004. how to interpret with veloptions

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Imagine there were no art here. Only dough on a Holodeck/Faithboard/Time=Space|Room, With A Candle For Faith/Processing-Drive Fuel. The dough, represents the essence of a Knowledge Pattern. My veloptives might speak in plain words, rituals, or Imagery Riddles. You can, through learning about Veloptive Processes, start running your own Veloptive Processes. Remember to Velopt/ask the art, to: Display the Compressed Foundry Symbol/ universalitys around the Enprocessment of the non-titled/Only-Image-Defined or unclear Velopt Arts. There are carefully planned lines, that correspond with the planned later lines, making the idea of that its a Dough In Space/Still-Time+All Time. All these works are valuable ideas; Velopted. Or in case you want to start watching Veloptive, Movie/Step-By-Step Showreels, where you actually are Self-Velopting while watching, into running Veloptive sequences again. And: If i have explained my theories of Velopt, clearly enough, you should be able to Velopt yourself into just the right Veloptive Processes, over a Universal: Velopt Formula. It’s like: Theme/Subject/Object/Idea, or; to be more exact: The definition of “Object”, + Structure Based Function Knowledge; lubricated across the LubriGenerated; then: Defined Object. The StructaFunctioIntelligence might make the object Re-Velopt. That is why you might say: The title on these works, doesn’t matter. This block of text is actually a Velopted enroutement to running Extremely Detailed, Communicative Temporarily Results Over a VeloptVeloptVelopt/UniVelopt. In case you are new to my theory about Veloptations; this is the original, Velopt Theory: My new “ism”, named: Compoveloptism: The function that accounts the culture theory: Forced theme development explanation, and makes it innovative: Basically you need a language that can explain anything . Lets say i want to convey my knowledge about com- puters, and force the information to expand . I would choose , then express my knowledge about computers as for example lines and colors or tones, or maybe words. The next step, is to only continue the essential look or sound of the theme. The language can have base variations or logic, preferably a mix of both. How much logic that is needed, compared to the needed variation, is currently unknown. Its these variables, and possibly some others that accounts the language. I am going to use my explanation of computers, to assume the rest of the theme. Teaching with the goal of making you “read”, and understand my Veloptive paintings: Veloptive Dough With Logical Roads Through The Knowledge Pattern, For Veloptive Understanding.

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Page 1: 004. How to interpret with Veloptions

Imagine there were no art here. Only dough on a Holodeck/Faithboard/Time=Space|Room, With A Candle For Faith/Processing-Drive Fuel. The dough, represents the essence of a Knowledge Pattern. My veloptives might speak in plain words, rituals, or Imagery Riddles. You can, through learning about Veloptive Processes, start running your own Veloptive Processes. Remember to Velopt/ask the art, to: Display the Compressed Foundry Symbol/universalitys around the Enprocessment of the non-titled/Only-Image-Defined or unclear Velopt Arts.

There are carefully planned lines, that correspond with the planned later lines, making the idea of that its a Dough In Space/Still-Time+All Time. All these works are valuable ideas; Velopted. Or in case you want to start watching Veloptive, Movie/Step-By-Step Showreels, where you actually are Self-Velopting while watching, into running Veloptive sequences again. And: If i have explained my theories of Velopt, clearly enough, you should be able to Velopt yourself into just the right Veloptive Processes, over a Universal: Velopt Formula.

It’s like: Theme/Subject/Object/Idea, or; to be more exact: The definition of “Object”, + Structure Based Function Knowledge; lubricated across the LubriGenerated; then: Defined Object. The StructaFunctioIntelligence might make the object Re-Velopt. That is why you might say: The title on these works, doesn’t matter. This block of text is actually a Velopted enroutement to running Extremely Detailed, Communicative Temporarily Results Over a VeloptVeloptVelopt/UniVelopt.

In case you are new to my theory about Veloptations; this is the original, Velopt Theory:

My new “ism”, named: Compoveloptism: The function that accounts the culture theory: Forced theme development explanation, and makes it innovative: Basically you need a language that can explain anything . Lets say i want to convey my knowledge about com-puters, and force the information to expand . I would choose , then express my knowledge about computers as for example lines and colors or tones, or maybe words.

The next step, is to only continue the essential look or sound of the theme. The language can have base variations or logic, preferably a mix of both. How much logic that is needed, compared to the needed variation, is currently unknown. Its these variables, and possibly some others that accounts the language. I am going to use my explanation of computers, to assume the rest of the theme.

Teaching with the goal of making you “read”, and understand my Veloptive paintings:Veloptive Dough With Logical Roads Through The Knowledge Pattern, For Veloptive Understanding.

Page 2: 004. How to interpret with Veloptions

A kind of a further prediction of the theme(which might be some kind of composition of knowledge). Its the “composition encryption”, or essence of the (in this example) computer knowledge description/theme which brings the information towards the unknown, and de-scribes the unknown.

The goal is to expand the information. Its by using the theory of composition/essence ex-pandation: force forth new information based on the essence. Again: the starting point of the process, could be: for example the aesthetics of the theme, then; without being affected by the information;

expand/develop; from what the composition contains, by general, aesthetical rules. Then the information of computers would be expanded into a described, currently unknown, yet existing theme.

Recently, I have been highly creative in solving my “Perfect Language”/The Best Way To Velopt. I have also been highly innovative in putting together, and perfectioning the Velop-tive Sequence Rhythmatics And Theory Treatment, Reseach And Procedure. Enprocess-ment is simply, shining through the Velopt Pieces.

Research + Idea Enprocessment is the “Procedurial Enwrapment” Of the idea itself. Result-ing in my missing piece of the Velopt Theory: #3rd. Grade Velopt/VeloptVeloptVelopt.

You should be able to Velopt any practical idea. Or: A Theory/Formula/Skill/Knowledge.But you will probably have to do your own research process: How, and what is Velopting over a Velopt? Through Figuratively Decoding the processing of a Velopt itself. Thats when we reach VeloptVelopt. #2nd. Grade Velopt.

These pieces are a part of my brand new collection of 3rd level Veloptives. Velopted; Velop-tives To Re-Velopt Strategia. This is where i came out with the formula for Universal Velopt. Only Velopt itself: Velopted. In that current Veloptation, we might Velopt an Universal For-mula For Veloptive Enprocessment.

Velopt: Only a theory/LightRoom/Time=Space-Enprocessing, Functionated.VeloptVelopt: When Velopt itself, is Veloptated.VeloptVeloptVelopt: When a Veloptation becomes a Universal Velopt Sculpture/Dough/ComplexioSymbol.

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