclaw

puttock!

3

ou loggerheaded

epbiting baggage!3

Tou reeky

poxmarked lewdster!3

Tou dronin

sheepbiting cod3

Tou reekyismaldreaming

mumblenews!

3

Tou dissemblingmotleyminded

hornbreast!

3

Tou jarrinticklebraine

faxwench!

3


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sem ng ant

ning

bing

thy

mew ng r paunchy

r pribbling

r puking

r puny

v a nousrwarped

rwayward

rweedy

r yeasty

NDadjective: now you mean business. Tis aint yo mommasHamlet.

e-court-witted

tle-headed

l-brained

y-brainedok-pated

zy-eyed

ghearted

ad-boltedth-vexing

skinned

kidneyed

-sucked-mouthed

bitten

r olly-allenr ool-born

r guts-griping

r hal-aced

r hasty-wittedr hedge-born

r hell-hated

r idle-headed

r ill-breedingr ill-nurtured

r knotty-pated

rmilk-livered

rmotley-mindedr onion-eyed

r plume-plucked

r pottle-deepr pox-marke

r rough-hew

r rude-growi

r rump-rer shard-born

r sheep-bitin

r spur-galled

r swag-bellier tardy-gaite

r tickle-brain

r toad-spotte

r unchin-snorweather-bit


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EXPERIENCE ENHANCEMENT

21


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24

A THING HAPPENED


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26

A THING HAPPENEDPevu: Atwok developed by the autho fo the SpeakEay Roa.


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AN ECOLOGY OF COMMUNICATION

31

w w . T wrk w y r, y

rwrk, y . Fy, r w

r r - r w

r r r.

I r SkEy w r r ,

rr w . T r

w rr rr. W , ul, r

r ? W r

, r , w y

w. Ar SkEy' r, r w

y r.

T r r, , w

rwrk. I r r rwrk ,

w w r ry w w

. T r w . Ty wr y

r w r, rr r ry w k.


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ORIGINAL

WHAT'S THE SHOW ABOUT?

T rk- Ar

r rk r w kk Br

, I, kw Sr.


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BYJON ROBIN BAITZDIRECTED BY

SCOTT EDMISTON

SPEAKEASY STAGE COMPANY IS THE STANFORD CALDERWOOD PAVILION RESIDENT THEATRE COMPANY AT THE BOSTON CENTER FOR THE ARTS.

BOSTONTHEATRESCENE.COM

617/933-8600BOX OFFICE

PERFORMING AT THE Stanford Calderwood PavilionAT THE BOSTON CENTER FOR THE ARTS, 527 TREMONT ST IN THE SOUTH END

JAN 11FEB 9SPEAKEASYSTAGE.COM

REDESIGN


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ORIGINAL

WHAT'S THE SHOW ABOUT?

Wr r 2008 y Awr -

B M,In Te Heghts

rr r r wr

y . S Nw Yrk W

H r, xr

w r Brwy

ry w , , r

r r -k L y.


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MUSIC&LYR

ICSBY

Lin-Manuel

Miranda

BOOKBY

QuiaraAlegr-aH

udesMUSIC

ALDIRECTIO

NBY

nicholasj

amesconne

ll

CHOREOGRAP

HEDBY

larrysous

a

DIRECTEDB

Y

PaulDaign

eault

SPEAKEASY STAGE COMPANY IS THE STANFORD CALDERWOOD PAVILION RESIDENT THEATRE COMPANY AT THE BOS TON CENTER FOR THE AR TS.

BOSTONTHEATRESCENE.COM

617/933-8600BOX OFFICE

PERFORMING AT THE Stanford Calderwood PavilionAT THE BOSTON CENTER FOR THE ARTS, 527 TREMONT ST IN THE SOUTH END

MAY 10JUNE 8SPEAKEASYSTAGE.COM

REDESIGN


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AN ECOLOGY OF COMMUNICATION

43

W k k W P, -y ry

wr y y j r

ry wr w . Tr yry

r- ry r . T r

xr y k r. I ry k yry r rr Seep N Mre,

wr y r rw w wr w r r

r ry yr w.

J r ry r q: w

? S w y r y ,

y j r y

r yr, SkEy A G. T w

, r, r. W w r y -

k SkEy Sky T Pry w

k . I k, W w k ry w . I

w y. My

w r r . A rr , I

1920s ry r r. T r

w w T B K, T Br

B, T B, T C Pj Pry.

A w rr, w k r T Rr 20. Tr

w w w wr. I k r

y I wr rr k y w wy

y r . T

r r w rr. A r

rr. T w rr.

W w T Rr?

J .

T r r r r k S D

r . I r yr y x

r w y ry r

. A y wr x yr.

I j qky r. I wy y r

ky? Oy . Sk wr r. Ty

wr r. Y --kw. W w r

-- r? Or r

r? I rwr w ry -

r. My w w w

r Rr w k rk r . W r yj k wy .


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112/308

52

A THING HAPPENED

T rk zz r T Rr k .

ry, SkEy k y w

r y r. T , I r w -

r: y r xr.

O r, k w rr r. A r w wr. E

r w rqr, r, r wr.

CURTAIN CALL

CONCLUSIONS

Ar k SkEy rj r y I

y y q . Hw w r

r w r y y wrk I w ? T wrk T Rr, , y

r rj y . I

w y y r w

, r w , r xr r

r rk.

I r ry, y

w r r . A I -

wrk w SkEy r rj w

w y r I xr-

y rk w w r xr

r.

I rj y dmi rj r?

W, . I T Rr, , r jry

k r w k k r. I ry y

k r k, r w r

w jry . Cry, w k

r y w .I w wr r r, y y

r r r r r

Cr k.

T rj r ry r y, r

rr, ry k. I y zz

r w r xr , w

w ry .


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54

A THING HAPPENED


115/308


55

SECOND STORY

VAULT OF THE SECRET FORMULA

S Sry, xr y Pr, Or, wrk

w C-C r wr w w r ry r r. I j

r , Ck S Sry y w

ry yry r r. Vr wk r

r r r y r

xr r r yy rr-

wr Ck' q r. Tr rr, r'

r r r . T xr

z y , ry y Mr' K

r y (Cmmunatn Arts).Ur r r w r w y, ,

y, ry -w. T wrk y w w

q r, ry r wr y r r

ry, ry rwr r j

ry r r r ry .

Jq Wy, kr r Wr Ck,

r . Tr ry .

T xr C-C w wy (Atanta Busness News).

P r r , x

y C-C y

rwr-k r x. T Ck

rr k w wy r

w wrk r r r. I xy

y w y w r

Te Gass Menagere y. W w r r

y ry kw, w w r w wy?


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60

A THING HAPPENED

k r r w

r. I ' rz r

--r-z. I, I

y wr, w I

w.

T q w, W y

I r ? A I

, I w k y

r y

w r r Okahma r k

r Caruse. W r r

r kLes Mserabes?

Sw, , j wr'

r . I w w

r r. N

r' r w

q, y wr r

r w r j r

Ensten's Dreams.

I r k y. My r

w wr I:I k r Te

Master Buder Ghsts. Or Ck:

Seagur r r Te Tree

Ssters. I y rr w


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KILLING GAME RADIO

61

I w Ury x 1997:

E I'Kng Game. I

r

r I r . T ry

w ry

r w r.

Swr w S Arw

S r S H

R L, I Kng Game

w rEnsten's Dreams

r r

w rj.


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64

A THING HAPPENED

I r rj I r rr

k r rj. I w rr

x j k rry r ky Ar r.

Pr r j w x

q w w y. I w r y wq w ry ry. M r w

A K'Pee 6 Ves w r

k r- r. O y rr

w r. I y yy

r ' r -wy . Dr

r Cr Aq M I y r r

y : W rr

Kng Game r r r rr rk?

T r ry qky. T w r

rk: -r w w x w r

y, , r r -ry

r y r w r r-

. T w rr, , r r r . T

rk w w wy rr y r , y

r y . T w rr w w

r r ry , ry

, w w w y rrr .

ACT TWO

THE BIGGEST CHALLENGE

I Ar r y

rj. Br L r I k A K, w

Ar y r rj, r r w

r. S r rr

Ar w q . A r k,

I wrk qk -r r

Pr. S w r ,

k w w.

S k r y xr

r, r k, r x

. I wy r r r r

r r ry .


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KILLING GAME RADIO

69

I w r r Pr . S

y wr k w I y wr

w y ry I w wrk

wy r. (I r y wr wrr

k k y ' wrk r .) I x I r r ry , I

wr r w

w r . I r r w wr-

r rwr w y r

r w k r.

I w y rk Ar. I M

Bz' r Gettng Started wth Ardun r r-

. T w j r k I k I

rwr. I k y -r r ,

w rqr r r k r, r

w . I r,

r r. T r w

y r r . T r w y r

r r wy -r r .

I r r r Bz' k, r

w I w

k. I w q y rr, , w I

w ry w r ry ry k.

I w ry ky w rr r. A w r:

w r rj. I k r

y r k w r

. I r - k y ry

kw w k. S Dz

ry k w . T k

w r w . I -

y w ry Ar y r.

Fllwng: A n

he Pceng cde

Killing Game Radio.


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72

A THING HAPPENED


133/308

KILLING GAME RADIO

73

ACT 3

THE ACTUAL HARD PART

I r w r r rj. T r w

r k ' y w wrry. W I k r, y, I r r wrk

wr r r I x. I wy

k y r . T r, , w r.

I w wr r, Z, r wr

r rz k r. I r

y r r. I Ar k

r w rr wrk r. H

r w w r

w . I r r Iw r r . I r. S I

ry k w r, I y

w j r wrk. A kr w

ry w .

T r I r y , y wr ry

x r . I r wrk y r-

j r j

r.

W y , I r y

r . I ry r

. M

ry, I wr rr w rr.

D w r x r y

, I r wrk

A S, w wr I k

w k r w rr.

W , I y r .I r r . My w rr

ry .


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78

A THING HAPPENED


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82

A THING HAPPENED

Pevu: Dawing depicting commedia chaacte fo toy theate. Wilon, A. E. Penny Plain, w Pence

Clued; Hy he Juvenle Dm. London [etc.: G.G. Haap &, 1932. Pint.


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TOY THEATRE

85


146/308

86

A THING HAPPENED

COMMEDIA TVWITH GILLIGAN'S ISLANDAND OTHER POPULAR SHOWS

Cmmeda s a great bakbne t mprvsatn, and was ten perrmed

as suh . Trw any these arhetypes nt a stuatn a twn estva, r

nstane and et ther natura nnatns step rward t reate an enter-

tanng pt. And, beause ts ntnua nfuene n ppuar uture,

mst users w be subnsusy aware the arhetypes and hw they at.

GILLIGAN ARLECHINNO

the accident prone na, the crewman o

the ateul voyage ; noted or physical

comedy

the most popular o the commedia

character; a prankster known or

physical comedy

THE SKIPPER PANTALONE

the captain o the SS Minnow, a ather

fgure to Gilligan, the leader; comical

and democratic; orders people around

but is riendly and lovable

the master

THE PROFESSOR IL DOTTORE

a science teacher; level-headed;

the most natural o the characters

educated; sometimes pompous

THURSTON HOWELL III IL CAPITANO

an incredibly rich man; never works;

selfsh but lovable

a bombast; constantly and alsely

bragging that he is braver than he is;

colorully overdressed

MRS. LOVEY HOWELL LA RUFFIANA

wie o Thurston; spoiled and preoccu-

pied with social status but kind and

caring

an old woman; a mother and a gossip

GINGER ISABELLA

the movie star; a Marilyn Monroe/Jayne

Mansfeld type; a beautiul and classy

lady o the highest order

a prima donna; always wears the latest

ashion; young and attractive

MARY ANN COLUMBINA

the ingnue; a typical girl-next-door;

riend to Ginger; has practical skills andcommon sense

a cunning woman; charming; a servant

character; earthy and intelligent


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88

A THING HAPPENED

W k r r rr, w

r k y r . W

w rr r? W r r

k ? Hw r r w ?

THE SYSTEM

Tr r r wy y r

w r . Fr, w rr r

rj r rr. Fr , w Ar

r r r r r

rq r w r r w. T r r r

, r y . S, w r

r, Ar' r w . Fr

w, y B r rr

y. T r j . Tr r

k rr : wrr r

, r r r, k r r, r r r

q , r r. T r

k w rw r Vr y r r

yr rr' r r.

W r r rr , r, r

r. W C j Ar, r r

w y rk j r w jy w. Ty y r' r r

w r rj r r wr

rw w yr r.

W I r r , Mr

y k r w . W

rr w r

k r r rj-

.

T zz w r r.

W w k r V & A ,

r rr k r rj. U

w' wrk w, I k r y

rr . Tr wr r w y

r. I w r r r r ,

y wy, r 19 ry 20 r. A

- r w r y jx w

- rj.


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TOY THEATRE

89

Clumbn Il Cn

AlecchnFemle Lve Mle Lve

THE CHARACTERS

T rr Cmmeda y Teatre r

ry. A

, r w fx w k w r r y -

r .


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90

A THING HAPPENED

THE SETTINGS

Or kr r

rw Pk'

y y, ry

19 Cry. W'

r Cr r r

.

Te Bnque Hll

Te Vend


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TOY THEATRE

91

Te Gden

Te Hme

Te Fe


152/308

92

A THING HAPPENED

CHARACTER BACKGROUNDS

T r kr r

rr r

rr ry.

Fr x, I C r

rk w y

.

Clumbn

Alecchn


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TOY THEATRE

93

Femle Lve

Il Cn

Mle Lve


154/308

94

A THING HAPPENED

SETTINGS MIXED WITH THECHARACTER BACKGROUNDS

W rr r ,

r r.Sw r r x

ry. W w rr r

, r r r

w xr.

Clumbn n he

Bnque Hll

Alecchn n

he Vend


155/308

TOY THEATRE

95

Femle Lve n

he Gden

Il Cn he Hme

Mle Lve n

he Fe


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96

A THING HAPPENED


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TOY THEATRE

97


158/308


159/308


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100

A THING HAPPENED


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101

HUNTINGTON THEATRE SOCIAL MEDIAAN INTERVIEW WITH THOM DUNN, SOCIAL MEDIAGURU AT HUNTINGTON THEATRE

IT SEEMS LIKE YOU ARE HAVING A LOT OF FUN ALL OVER

TWITTER, TUMBLR, AND MANY OF THE POPULAR SOCIAL

MEDIA OUTLETS. IS THERE AN OVER-ARCHING OBJECTIVE TO

THE HUNTINGTON'S SOCIAL MEDIA STRATEGY?

T r-r j y w r . W

k k r y r r, w -

r r r. S

j r k r . Tr' -

y r w w'r r

(r w w'r r r r), k

r x k H r . A

rr , w ry k r r

B r y, w ry r r

r r, r , r

y.

WHAT WAS THE IMPETUS FOR BUILDING

THIS UP AS YOU HAVE?

O , r rk r

r, ' -rr ( ry y r

q y, rqr y r

rr k rr, r, r, ). B ,

w ry k r y

r w -w r r r rr-

, r x, y r wy

w r . I' wr, r r

r wr r w w r wy w.Oy y, r'

y y w y y r w yr

, rr j rk . I

w-wy r .

DO YOU HAVE METRICS THAT ALLOW YOU TO PROVE

EFFECTIVENESS? COULD YOU SHARE ANY SPECIFIC DATA?

W k r wr r / rw, r

Fk r w. Fk r r

r, ' y w k r


162/308

102

A THING HAPPENED

w, w y , . W ry

5,400 Fk, r r 1,000

(Fk ' y w yr

w, y y...). W' r k

r w, r 2,500+,w r. W 3,500 wr wr

r H, r BTrS, w w

r 430,000 w Y.

O r , w r w r /r

r r r ,

w r y, w w w

y . S w ry w ,

, ' wrk r w r, w r-

' wr r .

HAVE YOU NOTICED A CHANGE IN ANYTHING?

P k . P k , y, r. I

wy, k r rrr , r

r r . Srr r r --

k, j rr r rk y,

r . Fr x, w --

rw w /r r r. T

y k r 3 , y r - w rw r r () , r () r

w r w. Sry, w y k

r -- rr, ry r . P

wy w , y r r, r G P

rr w rr Mr' jry

mbta r S C H, r

- r r . W ry

k rr r r r, y '

wrk y .

WHAT IS THE STAFFING LIKE?

I' , I r r w

r S M . Or Fk, ' y j r

w y, r C Mr R Cr,

Pr Mr W. W ry r

r- r Fk, k r

r r r f rk y wy, '

, rr w wy w'

k . wr, r , y y . A


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104

A THING HAPPENED


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MARIE ANTOINETTE LOBBY

105

MARIEANTOINETTE

A MER IC A N R EPE RT ORY THEAT ER LOBBY I

I went into my frst meeting with the art

sta not certain o my role in the processo developing a lobby display. Was I going

to be in charge o the design? Was I to simply

be a voice in the conversation?


166/308

106

A THING HAPPENED

ABOUT THE PLAY

T r ry ry Mr A r

k ry r rr 1%

Q Fr k . T

r r j w r r- w xr-

r, Mr r rk

r wr r w y R.

Pcued: Hnnh Cbell, J Lme , Bke Blm, Vn Kngh , Plly Lee,nd ele Selng.. Ph by Jn Mcu. Decn nd mge cuey

Amecn Reey Tee.


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108


169/308


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111

Fr I wr at' y y.

Ty' r r r (Te Gershwns' Prgy

and Bess) r y (Wd Swans). Ty r w

, w, . I' wy w k r

r r xr.

Fr , r r r Wd Swans r wr

r . S r r y r

r, ry C r r -

r xr wr r r r

w r C C R.

Tr wr y w rr wy w

r xr. T r y wr

rr, y w . T r-

r w rqr r tv r

r w f r r

r xr r . I x f y,

r r wr rr j r

r, w w r w

wr y y rr .

ACT 1

SETTING THE STAGE

I Jr F, at Mrk Mr, k

r y y. I k y wrk

I w k r r wr rj

. W , I k, j r y r

r. Sr , w

y r r r,Mare Antnette,

w y y D Aj.

I w y r w at r y r r y y. W I r

? W I y r? W I j

w? I wk rr r y

rMare Antnette.

T r r xry r. Tr wr

w w k r wr w rqr

jr wrk. I r r ry

w r ry. O I y w

w r r y y.


172/308

112

A THING HAPPENED

MARIE CLOCK

LE SCANDALE

LIBERT,EGALIT,FRATERNIT


173/308


174/308

A THING HAPPENED

ACT TWO

PUTTING IT TOGETHER

THE PROMETHEUS CLOCK

W w w y Prmetheus Ck?I r

r, Ck w w ry

Y. Hr, , I w r r x-

r. C w Ck r r rr?

T wr w r r y r r

kywr. G r I r y j r

r w r wr k. H w r kywr . I , w w w

r w k

jx.

I k Mare Antnette I w rk y w

Vr. I r k kywr y w r-

w r w w .

T y w r Oy

r y r 99% ry qy. I

r k Oy W Sr r. T w

wr , wr w rr. W r

r r I I r r y r

x ry. My ry w r

r r r: y r ry. T

r wr rk: ry k y ,

k- r, rk . I w

r r y q w w -

w Mr ry .

Nx I r w w r . I

r w y r: . T kywr, , w

. Sy, I : rr x

w wk rwy . J

wr r r rwy w I .

G, D I rr r Ck at. Tr

w y : y w- -

w k r rr r

ABOUT THEPROMETHEUS CLOCK

Te Pmeheu Clck

dynmc vde-

culue nlln h

cee vul clck

he humn eeence.

Ung he Yuubeapi,

my clme Gbel

Schfzn we n Oen

Fmewk lcn

h eque he le

vde ulded he

Yuube dbe nd

een hem n u

by u gd. A ne

cde llw u hen

he he vde ung

he Syhn mewk.

Syhn n en uceMc osx echnlgy

h llw lcn

he vde nd ll

mge wh ne nhe

n el me. Wh he

Syhn mewk

eve unnng I ued

MdMe, jecn

mng we, m

h gd vde n

gedec dme ucue.

I med ne vde

n ech hegn nd

engn n he gedec

dme whch cee n

veued mulmed

eeence. Te eelng

ml bevng bee

hve. (Buckley, 213)


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115

w . S w , G r

w w r y r y ry.

G q y w : G, y

Z V. Ery r y r rr w

w w wr y w y w w

ry w . D rr y

w G wrk rr rqr. I k

r, y wr ry wrk rr

r r rr.

A rq r r rr.

T at w . O r r-

w,Prmetheus Bund, Mare

Antnette w r y . Ty wr

r w , k

k r w r r.

I w I w wy r r y

, w qky w : Te Mare Ck.


176/308

116

A THING HAPPENED

LIBERT EGALIT FRATERNIT

T at rr r, w P-I r Fr .

Mr rk r r wr

y y ky ww. A

P-I wr r x ww r rk y.

By k r, w r rk A-

r y. B w r ww, -

y r y. Ry 3 wr y

ww wr r.

T r wr r r r

. T at w r r ry

q r : W w y y Mr wr

y? D y r w Mr? I r D, w

wrk w y qk ,

k y r. H ry ,

r-- k : y ry w rrr

ry r . Tr y w r wr

y ry r . I r

f y k r r, k

r f. T r r

w rw, r wr r r wr. Fr ,

k r r wr wr. Ay

ry . Tr w k r

r r k w r q

r Fr

w wr k wr .

W r r ww, w r w

r r. Rr k r q, w

r r. I r r

: k w k

r Fr R. W y? Dr w wy wr

q rr j k. I r Lr ..., E

..., Frr ... r r. Ty wr r w

I r wr r ww. I

r ww w rkr r wr w.

W , w rk.


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117

LE SCANDALE

C r rLe Sandae w at.

T rk A reasury Rya Sandas r

r r r w .

T r Le Sandae w r r r. W

w k r r k, k

w r rry. Tr w rk

r k w rr y.

W I w , wr, w k y

r - y I kw w w

y r r r. I w

1117 r. T k rw r.

W k r wy y , rr

r w y k .

I w r r w r y .

Cqy, I w r -

1117 k r r r y .


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118

A THING HAPPENED


179/308


119


180/308

120

A THING HAPPENED


181/308


121


182/308

122

A THING HAPPENED


183/308


123


184/308

124

A THING HAPPENED

I at r r w . I w

j r rr y r,

y jr r r r . Ty

w , I wk r

r rr y wr r y r w w y r r . W

!

I ry r. O , rr'

r r wr r y r

y r k . A

y r /r

rr ry wrk. T

: y r

xr k r . O y

r .

I w , . I j r

kr r . I w ry

wrk r at .

My r y w r

r. I w k ry

k r Mare Antnette. Exr r

r r r w r qr r r ry.

r y, I w r r y

ww. W r r, y r r

w, r r r . w ww, w

x rw r. W rk ry yry, y

k r ww.


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125

ACT THREE

OPENING NIGHT

B I w wrk r r r rr, I

w w y xr y r . Ar, w y r. Fr y k I

w k Ck. I r y w

P I wr

k. I k k r wrk

y r. I w r, kw

w . I wr r w r .

T I r k . Ty wr r,

r w. I w wr rr

r r. Tr wr r r r w x. My y r

xr r w. My w .

Ir w. I w k y y

. I w k -

y ! N y P-I ,

k . I w y r .

A , I w , y

wr rry . I r y wr k

r, y rr r .


186/308


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188/308

128

A THING HAPPENED


189/308


190/308

130

A THING HAPPENED


191/308


192/308

132

A THING HAPPENED


193/308


194/308

134

A THING HAPPENED


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135


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136

A THING HAPPENED


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137


198/308


199/308


139


200/308

140

A THING HAPPENED


201/308


141


202/308

142

A THING HAPPENED


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143


204/308

144

A THING HAPPENED


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145


206/308

146

A THING HAPPENED

ACT FOUR

SETTLING IN FOR A LONG RUN

Tr wr r y r w.

T W Ly L Dr Cr j y r r. I r r , .

I wy. I . Cqy, r

r. Tr

r I w y r

Mare Ckw wrk. O w rr . Ar

r r r r, G I LMI

k j ry. T

r r Mare Ck, wr, w k

. T rj ry. I , x r rjr wr , w

r . I r rr r W Ly wr

y k r k.

T w r . E r w

ry r D N k,

r r r rk r. A r

w w r j k

k .

I wk, r r Ck rj r-

y rry, I w r y.

D, G I y -

y . I w Jr k w ,

j k y.

H w k k r r

w k ry r w r y r

y. I w w w r r

wk rr. Ar , w r

k. I r w y

j .

T r wr f . T r

k r rkLe Sandae ry rr. Ty

r H Mr Rr y rk

r r w r x rr. I ,

k wy.

Lbert, Egat , Fraterntw r . W

Sr r r. I w jy, ry ry, k r r. Tr wr -wr r,


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147

rw, , r. S r ry r

. S r y j P

I. Ur Lr ... r wr, T r

r .

CURTAIN CALL

CONCLUSIONS

I k r w r

r. I w rr y r r w. I w

I r r r. U r W Ly r

r k r, r w r wk ry

r r , r rr r

r. Tr w y. N w r, r r w. Ty

: r ry r w.

T w r wr k r-w r

I w r r rr. A k

. T r r r r rr

w. I r, r wrr

r r r rr r w

. P r,

k r r-y.

I r r y . T rr rr

, w rk rx.Mare

Antnettes r y r, w rzy , r-

y . I w , q ry,

Mr wr r w r y r k

y. T r r wr j

y r r . Tyr y y

rz, w y ry w r r.

W r , r wr wr r

r. I ? Wr y y r

? I r . W r w

r , . Wr r y r r r

xr? D r k r

w y w r

? T r.


208/308


209/308

GLASS MENAGERIE LOBBY

149

T H E

GLASSMENAGERIE

A MER IC A N R EPERTORY THEATR E LOBBY II

None o this would have been possible without

strong community involvement, either as

mydmi colleagues spending a Saturday

writing on walls or Adam Marchards riendshelping him build a wall out o some windows.

A lobby doesnt have to be organized and

built by one person alone.


210/308

150

A THING HAPPENED


211/308


151

SYNOPSIS OF THE PLAY

A W , r r Sr y w

ry y S. L r w r , ,

r r, Lr. A r r

r r r, r r -

rr. r ry r y r'

k wr . Lr

r . S r, , y

r r' xy r rr, r r r r

r. T rx w y

q k r w y. J, r,

rry w w y A

r Lr. I r r r

r y , Lr ry y,

ry Lr r w wr. B

r w, wr , J x ry

. T wr A Lr r

r rr k r . , ,

r, .

ABOUT THIS PRODUCTION

T r rk at r ry wr

W. Prr Frry 2 L

Dr Cr, 64 Br Sr, Cr, w r

Wy, Frry 6 r r Sy, Mr 17, 2013.

I w r y y Awr-w rr J y

rr y Ey Awr wr Crry J

A W, Zry Q , C K-Br

Lr, Br J. S G Cr. T y Awr-

w y B Crwy,

y N Kz, y C Gw.

Zchy Qun nd Chey Jne n Te Gla Menageie. Ph by Mchel J. Luch.

Decn nd mge cuey Amecn Reey Tee .


212/308


213/308

PROLOGUE

I wrk r . G

Kz . T r

qky I r r,

r I r y r wrk

. I r yr r

rrr. I w, rr, x

w at r

wrk y r .

W r wk r , Jr

F, at Mrk Mr, w

rrk w

Te Gass Menagere. H y

y r w Mare

Antnette y wr rq w,Pppn,

ry y xr. W

, k, wrk r r

x w?

W r x wk

r rr . I rww wrk rMare, y

P-I kwy. I

w k r

w . I

, r I r


214/308

154

A THING HAPPENED


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155

w r- y .

T y r w

w r r, I

.

A r Mare Antnette

y w w I r

. I W Ly, I w

r

w: , , y. I

Bx Of Ly, w r -

r W,

y S, w

r Te Gass Menagere.

W r, w r w

k y rry rr r .

Ty y ry

r

ry w

. I k r

rk r w r, w r y. I

r r w

r w at r r

.


216/308

156

A THING HAPPENED

THE CONCEPTSINTRODUCING: TOM

Objetve: ntrdue the audene t the wrd ennessee Wams

and the Suth. A y r Bx Of

Ly. r r, r rk -

ry w rr w w r r

.

INSIDE OUR MINDS

Objetve: Create a mpetey mmersve jurney nt the mnds the

Wams amy. U wr r W, r

r (r, y, ry, y), W Ly ww

w y r w wr. T w

r r y .

MIRRORS: OPTION 1 THROUGH THE LOOKING GLASS

Objetve: Prvde an pprtunty r refetn and ntrspetn

durng the shw. Sendary, reate an nstgramabe experene r

the audene. A r, y ry y q

rrr. T y r r

r y r yr xr w. Tr w r r r r r

rrr Ir wr.

MIRRORS: OPTION 2IF YOU BREATHE, IT BREAKS

Objetve: Same as abve. k r r rr,

rrr r, y r

y r w ry.

INVENTORY

WInventry, A H. Mr ry yr wr

x r. O r (r r 2,500)

y r rr w . T

r r krk y k , ry

-w. T r r rz r r r

, r r A . Pr

w ry. Vr r r-

rr w r r

r r r. Fr W Ly, w w r

r r r r ww.


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157

Te mgey ued n he

l he Gla

Menageie lbby. Ceng

cme mgey hw

he cnce vded he

hee f enugh nm-n gn vl he

lbby degn. Te lwe mge

hw Adm Mchnd

ndng n n h nl-

ln, Inventoy, glley

n Smevlle.


218/308


219/308


159

ACT ONE:

PUTTING ITTOGETHERT at r wr r.

I y r w r

r . T w I w I r

Mare Antnette, y r x

r . T y

w w rrr ww.

INSIDE OUR MINDS

T at r r w W,

r r. I k r

r r ww wr. T r ww wr-

w ry y rry .

I rr r r j Sry r y

wr. T at r rkr r A

Fz, Drr Mrk, w .

W y wr r r r

ww. D w , w ry

jy xr r

r y .

Tk r ww-wrr:

Y AkyD Bky

A Fz

Gr GrS Hr

Cr Py

Mr RJry Sr


220/308

160

A THING HAPPENED


221/308


161


222/308

162

A THING HAPPENED


223/308


163


224/308

164

A THING HAPPENED


225/308


165


226/308


227/308



228/308

A THING HAPPENED

INVENTORY

A Mr w r rInventry r w

. W rrr, w y r

r A- y. I

r w w w r r w-

w y. T w r r k

tv r. N y w r w

r, w r r

rwr r . I y k

Inventry r y, w wr

wr r rr r, ry r r

r y. W y ww, wr, r w

r r r r.

T r w , - x-

. W rry w r ww,

ww r r. I w r

r y r r w

r. I , w r r

r w . M x, , w

wy w rr . A r

w .


229/308


230/308

170

A THING HAPPENED

INTRODUCING TOM...

U r r Hrry R Cr

Ury x A, w r y

W y, w wr r r rr

Te Gass Menagere. Ty wr w

x f wr r w w

r k.

C Jry Sr r

y wr r r j r

Bzzr N B. I w ry r r r w

ry .

T r r yr r -

r r. S r x r wy w r qk r rr ; y ry

w r x r r 15- r.

T Crry J, Zry Q, C K-Br

Br J. S q jy k ry. Ty

wr y rr ry r . A

r rq r : w k k

r w . Tr r r Brwy

rr r F 2013 I k

r w r r r r r.


231/308


171


232/308

172

A THING HAPPENED

TEXT FOR THEINSIDE OUR MINDS

WINDOW WRITING


233/308


173

Dr Brr:

Hw y ? I y r y

y r y w , A J k

y yr r.

A q W r. I wy rr r y

w r Sy S -rrw . My

w r, , y r Er r.

I w Crr -. H , M S, w.

H w k r I w Br

k Dr . H r

I w k r r y.

I r Mr. Vr S My. I

wk y . S r

ry Sy, w w r S. L. S

r r.

Cr, Cy Prk r w r rr. Mr. A

ry wrr r y r . I

w yr r rr. S k

Dr. Bk Sy S rk r w Crr

r. Sk, D r y Sy S r!

B yr I k I r yr r rrrrk K Cr. (?) I y wr

r , ry y r, r r r

y y . I r

y r, r.

W , R.

Dr k

I wr r Lr k r

ry r. I r yry

Mr rr r

Pr W r W J. 27.

Lr I r . I Ary r, I

qy . I w rr r r

ry y, wr r , r .

I k r r r .


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174

A THING HAPPENED

k r y, r

y rr y ry r. N

r r .

I r wr r .

I y I k y r w r

r w r r jr wrk r .

Dr Fk:

I r rr y r w -y

j r r y rr

r, I ry ry wr r. B I k y

w r r , I y r. Y kw Iw wr r I k ywrr y

y w r r r.

I r r w wk

y y y w wrk. I ry

r wr ry y, k r , y

ry . Hw I w y wy r w

r wr S L! Ry -w

r Cr. N wr r k

r ry, w r, ry. I y y w r rry r

ry. I w wy r r, I , r Nw Mx

.

W Mr J r Hr F r Nw Yrk wrk

r , I r r .

S ry . Mr r Y

M P Py. R w

r w Nr w r

r r w . S r

$300. j Ury x j y r

y, rzy . H w

k rr Nw Yrk. I

r r k, r I r ry. S

ry rrk r. H yr xr rr

r H, x, r r wr, yr

I wr k H y. A j ry

yr .


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175

I r r R, y . I

r , I w -

k. S k r -r

y, r y y ,

r r wr y. I w ry r rr r.

T r r ry, I q w.

I w ry w r w y.

L,

I k wr w r r Dk r r.

Dr Mr

T Cr x r, j , I

k M rrw. I

Brky x.

I r w R. W k r-

w w r?

I wrk y. Mr. Wr x

r r y I y q j y r

w k r r. T Tr G r, w w w , r

r . I ry r r-, I y

r w. I ry I y .

I y I y X r I w

y y r. Nw I k I w j r

w w I , I wr k

y r k ywy.

I I w x w wk.

P kw xy w w w R Dk

r

I .

I r y j y.

L, .

I y x

E k r w r!


236/308

176

A THING HAPPENED

ARTWORK FOR THELOBBY POSTERS


237/308


177

NEWSPAPER CLIPPING

A r W r 1945 y W I, r

r r S. L . U Te Gass Menagere,

I ywr , w y -

Pn Bus Stp. T r r

W r y, Te Batte Anges, B: T y w

r r x w B, yy,

y j.


238/308

178

A THING HAPPENED

BABY TOM AND EDWINA

, 3 yr , w r Ew Dk W (r 1914).


239/308


179

NOTEBOOK EXCERPT

A r W k. H xr

rr r r , -

rr r, ( ry r Te Gass

Menagere) w r y rr y.


240/308

180

A THING HAPPENED

TOM AND ROSE AS CHILDREN

( 3) w r r, R ( 5), I -

r, , r 1914. R w r r Te Gass

Menageres Lr W.


241/308


181

TEENAGE TOM

T Lr W iii r ( kw).


242/308

182

A THING HAPPENED

TENNESSEE AND LAURETTE

(rr, r) Lr yr, r

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A THING HAPPENED


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A THING HAPPENED


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A THING HAPPENED


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A THING HAPPENED


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EXPERIENCE SKETCHBOOK

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EXPERIENCESKETCHBOOK

WHAT IF THERE WERE NO LIMITS?

One challenge o my thesis is that there

isn't a one-size-fts-all solution to the question.

What may work or one productionmay not work or ano

a ___ thing happened on the way to the theatre

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