62 magnificat and copy - paracletesheetmusic.com

PPM01043 $3.00 E.S./(C.)

“All Saints, Rome”

SATB and organ

Bruce Saylor

PARACLETE PRESS®

Magnificat and Nunc Dimittis

62

62

men.

18

-

ritard. a tempo

- A - -

ritard. a tempo

66

66

men.- - - -

ritard.

ritard.

Man.

70

70

A men.- - - -

dim. molto

PPM01043

Ped.June 29, 2001

Do Not

Copy

Bruce Saylor

Bruce Saylor holds degrees from The Juilliard School and from The City University of New York, where he received his Ph. D. He has also studied at the Accademia di S. Cecilia in Rome under a Fulbright fellowship. The winner of more than 40 awards in his field, he has received honors from the Guggenheim Foundation, the National Society of Arts and Letters, the American Academy of Arts and Letters, the National Endowment for the Arts, the Ingram Merrill Foundation, and the Mellon Foundation. Saylor was the Brena and Lee Freeman Composer-in-Residence at Lyric Opera of Chicago (1992-94) where he composed the third of his four operas, “Orpheus Descending,” set to J. D. McClatchy’s libretto after the Tennessee Williams play. His orchestral music has been commissioned and performed by the Houston, San Francisco, Nashville, Saint Louis, and Yale symphonies, and by the American Composers Orchestra, Incontri di Musica Sacra e Contemporanea of Rome, and Musica Viva of New York. His vocal and instrumental chamber music has been performed in the US, Europe and Japan. The Yard has commissioned numerous dance scores, and Nine Circles Chamber Theater has toured with his operas and theater pieces. Saylor has produced nine cantatas and two major works for voice and orchestra. He has also composed large-scale choral works for Pope John Paul II and Benedict XVI’s visits to St. Patrick’s Cathedral, President Clinton’s Second Inaugural and Presiding Bishop Frank Griswold’s Investiture at the National Cathedral in Washington, and much sacred choral music. He has written the original music and arrangements for two holiday CDs of American soprano Jessye Norman and concert arrangements of the sacred music of Duke Ellington, the latter most recently performed at Miss Norman’s “Honor!” festival in New York City in March, 2009. Mezzo-soprano Constance Beavon has recorded four of his vocal chamber cycles. An award-winning teacher, as well, Saylor is a professor at the Aaron Copland School of Music at Queens College and at the Graduate Center of the City University of New York.

Notes about Magnificat and Nunc Dimittis “All Saints, Rome”

These settings were first performed separately at special services at All Saints Anglican Church in Rome, Italy, July 1, 2001 (Nunc Dimittis) and July 2, 2006 (Magnificat).

The Magnificat and Nunc Dimittis were first performed together at the Church of the Heavenly Rest in New York City at All Saints Sunday Evensong. November 6, 2005. Mollie Nichols conducted the Heavenly Rest Choir and Choristers. Steven E. Lawson was the organist.

Paraclete Press sheet music is available at www.paracletepress.com

52

52

unison

As it was in the be gin- ning,- is now and

17

unison

55

55

ev

hold back

er- shall be,

div.

world

ritard.

with out-

hold back ritard.

58

58

end.

a tempo unison

A - - -

a tempo

PPM01043

Do Not

Copy

39

39

16

ritard.

ritard.

43

43

Glo

a tempo ma poco piu mosso

ry- be

`

to the Fa ther,- the Son, and to the

a tempo ma poco piu mosso`

47

47

Ho ly Ghost;-

PPM01043

Copyright © 2010 by Paraclete Press, Orleans, MA 02653

Bruce Saylor

Magnificat

Soprano

Alto

Tenor

Bass

Organ

The Book of Common PrayerLuke 1:46-56

Allegro moderato = 80

Composed in honor of the ordination of Sara MacVaneAll Saint's Anglican Church, Rome

SATB and organ

My soul doth mag ni- fy- the Lord,




Allegro moderato = 80solo trumpet

Gt.

3

3

PPM01043

Gt.

All rights reserved.

Do Not

Copy

4

4

2

and my spi rit- hath re joiced- in God my Sa vior.-




6

6

For he hath re gard- ed- the low li- ness- of his

3

3

3


3 3

3 3

PPM01043

33

3 3 3 3

26

26

To be a light to light en- the Gen tiles,- to be a

15

to be a

30

30

light to light en- the Gen tiles,- and to be

cresc.

the glo

broadendivisi.

ry- of thy

cresc.divisi.

broaden

34

34

peo ple,- thy peo ple- Is

ritard.

ra- - - el.

a tempo

-

ritard. a tempo

PPM01043

Do Not

Copy

14

14

word,

14

ac cord- ing- to thy word. For mine

For mine eyes have seen

18

18

eyes have seen thy sal va- tion;- which thou hast pre -

22

22

pared- be fore- the face of all peo ple;-

PPM01043

8

8

hand maid- en.-

3

hand maid- en.-

For be hold- fromhence forth-

For be hold- from hence forth-

solo

Gt.

3

3

10

10

all gen er- a- tions- shall call me


all gen er- a- tions- shall call me bless -


solo 3 Gt.

PPM01043

Do Not

Copy

12

12

bless

4

ed.- For he that is might y- hath

3

bless ed.- For he that is might y- hath

3

ed.- -

ed.- -

solo

14

14

mag ni- fied- me, and ho - - ly is his

mag ni- fied- me, and ho ly- - is his

and ho ly- - is his Name.


Gt.

PPM01043Man.

Luke 2:29-32The Book of Common Prayer

Andante tenero = 84

Composed in memory of Giovanni Conticello All Saint's Anglican Church, Rome

Nunc DimittisBruce Saylor

13

Organ

Ped.

5

5

Lord,

AS

Lord, Lord, now let test thou- thy

TB

10

10


ser vant- de part- in peace ac - cord ing- to thy

PPM01043


Do Not

Copy

59

59

end.

12

A

ritard e dim.

- - -

end. A - - -

end. A - - -

end.

ritard e dim.

Gt.3

62

62

a tempo

a tempo

ritard.

ritard.

- - men.

- - men.

- men.

men.

solo flute

strings

PPM01043

+32June 8, 2005

17

17

Name. And his mer cy- is on them that

5

3

Name. His mer cy- is on them that

3

And his mer cy- is on them that fear him

3

His mer cy- is on them that

3

Ped.

19

19

fear him through out- all gen er- a- tions.-


through out- all gen er- a- tions.-

fear him through out- all gen er- a- -

PPM01043

Do Not

Copy

21

21

T

6

He hath show ed- strength with his arm;

3

tions.

B

- He hath scat tered- the proud in the im

3 3

-Gt.

sub.

solo

23

23

He

marcato

hath put down the might y- from their

3

ag- i- na- tion- of their hearts.

3 3

25

25

seat. He hath fill ed- the hun gry- with good

And hath ex alt- ed- the hum ble- and meek. And the

Sw.

PPM01043

55

55

in the be gin- ning,- is now,

11



in the be gin- ning,- is now,3 3 3 3 3 3

33 3 3

3 3 3 3

57

57

hold back

hold back

and ev er- shall be world with out-



and ev er- shall be world with out-3 3

PPM01043

solo3

3 3 3

Do Not

Copy

51

51

be

10

to the Fa ther,- and to the Son, and

be to the Fa ther,- and to the Son, and



53

53

to the Ho ly- Ghost. As it was




3

PPM01043

33

33

28

28

S

He

7

A

He

things,

T

he hath sent emp ty- a way.-

rich

B


solo flutedolce

31

31

re mem- b ring’- - his


PPM01043

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Copy

34

34

mer

8dolce

cy- hath hol pen- his ser vant- Is ra- el-

mer

dolce

cy- hath hol pen- his ser vant- Is ra- el-

3

3 3 3

Ped.

( )

38

38

prom

as he prom

ised

ised

-

- to our fore fa- thers,- A bra- ham-

as he prom ised- to our fore fa- thers,- A bra- ham

A - bra -

A bra- -33

33

PPM01043

42

42

and his seed for ev- er,- for

9

-

and his seed for ev- er,- for -

ham- and his seed for ev- er,- for -

ham- and his seed for ev- er,- for -

solo

( )3 3

47

47

a tempo

a tempo

ev- er.- Glo ry-

ev- er.- Glo ry-

ev- er.- Glo ry-

ev- er.- Glo ry-

strings

solo trumpet

Gt.

3 3

PPM01043

( )Gt.

Do Not

Copy

51

51

be

10

to the Fa ther,- and to the Son, and




53

53





3

PPM01043

33

33

28

28

S

He

7

A

He

things,

T


rich

B


solo flutedolce

31

31



PPM01043

Do Not

Copy

21

21

T

6

He hath show ed- strength with his arm;

3

tions.

B

- He hath scat tered- the proud in the im

3 3

-Gt.

sub.

solo

23

23

He

marcato

hath put down the might y- from their

3

ag- i- na- tion- of their hearts.

3 3

25

25

seat. He hath fill ed- the hun gry- with good

And hath ex alt- ed- the hum ble- and meek. And the

Sw.

PPM01043

55

55


11



in the be gin- ning,- is now,3 3 3 3 3 3

33 3 3

3 3 3 3

57

57

hold back

hold back




and ev er- shall be world with out-3 3

PPM01043

solo3

3 3 3

Do Not

Copy

59

59

end.

12

A

ritard e dim.

- - -

end. A - - -

end. A - - -

end.

ritard e dim.

Gt.3

62

62

a tempo

a tempo

ritard.

ritard.

- - men.

- - men.

- men.

men.

solo flute

strings

PPM01043

+32June 8, 2005

17

17

Name. And his mer cy- is on them that

5

3

Name. His mer cy- is on them that

3

And his mer cy- is on them that fear him

3

His mer cy- is on them that

3

Ped.

19

19



through out- all gen er- a- tions.-

fear him through out- all gen er- a- -

PPM01043

Do Not

Copy

12

12

bless

4

ed.- For he that is might y- hath

3

bless ed.- For he that is might y- hath

3

ed.- -

ed.- -

solo

14

14

mag ni- fied- me, and ho - - ly is his

mag ni- fied- me, and ho ly- - is his



Gt.

PPM01043Man.

Luke 2:29-32The Book of Common Prayer

Andante tenero = 84

Composed in memory of Giovanni Conticello All Saint's Anglican Church, Rome

Nunc DimittisBruce Saylor

13

Organ

Ped.

5

5

Lord,

AS

Lord, Lord, now let test thou- thy

TB

10

10


ser vant- de part- in peace ac - cord ing- to thy

PPM01043


Do Not

Copy

14

14

word,

14

ac cord- ing- to thy word. For mine

For mine eyes have seen

18

18

eyes have seen thy sal va- tion;- which thou hast pre -

22

22

pared- be fore- the face of all peo ple;-

PPM01043

8

8

hand maid- en.-

3

hand maid- en.-

For be hold- fromhence forth-

For be hold- from hence forth-

solo

Gt.

3

3

10

10





solo 3 Gt.

PPM01043

Do Not

Copy

4

4

2





6

6


3

3

3


3 3

3 3

PPM01043

33

3 3 3 3

26

26

To be a light to light en- the Gen tiles,- to be a

15

to be a

30

30

light to light en- the Gen tiles,- and to be

cresc.

the glo

broadendivisi.

ry- of thy

cresc.divisi.

broaden

34

34

peo ple,- thy peo ple- Is

ritard.

ra- - - el.

a tempo

-

ritard. a tempo

PPM01043

Do Not

Copy

39

39

16

ritard.

ritard.

43

43

Glo

a tempo ma poco piu mosso

ry- be

`

to the Fa ther,- the Son, and to the

a tempo ma poco piu mosso`

47

47

Ho ly Ghost;-

PPM01043


Bruce Saylor

Magnificat

Soprano

Alto

Tenor

Bass

Organ

The Book of Common PrayerLuke 1:46-56

Allegro moderato = 80

Composed in honor of the ordination of Sara MacVaneAll Saint's Anglican Church, Rome

SATB and organ





Allegro moderato = 80solo trumpet

Gt.

3

3

PPM01043

Gt.


Do Not

Copy

Bruce Saylor

Bruce Saylor holds degrees from The Juilliard School and from The City University of New York, where he received his Ph. D. He has also studied at the Accademia di S. Cecilia in Rome under a Fulbright fellowship. The winner of more than 40 awards in his field, he has received honors from the Guggenheim Foundation, the National Society of Arts and Letters, the American Academy of Arts and Letters, the National Endowment for the Arts, the Ingram Merrill Foundation, and the Mellon Foundation. Saylor was the Brena and Lee Freeman Composer-in-Residence at Lyric Opera of Chicago (1992-94) where he composed the third of his four operas, “Orpheus Descending,” set to J. D. McClatchy’s libretto after the Tennessee Williams play. His orchestral music has been commissioned and performed by the Houston, San Francisco, Nashville, Saint Louis, and Yale symphonies, and by the American Composers Orchestra, Incontri di Musica Sacra e Contemporanea of Rome, and Musica Viva of New York. His vocal and instrumental chamber music has been performed in the US, Europe and Japan. The Yard has commissioned numerous dance scores, and Nine Circles Chamber Theater has toured with his operas and theater pieces. Saylor has produced nine cantatas and two major works for voice and orchestra. He has also composed large-scale choral works for Pope John Paul II and Benedict XVI’s visits to St. Patrick’s Cathedral, President Clinton’s Second Inaugural and Presiding Bishop Frank Griswold’s Investiture at the National Cathedral in Washington, and much sacred choral music. He has written the original music and arrangements for two holiday CDs of American soprano Jessye Norman and concert arrangements of the sacred music of Duke Ellington, the latter most recently performed at Miss Norman’s “Honor!” festival in New York City in March, 2009. Mezzo-soprano Constance Beavon has recorded four of his vocal chamber cycles. An award-winning teacher, as well, Saylor is a professor at the Aaron Copland School of Music at Queens College and at the Graduate Center of the City University of New York.

Notes about Magnificat and Nunc Dimittis “All Saints, Rome”

These settings were first performed separately at special services at All Saints Anglican Church in Rome, Italy, July 1, 2001 (Nunc Dimittis) and July 2, 2006 (Magnificat).

The Magnificat and Nunc Dimittis were first performed together at the Church of the Heavenly Rest in New York City at All Saints Sunday Evensong. November 6, 2005. Mollie Nichols conducted the Heavenly Rest Choir and Choristers. Steven E. Lawson was the organist.

Paraclete Press sheet music is available at www.paracletepress.com

52

52

unison

As it was in the be gin- ning,- is now and

17

unison

55

55

ev

hold back

er- shall be,

div.

world

ritard.

with out-

hold back ritard.

58

58

end.

a tempo unison

A - - -

a tempo

PPM01043

Do Not

Copy

PPM01043 $3.00 E.S./(C.)

“All Saints, Rome”

SATB and organ

Bruce Saylor

PARACLETE PRESS®

Magnificat and Nunc Dimittis

62

62

men.

18

-

ritard. a tempo

- A - -

ritard. a tempo

66

66

men.- - - -

ritard.

ritard.

Man.

70

70

A men.- - - -

dim. molto

PPM01043

Ped.June 29, 2001

Do Not

Copy

62 magnificat and copy - paracletesheetmusic.com

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