4th quarter 2015 lesson 6 powerpoint with tagalog notes

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  • 8/20/2019 4th Quarter 2015 Lesson 6 Powerpoint With Tagalog Notes

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     Adult Bible Study Guide

    Oct • Nov • Dec 2015

    powerpoint presentation designed by claro ruizvicente

    http://clarovicenteweeblyco!

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    p y

     Adult Sabbath School Bible Study Guid"n "ppeal

    Dear #ser$ %his &ower&oint 'how is (reely sharedto all who !ay )nd it bene)cial *hile

    intended pri!arily (or personal use+so!e )nd it use(ul (or teaching thelesson in church

     %here are those+ however+ who add

    illustrations+ change bac,ground+change (onts+ etc *hile their intention!ay be good+ this is not right 'lide -1

    says .designed by claro ruiz vicente

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    Bimre Tokics, Principal Contributor 

    EREMIAH

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     JeremiahOur 6oal

    To read the boo, o( 7ere!iah+ is to ta,e a 8ourney+

    a spiritual 8ourney that goesbac, and (orth (ro! thelowest depths o( hu!an

    depravity to the heights andgrandeur and !a8esty o( the3ord9

    the 3ord who+ (ro! those

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     Jeremiahontents

      1 The Prophetic Calling of Jeremiah  2 The Crisis Within and Withot  The !ast "i#e $ings of Jdah  ; Re%ke and Retri%tion

      5 More Woes for the Prophet  < &'m%olic Acts  = The Crisis Contines  > Josiah(s Reform

      ? Jeremiah(s )oke10 The *estrction of Jersalem11 The Co#enant12 Back to Eg'pt

    1 !essons "rom Jeremiah

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     Jeremiah3esson

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    Symbolic Acts@ey %eAt

    Bo!ans ?:21

    .Hath not the potter power

    over the clay+ o( the sa!elu!p to !a,e one vesselunto honour+ and another

    unto dishonourC

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    Symbolic Actsuic, 3oo,

    1 %he &otters Cla'

    (Jeremiah 11-"#2 '!ashing the Jar

    (Jeremiah 1$1-11#

    %he 3inen Belt  

    (Jeremiah

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    Symbolic Actsnitial *ords

    Throgh the s'm%olism o(the earthly sanctuary+ or thesy!bols o( prophetic boo,sand in !any other ways+ the

    3ord has used sy!bols to

    convey truth 7esus Ei!sel(+with Eis parables and ob8ectlessons+ used sy!bols to

    eAplain deep truths

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    Symbolic Acts1 %he &otters lay

     7ere!iah 1>:1F< N@7G. H+o don to the pottershouse %here he was!a,ing so!ething at the

    wheel "nd the vesselwas

    !arred in the hand o( thepotterI so he !ade it againinto another vessel %hen the

    word o( the 3ord ca!e:

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    1' he Potter)s Clay  %he 3ord is n ontrol

    As he atched the pottershand+ he was given an i!age+

    a sy!bol+ o( how the 3ordwor,ed with hu!an clayt does teach the ulti!ate

    sovereignty o( 6od %hat is+ however hopeless thesituation !ight have see!ed

    (ro! 7ere!iahs perspective+

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    1' he Potter)s Clay  %he 3ord is n ontrol

    hi! that ulti!ately+ despitethe wrong or even will*ully

    wrong decisions that people!a,e+ the 3ord is in control o(

    the world

    Ee is the absolute source o(power and authority+ and inthe end Ee will triu!ph+

    regardless o( appearances

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    1' he Potter)s Clay  %he 3ord is n ontrol

    &aul pic,s up on this Old %esta!ent i!age in Bo!ans ?

    *e can rest assured that+despite the reality o( hu!an(ree will and (ree choices+ in

    the end+ we can hope in theabsolute sovereignty o( oursel(Fsacri)cing 6od+ whose

    love is revealed on the cross

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    Symbolic Acts2 %he '!ashing o( the 7ar

     7ere!iah 1?:1F11 N@7G. H+o and get a potters

    earthen Jas,+ and ta,e so!e o(

    the elders o( the peopleando( the priests "nd go out

    to the Galley o( the 'on o(Einno! %hen you shallbrea, the Jas,and say:

    .%hus says the 3ordH4ven so

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    +' he Smashin, o* the Jar  %he Degeneration o( a Nation

    Because they have*orsa.en me/ and ha0e

    estran,ed this place/ andha0e burned incense in itunto other ,ods'''and ha0e

    lled this place with the bloodo* innocents2 K7er 1?:;L

    hey ha0e built also the hi,h

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    +' he Smashin, o* the Jar  %he Degeneration o( a Nation

     %he nation was to be holy+special to the 3ord (see 34od'1$5/ "#/ so!ething diMerentand distinct (ro! the nationsaround the! ut thats not

    what happened %hey lost their uniuecharacter+ the distinctiveness

    that would have !ade the! a

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    +' he Smashin, o* the Jar  %he Degeneration o( a Nation

    *hat a lesson it should be tous all about how easily we can

    beco!e so blinded by theprevailing culture that we

    accept+ or even ta,e part in+

    practices that9were weconnected to the 3ord and intune with Eis *ord as we

    should be9we would never

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    +' he Smashin, o* the Jar  %he Degeneration o( a Nation

    *hat good is a s!ashed clay 8arC ( the 8ar were crac,ed+so!e use !ight be (ound (orit+ even i( not (or the originalintent o( the 8ar ut 7ere!iah

    was to brea, it+ essentiallyrendering it useless*hats even !ore (rightening

    is the apparent )nality o( the

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    Symbolic Acts %he 3inen elt

     7ere!iah 1:1F= N@7G. H+o and get yoursel( a

    linen sash+ and put it around

    your waist %a,e thesashand go to the

    4uphrates+ and hide it 6oto the 4uphrates and

    ta,ethe sashwhich you

    hide there "nd too, the

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    %' he 8inen Belt 6ods elt

    The %elt s'm%oli0es both thehouses o( srael and 7udah+

    pure and unstained at the ti!eo( 6ods reuest

     %he !an wearing the belt is

    6od Ei!sel( %his shows+ 8usthow closely tied 6od Ei!sel(was to Eis people

    %he belt was !ade o( linen+ the

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    %' he 8inen Belt 6ods elt

     7ust as the belt had beenruined+ the pride o( the nation

    would be too

    "s a belt clings to a !answaist+

    these people had once clung tothe 3ord and were Eis source o(

    praiseand lor ut the had beco!e

    S b li

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    Symbolic Actsinal *ords

    The image of the potter andthe clay brings up the

    i!portant uestion o( how wesee, to understand 6odsactions %he (act is+ o( we

    o(ten dont %hat shouldnt be surprising+should itC Bead saiah 55:> "s

    hu!an beings we si!ply are