magnificat primi toni (ii)

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Magnificat primi toni (ii) JEAN MOUTON Source: Universitätsbibliothek, Jena, MS 20 (Petrus Alamire, Brussels, c. 1515). The manuscript contains 19 settings of the Magnificat. This is the second of two settings by Mouton, both on the first tone, in this manuscript. Note values halved. Text underlay, which is not always clear in the source, is editorial. In common with many manuscripts from the Alamire workshop, the source contains a number of annotations to indicate tacet voices. Verse Voice Annotation Translation 4 Bassus Cantantes licet usque minus via laedet eamus We may go singing all the way, that the road wearies us less 6 Superius Ego dormio et cor meum vigilat. Canticorum. I sleep and my heart watches. Of the Songs. 6 Contra Melius est mihi mori quam vivere. Jone 4°. It is better for me to die than to live. Jonah 4. This edition © Copyright Adrian M. Wall, 2021. See http://www.diversvoyces.org.uk/editions for copyright terms.

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Page 1: Magnificat primi toni (ii)

Magnificat primi toni (ii)

JEAN MOUTON

Source: Universitätsbibliothek, Jena, MS 20 (Petrus Alamire, Brussels, c. 1515). The manuscript contains 19 settings of the Magnificat. This is the

second of two settings by Mouton, both on the first tone, in this manuscript.

Note values halved. Text underlay, which is not always clear in the source, is editorial.

In common with many manuscripts from the Alamire workshop, the source contains a number of annotations to indicate tacet voices.

Verse Voice Annotation Translation

4 Bassus Cantantes licet usque minus via laedet eamus We may go singing all the way, that the road wearies us less

6 Superius Ego dormio et cor meum vigilat. Canticorum. I sleep and my heart watches. Of the Songs.

6 Contra Melius est mihi mori quam vivere. Jone 4°. It is better for me to die than to live. Jonah 4.

This edition © Copyright Adrian M. Wall, 2021. See http://www.diversvoyces.org.uk/editions for copyright terms.

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