This isn’t evolution, it’s revolution.

You want your mobile business to be second to none and Stanton has the gear tomake it happen. In this catalog you’ll find a variety of solutions to power your mobileDJ rig—from tabletop and rackmount CD players to mixers, accessories and com-plete systems in a case.

All Stanton products features rock-solid design for years of reliable performance,innovative features, and a sleek new look sure to impress.

Shouldn’t your mobile rig be “Powered by Stanton?”

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RACKMOUNT SYSTEMS:: Nothing beats the convenience of a rack-based system. From MP3-compatible decks like to C.504 and C.501to the rock-solid performance of the C.503 and affordable C.500, Stanton has a rackmount CD player with justthe right features for your application. Just add one of our RM-Series mixers and you’ve got a complete andpowerful mobile rig in a space-saving design that’s easy to take from gig to gig.

C.504 & RM.406Stanton's C.504 and RM.406 represent the pinnacle ofrackmount mobile DJ systems. With the C.504, DJs gainimpressive features like a realistic vinyl mode with over-sized jogwheels for scratching—plus seamless looping,sampling and onboard effects. Plug into the RM.406 andyou get a high-quality crossfader with curve control, 3-band EQ with complete kill, 3 microphone inputs and aSubwoofer output, plus SST sound quality and more.

C.504• Play MP3 discs with the ability to pitch bend and change tempo while

using effects• Seamless looping, hot cues and 10 seconds of sampling per deck• Synchronizable effects like filter, flange and delay, plus realistic vinyl mode• Independent pitch and tempo control via Key Lock and Key Shift functions• Up to 30 tracks of program memory and 100 tracks of playback settings• Versatile play modes: single, continuous, program, repeat one, repeat all, relay• Fader Start and Auto Cue functions• S/PDIF digital output

RM.406• 4-channel club/mobile mixer with SST for professional sound quality• 10 Line/CD inputs and 4 Phono inputs accommodate complex DJ setups• 3 Mic inputs with 3-band EQ and Talkover function• Minijack input (overrides Line input 5) for connecting an iPod™• FX Send and Return connectors for adding external effects• Separate Gain and 3-band EQ with complete kills per channel• Fully assignable crossfader with curve control and Fader Start function• New diffused LED level indicators and backlit Cue buttons for easy viewing• Innovative Illumiknobs™ use colored backlight to show knob position in dark • Master (XLR balanced and 1/4"), Zone (1/4" balanced and RCA),

Booth (RCA), Record (RCA) and Headphone (1/4" and 1/8")• XLR Subwoofer output with sweepable crossover

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C.501 & C.500The Stanton C.501 and C.500 are no-nonsense rack-mount decks designed to make a mobile DJ’s life lesscomplicated. Both models offer an easy-to-use interfacewith + 10 Track skip search, while the C.501 adds MP3playback and a 20-second anti-shock buffer.

• Full MP3 playback and anti-shock buffer (C.501 model)• Easy jogwheel control over pitch bend/frame search• Scan tracks quickly with +10 Track skip search• Auto Cue function cues track to start of music• Fader Start function and Relay Play capability• S/PDIF digital output

C.500

C.501

C.503If you want the solid, user-friendly design of the C.504,but don’t need the extras like onboard effects and MP3playback, the C.503 is for you. Featuring a more compact2U controller and lower price, the C.503 delivers the pro-fessional performance mobile DJs can rely on time aftertime while serving up some nice extras like looping, hotcues and filter effects.

• 3 hot start/cue points for quick cueing and instant playback• Seamless looping plus Brake and Scratch effects• Key Lock function keeps pitch constant when adjusting tempo• Up to 30 tracks of program memory and 100 tracks of playback settings• Versatile play modes: single, continuous, program, repeat one, repeat all, relay• Fader Start and Auto Cue functions• S/PDIF digital output

RACKMOUNT SYSTEMS

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RM.404The RM.404 is a full-featured mobile mixer featuring SSTsound quality and loads of inputs including an iPod input.Stanton’s innovative Illumiknobs™ and backlit buttonsmake it easy to work in dark environments, while a fullyassignable crossfader with Fader Start makes theRM.404 the perfect match for Stanton’s dual CD playerslike the C.503.

• 4-channel club/mobile mixer with SST for professional sound quaity• 10 Line/CD inputs and 4 Phono inputs accommodate complex DJ setups• 2 Mic inputs with 3-band EQ and Talkover function• Minijack input (overrides Line input 5) for connecting an iPod• Separate Gain and 3-band EQ with complete kills per channel• Fully assignable crossfader with Fader Start function• New diffused LED level indicators and backlit Cue buttons for easy viewing• Innovative Illumiknobs™ use colored backlight to show knob position in dark • Master (XLR balanced and 1/4"), Zone (1/4" balanced and RCA), Booth (RCA), Record (RCA) and Headphone (1/4" and 1/8")

RM.402Mobile DJs looking for a straightforward rackmount mixerwill love the RM.402. It’s engineered with SST to makeyour music sounds its best. There are also plenty ofinputs to handle all your gear, plus a convenient dual 7-band graphic equalizer so you can fine-tune your soundto any room.

• 4-channel mobile mixer in 19-inch rackmount chassis• Engineered with SST for ultra-low noise and zero bleed• Flexible input section: 3 Phono, 9 Line and 3 Mic inputs• Fully assignable crossfader with Fader Start function• Gain control with clip LED on each channel• Mic inputs feature 2-band EQ and Talkover function• Dual 7-band master EQ with On/Off switch• Balanced Master output, plus Zone and Booth outputs

RACKMOUNT SYSTEMS

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TABLETOP SYSTEMS:: If you want the hands-on control of a turntable with the convenience and sound quality of digital, consider oneof Stanton’s tabletop CD systems. Pair up the C.304 CD player and M.304 mixer for the ultimate turntable-stylerig—complete with realistic scratching and effects—or keep it simple with a C.303 and M.303. Either way, you’llcreate memorable performances without breaking the bank.

C.304 & M.304This package is the best choice for mobile DJs who come from a "vinyl" background. The C.304's touch-sensitiveplatter lets you scratch, backspin and beat-juggle with turntable-like feel, while onboard effects and pro features likeseamless looping and sampling with a sequencer let you create remixes on the fly. Pair it up with Stanton's M.304,which boasts a high-quality Penny & Giles crossfader, for the ultimate tabletop setup.

C.304• Touch-sensitive jog wheel for scratching and beat juggling• 6 onboard effects (Filter, Echo, Phase, Flanger, Transform, Pan)

with auto beat-sync• Adjustable pitch (+/- 8%, 16%, 25%, 100%) with Key Lock and

Pitch Bend• Trigger up to 4 hot cues, seamless loops or samples

(includes Pattern Sequencer)• Reliable, anti-shock playback (10 sec.) with auto cue and instant

playback

M.304• 3-channel mixer with SST for ultra-low noise and zero

bleed• 3 Phono inputs, 6 Line inputs, plus Mic input with EQ• 3-band EQ on all channels, plus kill switches on channels

1 and 3• Penny & Giles crossfader, LED gain indicators

per channel, plus onboard FX loop• Cue section with PFL and Cue Pan• Balanced Master and Booth output

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TABLETOP SYSTEMSC.303 & M.303The C.303 and M.303 provide a more cost-effective solution for mobile DJs who want a tabletop system but don’tneed scratching or onboard effects. The C.303 makes cueing and mixing songs easy via its large jogwheel andseamless looping, while the M.303's simple 3-channel design and SST sound quality ensure your music willsound its best.

C.303• Large jog wheel makes cueing tracks more natural• Adjustable pitch (+/- 8%, 16%, 25%, 100%) with Key Lock and Pitch Bend• Onboard sampling and seamless looping• Reliable, anti-shock playback with auto cue and instant playback• S/PDIF digital output

M.303• 3-channel mixer with SST for ultra-low noise and zero bleed• 3 Phono inputs, 6 Line inputs, plus Mic input with EQ• 3-band EQ on all channels, plus kill switches on channels 1 and 3• Cue section with PFL and Cue Pan• Balanced Master and Booth output per channel, plus onboard FX loop

DJ PACKAGES:: Looking for an easy way to put a mobile DJ system together? Whether for house parties, weddings or clubgigs, Stanton’s DigiPaks have everything you need to mix CDs—they even come with a custom road case!

DIGIPAK

• 2 S.250 CD players • 1 SMX.211 2-channel mixer• Custom road case with all cabling

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DIGIPAK PRO

• 2 C.303 tabletop CD players with anti-shock, seamless loop & sampling

• 1 M.202 2-channel mixer• Custom road case with all cabling

HEADPHONES:: Stanton offers a range of headphones for mobile DJs. Choose from single earpiece models, traditional closed-cup designs, or even stick headphones.

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DJ PRO 3000 DJ PRO 3000 STK DJ PRO 2000

DJ PRO 1000 MKIIS DJ PRO 500 MC DJ PRO 300

For full specs on all our headphones vist stantondj.com

FINALSCRATCH 2

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:: FinalScratch® 2 gives mobile DJs the best of both worlds: use your existing CD players to control, manipu-late, and even scratch digital music files on a computer. FinalScratch 2 is easy to set up and includes powerfulTraktor FS 2 software for organizing, searching and playing thousands of tracks. You can even record your voiceand instantly scratch it—a real crowd-pleaser! Leave your CDs at home and step up to FinalScratch 2.

• Play WAV, AIFF, MP3, AAC and WMA files from time-coded CD or vinyl• 24-bit ScratchAmp™ 2 sound card with Mic input, MIDI and more• 2 virtual decks with zoomable waveforms• Fast search engine works with over 50,000 tracks• High-quality Key Lock (Master Tempo)• Record a live microphone or your entire set direct to disk• Compatible with Apple® iTunes™• Package includes ScratchAmp hardware, Traktor FS 2 software,

time-coded CDs and vinyl, plus all cabling

SUPERIOR SOUND TECHNOLOGY™

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Ultra-Low Noise.Why add noise to your mix when you can have the pure sound of SST? Trythis with your current DJ mixer: make sure nothing is playing, then turn allthe channel faders and master fader to their maximum positions. Then boostall the EQ's to their highest settings. What you'll probably get is a bunch ofhiss and noise. On an SST mixer, you won't hear a thing!

Zero Bleed. Another problem common to DJ mixers is channel bleed. For example, let'ssay you have a CD playing on channel 1 and nothing playing on channel 2.On many mixers, if you were to turn up channel 2's fader all the way youwould hear the music bleeding over from channel 1. Again, with an SSTmixer all you hear is silence.

Better Overall Sound.Because Stanton builds SST mixers with high dynamic range and low distor-tion, our mixers have a much more clean, transparent sound than the com-petition. The result is your music will sound the way it was intended, withoutbeing "colored" by the circuitry of the mixer. Compare our specs head-to-head with other mixers at a similar price, and you'll find that SST mixers arehead and shoulders above the rest.

Built to Last.SST mixers are designed using only the highest quality components forlonger life and more reliable performance. Did you know that many mixersuse circuit boards made of a paper-like material? Spill a drink on that andyour mixer is toast. SST mixers use glass epoxy boards for better durability(except M.303). They also feature surface-mount technology, which meansif you were to open one up you wouldn't see a mess of wires but a cleandesign that keeps our mixers so quiet.

SST MIXERS OFFER SEVERAL IMPORTANT ADVANTAGES FOR DJs

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